Béla Bartók composed his 44 Violin Duos in 1931, at the urging of the German violin pedagogue Erich Doflein. With two exceptions, all the pieces are based on original folk music themes, most of which the composer himself collected in the course of his numerous collecting trips to the Carpathian Basin and in Algeria. Although conceived as parts of a pedagogically motivated set, these little pieces are highly effective in concert performance as well. The transcription follows Bartóks original faithfully. The publication includes fingerings added by the editor. / 2 Violoncelles

Publié par Pejtsik Árpád Instrument: 2 violoncelles ou plus Série: Music for Beginners Genre: Pedagogical performance pieces Langue: Hungarian, English, German, French Pages: 48 pp Date du parution: Août 1977

The study of string instruments should include ensemble playing at the earliest possible stage. There is much to be gained from the playing of duets. Each player learns how to listen to the other, and in a short time develops an awareness of balance, musical phrasing, intonation, and tone quality. This type of training is excellent preparation for participation in large groups. These four volumes of duets for two violins will help fill the need for early ensemble experience in the public schools. They should be used in string classes as a supplement to any of the standard string methods. They will also encourage music making outside of the school, with parents or with other students. These duets are ideal for recitals in the public schools and in public school festivals. They may be played by two performers, or by multiple performers on each part, with or without piano accompaniment.

The study of string instruments should include ensemble playing at the earliest possible stage. There is much to be gained from the playing of duets. Each player learns how to listen to the other, and in a short time develops an awareness of balance, musical phrasing, intonation, and tone quality. This type of training is excellent preparation for participation in large groups. These four volumes of duets for two violins will help fill the need for early ensemble experience in the public schools. They should be used in string classes as a supplement to any of the standard string methods. They will also encourage music making outside of the school, with parents or with other students. These duets are ideal for recitals in the public schools and in public school festivals. They may be played by two performers, or by multiple performers on each part, with or without piano accompaniment.

Par LEGG PAT. Position Jazz is a collection of ten cello duets designed to offer an enjoyable introduction to positions from 1/2 to 5th. The deliberately simple lower part enables the teacher to observe the student above. It also provides an opportunity for a beginner cellist to experience making music with a more advanced pupil. The positions used within each piece are indicated in boxes.  / Instrumental Music / Recueil / 2 Violoncelles

Par COHEN MARY. Dance Duets can be enjoyed by cello players of about grade 2-3 upwards. It is excellent concert material and offers a wide range of techniques including (easy) fast finger work, extensive pizzicato, leggiero bowing, long legato lines, double stopping- and even the occasional chance to stamp! The cello parts are of equal interest, taking players on a journey across Europe to South America, exploring the energetic flow and crispy rhythms of different cultural dances along the way. / Instrumental Music / Recueil / 2 Violoncelles

Par WATERFIELD POLLY / LUBACH G.. This is another volume of lively and entertaining duets, originally composed for Cello. They are designed to encourage the development of good technique. In idioms ranging from the energetic folk music of Eastern Europe to ballads and rhapsodies, More Polytekniks presents a variety of more advanced technical challenges, from vibrato, spiccato, extended position work and tenor clef to double-stopping and metrical changes. More Polytekniks may be enjoyed by a teacher and pupil duo, or by two friends of varying ability. / Niveau : Assez Facile / Recueil / 2 Violoncelles

8 Intermediate-Level Tango Classics. Par DIVERS AUTEURS (ARR.COLLATTI DIEGO). Authentic tango classics arranged as duets of medium difficulty for 2 cellos - this edition includes the famous tunes of some of the greatest tango compositions the world has ever heard. Tango is full of life and passion - the fact that this love affair of music and rhythm has not lost any of its fascination is demonstrated these classic tango pieces that have been selected for this collection and arranged for two cellos. When Astor Piazolla, Vicente Greco, and Angel Villoldo meet in an edition of tango classics, entertainment and expertise of the highest level are sure to ensue. In addition to one of his own compositions, arranger Diego Collatti has selected some of the most popular tango tunes to be arranged for two cellos, among them 'Libertango', 'El Choclo' and 'A media Luz'. Collatti, who is considered an expert in Argentine tango, has brilliantly and expressively highlighted the two violin parts, which have been essential elements of the tango tradition since its beginning. The duets' characteristic phrasing opportunities combined with their dynamic shading and diverse articulation enhance their value as entertaining concert pieces and deeply authentic ensemble repertory additions. Melancholic tunes, rhythmic precision, and untamed passion can be found in this stylistically diverse collection, the compositional art of which showcases the full emotional range of the tango tradition. - Engaging tango classics by Astor Piazzolla, Vicente Greco, Agostín Bardi, and many other tango composers, selected and arranged by Argentine tango expert Diego Collatti - The clearly structured instrumental parts communicate with each other and remain true to the originals in their range of articulation and dynamics - The stylistic variety, expressiveness, imagination and multicultural influences of the genre are wonderfully combined in this collection / Niveau : Intermédiaire / Recueil / 2 Violoncelles

Aus Den 44 Duos Für Zwei Violinen. Par BARTOK BELA. 44 Duos' by Béla Bartók - the complete collection available for the first time in one edition for two celli. The '44 Duos' by Béla Bartók were written in 1931 and were originally included in a tutor for the violin, written by the teacher Erich Doflein (1900-1977). Since then they have become an indispensable key to the understanding of twentieth century music. Until now a version for two celli was limited to 18 selected duos. The present edition for two celli is the first to include them all. The arrangements are based either on the possibility of a downwards transposition by an octave, or, where the original makes use of the violin's open E string, downwards by a twelfth. • Introduction to Béla Bartók‘s musical world and to the most important elements of the folk music of Hungary and the neigbouring regions • All of the Duos are available for the first time in one edition arranged for two celli by Hans Erik Deckert • Provides aspiring cellists the chance to experience the musical partnership required by chamber music/ Répertoire / 2 Violoncelles

Par BORSARELLO FREDERIC. Tous les ensembles dits de « Musique de Chambre » s?efforcent de construire leur technique, de façon à obtenir une parfaite homogénéité (timbre, justesse, rythmes et nuances). Ce recueil en trois parties, unique en son genre, permet d?exercer et de préparer l?oreille à cette finalité, essentielle à l?écoute de ces concepts. Toutes les pièces peuvent être jouées dans un ordre choisi par l?enseignant, selon le degré de l?élève. L?auteur ayant pris soin de donner au premier et deuxième violoncelle les mêmes difficultés, il sera plus facile de réunir deux élèves d?un même niveau (surtout si leurs cours sont consécutifs), et ce, afin de favoriser la musique collective, objectif du recueil. Ces relais de sons enchaînés et alternés d?un violoncelle à l?autre, incitent les interprètes à écouter leur partenaire note à note, développant ainsi la mémoire auditive, et à faire preuve d?une extrême concentration. Pour éviter les difficultés dues à la juxtaposition des deux mains, la première de ces trois parties sera réservée aux relais de cordes à vide ; la conclusion de cette partie propose une criture plus conventionnelle. Considérons la deuxième partie comme un intermède musical plus divertissant, soit le résultat d?un travail d?écoute. La troisième et dernière partie du cahier, montre que les sonorités contemporaines sont également adaptables à cette technique. Elle peut être pratiquée à partir de deux musiciens, quelle que soit la famille d?instruments. Puisse cet ouvrage intéresser les Chambristes et les faire progresser dans leur Art ! Frédéric BORSARELLO / Date parution : 2023-03-21/ Recueil / 2 Violoncelles

Par SPECKERT GEORGE A.. Speckert’s popular “The Roots of Jazz” collection of jazz pieces and styles for violin and violoncello now comes in an edition for two violoncellos. Whether it be arrangements of originals such as “The Entertainer” (Scott Joplin), “Hot Tiger Rag” (Nick la Rocca), “St Louis Blues” (W. C. Handy), “Nobody Knows The Trouble I've Seen” (trad) or original compositions by George Speckert, these pieces not only have catchy tunes and snappy rhythms, they’re also easy to play. Exciting stuff! With skill and sensitivity Speckert, who actually was born in New Orleans, captures the typical melodic, harmonic and rhythmic style of each genre, whether ragtime, blues, boogie woogie, gospel, folksong or early jazz. Equally suitable for music-making fun in lessons, recitals or your own living room./ Recueil / 2 Violoncelles

Ce sont les éditions françaises Robert Martin qui ont eu le privilège d'éditer la partition 10 DUOS INEDITS pour deux Violoncelles Vol.1 de Maffi Maria Eugénia . Idéale pour les musiciens pratiquant Violoncelle et ayant un niveau proche de Cycle 1, cette pièce se classe dans la catégorie Classique sous la référence MAFF04871. / 2 Violoncelles / niveau : Cycle 1 / Partition