To The French Woman For Alto Saxophone And Piano-French composer Pierre Max Dubois (1930-1995) significantly contributed to the woodwind repertoire particularly for Saxophone. Pieces Caracteristiques En Forme De Suite for Alto Saxophone and Piano was published in 1962 and remains popular in the advanced saxophonist's repertoire. Dubois' music is characteristically light-hearted with unusual harmonic and melodic textures. The second movement of Pieces Caracteristiques En Forme De Suite for Alto Saxophone and Piano To the French Woman reflects Dubois' compositional characteristics as well as elements of Frenchcharacteristics with a typical performance lasting about four minutes and 45 seconds. Pieces Caracteristiques En Forme De Suite is essential to the advanced saxophonist's repertoire. Dubois' most famous work makes for an exciting and enjoyable performance for players and audiences alike.

for E-Flat Alto Saxophone and Piano-This piece (1998) originally for alto saxophone and concert band was written specifically for the University of Michigan Symphony Band and the famed professor of saxophone Donald J. Sinta. It was commissioned by the University of Michigan Band Alumni Association and is one is a series of four original works for the band's centennial celebration in 1997.

French composer Pierre Max Dubois (1930-1995) significantly contributed to the wind repertoire. Mazurka for Alto Saxophone and Piano was published in 1961 and remains prominent in the instrument's repertoire. Dubois' music is characteristically light-hearted with unusual harmonic and melodic textures. Mazurka an homage to Chopin reflects Dubois' compositional characteristics with a typical performance lasting about four minutes. Mazurka is essential to the advanced Alto Saxophone repertoire as Dubois' work makes for an exciting varied and enjoyable performance for playersand audiences alike.

Piano Reduction including solo part. Par DENISOV EDISON. The catalogue of Edison Denisov's works includes 16 concertos. It was a genre to which he returned time and again throughout his life, from the Concerto for Cello and Orchestra of 1972 to the Double Concerto for Flute, Clarinet and Orchestra of 1996. In Denisov's music the role of the soloist, or rather the protagonist, is extraordinarily important, not so much for its virtuosity as for its confessional character. The solo part is a monologue distinguished by poetic diction and a very personal message from the composer. The dramaturgical conception of the Concerto for Saxophone and Orchestra, a reworking of the Viola Concerto of 1986, draws on traditional sonata form, thereby reaffirming the ubiquitous classicism in Denisov's thought. In this late work, we find all the typical features of his style: sinuous melodic lines layered into dense contrapuntal textures, and an interplay of orchestral colours, with pure sonorities contrasting with complex mixtures of sounds. It is a perfect dramaturgy that governs the evolution of the music to the very end. The first movement assumes the role of a sonata-allegro, with the standard formal sections of exposition, development, recapitulation and coda. The second movement is an Adagio for strings. The third takes the form of a little contrasting intermezzo that introduces both new thematic material and a new range of colours. Here tunefulness gives way to pointillism enriched with sonic effects. The only movement with a virtuosic solo part, its nervousness and inner tension set it worlds apart from the second and fourth movements that surround it. The fourth movement assumes the traditional form of a final set of variations. It is the dramaturgical and semantic heart of the concerto. The theme of the variations is Franz Schubert's Impromptu in B-flat major, op. 142, which in this case is 'born' from the celesta as the product of a dodecaphonic string cluster. This finale represents Denisov's homage to his great mentor, Schubert's music being for him a symbol of eternal and universal beauty. 'The attentive listener', Denisov stressed, 'will recognise that the Impromptu theme is already suggested very slowly in the course of the three preceding movements, not only thematically, but also psychologically. That's what makes the appearance of the Schubert theme sound so natural.' The variations relate to the variation genre less in their form than in their spiritual and conceptual metamorphoses. It is, one might say, 'music round about Schubert'. (Ekaterina Kouprovskaia-Denisova)/ Répertoire / Saxophone Alto et Piano

Three Piece Suite for alto saxophone and piano is a transcription made by the composer in 1996 of three movements from his Four Piece Suite for two pianos of 1974. First performed on 21 March 1996 by John Harle. Duration c. 10 minutes. Includes Score and Part. For ABRSM examinations.

Play-Alongs Bekannter Stücke Aus Irland Schottland Wales Dem Cornwall und Der Bretagne-Martin Tourish is an accordionist composer and musicologist from Co. Donegal now based in Dublin. Celtic music is in his blood for his ancestors were noted collectors of dance music manuscripts dating back to the 19th century. With many recordings to his credit he now offers his expertise to performers wishing to explore the rich culture of Irish and other Celtic music on a variety of instruments. ?World Music Celtic? presents material from the Irish Scottish Welsh Cornish and Breton traditions. It makes no great technical demands on the players but Tourish points out that notation of this music is often ?skeletal? hence it is important to gain a knowledge of theindividual traditions in question and naturally he offers plenty of information on performance practice. The collection spans three centuries from the blind bardic harpists of the 18th century to the international performers of the present day. Tourish accepts that this volume can only scratch the surface of a multi-faceted genre but hopes you will see it as a stepping stone to delve deeper into recordings festivals and the very communities whence this music comes. ?World Music Celtic? is available in four formats each with complete recordings and backing tracks on CD: as solo versions for violin flute or saxophone (with piano) and in an ensemble version for two melodic instruments (C Bb or Eb) piano guitar bass and bodhrán.

Composed for the Paris Conservatoire contest this edition of Musique De Concert by Marius Constant is for Alto Saxophone and Piano and was dedicated to Marcel Mule. Rated difficult (8°) this piece demonstrates all the required skills to brilliantly pass the contest. < strong>Concert music is divided in four distinct movements each with a different style: I. Toccata – Lento (4/4 tempo 69) II. Aria – Largo (3/4 tempo 50) III. Ostinato – Allegro Molto (12/8 tempo 168) IV. Intermezzo – Allegro moderato (4/4 tempo 144) V. Variazoni – Deciso (5/4 4/4 3/4 4/4 6/4 tempo minim 80) Marius Constant (1925-2004) was a French composer born in Romania. He composed three operas an oratorio seven ballets and many pieces for orchestra. His most famous work is the “Twilight Zone” theme song.

French composer Robert Planel (1908-1994) was the son of composer and founder of the Music School of Montelimar Alphonse Planel. Robert Planel was an exceptionally accomplished musician reflected in his composition Suite Romantique for Alto Saxophone and Piano. The fourth movement of Suite Romantique Valse Sentimentale is a charming piece for intermediate to advanced level saxophonists. With a typical performance lasting about two minutes Planel's Valse Sentimentale addresses a wide range complex rhythms articulation dynamics tempo changes key changes and variety inperformance directions. Planel's Suite Romantique is an exciting addition to the modern repertoire of the Saxophone and cannot be missed by aspiring saxophonists.

What Else Can I Play? Alto Saxophone Grade 1 makes learning more fun with carefully selected and arranged supplementary repertoire for today's young player. Each piece offers suggestions and guidelines to bowing, dynamics and tempo together with technical tips, performance notes and a simple piano accompaniment.    / Instrumental Music, Methods & Tutors / Recueil / Saxophone Alto et Piano

An easy step-by-step method of learning to improvise. Simple transposition exercises and short, structured solos lead to controlled, confident improvisations. Improvise Microjazz can be dipped into or worked through in sequence. Chord symbols are used throughout, and each unit ends with a new Microjazz piece, providing the player with an opportunity to relax by playing some written out music with no decisions to make. Microjazz is the world famous series of pieces based on classical technique yet using popular contemporary styles such as jazz, blues, rock'n'roll and funk. Microjazz helps you develop musicianship and technique through the familiar sounds and styles of popular music. It is this unique combination of modern genres with traditional technique that has made Microjazz an international success with teachers and players, and one of the most widely used educational series ever published. New technology brings Microjazz alive and adds an exciting interactive dimension to practice and performance. Based on classical technique Microjazz is a great way to introduce rhythm and develop co-ordination skills whilst being fun for all ages and standards. A great motivator for the reluctant student and the pieces are equally effective on acoustic or electronic instruments. Content : Thoughtful Melody for Two Duet Train Blues Set Piece Picnic Piece Moving Along Young at Heart Misty Day Into the Night

Par RADFORD COLIN. / Date parution : 2022-07-30/ Répertoire / Saxophone Alto et Piano

16 titres de Vladimir Cosma de ses plus belles musiques de film pour saxophone et Piano. Recueil avec CD d'accompagnement et partition de piano. / Saxophone Alto Et Piano