La référence FP 264 de l'éditeur Fertile Plaine dont l'auteur célèbre est Fourchotte Alain, qui a pour titre Iter I ( basson solo ), a été écrite et composée pour Basson et plus particulièrement pour Basson Solo. Cette partition musicale appartient à la catégorie Classique. / Basson Solo / Partition

Grade 3-This collection of pieces was written for the Trinity Guildhall Examination Board syllabus. It is aimed principally at students of grades 1 to 5 and intended to combine technical challenges with that most vital musical ingredient: fun.Four pieces for bassoon and piano by Graham Sheen.Drunken Sailor - the sequelThis needs a plaintive tone especially in the upper register where the dynamics are particularly important. To capture the mood of the piece those slurs in bars 35 and 36 for example might even be close to a glissando. Use your imagination to recreate the sailor's state of health!The Vulgar BoatmanNot only more 'hidden' melodies but moreappalling puns! (Volga Boatman for those not versed in Russian folksongs). This is like a waltz: it is written in 3/4 time but played so as to give the impression of one beat in bar. The melodies need to be well sustained so that we hear four eight or even more bars as a single phrase. Clues for the musical detective:- in addition to the Volga Boatman you might spot just a hint of 'Sailing down the River on a Sunday Afternoon' 'We Sail the Ocean Blue' (H.M.S. Pinafore) The Eton Boat Song and even Wagner's Flying Dutchman.Last Tango in HarrisEveryone must surely know these thinly disguised Scottish tunes but can you make them sound like a tango? Bear in mind that tangos are not jazz: the rhythm is quite strict but the tango character is in the tone and the phrasing. Notice how expressive the occasional shorter note value can be as in bars 4 and 5 in the bassoon part.Rheumanian StretchesOr was that Rumanian Sketches? This is a chance to play the main melody in two registers of the bassoon. Try to make a good even sound in both octaves. This piece requires careful counting since the phrases in the bassoon part don't always begin where you might expect. Think of this piece as a song.

La série de tuteur de vent et de laiton primé. Apprendre comme vous jouez fournit tout ce dont vous avez besoin de la première leçon jusqu'à la troisième année. Un cours bien structuré des exercices, des études et des pièces assure une bonne mise à la terre dans la technique et la musicalité. Aussi / Basson

Par LINDENMUTH WILLIAM. Enseignants sont toujours à la recherche d'excellentes pièces supplémentaires. Ces compositions, écrites expressément pour la scène bassoniste par un joueur expérimenté et un professeur, mettront au défi le bassoniste en voie de développement. Les pièces fournira également des heures de plaisir pour l'étudiant de basson émergents. / Niveau : Débutant / All Styles - Methods / Méthode / Basson

Part of the Anglo Music Play-Along Series, Philip Sparke?s 15 Intermediate Christmas Carols is aimed at the young instrumentalist who can play about an octave and a half and follows on from Sparke?s 15 Easy Christmas Carols. Specifically tailored to suit the individual instrument, this book introduces the developing player to the world?s most popular Christmas tunes by selecting simple yet attractive melodies that fit their limited range. The book will provide invaluable additional material to complement any teaching method and includes both piano accompaniment and a demo/play-along CD.