for Cello. Par . Les musiciens apprécieront cette fabuleuse collection de 101 chansons classiques apaisantes : Ave Maria, Op. 52, No. 6 - Bridge over Troubled Water - Come Away with Me - Desperado - Edelweiss - Faithfully - In Your Eyes - Misty - Nobody Does It Better - Yesterday - et plus encore. / Date parution : 2022-05-31/ Recueil / Violoncelle

Par CLARKE GENE. Hymns Made Easy for Cello is a collection of favorite traditional hymns with guitar accompaniment, suitable for church, teaching or recreational settings. The material includes cello parts and bowing indications in first position, with guitar chord names written above the staff. All the arrangements in this book are compatible with Hymns Made Easy for Violin and Hymns Made Easy for Viola. Hymns Made Easy for Cello is a collection of favorite traditional hymns with guitar accompaniment, suitable for church, teaching or recreational settings. The material includes cello parts and bowing indications in first position, with guitar chord names written above the staff. All the arrangements in this book are compatible with Hymns Made Easy for Violin and Hymns Made Easy for Viola. / Niveau : Facile / Musique religieuse / Date parution : 2019-05-27/ Recueil / Violoncelle

15 favoris des actes Motown légendaires tels que The Supremes, The Jackson Five, Marvin Gaye et d'autres, experte arrangé pour instrumentistes solistes avec des pistes d'accompagnement professionnellement enregistrées. / Violoncelle / 24 pages / niveau : Facile / Partition + Cd

15 grands succès populaires des superproductions de cinéma d'aujourd'hui, avec des morceaux de l'accompagnement, y compris : et All That Jazz, venir ce que mai, je suis un homme de Constant Sorrow, I Believe I Can fly, je marche la ligne et plus encore. / Violoncelle

Instrumental Play-Along-This songbook features 13 tunes from the Disney blockbusters Frozen Tangled and Enchanted arranged for solo Cello.The pieces featured in this collection are perfect for budding cellists. Songs From Frozen Tangled And Enchanted comes complete with online access to audio demonstration tracks for download or streaming to help musicians hear how the song should sound.Songs include: Do You Want to Build a Snowman? For the First Time in Forever Happy Working Song I See the Light In Summer Let It Go Mother Knows Best That's How You Know True Love's First Kiss When Will My Life Begin and more.

12 solos arrangés pour violoncelle. Ce songbook rassemble les partitions des bandes originales de Shrek et Shrek 2 un CD audio pour vous accompagnez. / Here's a very special chance to add the wonderful / Recueil / Violoncelle

for solo cello. Par LARCHER THOMAS. I do not compose my pieces for a certain voice range or orchestration, but for musicians, for people. It is almost impossible for me to produce a piece without having a particular person in mind or to hear him/her inwardly. No matter how standardized the interpretation of classical music is, and no matter how many coordinates have been fixed and defined, I do not want to have them seen (and therewith the notation) as determining and limiting signs, but rather as guideposts towards the creation of vital, organic music. In differentiated music, two participants are necessary in order for a piece to evolve-- the composer and the musician. Just as there is no one way for a composer to express himself or to notate music, etc., neither is there one way for a musician to read the notation, to interpret, or to live. We find ourselves, for this reason, in a network of meanings, gestures, and signs which have to be fathomed and expanded together. The tone, the breath, the gestures, the dedication, and the potentialities of a musician were also ultimately decisive for the form of this piece. It is music which pushes the expressive and technical possibilities of the instrument to its very limits. It is music in which the musician has to transport the contexts and expression over and above the notation. It was not necessary for me to find a new form for this piece; it is a work which can and should be performed in a ‘normal’ concert situation. I deliberately wanted to integrate the perhaps new and unusual content into a familiar form (thus the title ‘Sonata’) And I also wanted to embed the aforementioned extreme situations (in which the technical extremes are synonyms for tension, isolation, loss or tenderness) in an organic process in order for the listener to be able to empathize with and comprehend what is expressed in the piece. I would like to thank Natalie Clein, to whom the Sonata is dedicated, for inspiring this piece and for the path that led to the realization of the music. Thomas Larcher/ Répertoire / Violoncelle

Ce film original de Disney Channel raconte l'histoire de deux schoolers haute qui découvrent leur amour pour le chant et contester leurs cliques dans le processus. Ce recueil de chansons comprend neuf chansons de la bande originale de record, Best-seller, tout arrangé pour violoncelle, avec spécialement enregistré des pistes de soutien. Chansons comprennent : Breaking gratuit, chef de la Get'cha dans le bâton de jeu, début de quelque chose de nouveau, le statu quo, ce que j'ai été Looking For et plus encore ! / Violoncelle / 24 pages / Partition

For solo Cello Timpani and Strings.Popule Meus was commissioned through the Magnum Opus project: Kathryn Gould founding patron and commissioner and Meet the Composer project manager.It was first performed on 6thFebruary 2010 by Yuri Hooker (cello) and the Winnipeg Symphony Orchestra conducted by Alexander Micklethwate. Composer's Notes 'Popule Meus is a meditation on the Judaic and Christian text ?O my People whathave I done to you?? but itis also a Universalist contemplation of the wholesale rejection of God by modern man. However much manrejects God he cannot escape Him and indeed he is condemned to the supernatural by his deiformnature. InHindu terms he is the Absolute Ayam Atma Brahma (The Self is the Absolute).In this work the solo cello is the All-Compassionate One while the timpani represent man in his vain andpointless rejection. Although the solocello and strings and the timpani share the same material (four ideas aregradually revealed and they revolve four times during the piece) the timpani music is violent and becomesincreasingly frenzied and contracted while thecello and strings remain still and serene.So even in winning the Darkness loses and even in losing the Light wins. Passion Resurrection andRedemption; or in Hindu terms Atma (The Absolute) alone is real Maya (The Relative) ismerely illusion.'

Instrumental Play-Along-All your favourite instrumental themes are in this superb collection for soloists! The 15 themes include Hollywood hits like ?Axel F? from Beverly Hills Cop and ?Bella's Lullaby? from Twilight; inspirational sports anthems like ?Bugler's Dream? (Olympic Fanfare) and ?Chariots of Fire?; as well as popular TV show theme songs from Hawaii Five-O and I Love Lucy. Includes a full-accompaniment play-along CD with tempo adjustment software.

Bwv 1007-1012-Urtext edition with articulation markings - Soft-cover performing editionWhen you think cello you think of Bach?s immortal cello suites.The suites take centre stage in the cello literature. They are timeless and beautiful and accompany cellists from their student years up through their professional career at the highest level.Appropriately and not surprisingly there are countless editions of the suites. But the composer?s autograph has not come down to us. It is lost and this circumstance has always been a major challenge for editors. The four surviving handwritten sources and the original first edition of 1824 differ in many details the articulation andphrasing being particularly ambiguous.At Bärenreiter having published the New Bach Edition and presently publishing the New Bach Edition-Revised we feel particularly committed to the cello suites. We have approached the editorial problems from several angles and have published editions that meet the needs of students and professional performers alike.This new edition based on volume 4 of the New Bach Edition Revised (NBArev) now completes Bärenreiter?s collection of the cello suite editions. Andrew Talle has fundamentally reassessed the relations between the surviving sources and has drawn conclusions regarding their evaluation and consequently the genesis of the suites. His evaluations are augmented with thorough discussions of the instrument for which the suites were conceived and the interpretative practices in Bach's day.The musical text of the edition is based on these findings. It approaches the composer's original intentions as far as the sources will permit. Details regarding articulation were deemed as being viable and were added to the musical text if they appeared in the majority of the sources. ?This edition does not present a perfect reconstruction of the lost autograph; no editor could claim to do so. Instead I have attempted to provide musicians and scholars with a reliable version of the surviving musical text of the six cello suites and to shed light on the options which the Bach sources offer.?- Urtext edition with articulation by the editor on the basis of intensive source comparison- Musical text identical

Urtext edition with articulation markings - Soft-cover performing editionWhen you think cello, you think of Bach's immortal cello suites.The suites take centre stage in the cello literature. They are timeless and beautiful and accompany cellists from their student years up through their professional career at the highest level. Appropriately and not surprisingly there are countless editions of the suites. But the composer's autograph has not come down to us. It is lost and this circumstance has always been a major challenge for editors. The four surviving handwritten sources and the original first edition of 1824 differ in many details, the articulation and phrasing being particularly ambiguous.At Bärenreiter, having published the New Bach Edition and presently publishing the New Bach Edition-Revised, we feel particularly committed to the cello suites. We have approached the editorial problems from several angles and have published editions that meet the needs of students and professional performers alike.This new edition, based on volume 4 of the New Bach Edition - Revised (NBArev), now completes Bärenreiter's collection of the cello suite editions. Andrew Talle has fundamentally reassessed the relations between the surviving sources and has drawn conclusions regarding their evaluation and consequently the genesis of the suites. His evaluations are augmented with thorough discussions of the instrument for which the suites were conceived and the interpretative practices in Bach's day.The musical text of the edition is based on these findings. It approaches the composer's original intentions as far as the sources will permit. Details regarding articulation were deemed as being viable and were added to the musical text if they appeared in the majority of the sources. 'This edition does not present a perfect reconstruction of the lost autograph - no editor could claim to do so. Instead, I have attempted to provide musicians and scholars with a reliable version of the surviving musical text of the six cello suites and to shed light on the options which the Bach sources offer.?- Urtext edition with articulation by the editor on the basis of intensive source comparison- Musical text identical to the text in New Bach Edition - Revised Volume 4, Book 1- Detailed introduction (Ger/Eng) / Violoncelle

12 Favoris de Disney avec un CD qui vous permet de jouent avec un groupe complet ! Les titres comprennent : être notre invité o Can You Feel Love Tonight o couleurs du vent o ami comme moi o Let's Get Together o sous la mer o vous avez un ami à moi o zéro au héros o et bien plus encore. / Violoncelle / 24 pages / Partition Cd

Dieser Band enthält 20 energiegeladene Songs aus dem Bereich Spirituals und Gospels, die garantiert nicht verstaubt sind! Und mit der hochwertigen Begleit-CD, die alle Songs als Voll- und Playback-Versionen enthält, kommt garantiert Schwung in den Saal - ob beim Üben oder beim Konzert. Alle Stücke sind sehr leicht gesetzt, im bewährten übersichtlichen Layout, so dass sie sich bestens für den Unterricht eignen. Sie können alleine oder im Duett gespielt werden. Wahlweise auch mit CD erhätllich. U.a. enthalten: Amen, Down By The Riverside, Go Down, Moses, The Gospel Train, O Happy Day und viele mehr. / 1 Ou 2 Violoncelle(s)