A practice guide for the modern cellist. Par SHERRY FRED. A Grand Tour of Cello Technique is a thought-provoking practice guide, enabling cellists at all levels to develop their own style through an exploration of different ways of fingering and bowing. The book not only helps cellists improve their playing, but also promotes an understanding of musical art, through nine stimulating chapters. With a particular emphasis on music of the 20th and 21st centuries, and its connections with earlier music, Fred Sherry takes the reader on a voyage of discovery of the art and science of cello technique, informed by music ranging from Bach all the way through to Berio.Fred Sherry has introduced audiences on five continents and all fifty UnitedStates to the music of our time for more than five decades. He has had close working relationships with Charles Wuorinen, Lukas Foss, Oliver Knussen, Elliott Carter, Milton Babbitt, Toru Takemitsu, Chick Corea, Pierre Boulez, Mario Davidovsky and others whose works he has premiered and recorded. He has been soloist and 'sideman' on hundreds of commercial and esoteric recordings: his discography ranges from Schütz, Bach, Mozart, Beethoven and Brahms through Schoenberg and Stravinsky to the 20th and 21st century works written for him. He is a member of the cello faculty of The Juilliard School, the Mannes College of Music and the Manhattan School of Music. A Grand Tour of Cello Technique is a thought-provoking practice guide, enabling cellists at all levels to develop their own style through an exploration of different ways of fingering and bowing. The book not only helps cellists improve their playing, but also promotes an understanding of musical art, through nine stimulating chapters. With a particular emphasis on music of the 20th and 21st centuries, and its connections with earlier music, Fred Sherry takes the reader on a voyage of discovery of the art and science of cello technique, informed by music ranging from Bach all the way through to Berio. Fred Sherry has introduced audiences on fivecontinents and all fifty United States to the music of our time for more than five decades. He has had close working relationships with Charles Wuorinen, Lukas Foss, Oliver Knussen, Elliott Carter, Milton Babbitt, Toru Takemitsu, Chick Corea, Pierre Boulez, Mario Davidovsky and others whose works he has premiered and recorded. He has been soloist and and lsquo - sideman and rsquo - on hundreds of commercial and esoteric recordings - his discography ranges from Sch and uuml - tz, Bach, Mozart, Beethoven and Brahms through Schoenberg and Stravinsky to the 20th and 21st century works written for him. He is a member of the cello faculty of The Juilliard School, the Mannes College of Music and the Manhattan School of Music. / Pédagogie / Etude / Violoncelle

Par NELSON SHEILA MARY. Langue: German, Format: New Edition portrait/ Méthode / Violoncelle

Chaîne de matériel pédagogique du professeur de chaîne préférée du monde Sheila Nelson. Tetratunes permet aux jeunes joueurs à apprendre la note de lecture dans les blocs de quatre notes par étapes sur chaque chaîne. Ce système développe des compétences physiques légèrement avant de lecture de la note. / Violoncelle

Description Best Of The Beatles (Cello) 89 of the greatest songs from the legends of Liverpool, including All You Need Is Love, And I Love Her, The Fool on the Hill and Got to Get You Into My Life. Songlist A Day In The Life A Hard Day's Night All My Loving All You Need Is Love And I Love Her Anytime At All Back In The U.S.S.R. Birthday Blackbird Can't Buy Me Love Come Together Day Tripper Drive My Car Eight Days A Week Eleanor Rigby Every Little Thing Get Back Getting Better Girl Good Day Sunshine Got To Get You Into My Life Hello, Goodbye Help! Helter Skelter Here Comes The Sun Here, There And Everywhere Hey Jude I Am The Walrus I Don't Want To Spoil The Party I Feel Fine I Should Have Known Better I Want To Hold Your Hand I Will If I Fell I'll Cry Instead I'll Follow The Sun I'm A Loser I'm Happy Just To Dance With You I'm Looking Through You In My Life It Won't Be Long It's Only Love I've Just Seen A Face Julia Lady Madonna Let It Be Love Me Do Lucy In The Sky With Diamonds Magical Mystery Tour Martha My Dear Michelle No Reply Norwegian Wood (This Bird Has Flown) Nowhere Man Ob-la-di, Ob-la-da P.S. I Love You Paperback Writer Penny Lane Please Please Me Revolution Run For Your Life Sgt. Pepper's Lonely Hearts Club Band She Came In Through The Bathroom Window She's A Woman Something Strawberry Fields Forever Tell Me Why Thank You Girl The Ballad Of John And Yoko The Fool On The Hill The Long And Winding Road The Word Things We Said Today This Boy (Ringo's Theme) Ticket To Ride Twist And Shout We Can Work It Out When I'm Sixty-four While My Guitar Gently Weeps With A Little Help From My Friends Yellow Submarine Yes It Is Yesterday You Can't Do That You Never Give Me Your Money You Won't See Me Your Mother Should Know You're Going To Lose That Girl You've Got To Hide Your Love Away

The composer states:'The term 'oblique strategies? was coined jointly by British musician Brian Eno and German-born British visual artist Peter Schmidt to describe a series of printed cards they developed throughout the 1970's. The cards had their origins in sets of uncannily similar working principles that both artists had established independently, and featured aphorisms intended as a means of triggering inspiration or providing useful stimulus during the creative process, particularly when encountering difficulties of fatigue or time constraint.As Eno and Schmidt wrote in their introduction to the first edition in 1975: 'They can be used as a pack (a set of possibilities being continuously reviewed in the mind) or by drawing a single card from the shuffled pack when a dilemma occurs in a working situation. In this case, the card is trusted even if its appropriateness is quite unclear. They are not final, as new ideas will present themselves, and others will become self-evident?.I chose eleven of Eno and Schmidt's strategies, ordering them in a way that revealed to me a logic and potential inter-relatedness within a hitherto disparate set of single ideas I had assembled for solo cello, each of them in turn a reflection upon the commission's initial purpose of creating a test piece for the 2014 Emanuel Feuermann cello competition.It's my hope then that the resultant composition may provide not only an interesting test of the competitors' talents but also offer the interpreter an opportunity to reflect upon the delights and pitfalls of creativity as he or she comes to terms with the various musical and technical challenges to be found within these ten minutes of music for solo cello.? / Violoncelle

The Suzuki Method® of Talent Education is based on Dr. Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Dr. Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the 'mother-tongue' approach. Now available as Book and CD Kit. Titles: Largo and Allegro from the Sonata in G Minor (Eccles) * Bourrées from Suite in C Major, BWV 1009 (Bach) * Gavotte, Op. 23, #2 (Popper) * Sicilienne (von Paradis). / Violoncelle

The Suzuki Method® of Talent Education is based on Dr. Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Dr. Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the 'mother-tongue' approach. Now available as a Book and CD kit. Titles: Sonata in E Minor, Op. 14, #5 (Largo, Allegro, Largo, Allegro) (Vivaldi) * Danse Rustique, Op. 20, #5 (Squire) * Arioso from Cantata 156 (Bach) * Rondo from Concerto #4, Op. 65 (Goltermann). / Violoncelle

The Suzuki Method® of Talent Education is based on Dr. Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Dr. Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the mother-tongue approach. Now available as a Book

A practical and resourceful first tutor with a wide selection of well-known tunes, familiar to even the youngest beginner. Accompaniments for the early pieces are included. Forces or Category : Tutor Difficulty : Very easy 48 pages 04 January 1990 Margaret Martindale and Robert Cracknell Debbie Cracknell studied guitar and piano at Trinity College of Music in London. After graduating with licentiate diplomas in both instruments, she has been teaching as a peripatetic guitar teacher for Buckinghamshire County Council for many years. Her very successful series, Enjoy Playing Guitar, has been followed by many solo and ensemble works aimed mainly at beginners and those in the early grades.

Bwv 1007-1012. Par BACH JOHANN SEBASTIAN. Urtext edition with articulation markings - Soft-cover performing edition When you think cello, you think of Bach?s immortal cello suites. The suites take centre stage in the cello literature. They are timeless and beautiful and accompany cellists from their student years up through their professional career at the highest level. Appropriately and not surprisingly there are countless editions of the suites. But the composer?s autograph has not come down to us. It is lost and this circumstance has always been a major challenge for editors. The four surviving handwritten sources and the original first edition of 1824 differ in many details, the articulation andphrasing being particularly ambiguous. At Bärenreiter, having published the New Bach Edition and presently publishing the New Bach Edition-Revised, we feel particularly committed to the cello suites. We have approached the editorial problems from several angles and have published editions that meet the needs of students and professional performers alike. This new edition, based on volume 4 of the New Bach Edition ? Revised (NBArev), now completes Bärenreiter?s collection of the cello suite editions. Andrew Talle has fundamentally reassessed the relations between the surviving sources and has drawn conclusions regarding their evaluation and consequently the genesis of the suites. His evaluations are augmented with thorough discussions of the instrument for which the suites were conceived and the interpretative practices in Bach's day. The musical text of the edition is based on these findings. It approaches the composer's original intentions as far as the sources will permit. Details regarding articulation were deemed as being viable and were added to the musical text if they appeared in the majority of the sources. ?This edition does not present a perfect reconstruction of the lost autograph; no editor could claim to do so. Instead, I have attempted to provide musicians and scholars with a reliable version of the surviving musical text of the six cello suites and to shed light on the options which the Bach sources offer. ? - Urtext edition with articulation by the editor on the basis of intensive source comparison - Musical text identical/ Répertoire / Violoncelle

50 ?uvres incontournables, arrangées simplement, de Bach, Brahms, Haendel, Tchaïkovski et bien d\'autres pour violoncelle ! Le recueil comprend l\'accompagnement au piano et une partie détachable pour violoncelle. Parmi les titres proposés : La valse du Danube bleu (Johann Strauss II) - Canon en Ré (Johann Pachelbel) - Dona Nobis Pacem (traditionnel) - Evening Prayer (Engelbert Humperdinck) - Jupiter Chorale (Gustav Holsts) - Ode à la joie (Ludwig van Beethoven) - Pomp and Circumstance (Edward Elgar) - Sheep May Safely Graze (J.. S. Bach) - Le Lac des Cygnes (Thème) (Pyotr Il\'yich Tchaikovsky) - To a Wild Rose (Edward MacDowell) - et bien d\'autres encore. / Partitions variété - pop - rock / Variété internationale / Cordes / HAL LEONARD

Vingt pièces très élémentaires pour les jeunes joueurs écrites et arrangées par enseignant de chaîne préférée du monde Sheila Nelson. Lecture de la note est introduit un doigt à la fois, construire des doigts pattern 0-1-23-4 (espace de demi-ton entre les doigts de 2ème et 3ème) - / 2 Violoncelles

Instrumentation: Db Format: Sheet Music Details: Suite No.6 (BWV 1012) transcribed for Contrabass

Par KNUSSEN OLIVER. Oliver Knussen's concise and effervescent Eccentric Melody occupies a small but important place in the solo cello repertoire, and would enliven any recital. Composed as a double tribute - for cellist Fred Sherry, in his 50th birthday year, to play to Elliott Carter on his 90th birthday - the 2-minute work is presented here in manuscript facsimile. / Classique / Répertoire / Violoncelle