Fi?er, Lubo? Sonatas for Violoncello - Highly effective concert pieces - Fingering and bowing for the Sonata for Violoncello solo by Marek Jerie - Foreword by Joná? Hájek (Cz/Eng/Ger) This edition contains three cello compositions by Lubo? Fi?er: Sonata for Violoncello and Piano (1975), Sonata for two Violoncellos and Piano (1980), and Sonata for Violoncello solo (1985-1986). Lubo? Fi?er was a remarkable personality in the Czech music scene of the 20th century. He is known for combining traditional notation and aleatory elements. The music of the sonatas is dramatic and expressive. These are effective concert pieces with a performance duration of approximately eight minutes each. The edition is based on first prints of the works supplemented by various other sources. The part of the Sonata for Violoncello solo was revised by cellist Marek Jerie during the composer?s lifetime.

Cello Part. Par COBB CELIA. Top Banana is a collection of 20 performance pieces for young string players (Grades 1–2+), for solo or group playing, composed by Celia Cobb and Naomi Yandell. Drawing on a wide range of moods and styles, the pieces are intended to inspire communicative and committed performances in any concert or exam situation. Each piece aims to capture the musical imagination and to motivate the young player to practise, play and perform. From the teacher’s perspective the pieces include clear teaching points, and incorporate a range of techniques, such as harmonics, glissandi and left-hand pizzicato, intended to encourage the student to develop good technical habits for the future, while having a considerable amount of fun along the way. The keys throughout are compatible, meaning that friends learning violin, viola or cello can enjoy playing the pieces together. / Date parution : 2021-12-09/ Recueil / Violoncelle

69 Scottish tunes for solo cello including slow airs & laments marches strathspeys reels jigs polkas hornpipes and a quickstep. Intermediate to advanced standard (grades 4 to 8). Includes CD featuring Kevin McCrae's 'Bonnie' recorded by the composer and all other tunes performed by Neil Johnstone. Ideal for concert performances and informal sessions.

Encores For Cello is a compilation of wonderful pieces for the Cellist to keep in reserve for encores. It offers an excellent opportunity to display their technique whilst entertaining the crowd at the climax of a concert!This Great Performers Edition has been expertly arranged and edited by the Cellist Janos Starker. With popular works by Schubert Schumann and Saint-Saens these are guaranteed crowd-pleasers!

A collection of challenging and specialised studies exploring the variety of sounds and techniques of the Cello. Each study is full of unique character perfectly suited to the concert hall as well as private rehearsal. Some represent virtuosic technical displays whereas others are more lyrical and challenge the performer's interpretive skills.

10 Easy Melodic Fragments-These First Finger patterns are a set of concert pieces for the inexperienced violin student with a limited technique. Each solo part is complemented by an attractive and imaginative accompaniment giving a ‘concert’ feel to the pieces. This is intended to encourage performing experience - an important aspect of music making at any standard.

for solo cello. Par LARCHER THOMAS. I do not compose my pieces for a certain voice range or orchestration, but for musicians, for people. It is almost impossible for me to produce a piece without having a particular person in mind or to hear him/her inwardly. No matter how standardized the interpretation of classical music is, and no matter how many coordinates have been fixed and defined, I do not want to have them seen (and therewith the notation) as determining and limiting signs, but rather as guideposts towards the creation of vital, organic music. In differentiated music, two participants are necessary in order for a piece to evolve-- the composer and the musician. Just as there is no one way for a composer to express himself or to notate music, etc., neither is there one way for a musician to read the notation, to interpret, or to live. We find ourselves, for this reason, in a network of meanings, gestures, and signs which have to be fathomed and expanded together. The tone, the breath, the gestures, the dedication, and the potentialities of a musician were also ultimately decisive for the form of this piece. It is music which pushes the expressive and technical possibilities of the instrument to its very limits. It is music in which the musician has to transport the contexts and expression over and above the notation. It was not necessary for me to find a new form for this piece; it is a work which can and should be performed in a ‘normal’ concert situation. I deliberately wanted to integrate the perhaps new and unusual content into a familiar form (thus the title ‘Sonata’) And I also wanted to embed the aforementioned extreme situations (in which the technical extremes are synonyms for tension, isolation, loss or tenderness) in an organic process in order for the listener to be able to empathize with and comprehend what is expressed in the piece. I would like to thank Natalie Clein, to whom the Sonata is dedicated, for inspiring this piece and for the path that led to the realization of the music. Thomas Larcher/ Répertoire / Violoncelle

The Tricks To Tunes series is designed for teaching mixed string instruments in groups. It is a systematic program developed over many years from many years experience teaching strings in schools. The tutors are aimed at the primary and lower secondary school age group but are also suitable for older beginners.The children learn ‘tricks’ for their fingers or bows which are fun when done in a group. Reading skills are developed at the same time.Each page represents a small step in musical and technical development based on reading music from the very first lessons. Theory homework is included at the end of most sections providing the complete theoryrequired as children progress.The tutors for each instrument are identical in content except where differences are required to accommodate the different instruments.Books 1 and 2 of the series are each intended to cover one year of group tuition based on a school year of 40 weeks. Book 3 provides material for two years. Progress will vary according to the age of the children the size of the group and the extent of their previous musical experience.Additional repertoire at the end of the books provides: extension work for pupils who reach the end of the book before the rest of the group additional work for those who want it and end of year concert pieces. These brilliant tutors make playing music fun as it should be!

Par ALAN-NIHIL DAVID. Composé en 1994 à l’âge de 22 ans, Instant d’antan opus 7 de David ALAN-NIHIL est l’une de ses 600 œuvres dont entre autre une dizaine de symphonies pour cordes et les « Angélismes, 366 chants spirituels pour chœur a cappella ». Les Instant d’antan sont 8 pièces de chambre (trio, quatuor et quintette à cordes ... ) évoquant l’esthétisme musical des siècles passés. L’opus 7 pour violoncelle seul fut entre autre interprété au côté des Partitas de Bach, en concerts journaliers durant toute l’Exposition Universelle de Milan 2015. « Ma volonté dans cette pièce pour violoncelle seul, était de revisiter l’esthétisme et les différentes techniques du violoncelle, sans jamais rien sacrifier à la mélodie et à l’émotion, qui sont pour moi les maîtres mots. » Dans cette pièce nous passons tour à tour par les techniques monodique et polyphonique du violoncelle, de la viole de gambe, allant même jusqu’à l’évocation du grand orgue, dans la dernière partie en triples cordes. Bien que difficile - car œuvre de concert - Instant d’antan opus 7 est parfaite pour une pédagogie avancée et la mise en pratique des différentes techniques du violoncelle en simple, double et triple cordes, avec un gros travail de main gauche. Les doigtés de cette œuvre ont été conjointement élaborés par Adrien Frasse-Sombet qui l’a créé en concert à Paris et Irène Jolys. Tous deux l’interprètent régulièrement en concert. Instant d’antan opus 7 est également joué en concert par des violonistes virtuoses (2 octaves au-dessus) pour les mêmes intérêts mélodiques et techniques de main gauche./ Répertoire / Violoncelle

The purpose of this Cello songbook is to provide the beginning Cello player with a repertoire of 101 familiar and easy to play tunes written for Cello. All the songs are written specifically for Cello utilizing dynamics expression markings and articulations. Key signatures for the songs are in a comfortable range suitable for the beginning Cello player. This songbook is an ideal supplement to any elementary Cello Method book. Most of thesongs are appropriate for performance at concerts recitals and contests. Private teachers will assign one or two of the songs from this book at each lesson. The songs will help the beginning Cello student to develop fingeringtechnique rhythm reading ability and confidence.

Revision Et Doigtes De Louis Fournier-Né en 1749 Jean-Louis Duport commence par étudier la danse le violon avant de s?initier au violoncelle. En 1768 il triomphe au Concert Spirituel puis en 1789 il rejoint son frère à Berlin où il occupe le poste de musicien à la chapelle royale du Roi de Prusse. On lui doit notamment un Essai sur les doigtés du violoncelle et sur la conduite de l?archet.Grâce à lui la technique du violoncelle fait de grands progrès. Les éditions Durand ont rassemblé en deux volumes séparés les 21 exercices dont l?excellent violoncelliste Louis Fournier auteur de nombreux arrangements et transcriptions pour violoncelle nous livre une version avec révision et doigtés. Ces exercicesabordent avec maestria le travail des gammes chromatiques le milieu de l?archet les notes stacatto la demi-position?

Le nombre de méthodes et de collections d'étude existant pour violoncelle est énorme. Mais que faire lorsque aucun enseignant n'est sur place pour expliquer pourquoi un certain passage du concerto, simplement ne marcherait pas ? Le célèbre violoncelliste Maria Kliegel pionniers une toute nouvelle façon : son expérience et ses connaissances ont été résumés pour constituer la ' quintessence '. Dans le livre, elle explique en problèmes techniques de manière très détaillée, indiquant les exemples tirés du répertoire. Sur le DVD, elle illustre la technique correcte, donnant des conseils sur la façon de maîtriser les passages célèbres de la littérature de concert et sur la pratique efficace. Un must pour l'instrumentiste avancée qui cherche des réponses à des questions particulières ou qui a toujours voulu savoir comment surmonter ces obstacles techniques. La série de Master Class a reçu le prix spécial digita 2007 pour de nouveaux développements qui peut changer et poursuivre l'apprentissage avec les nouveaux médias. L'édition convaincante du contenu d'apprentissage par les experts de renom et de la conception de médias discrète de la... / Divers

More than just a collection of difficult passages for the aspiring orchestral pro these extracts from the classical romantic and twentieth-century concert repertoire reveal the tricks of the trade. Unique colour-coding shows at a glance Mats Lidström?s suggested fingerings bowings and commentary. He demonstrates the articulation phrasing and technique needed to solve all the practical problems faced by the player making the book an indispensable resource for those preparing for auditions.