Par WILLIAMS SANDY. Edited by Sandy Williams The first of three anthologies in the Touching the Pulse series, Worship and Where We Live questions the assumptions we all bring to the 'where' and 'how' of the lives of others. The editor's hope is that within the context of Christian worship, people will be helped to understand the life-situations of those whose experiences and emotions are different from their own - in effect, to see the world through the eyes of other Christians. ISBN 0 85249 830 6/ Livre / Livre

Every year, vocal soloists have a problem: In the concerts, parties, church services and other events do not sing the songs you already known, but interesting new that makes the listener sit up. Finally there is a collection of new or newly discovered songs for the Advent and Christmas season.Singers or church musicians can create with this collection on a wide range. Not only songs from Germany here, but from all over the world (in German language), such as Russia, France, England or America. / Chant/Vocal/Choeur

In 1648 Heinrich Schütz published a collection of 29 motets with five to seven parts titled 'Geistliche Chor-Music? (Sacred Choir Music). Here, the term 'Chor? (choir) refers not only to a (large) vocal ensemble but, more generally, to a group of musicians, vocal or instrumental. As explained by Schütz in the foreword he published with the collection, all parts of the motets can be performed vocally and/or instrumentally. This practice, common in Schütz's time, has been incorporated into Bärenreiter's new publication. The edition includes the twelve five-part motets at original pitch with basso continuo. In addition, instrumental parts for string and wind instruments can be purchased. These parts, which include the text, serve to support and complement the choral sound 'colla parte?. To enable varying tone-colour possibilities, instrumental parts are available in different transpositions.Of great significance is the detailed foreword on performance practice by Manfred Cordes.- Reflects the latest in musicological research based on the 'New Schütz Edition?- Includes a detailed foreword (Eng/Ger) on performance practice by a Schütz expert- Instrumental parts (strings, winds) available in transpositionsManfred Cordes is a specialist for the music of the 16th and early 17th centuries. He works as professor for music theory, counterpoint and ensemble and is also rector of the 'Hochschule für Künste Bremen?. He performs internationally as the director of the ensemble 'Weser-Renaissance Bremen?. / Choeur Mixte Et Basse Continue

Latin Church Music. Par TALLIS THOMAS. EECM 64 focuses on Latin polyphony by Thomas Tallis that is either demonstrably Henrician or can plausibly be dated to before 1547, and includes the Mass Salve intemerata and several Latin antiphons. A reconstruction of the contrafact Se lord and behold (with words by Henry VIII?s sixth wife, Catherine Parr) is published here for the first time, after the manuscript was discovered during renovations to Corpus Christi College, Oxford. / Date parution : 2022-10-25/ Répertoire / Choeur

The Choir of Royal Holloway, directed by Rupert Gough, with Prunella Scales and Timothy West.The Choir of Royal Holloway is one of the finest mixed-voice collegiate choirs in Britain. Its first recording on Edition Peters Sounds brings together the music, atmosphere and ethos of Christmas at Royal Holloway in the Chapel, celebrating with both sacred and secular music.The album presents a broad mix of old and new complete with contemporary arrangements of familiar carols and pieces the Baltic states. Several pieces have not been recorded before, including an upper voice setting of William Blake's The Lamb by American composer George Whitefield Chadwick. New contemporary arrangements include Away in a manger by the Norwegian-born composer Ola Gjeilo. There are three arrangements by Royal Holloway musicians: O little one sweet (by a Royal Holloway choral scholar), Silent Night (by Rupert Gough) and Have Yourself a Merry Little Christmas by a former choral scholar. Also previously unrecorded are original compositions by James Burton and Rihards Dubra. / Choeur Mixte

Edition de Gerhardt Roth - Helmut Steger Contenu : Anonymus: Taivas on sininen / Blau ist der Himmel C.-B. Agnestig: Vem kan segla für utan vind J. Brahms: Ich hörte ein Sichlein rauschen W. Buchenberg: Goli goggoli (Vocalise) B. Chilcott: Can you hear me M. Detterbeck: Nginesi ponono U. Führe: This calypso: Swing the arms and roll the hips G.F. Händel: Gavotte (Vocalise) G. Helbling: Barabba Ba (Vocalise) R. Heyden: Es flog ein kleins Waldvögelein J. Holdstock: Calypso: Any time you need a calypso (Kanon) W. Keller: Der Mond ist aufgegangen A.E. Kopp: Ihr kleinen Vögelein (Lied) A. Koszewski: Ad musicam: Vivat, vivat, musica (Kanon) H. Langhans: Kommt zum Singen / Come and join us O. Laub: Abendstille überall (Kanon) - Den som ej kan træffe rent / If your intonation's bad (Kanon) K. Nystedt: Velsignet vaere han / Gelobt sei, der da kommt M. Praetorius: Jubilate Deo / Singet dem Herren (Kanon) - Viva, viva la musica (Kanon) G. Roth: Ayelevi P.E. Ruppel: Cantate Domino (Kanon) J.A.P. Schulz: Der Mond ist aufgegangen (Lied) R. Sund: Sana sananina T. Tallis: All praise to thee / Dank sei dir, Gott M. Uherek: Cerné oci dete spát / Schwarze Augen schlaft nun ein F. Werner: Das schöne Wort: Scheiden müssen bringt bittre Pein G. Wolters: O du schöner Rosengarten

Par PERGOLESI GIOVANNI BATTISTA. Shortly before his death, Giovanni Pergolesi moved to the Franciscan monastery in Pozzuoli, where he composed his last works. Among these is his Stabat mater - based on the medieval Latin poem. The piece reveals the infusion into church composition of the operatic style. Pergolesi's Stabat mater features a lively declamation of the text and great melodic appeal and expressiveness. Underlying everything is the contrapuntal background that was expected in music composed for the church at this time. This is is the full score of the original version, which was written for Soprano and Alto Solos and small String Ensemble. / Musique religieuse / Répertoire / Choeur

Content : All Night All Day - Amazing Grace - Deep River - Down By The Riverside - Get On Board (Gospeltrain) - Go Down, Moses - Go Tell It On The Mountain - Good News - Joshua Fit The Battle Of Jericho - Joyful, Joyful - Kum Ba Ya My Lord - My Lord What A Morning - Nobody Knows The Trouble I've Seen - O Happy Day - Sometimes I Feel Like A Motherless Child - Swing Low - Somebody's Knocking At Your Door - The Little Light Of Mine - Were you there - When The Saints Go Marching In

Dizzy Dogs and Curious Cats is filled with engaging, easy-to-use, fun music activities. Designed for both teachers with little or no music background and seasoned professionals seeking fresh ideas, Dizzy Dogs and Curious Cats will introduce your students to familiar tunes, chants, and delightful new songs and poems. With several of the enchanting activities connecting directly to popular preschool literature books, there is a consistent thread of language and literacy awareness throughout the book. The audio CD contains much of the music included in the book---music arrangements for singing and playing instruments in class, dancing music, music for listening, and other songs needed for teaching these activities. Additional songs are precisely referenced to be readily located on iTunes. Fully reproducible, patterns for corresponding manipulatives and fun crafts are also included. Engage and delight your students with the charming lessons in Dizzy Dogs and Curious Cats! Recommended for Pre-K--grade 1. / Choeur

The infamous census of the ages has made Bethlehem a busy and crowded spot, and there are some guests at a local inn who aren't very happy. F. W. Woolworth (a rich wool salesman), and Rock Starling (a hip star singer), among others, have made it clear they want no part of the 'lower class' staying at the inn (or otherwise). By the end of this 20-minute, easy-to-prepare and present musical, we learn that Jesus came for everyone, and that because of Him, we're all included in God's Kingdom. For grades K--6. / Choeur

Par BUCKLEY ROBERT. December was inspired by the holiday season in Canada. It reflects the sounds, the sights, and the moods of that magical time of year. December starts off joyfully with a playful theme of celebration. This leads into an icy, reverent, winter solstice theme. Then there is a further development of the original joyful theme and a jubilant build to the finish. December can be performed with or without the optional choir part. A wonderful addition to any holiday concert. / Niveau : 3 / Date parution : 1905-07-01/ Répertoire / Choeur

Par GILBERT WILLIAM SCHWENCK / SULLIVAN ARTHUR. Vocal score of this popular comic opera composed by Arthur Sullivan and W. S. Gilbert, which premiered at the London Royalty Theatre in March 1875. Includes full vocal score (The Learned Judge, Angelina (the Plaintiff), Edwin (the Defendant), Counsel for the Plaintiff, Foreman of the Jury, First Bridesmaid) with Piano accompaniment. / Niveau : Elémentaire / TV, Film, Comédie musicale / Recueil / Chant et Piano