SATB w/opt. Brass-Allen Pote's Alleluia! He Lives! For SATB choir with optional Brass instruments.

Celebrating Peace on Earth-Peace on earth. It's been a prayer since the beginning of time. God's people have longed for it for centuries. Dennis and Nan Allen have carefully crafted a service that will remind us of the peace God provides for Christmastimeand for our personal lives all year. Familiar carols and an original Allen song make this 30-minute work appealing for a variety of choirs.Performance options include use of the ChoirTrax CD (split-trax andinstruments only) orchestration or live with just piano and/or organ.Song titles include: Carol of the Bells (instrumental); O Come O Come Emmanuel (with “I Heard the Bells on ChristmasDay”); It Came upon the Midnight Clear; Hark! the Herald Angels Sing; I Heard the Bells on Christmas Day; Silent Night; and He Is My Peace.

A great call to worship and praise! The syncopated rhythms and soaring melody offer a stirring anthem of personal commitment. “In every way for all my days...with heart and soul I'll sing...my song shall rise tothee!”Available separately: SATB ChoirTrax CD and Instrumental Pak (score and parts for full orchestra).

Dale Warland Choral Series-No. 1 in Nativity Suite the opening sounds of the instruments and voices in this setting are meant to invoke an air of mystery. The initial tone clusters approached by layering the voice parts should be presentedvery subtly in order to enhance the intimacy and the veiled quality suited to this traditional liturgical. The alleluias which reflect the significance of the Christmas Eve should be joyful. Other movements include: O MagnumMysterium (50600072) A Boy Was Born (50600073). Flute and Harp Parts available separately for the full suite (50600165).

David Angerman's expertise as an organist is evident in this new choral Heritage of Faith. The power and sound of that instrument is expertly showcased in this exultant anthem of praise though the piece works equally wellwith piano or keyboard if organ is unavailable. Heritage of Faith is an anthem of thanksgiving and gratitude for all that God has done and for the people who have gone before us laying the foundations of our faith andguiding our lives on the path to grace. Resounding alleluias peal forth in this majestic song of pride and praise. It is ideal for All Saints' Day Reformation Sunday or any festive worship event.

A Chamber Cantata for Holy Week or Easter. Par MARTIN JOSEPH M.. From ministry to humility and Calvary to victory, the story of Christ's redemptive grace is clearly presented in this meaningful offering. There is a pleasing blend of original material with familiar hymns, along with a scripture-based narration. This flexible chamber cantata includes two final songs: one for Holy Week, and the other for Easter. A smaller, yet effective orchestration provides instrumental or track options, while voice dominant tracks make learning convenient and approachable. A cantata of remembrance, reflection and resurrection! Songs include:A Quiet Gathering; Somewhere in the Silence; Prepare Your Hearts; I Heard the Voice of Jesus Calling; Just Beyond the Palms; In the Stillness of This Moment; Silent Was the Night: The Lamb Is Silent Now; The Silence Speaks; Set Free Your Alleluia! Score and Parts (fl 1, fl 2/ob, cl, tpt, tbn, vn 1-2, vc, db) available as a digital download. / Date parution : 2023-06-01/ Recueil / SATB

A Gathering of Carols, Choir and Candlelight. Par . This choral compilation brings together beloved carols and new seasonal lyrics with celebrated music from Bach, Handel, Mozart and others. As a collection, you can use this resource throughout Advent and Christmas, or use the optional narration to present the entire work as a cantata. A full line of support products is available to enable your performance options. Score and Parts (instrumentation varies by song) available as a digital download. For the Accompaniment Tracks: Audio is accessed online using the unique code generated upon purchase and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. HL00428625: Accompaniment Tracks Songs include: Canon de Noel; Procession of Light; A Classic Advent Flourish; Advent Alleluia; Celebration for Advent; He Shall Feed His Flock; An Etude Carol; Christ Is Born! Let Earth and Heaven Rejoice; Adoramus Te; Christmas Jubilate. / Date parution : 2022-11-29/ Recueil / SATB et Ensemble

A cappella with optional percussion this choral combines the familiar ?African Carol? and ?The First Noel.? Rhythmic with a musical intensity this choral work arranged by Mark Burrows is simple to learn yet full of musical style and learning opportunities. Try it as a processional or for that perfect second number in your holiday concert. It's also a wonderful opportunity for your students teachers or parents to join in and playthe optional rhythm instrument parts included with the choral. Available SATB unaccompanied with percussion.

Invite a little bit of New Orleans into your sanctuary with this fun celebration of praise. Ever on the cutting edge composer Patti Drennan embraces new territory with her Dixieland-styled “It Is Good to Praise theLord.” The simple melodic line can be taught to your congregation to actively involve everyone in worship. Paul Williams' jubilant text espouses the virtues of praise and Brant Adams's idiomatic ensemble accompaniment allowsyour instrumentalists to really shine. Don't miss this unique collaboration for an unforgettable anthem presentation for your family of faith. It will bring down the house!

La renommée de Carl Maria von Weber repose principalement sur , Der Freischütz '. Le succès sans précédent de cet opéra éclipsé tous ses autres travaux et a contribué à leur chute de plus en plus dans l'oubli . Certains travaux tels que , Preciosa ', , Oberon , et , Euryanthe ' , les ouvertures, concertos en solo et sonates pour piano , des lieder et chambre oeuvres jouissent d'une grande popularité et ont été largement connus en Allemagne et à l'étranger aussi tard que la deuxième moitié de la 19ème siècle . Cependant , toute chance d'une renaissance de Weber et influentoeuvre considérable a été perdu dans les années 1920 , quand une édition complète - commencé par Hans Joachim Moser et avec les contributeurs potentiels, y compris Wilhelm Kempff , Hans Pfitzner , Max von Schillings , Fritz Stein et Richard Strauss - a échoué après le troisième volume .Depuis , il ya eu de nombreuses tentatives pour relancer une édition complète des oeuvres de Weber , mais que ce genre de projet , il aurait fallu la collaboration de chercheurs des deux côtés de la frontière inter- allemande , la situation politique après 1945 n'était pas propice à une telle entreprise . Négociations approfondies ont conduit aux premières mesures concrètes dans les années 1980 . L'intention , dès le début , était de placer l'oeuvre de Weber dans son contexte, et ne pas se séparer de sa production musicale de son travail influent comme un écrivain , critique et organisateur dans le domaine musical , mais de publier ses compositions avec ses lettres, journaux et d'autres la production littéraire comme le meilleur moyen de documenter la fertilisation croisée entre ses activités musicales , littéraires et pratiques .Depuis la réunification des deux - groupes de travail allemands concernés - à la Staatsbibliothek zu Berlin , et au Séminaire Musikwissenschaftliches , Detmold / Paderborn - ont coopéré sur l'édition complète des oeuvres musicales ( c. 45 volumes de la série 10 : sacré musique - cantates , des odes et des autres travaux occasionnels- oeuvres scéniques , lieder et des oeuvres vocales - oeuvres orchestrales , musique de chambre , musique pour piano - réductions pour piano - Miscellanea , arrangements et orchestrations , des oeuvres d' attribution douteuse ) . Les journaux (6-8 vol.) Sont édités à Berlin et les lettres (8-10 vol.) Et d'autres écrits ( 2 vol. ) À Detmold .Cette édition complète vise à constituer une base fiable de débat scientifique , ainsi que pour la pratique de la performance authentique de la musique de Carl Maria von Weber . Conforme aux normes d'éditions historico-critiques récentes , le matériau textuel sera basé sur les sources authentiques disponibles , accompagnés par une documentation détaillée de la genèse et une liste de variantes pour chaque travail . L'importance musicologique des travaux sera évaluée en les plaçant dans leur contexte historique , la présentation de leur genèse , l'histoire et les commentaires critiques . Les lettres , les écrits et les journaux seront considérés comme interdépendants et pertinente à l'autre dans les commentaires , donc les lecteurs devraient bénéficier d'une foule de renseignements concis et renvois . / Choeur Mixte (SATB) Et Instruments Divers

Par GOODALL HOWARD. Never To Forget is a powerfully emotive choral work written in honour of the NHS health and care workers in the UK who died caring for others during the COVID-19 pandemic. The text comprises their names, each sung separately in turn, in a poignant and moving homage. The piece is designed as a living tribute, to memorialise their dedication and sacrifice through each performance. This is a work of remembrance, respect and gratitude for these courageous workers, never to be forgotten. The work is scored for SATB choir and chamber ensemble, with this vocal score including a piano reduction. Instrumental parts are available to hire from hire@fabermusic.com./ Répertoire / Voix Mixtes et Piano

Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB) Chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo BA 4263I will magnify thee HWV 250b for Soloists (SATB) Chorus (SATB) Oboe Strings Continuo BA 4264As pants the hart HWV 251e for Soloists (SAATBB) Chorus (SAATB) 2 Oboes Strings Continuo BA 4265Let God Arise HWV 256b for Soloists (AB) Chorus (SATB) Oboe Strings Continuo BA 4266Handel?s four anthems were all composed during his London period in the Chapel Royal. ?As pants the hart? his fifth setting of this Psalm text waswritten in March 1738 for performance at a benefit concert for the King?s Theatre in the Haymarket.Until just before Handel?s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the organ. These four works with their orchestral accompaniments thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores with straightforward piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solo numbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.

From the creator of the bestselling “Christmas Canticles” comes a stunning cantata. Classic Easter hymns and beautiful new songs are woven together in three suites to create a work perfect for Lent and Easter. Thecantata can be performed in its entirety or use each of the three suites as separate extended anthems. Accompany with organ and/or piano full or chamber orchestra or the outstanding ChoirTrax Accompaniment Cassette. Available:SATB Instrumental Pak (Orchestra) Instrumental Pak (Chamber Orchestra) ChoirTrax Cassette Preview Cassette Preview Pak. Performance Time: Approx. 30:00.

From Geistliche Chor-Music-Published in 1648 Heinrich Schütz’s “Geistliche Chor-Music” is still regarded as one of his seminal works. A two-volume performance edition based on Werner Breig’s revised new text is available (BA 5901/BA 5902).Now selected motets are being issued in separate volumes. They offer a modern notation and layout retain the original keys and include an integrated figured bass realisation.In keeping with contemporary performance practice the ‘choral’ parts can be performed by instruments as well as voices. Instrumental parts with underlaid words may be purchased separately for performances with instruments (seeperformance material for BA 5901 and BA 5902).- Gib unsern Fürsten und aller Obrigkeit No.5 SWV 373 from 'Geistliche Chor-Music'- Cantus Quintus Countertenor Tenor Bassus Basso continuo ad lib.

This work for mixed chorus with keyboard and flute (or any C instrument) takes the traditional Catherine Winkworth text and sets it to a new and vibrant melody. Of course the piece is great for Thanksgiving but would also be effective during a stewardship emphasis for the turn of the New Year or for general use.