fur Pop- und Jazzchor-A new choral series that sets a new standard: Familiar traditionals are replaced by legendary pop and jazz classics the arrangers among them Jens Johansen Bertrand Gröger Oliver Gies Thierry Lalo Dylan Bell rank among the great figures of the European choral scene and the book comes along in an absolutely choir-friendly format: as a handy modern separate edition at an affordable price a valuable addition for all jazz pop and gospel ensembles looking to add new pieces to their repertoire.further editions: Straighten up and Fly right / Smells Like Teen Spirit / African Call / Washing of the Water / Blues on Sunday / As

The Vocal Score for Swiss composer Carl Rütti's De Virgine Maria is arranged here for SATB divisi chorus and Organ accompaniment. This piece was commissioned by the College for 'A Festival of Nine Lessons and Carols 2014' and lasts around 3 and a half minutes. De Virgine Maria is dedicated to composer Stephen Cleobury and the Choir of King's College Cambridge. The works of?Carl Rütti has been an output of consistently beautiful choral works that are largely religious in theme. His compositions are well-known for introducing elements of jazz and blues into the English choral tradition that he traditionallyworks within. The lyrics for De Virgine Maria are in Latin. In the September 2015 issue of Organists' Review Michael Overbury writes that this work 'is most attractive for the listener celebratory fun and serious intensely joyful and lyrical.'

Composed for the Reykjavik Cathedral Choir's Solo Dei Gloria festival in 2004 Advent Antiphous is an exquisite concert setting of the Great O Antiphons. Traditionally chanted or sung between 17th and 23rd December the Antiphons comprise seven brief prayers which proceed in sequence charting events from before Creation through to the birth of Christ.For SATB double choir a capella.

Libertango (SATB). It has been said that you can see Buenos Aires while listening to Piazzolla’s music. This is one of his talents that sets him apart from other composers. Piazzolla made a revolution with the tango which createdmany problems for him in his country (traditionalists did not accept his music as tango). But everybody finally accepted his changes because his music put the Argentine dance the tango at the highest level. In creating thiswork Piazolla put together two words that he was in love with liberty and tango: Libertango.

From the composer of Festival of Carols and The Winter Rose comes a cantata that celebrates the legacy of early American carols and hymnody. Composed in the spirit of folk music the cantata combines traditionalsounds with more rustic elements creating a blend that is fresh and pleasing. Popular American carols like Away In a Manger and O Little Town of Bethlehem dance with traditional spirituals such as Children GoWhere I Send Thee and Go Tell It on the Mountain. Sacred Harp tunes are re-tooled for Advent and stand alongside new versions of Shaker hymns and Appalachian melodies. Thoughtful narration weaves the movements togetherin a meaningful tapestry of song and Scripture. Two orchestral options are available allowing maximum flexibility in performance. A full line of support products is also available. Available separately: SATB CD-ROM FullOrchestration (Score & Parts for Flute 1 & 2 alto recorder Oboe/English Horn Clarinet 1 & 2 Bassoon Horn 1 & 2 Trumpet 1-3 Trombone 1 & 2 Bass Trombone/Tuba Timpani Percussion Acoustic Guitar Banjo Harp Piano Synth Solo fiddle Violin 1 & 2 Viola Cello Double Bass) Printed Full Orchestration Appalachian Consort Orchestration (Score & parts for Flute Violin Cello Mandolin Guitar Percussion and Piano) StudioTrax CD (accompanimentonly) SplitTrax CD Listening CD 10-Pack Listening CDs Preview Pack (Book/CD combo) RehearsalTrax CDs (part predominant reproducible) Digital Resource Kit (PowerPoint Choir Devotionals Poster Program Flyers Children'sProgram PDFs). Duration: approx. 40 min.

It has been said that you can see Buenos Aires while listening to Astor Piazzolla’s music. This is one of his talents that sets him apart from other composers. Piazzolla made a revolution with the tango which createdmany problems for him in his country (traditionalists did not accept his music as tango). But everybody finally accepted his changes because his music put the Argentine dance the tango at the highest level.VeranoPorteno (Summer of Buenos Aires) is the first of four tangos that Piazzolla wrote about the seasons of Buenos Aires.. SATB A Cappella

In 1576 various political decisions plunged the city of Prague into a period of artistic and cultural diversity. This volume presents some of the richest musical treasures it is a collection of eleven works by de Kerle Regnart Gallus and de Monte; motets for the main feasts of the church year are included as well as Gallus’s famous Holy Week motet 'Ecce Quomodo Moritur' traditionally sung in Lutheran Germany after the J.S. Bach Passions.

From Quatre Motets Sur Des Themes Gregoriens-Duruflé grew up in Louviers in the northern French region of Haute-Normandie (Upper Normandy) where as a boy he was a chorister and studied piano. At the age of 17 he moved to Paris to study organ with Charles Tournemire. A year later Duruflé wasadmitted to the Paris Conservatoire where he studied organ piano and composition and was awarded five first prizes in various subjects. Upon graduation Duruflé became musical assistant to Louis Vierne at Notre Dame but soon after this wasappointed organist at Saint Étienne-du-Mont in Paris where he would remain for the rest of his life. In 1943 he was appointed professor of harmony at the Conservatoire a position he maintained for 27 years. From 1926 until 1977 Duruflé published 14compositions including the Requiem Op. 9 (1947). Duruflé traveled extensively as a concert organist and was active as a recording artist. Later in life he and his second wife often performed as an organ duo. The composer suffered severe injuriesin an automobile accident in 1975 which left him nearly bed-ridden for the final decade of his life.Composed in 1960 Quatre Motets sur des thèmes grégoriens Op. 10 (Four Motets on Gregorian Themes) were dedicated to Auguste le Guennant director of the Gregorian Institute in Paris. Each of the four motets begins with an incipit of Gregorianchant which serves as melodic inspiration for the composition that follows. The four motets are (in order): ?Ubi caritas ? ?Tota pulchra es ? ?Tu es Petrus ? and ?Tantum ergo.? ?Ubi caritas? is an early Christian antiphon traditionally used in the Maundy Thursday service during the washing of the feet an act of Jesus from the Last Supper. The antiphon has become closely associated with the Eucharist and is sometimes alsoused at weddings. Duruflé sets only the first of the four stanzas of the text.