| Shawn Crouch: The Light
of Common Day: SATB:
Vocal Score Choral SATB SATB, Piano [Vocal Score] Schirmer
Shawn Crouch's The Light Of Common Day for SATB choir with Piano accompaniment. ...(+)
Shawn Crouch's The Light Of Common Day for SATB choir with Piano accompaniment. This beautiful choral work features a text excerpted from the poignant and insightful Wordsworth poem. ComposerShawn Crouch has crafted music that flows as if one long line or brushstroke of continuous sound. The Light Of Common Day was commissioned by Tom Cunningham and the Manhattan Choral Ensemble andis dedicated to Kathleen Lockwood. The piece has been recorded by Seraphic Fire on their album Reincarnation: A Century of American Choral Music.
13.75 GBP - Sold by Musicroom UK |
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| Cary Ratcliff: Ode to
Common Things: SATB:
Vocal Score Choral SATB SATB, Piano [Vocal Score] Schirmer
featuring Texts of Pablo Neruda Craig Hella Johnson Choral Series-Cary Ratcliff'...(+)
featuring Texts of Pablo Neruda Craig Hella Johnson Choral Series-Cary Ratcliff's charming and refreshing oratorio Ode To Common Things is a setting of poetry by Chilean writer Pablo Neruda who over the course of his life wrote odes to ordinary everydayobjects five of which were chosen for the Ratcliff setting. Starting with the percussive Ode to Things the music sweeps through many moods moving into a deep and emotional Ode to the Bed and the reflectiveOde to the Guitar. The final two movements Ode to Scissors and Ode to Bread complete the connection to everyday life. For SATB divisi chorus soloists with Piano reduction. Orchestra available onrental.
13.99 GBP - Sold by Musicroom UK |
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| Common Worship Gospel
Acclamations - SATB: SATB Choral SATB Kevin Mayhew
Common Worship for the celebration of Holy Communion introduces a Gospel Acclama...(+)
Common Worship for the celebration of Holy Communion introduces a Gospel Acclamation to be sung before the reading of the Gospel. In this collection of Acclamations there is a common Alleluia setting (or Praise toYou O Christ from Ash Wednesday to Maundy Thursday) followed by the proper text for singing by the choir.
6.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| Tarik O'Regan: All Things
Common: SATB: Vocal Score Choral SATB [Vocal Score] Novello & Co Ltd.
Tarik O'Regan's All Things Common for SATB choir unaccompanied. Composed 2017. D...(+)
Tarik O'Regan's All Things Common for SATB choir unaccompanied. Composed 2017. Duration: 4 minutes
3.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| Common Praise: SATB:
Vocal Work Choral SATB [Vocal Score] Canterbury Press
The Definitive Hymn Book (Hardback)-Since it was first introduced in the Summer ...(+)
The Definitive Hymn Book (Hardback)-Since it was first introduced in the Summer of 2000 Common Praise the new Hymns Ancient & Modern has sold over one hundred thousand copies and been adopted by parishes in every diocese in England and Wales including eight English cathedrals and in five of the seven dioceses in Scotland. It is also used in numerous schools colleges hospitals residential homes retreat houses religious communities crematoria missions and military garrison chapels.
32.00 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| Henry Chadwick: Common
Praise: SATB: Vocal Score Choral SATB [Vocal Score] Canterbury Press
Melody Edition-Common Praise' is the first major revision of 'Hymns A&M' for alm...(+)
Melody Edition-Common Praise' is the first major revision of 'Hymns A&M' for almost 50 years and is destined to become the essential new music resource for 21st century worship. 629 items from earliest sources to the present; inclusive language where appropriate.
27.50 GBP - Sold by Musicroom UK |
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| Audrey Snyder: Common
Ground: Mixed Choir a
Cappella: Vocal Score Choral SATB [Vocal Score] Hal Leonard 11.25 GBP - Sold by Musicroom UK |
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| Nico Muhly: Marrow: SATB:
Vocal Score Choral SATB [Vocal Score] St Rose Music Publishing
Nico Muhly's Marrow composed for SATB choir unaccompanied with texts from Psalm...(+)
Nico Muhly's Marrow composed for SATB choir unaccompanied with texts from Psalm 63 vv.1–3 6–8 Book of Common Prayer (1662). Commissioned by the Netherlands Chamber Choir for the project 150 Psalms to be premiered by the Tallis Scholars during Utrecht Early Music Festival September 1st 2017. Duration: c. 3 minutes. 'Last September in one weekend in Utrecht settings were sung of all 150 Psalms by 150 different composers covering 1000 years of choral music. The Tallis Scholars were one of the four choirs taking part and among their contributions was this new piece by Nico Muhly. The words are from the Book ofCommon Prayer version of Psalm 63 with the title teasingly taking one word from ‘My soul shall be satisfied even as it were with marrow and fatness.’ Cries of ‘O God’ provide a fluid background to an almost plainchant-like proclamation of the text at start and finish with other voices gradually joining the psalm text in the central section until all unite on ‘when my mouth praiseth thee with joyful lips’. For a choir happy to subdivide into 4S 2A 2T and 2B it is a setting of imagination and beauty.' - Sunday by Sunday
3.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| M Gould: Hosanna Amen
(from Quotations): SATB:
Vocal Score Choral SATB SATB, Piano [Vocal Score] Schirmer
Morton Gould's Hosanna Amen from 'Quotations' for Double Chorus of Mixed Voices ...(+)
Morton Gould's Hosanna Amen from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'theearly bird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
7.50 GBP - Sold by Musicroom UK |
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| M Gould: Bird In Hand
From Quotations With
Orchestra: SATB: Vocal
Score Choral SATB SATB, Piano [Vocal Score] Schirmer
Morton Gould's A Bird In Hand from 'Quotations' for Double Chorus of Mixed Voice...(+)
Morton Gould's A Bird In Hand from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'theearly bird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
8.75 GBP - Sold by Musicroom UK |
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| M Gould: Ballads From
Quotations: SATB: Vocal
Score Choral SATB SATB, Piano [Vocal Score] Schirmer
Morton Gould's Ballads from 'Quotations' for Double Chorus of Mixed Voices and W...(+)
Morton Gould's Ballads from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'the earlybird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
8.75 GBP - Sold by Musicroom UK |
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| M Gould: Postscript From
Quotations With
Orchestra: SATB: Vocal
Score Choral SATB SATB, Piano [Vocal Score] Schirmer
Morton Gould's Postscript from 'Quotations' for Double Chorus of Mixed Voices an...(+)
Morton Gould's Postscript from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'the earlybird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
17.50 GBP - Sold by Musicroom UK |
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| M Gould: Early Bird From
Quotations With
Orchestra: SATB: Vocal
Score Choral SATB SATB, Piano [Vocal Score] Schirmer
Morton Gould's The Early Bird from 'Quotations' for Double Chorus of Mixed Voice...(+)
Morton Gould's The Early Bird from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'theearly bird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
8.75 GBP - Sold by Musicroom UK |
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| M Gould: Hallelujah Amen
From Quotations: Double
Choir: Vocal Score Choral SATB SATB, Piano [Sheet music] Schirmer
Morton Gould's Hallelujah Amen from 'Quotations' for Double Chorus of Mixed Voic...(+)
Morton Gould's Hallelujah Amen from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'theearly bird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
17.50 GBP - Sold by Musicroom UK |
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| M Gould: Walkin On Air
From Quotations: Double
Choir: Vocal Score Choral SATB SATB, Piano [Sheet music] Schirmer
Morton Gould's Walkin'On Air from 'Quotations' for Double Chorus of Mixed Voices...(+)
Morton Gould's Walkin'On Air from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'theearly bird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
8.75 GBP - Sold by Musicroom UK |
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| M Gould: Sermon From
Quotations With
Orchestra: Double Choir:
Vocal Score Choral SATB SATB, Piano [Sheet music] Schirmer
Morton Gould's Sermon from 'Quotations' for Double Chorus of Mixed Voices and Wi...(+)
Morton Gould's Sermon from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'the earlybird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
8.75 GBP - Sold by Musicroom UK |
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| Tarik O'Regan: Corpus
Christi Service: SATB:
Vocal Score Choral SATB [Vocal Score] Novello & Co Ltd.
Another wonderful sacred composition by the gifted choral composer Tarik O'Rega...(+)
Another wonderful sacred composition by the gifted choral composer Tarik O'Regan. A complete original nmusical setting of the Corpus Christi Service and the Celebration of Holy Communion as laid out in Order One of Common Worship: Services and Prayers for the Church of England. As liturgical flexibility is one of the key issues of Common Worship O’Regan has attempted to provide as many and as varied permutations as possible and that the Minister might choose the most appropriate. This item is the Service Score and features Vocal Score Organ accompaniment and is also available as a Congregation Part (10 Pack) NOV200321-1.
5.50 GBP - Sold by Musicroom UK |
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| James MacMillan: Te Deum:
SATB: Vocal Score Choral SATB [Vocal Score] Boosey and Hawkes
Book of Common Prayer 1662-This work was composed in 2001 and first performed a...(+)
Book of Common Prayer 1662-This work was composed in 2001 and first performed at matins on 3rd February 2002 at the Chapel Royal of St Peter ad Vincula HM Tower of London by the Choir of the Chapels Royal. It is a truly beautiful setting of text from the Book of Common Prayer from 1662. Arranged for SATb choir with Organ accompaniment.
3.75 GBP - Sold by Musicroom UK |
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| Morten Lauridsen: Sure On
This Shining Night: Mixed
Choir a Cappella: Vocal Choral SATB SATB A Cappella Peermusic Classical
Four poems sharing a common motif of 'Night' provide the texts for my choral cyc...(+)
Four poems sharing a common motif of 'Night' provide the texts for my choral cycle Nocturnes, the American Choral Directors Association's commissioned work for its 2005 national convention. For Rilke's atmospheric ?Sa nuit d'ete,? several melodic themes are supported by dense, colorful harmonies in both the choral and piano parts, leading to a climactic section where all are combined and stated simultaneously. Neruda's ?Soneto de la Noche,? from his Cien Sonetos de Amor, speaks of an eternal love that transcends death while reaffirming life. My a cappella setting of this gorgeous poem is predominantly quiet, serene and folk-like, utilizing direct harmonies accompanying long, lyrical vocal lines. Agee's wondrous ?Sure on this Shining Night? is set much like a song from the American musical theater, a genre for which I have held a life-long esteem. Rilke's poignant ?Voici le soir? recalls the opening bell sounds and jazz-tinged chords of the first movement and serves as an epilogue, quietly concluding this cycle of night songs as darkness descends.
11.25 GBP - Sold by Musicroom UK |
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| Morten Lauridsen: Sa Nuit
D'Ete (Nocturnes): Mixed
Choir a Cappella: Vocal
Score Choral SATB SATB, Piano [Vocal Score] Peermusic Classical
Four poems sharing a common motif of 'Night' provide the texts for my choral cyc...(+)
Four poems sharing a common motif of 'Night' provide the texts for my choral cycle Nocturnes the American Choral Directors Association's commissioned work for its 2005 national convention. For Rilke's atmospheric ?Sanuit d'ete ? several melodic themes are supported by dense colorful harmonies in both the choral and piano parts leading to a climactic section where all are combined and stated simultaneously. Neruda's ?Soneto de laNoche ? from his Cien Sonetos de Amor speaks of an eternal love that transcends death while reaffirming life. My a cappella setting of this gorgeous poem is predominantly quiet serene and folk-like utilizing directharmonies accompanying long lyrical vocal lines. Agee's wondrous ?Sure on this Shining Night? is set much like a song from the American musical theater a genre for which I have held a life-long esteem. Rilke'spoignant ?Voici le soir? recalls the opening bell sounds and jazz-tinged chords of the first movement and serves as an epilogue quietly concluding this cycle of night songs as darkness descends.--MortenLauridsen
11.25 GBP - Sold by Musicroom UK |
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| John Harbison: Abraham:
SATB: Vocal Score Choral SATB SATB/SATB (Double Choir) [Vocal Score] Schirmer
Double Choir with Double Brass Choir-This 6-minute sacred motet by John Harbison...(+)
Double Choir with Double Brass Choir-This 6-minute sacred motet by John Harbison was premiered in January 2004 at the Vatican. Featuring a text from Psalm 17 it was composed to strengthen the ties between the Jews Christians and Muslims and depicts Abraham asfather of many nations - in Harbison's words: a bridge a mode of communication and a point of commonality. An accessible work for both concert and worship.
2.50 GBP - Sold by Musicroom UK |
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| John Jacobson Roger
Emerson: Math Rocks:
Mixed Choir a Cappella:
Classroom Choral SATB SATB A Cappella Hal Leonard
Cross-Curricular Music Fun for the Classroom Performance/Accompaniment CD-Rocki...(+)
Cross-Curricular Music Fun for the Classroom Performance/Accompaniment CD-Rockin' with arithmetic is what it's all about! Reinforce basic math concepts that support Common Core State Standards and promote higher level learning while rockin' to the beat. From Hal Leonard's popular Rock 'n' Learn series this study for Grades 3-5 explores the 4 basic operations (add subtract multiply divide) computing the area of basic shapes the metric system fractions and decimal equivalents estimating and much more - all put to music for learning that lasts! Perfect for Music class or Math class the Teacher Book includes reproducible melody sheets with chord symbols and simple choreography and worksheet activities that incorporate Common Core State Standards in Math! For performance options a script is also included that introduces each of the eight original songs. Groove along with the singer recordings on the enclosed Listening CD! Also available is an Enhanced P/A CD with performance and accompaniment-only song tracks and PDFs of the piano/vocal arrangements with choreography lyrics and worksheets for lots of performance and projection options! For additional value receive all components in the Classroom Kit. Suggested for Grades 3-5.
51.00 GBP - Sold by Musicroom UK |
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| Herbert Howells: Hymnus
Paradisi (Full Score):
SATB: Score Choral SATB SATB, Orchestra [Sheet music] - Intermediate/advanced Novello & Co Ltd.
This is the full score of Herbert Howells' 1950 composition Hymnus Paradisi for...(+)
This is the full score of Herbert Howells' 1950 composition Hymnus Paradisi for Soprano and Tenor Soli SATB chorus and orchestra. Now available for the first time in print this score has been prepared from the known sources revised and edited with critical commentary and includes a preface by Paul Spicer and introductory notes by Sir David Willcocks. Four of the choral movements (II-V) are settings of Latin and English texts. These are drawn from the Psalms and the 'Miss pro defunctis' the book of Common Prayer and are immemorial reflections upon the transient griefs and indestructible hopes of mankind. All are appropriate to the mood and purpose ofa Requiem. Movement VI is a setting of lines from the Salisbury Diurnal used here in the translation by Dr G. H. Palmer appearing at the end of Robert Bridges' Anthology The Spirit of Man. The first performance was at the Three Choirs Festival at Gloucester on 7th September 1950 which the composer conducted. The Bach Choir gave the first London performance early in 1951 and recorded the work in 1970 with the Philharmonia Orchestra under Sir David Willcocks.
49.99 GBP - Sold by Musicroom UK |
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| Morten Lauridsen:
Nocturnes: SATB: Vocal
Score Choral SATB SATB [Vocal Score] Faber Music Limited
Morten Lauridsen's Nocturnes addresses aspects of the common theme of 'Night' ...(+)
Morten Lauridsen's Nocturnes addresses aspects of the common theme of 'Night' in arrangements for accompanied SATB chorus. His setting of Rilke's impassioned and atmosphereic Sa nuit d'ete is rich with dense colourful harmonies while Soneto de la noche is quiet serene and fold-like reflecting the eloquence with which the poet Pablo Neruda speaks of everlasting eternal love. Sure on the shining night is a lyrical beautiful setting of James Agee's well-loved poem. Rilke is the source of the epilogue Voici le soir bringingthe Nocturnes to a quiet end as darkness arrives. The Choral Programme Series is a well-esatablished programming tool for many choirs as it offers a wealth of fresh material from many eras and in many styles. Also offering great value for money as each volume in the series provides up to forty minutes of music
4.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| Morten Lauridsen: Sure on
this shining Night: SATB:
Vocal Score Choral SATB [Vocal Score] Peermusic Classical
Four poems sharing a common motif of 'Night' provide the texts for the choral cy...(+)
Four poems sharing a common motif of 'Night' provide the texts for the choral cycle Nocturnes the American Choral Directors Association's commissioned work for its 2005 national convention. For Rilke's atmospheric “Sa nuit d'ete ” several melodic themes are supported by dense colorful harmonies in both the choral and piano parts leading to a climactic section where all are combined and stated simultaneously. Neruda's “Soneto de la Noche ” from his Cien Sonetos de Amor speaks of an eternal love that transcends death while reaffirming life. The a cappella setting of this gorgeous poem is predominantly quiet sereneand folk-like utilizing direct harmonies accompanying long lyrical vocal lines. Agee's wondrous “Sure on this Shining Night” is set much like a song from the American musical theater a genre for which I have held a life-long esteem. Rilke's poignant “Voici le soir” recalls the opening bell sounds and jazz-tinged chords of the first movement and serves as an epilogue quietly concluding this cycle of night songs as darkness descends.
2.80 GBP - Sold by Musicroom UK Shipment: (stock) information on site |
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| Philip W. J. Stopford: A
Christmas Blessing: SATB:
Vocal Score Choral SATB SATB [Vocal Score] Hal Leonard
Words from the Church of Ireland Book of Common Prayer (adapted)-A lilting Chris...(+)
Words from the Church of Ireland Book of Common Prayer (adapted)-A lilting Christmas benediction that will fill every heart with the joy of the season! Displaying the exquisite choral style of Philip Stopford this work is ideal for both concert and worship.
11.25 GBP - Sold by Musicroom UK |
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| Eriks Esenvalds: Choral
Anthology 4: Mixed Choir:
Vocal Score Choral SATB [Sheet music] Peters
Born in 1977 in Latvia Eriks Esenvalds is an original and sought-after voice of...(+)
Born in 1977 in Latvia Eriks Esenvalds is an original and sought-after voice of the Baltic music tradition. Commissioners have included the Latvian Radio Choir and State Choir ‘Latvija’ the Britten Sinfonia Trinity College Choir Cambridge Temple University (USA) the Boston Symphony Orchestra and City of Birmingham Symphony Orchestra. His work is recorded on a number of CDs. Eriks Esenvalds is a former Fellow Commoner in Creative Arts at Trinity College University of Cambridge.
11.95 GBP - Sold by Musicroom UK |
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| Nico Muhly: Dominus
Regnavit. Sheet Music for
SATB Choral Organ
Accompaniment Choral SATB SATB, Organ [Vocal Score] St Rose Music Publishing
Nico Muhly's Dominus Regnavit for SATB choir and Organ.This work was commissione...(+)
Nico Muhly's Dominus Regnavit for SATB choir and Organ.This work was commissioned by the Master and Fellows of St John's College Cambridge supported by a generous donation from Paul and Joanna Lindsell. It was first performed on 24 May 2014 by the Choir of St John’s College Cambridge Andrew Nethsingha (conductor) and Edward Picton-Turbervill (organist).The Lord is King and hath put on glorious apparel : the Lord hath put on his apparel andgirded himself with strength.He hath made the round world so sure : that it cannot be moved.Ever since the world began hath thy seat been prepared : thou art from everlasting.The floods are risen O Lord the floods have lift up their voice : the floods lift up their waves.The waves of the sea are mighty and rage horribly : but yet the Lord who dwelleth on high ismightier.Thy testimonies O Lord are very sure : holiness becometh thine house for ever. - Dominus Regnavit Psalm 93 Book of Common Prayer
4.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| Ralph McTell: Streets of
London: Mixed Choir a
Cappella: Vocal Score Choral SATB [Vocal Score] The Richmond Organization
Streets of London is a song written by Ralph McTell. McTell left the song off hi...(+)
Streets of London is a song written by Ralph McTell. McTell left the song off his debut album ‘Eight Frames a Second’ since he regarded it as too depressing but was eventually convinced by his producer to include it in the second. It was first recorded for the 1969 album ‘Spiral Staircase’ but was not released in the United Kingdom as a single until 1974. It ended up being McTell’s greatest commercial success reaching number two in the UK singles chart at one point selling 90 000 copies a day and winning him the 1974 Ivor Novello Award for Best Song Musically and Lyrically and a Silver disc for record sales.The songcontrasts the common problems of everyday people with those of the homeless lonely elderly ignored and forgotten members of society and has been covered by over two hundred artists around the world.As part of the Richmond Music Choral series Streets of London is arranged for SATB Voices.
13.75 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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