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| Nagy: Were Doin a Show:
SATB: Vocal Score
Choral SATB [Vocal Score]
Shawnee Press
14.25 GBP - Sold by Musicroom UK |
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| Carols For Everyone -
Carnegie Trust Carol
Collection
Choral SATB
SATB, Piano
Novello & Co Ltd.
Carols for Everyone is a brand new collection of seven festive pieces written sp...(+)
Carols for Everyone is a brand new collection of seven festive pieces written specifically for both adult and children's voices to sing together. Making Music commissioned Carols for Everyone to help fill the gap in choral repertoire for combined adult and children's voices and, in doing so, bring more people and communities together to make music. The collection, funded by the Carnegie UK Trust and published by Novello, includes six arrangements of well-known carols and six arrangements of well-known carols, from Silent Night and Adam lay ybounden to The angel Gabriel and Rudolph, the red-nosed reindeer and an original piece by Paul Mealor. Every piece can be performed by SATB adult choir and children, or by children with piano accompaniment alone, making this group of pieces flexible and approachable for all. / Choeur Mixte (SATB) Et Piano
(Seller in french langage)
Pre-shipment lead time: 3-10 days - In Stock Supplier |
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| Dale Warland: A Boy Was
Born: SATB: Vocal Score
Choral SATB [Vocal Score]
Schirmer
Dale Warland Choral Series-No. 3 in the three movement work Nativity Suite (each...(+)
Dale Warland Choral Series-No. 3 in the three movement work Nativity Suite (each movement published separately) in this setting of the traditional 16th century poem the instruments express the sentiment that animates the choir's words in waysthat voices are incapable of doing. The repeated alleluias at the close of each verse are resounding exclamations of joy with harmonies made up of as many as eleven voice parts.
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| Maurice Ravel: Trois
Chansons: SATB: Vocal
Score
Choral SATB [Vocal Score]
Novello & Co Ltd.
This title is taken from the compilation French Songs And Choruses For Mixed-Voi...(+)
This title is taken from the compilation French Songs And Choruses For Mixed-Voice Choir (NOV165198) These songs for unaccompanied chorus were written between December 1914 and February 1915 while Ravel was waiting to be enlisted in the army. The songs were published in 1916 but did not receive their first performance until October 1917 with a chorus assembled by Jane Bathori and her husband.The songs mark a rare foray into choral writing for Ravel the first since his ill-fated entries for the Prix de Rome (apart from the wordless choruses in Daphnis et Chloé). Part of the special interest of Trois chansons is that Ravel himselfwrote the texts for them. The first and last of the poems have an ironic humour and he clearly revelled in the use of language; the second makes repeated reference to going away to war as its dedicatee Painlevé had already done and as Ravel was then preoccupied with doing. The only other work in which Ravel set his own text to music was Noël des jouets (1905).
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| John Purifoy: Ponder
Anew: Mixed Choir a
Cappella: Vocal Score
Choral SATB [Vocal Score]
Hal Leonard
Ponder Anew. Innovative harmonies and a well-known hymn tune are the hallmarks o...(+)
Ponder Anew. Innovative harmonies and a well-known hymn tune are the hallmarks of this successful new anthem. The powerful lyric speaks to the divine calling of the church and the work that God has done, is doing, and will continue doing among His people. Variety sounds throughout the anthem with shimmering chords beckoning the listener to ponder anew before surrendering to the tune ST. DENIO, with admonitions to praise and share what marvelous, infinite things God can do! After an impressive climax, the piece winds down to a reflective ending, returning the piece to its thoughtful beginnings. Highly effective!
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| Philip Glass: Another
Look at Harmony - Part 4:
SATB: Score
Choral SATB
SATB, Organ [Score]
Dunvagen Music Publishers
'Another Look at Harmony' is a project started in 1975. The approach has been to...(+)
'Another Look at Harmony' is a project started in 1975. The approach has been to link directly rhythmic and harmonic structure. In doing so easily audible root movement (chords or 'changes') was chosen in order that the clarityof their relationship could easily be heard. Here as in earlier periods of Western music melodic material is for the most part a function or result of the harmony. However it is clear that some of the priorities of Westernmusic (harmony/melody first then rhythm) have been reversed.
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| Maury Yeston: Titanic
(Broadway Medley): SATB:
Vocal Score
Choral SATB [Vocal Score]
Cherry Lane
From the Tony Award-winning Broadway production this powerful and dramatic medl...(+)
From the Tony Award-winning Broadway production this powerful and dramatic medley will be thrilling for choirs and audiences alike. Includes: Doing the Latest Rag Godspeed Titanic (Sail On) How Did They Build Titanic? In Every Age Lady's Maid There She Is. Available: SATB SAB 2-Part Instrumental Pak ShowTrax CD. Performance Time: Approx. 10:00.
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| Wolfgang Amadeus Mozart:
Missa D Major K. 220 -
Sparrow Mass: SATB: Vocal
Score
Choral SATB
SATB, Organ [Vocal Score]
Barenreiter
Spatzenmesse (C)-This Mozart Mass together with BA7520 and BA7521 has been arr...(+)
Spatzenmesse (C)-This Mozart Mass together with BA7520 and BA7521 has been arranged for solo voices chorus and organ from the Urtext of the “New Mozart Edition” thereby making them accessible in all their beauty to choruses and church choirs with limited financial means at their disposal. Martin Focke has based the “concertante” Organ parts on the orchestral writing doing full justice to the timbre of the original. The solo parts and choruses of course leave the Urtext of the “New Mozart Edition” entirely untouched. The “Sparrow Mass” is one of the most significant pieces of church music fromMozart’s years in Salzburg. Thanks to its clarity and largely homophonic texture it remains even today a work that is easily mastered in church and concert hall performances. Self-contained version with Organ instead of Orchestra Straightforward and easy-to-play Organ part Ideal for church services and concert performances
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| Franz Joseph Haydn: Missa
Sancti Bernardi Von
Offida: Mixed Choir: Part
Choral SATB
SATB, Orchestra
Barenreiter
Heilig-Messe-Bernard of Offida 1604 1694 was a Capuchin monk whose saintly li...(+)
Heilig-Messe-Bernard of Offida 1604 1694 was a Capuchin monk whose saintly life and devotion to the sick and poor caused him to be beatified by Pope Pius VI on 19 May 1795. St. Bernard?s name day falls on the 11th of September (a Saturday in 1797) and it is generally thought that Haydn combined doing honour to the Capuchin monk with the production of a new Mass for his patron the day thereafter.Apparently later performances in Eisenstadt added horns to double the trumpets in the tuttis and just as in the previous Mass the clarinet parts were enlarged; it is almost certain that the new clarinet parts are either by Haydn or (shall we say) ?supervised? by him. As inthe Mass in Time of War conductors have the choice of two orchestrations: with or without doubling horns and with or without the supplementary clarinet parts.The Heiligmesse has always been one of Haydn?s most admired works. Its dignity its strength (we draw special attention to the extraordinary ?Gratias? with its brilliant contrapuntal writing) the subdued orchestral grandeur to which the B-flat trumpets contribute a silvery but unmartial weight all these have made it one of Haydn?s most serious and most deeply sensitive church works: its constant popularity in Viennese churches is quite deserved.Urtext from Joseph Haydn WerkeFull score (together with Missa Cellensis [Mariazellermesse] Hob.XXII:8; Missa brevis Sti Joannis de Deo [Little Organ Mass] Hob.XXII:7; Missa in Tempore Belli [Mass in Time of War] Hob.XXII:9) available for saleParts (BA4651) and vocal score (BA4651-90) available for sale
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| Franz Joseph Haydn: Missa
Sancti Bernardi Von
Offida: Mixed Choir:
Parts
Choral SATB
SATB, Orchestra
Barenreiter
Heilig-Messe-Bernard of Offida 1604 1694 was a Capuchin monk whose saintly li...(+)
Heilig-Messe-Bernard of Offida 1604 1694 was a Capuchin monk whose saintly life and devotion to the sick and poor caused him to be beatified by Pope Pius VI on 19 May 1795. St. Bernard?s name day falls on the 11th of September (a Saturday in 1797) and it is generally thought that Haydn combined doing honour to the Capuchin monk with the production of a new Mass for his patron the day thereafter.Apparently later performances in Eisenstadt added horns to double the trumpets in the tuttis and just as in the previous Mass the clarinet parts were enlarged; it is almost certain that the new clarinet parts are either by Haydn or (shall we say) ?supervised? by him. As inthe Mass in Time of War conductors have the choice of two orchestrations: with or without doubling horns and with or without the supplementary clarinet parts.The Heiligmesse has always been one of Haydn?s most admired works. Its dignity its strength (we draw special attention to the extraordinary ?Gratias? with its brilliant contrapuntal writing) the subdued orchestral grandeur to which the B-flat trumpets contribute a silvery but unmartial weight all these have made it one of Haydn?s most serious and most deeply sensitive church works: its constant popularity in Viennese churches is quite deserved.Urtext from Joseph Haydn WerkeFull score (together with Missa Cellensis [Mariazellermesse] Hob.XXII:8; Missa brevis Sti Joannis de Deo [Little Organ Mass] Hob.XXII:7; Missa in Tempore Belli [Mass in Time of War] Hob.XXII:9) available for saleParts (BA4651) and vocal score (BA4651-90) available for sale
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| Franz Joseph Haydn: Missa
Sancti Bernardi Von
Offida: Mixed Choir:
Score
Choral SATB
SATB, Orchestra [Sheet music]
Barenreiter
Heilig-Messe-Bernard of Offida 1604 1694 was a Capuchin monk whose saintly li...(+)
Heilig-Messe-Bernard of Offida 1604 1694 was a Capuchin monk whose saintly life and devotion to the sick and poor caused him to be beatified by Pope Pius VI on 19 May 1795. St. Bernard?s name day falls on the 11th of September (a Saturday in 1797) and it is generally thought that Haydn combined doing honour to the Capuchin monk with the production of a new Mass for his patron the day thereafter.The Heiligmesse has always been one of Haydn?s most admired works. Its dignity its strength (we draw special attention to the extraordinary ?Gratias? with its brilliant contrapuntal writing) the subdued orchestral grandeur to whichthe B-flat Trumpets contribute a silvery but unmartial weight all these have made it one of Haydn?s most serious and most deeply sensitive church works: its constant popularity in Viennese churches is quite deserved.- Urtext of the Joseph Haydn Complete Edition.- Full score together with Missa brevis Sti Joannis de Deo (Little Organ Mass) (Hob.XXII:7) Missa Cellensis (Mariazeller-Messe) (Hob.XXII:8) Missa in Tempore Belli (Pauken mass) (Hob.XXII:9)- Performance material (BA4651) vocal score (BA4651-90) available for sale.
Shipment: (stock) information on site |
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| Franz Joseph Haydn: Missa
Sancti Bernardi Von
Offida: Mixed Choir: Part
Choral SATB
SATB, Orchestra
Barenreiter
Heilig-Messe-Bernard of Offida 1604 1694 was a Capuchin monk whose saintly li...(+)
Heilig-Messe-Bernard of Offida 1604 1694 was a Capuchin monk whose saintly life and devotion to the sick and poor caused him to be beatified by Pope Pius VI on 19 May 1795. St. Bernard?s name day falls on the 11th of September (a Saturday in 1797) and it is generally thought that Haydn combined doing honour to the Capuchin monk with the production of a new Mass for his patron the day thereafter.Apparently later performances in Eisenstadt added horns to double the trumpets in the tuttis and just as in the previous Mass the clarinet parts were enlarged; it is almost certain that the new clarinet parts are either by Haydn or (shall we say) ?supervised? by him. As inthe Mass in Time of War conductors have the choice of two orchestrations: with or without doubling horns and with or without the supplementary clarinet parts.The Heiligmesse has always been one of Haydn?s most admired works. Its dignity its strength (we draw special attention to the extraordinary ?Gratias? with its brilliant contrapuntal writing) the subdued orchestral grandeur to which the B-flat trumpets contribute a silvery but unmartial weight all these have made it one of Haydn?s most serious and most deeply sensitive church works: its constant popularity in Viennese churches is quite deserved.Urtext from Joseph Haydn WerkeFull score (together with Missa Cellensis [Mariazellermesse] Hob.XXII:8; Missa brevis Sti Joannis de Deo [Little Organ Mass] Hob.XXII:7; Missa in Tempore Belli [Mass in Time of War] Hob.XXII:9) available for saleParts (BA4651) and vocal score (BA4651-90) available for sale
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| Philip Glass: Another
Look at Harmony - Part 4:
SATB: Vocal Score
Choral SATB [Vocal Score]
Dunvagen Music Publishers
'Another Look at Harmony' is a project started in 1975. The approach has been to...(+)
'Another Look at Harmony' is a project started in 1975. The approach has been to link directly rhythmic and harmonic structure. In doing so easily audible root movement (chords or 'changes') was chosen in order that the clarityof their relationship could easily be heard. Here as in earlier periods of Western music melodic material is for the most part a function or result of the harmony. However it is clear that some of the priorities of Westernmusic (harmony/melody first then rhythm) have been reversed.
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| Simon Lole: A Tender
Shoot: Mixed Choir a
Cappella: Vocal Score
Choral SATB [Vocal Score]
De Haske Publications
Here is a lovely setting of the 19th century William Bartholomew text that refle...(+)
Here is a lovely setting of the 19th century William Bartholomew text that reflects on the new life that is born in the midst of winter turning darkness into light and doing just that through music with fresh harmonies and gentle dissonance. An excellent anthem for Advent.
Pre-shipment lead time: In Stock |
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| Kirby Shaw: Doin' It A
Cappella: SATB: Vocal
Score
Choral SATB [Vocal Score]
Hal Leonard
Here's a perfect theme song for your a cappella ensemble! Set against fingersnap...(+)
Here's a perfect theme song for your a cappella ensemble! Set against fingersnaps on 2 and 4 this peppy tune has plenty of energy and personality with optional spoken and sung solos throughout! Duration: ca. 2:00.
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| Forgotten Peoples (TORMIS
VELJO)
Choral SATB
Fennica Gehrman
Nr. 5 Vepsian Paths. Par TORMIS VELJO. Nr. 5 Vepsian Paths/ Répertoire / Choeur...(+)
Nr. 5 Vepsian Paths. Par TORMIS VELJO. Nr. 5 Vepsian Paths/ Répertoire / Choeur Mixte (SATB)
(Seller in french langage)
Pre-shipment lead time: 3-10 days - In Stock Supplier |
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