Aulos I to a certain degree continues Orbán's easy piano pieces for children, which he composed for Ágnes Lakos's piano tutor and which Editio Musica Budapest published in a separate volume entitled Enchanted Forest in 2011 (Z14742). Yet on this occasion the composer took on something which was both significantly different and more than his earlier pieces for children. On the one hand, he did not compose for beginners but for more advanced students who have studied piano for at least three years. On the other, he did not set developing the technique of piano playing as an aim, rather a systematic presentation of different polyphonic genres and compositional procedures (imitation, fugue, stretto, inversion, augmentation and diminution, double counterpoint, latent polyphony, double and triple fugue, cantus firmus technique, etc.). Orbán introduces his students to the mysteries of polyphony in a direct and practical manner, and thus actually makes them familiar with the art of composition.The educational use of the series is significantly increased by the fact that before each piece the composer presents and clarifies with demonstrative illustrations the polyphonic procedure he introduces. Orbán's explanations are not text-book-like at all, but are deliberately personal and subjective, full of lessons and individual associations taken from his practice as a composer. They were written in the same spirit as the works themselves - while they perfectly fulfil their educational purpose they are equally individual, witty and inspired pieces of music that are a joy to play. / Ensemble Mixte

The volume for intermediate players in the Ad libitum series offers duos from the Renaissance to the Late Romantic Period, which can be performed in a varied ensemble of instruments. The publication also contains works by less well-known composers, including two pieces by Bertalotti which were originally written for solfege yet are valuable as concert pieces and can be well played, as well as a composition by Jacques-Christophe Naudot and one by Carl Friedrich Weidemann. / Ensemble Mixte

The American Wind Symphony Editions (Boudreau). 2 Oboes, 2 Horns, 3 Bassoons, Contra-Bassoon or D/Bass. Score Parts / Ensemble Mixte

Per Ensemble. Par ROMITELLI FAUSTO. Langue: English(US) / Musique contemporaine / Date parution : 1905-06-30/ Méthode / Ensemble Mixte

Zoltán Kodály (1882-1967) composed Adagio for violin and piano in 1905 and dedicated it to the outstanding violinist Imre Waldbauer. In 1910 Kodály made versions of the work for both viola and cello, while Norbert Duka transcribed it for double bass. In 2014 we published all four versions of Adagio in a new separate edition. / Ensemble Mixte

Par BORENSTEIN DANIEL. Langue: International (more than one language) / Musique contemporaine / Date parution : 1905-06-24/ Répertoire / Ensemble Mixte

(The Intermediate Reality) Per Ensemble. Par NOVA RICCARDO. The Intermediate Reality Per Ensemble / Musique contemporaine / Date parution : 1905-06-30/ Répertoire / Ensemble Mixte

Für Bassetthorn, Klarinette, Violine, Violoncello, Schlagzeug Und Klavier. German / Niveau : Intermédiaire / Recueil / Ensemble Mixte

Easy arrangements of 15 finger-flying favourites from Van Halen in standard notation and tab. / Ensemble Mixte

Per Ensemble. Par COLASANTI SILVIA. Langue: English(US) / Musique contemporaine / Répertoire / Ensemble Mixte

Comme le volume des quatuors facile, celui-ci contient aussi des séquences de danse composées de plusieurs mouvements. Outre ces mouvements de danse populaire (deux danses renaissance, trois valses), cette publication fournit également aux utilisateurs plus vastes pièces de caractère à un niveau intermédiaire. Dans les mouvements comme, par exemple, Soirée carillons, Hobgoblin, la bergère et le coucou et Mars, le contenu original fourni par les éditeurs ainsi que la musique aide les joueurs à trouver le caractère approprié de la performance musicale, et donc de mettre la musique plus proche à la fois les joueurs et le public. les volumes de cette nouvelle série contiennent des duos, trios et quatuors, de leur degré de difficulté allant de facile à travers intermédiaire à avancé. Chaque pièce est une transcription ou un arrangement, puisque dans l'édition des volumes notre principale préoccupation était d'fournir une collection de compositions intéressantes et utiles, aussi librement variables que possible en ce qui concerne l'instrumentation, pour les élèves des écoles de musique et aussi pour les adultes qui font de la musique pour leur propre plaisir. L'étendue et la hauteur des pièces permettent les travaux devant être réalisés sur n'importe quel requis ou possible combinaison des instruments donnés. / Ensemble Mixte