for Flute and Basso continuo Wq 133 G Major / Sol majeur / G-Dur-Cette édition présente l´une des plus célèbres oeuvres pour flûte traversière du répertoire de musique de chambre du 18e siècle : la Sonate en Sol Majeur Wq 133 de Carl Philipp Emanuel Bach plus connue sous le nom de ?Hamburger Sonata?. Cetteédition vous offre la possibilité de travailler l´oeuvre d´une manière systématique dans différents tempos avec un accompagnement professionel.

Nicolas Chedeville Six Sonatas for violin (flute or oboe) and bc. Attributed to Antonio Vivaldi. Set on the ABRSM grade 7 Treble Recorder syllabus and grade 4 Flute syllabus. Edition no.: HM 135

Par QUANTZ JOHANN JOACHIM. Editeur(s) d'origine: Smith, Charles W./ Répertoire / Flûte Traversière et Basse Continue

Par BACH CARL PHILIPP EMMANUEL. / Répertoire / Flûte Traversière et Basse Continue

Par BACH CARL PHILIPP EMMANUEL. / Répertoire / Flûte Traversière et Basse Continue

In Sonata 7 in D major Balicourt opens with a suave intricately rhythmic Adagio. The following Presto with its delightful interplay between flute and bass including both octave doubling and stretto imitation is the most skittish movement to emerge from the composer’s pen. The finale is a ‘sandwich’ movement in which a Minuetto encloses a duple-metre Cantabile in D minor. Although the minuet could be said to exemplify one of those ‘easy’ movements referred to in Balicourt’s prospectus for subscribers its complex prescribed ornamentation requires sensitive handling. Sonata 8 in E minor is strategically placed as the final work inthe set being one of the longest as well as the most conservative; adopting the traditional four-movement configuration it continually harks back to the grand Handelian style. An eloquent Andante ushers in a Presto containing many slightly academic contrapuntal touches and much chromaticism. The subsequent Largo is only five bars long: its plain melodic line in minims and crotchets is the skeleton around which the flautist is expected to weave an elaborate embroidery. For the finale Balicourt introduces in effect a new version in triple metre of the second movement. The fact that all four movements are in E minor heightens the sense of unity which is expressed very concretely through their sharing of some thematic material.