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John Corigliano: Three Irish Folksong Settings: Voice: Vocal Work
Flute
[Sheet music]
Schirmer
Settings of Three Poems by W.B. Yeats Padraic Colum and Anon. For Voice and Flu...
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Settings of Three Poems by W.B. Yeats Padraic Colum and Anon. For Voice and Flute.
15.99 GBP - Sold by Musicroom UK
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Pop Rounds - 3 - 4 Part (SCHMITZ MANFRED)
Flute
AMA Verlag
3- und 4-stimmige Kanons. Par SCHMITZ MANFRED. Canons are fun and at the same ti...
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3- und 4-stimmige Kanons. Par SCHMITZ MANFRED. Canons are fun and at the same time also help develop the ability to listen and play along, thus making them an important enhancement to musical training. With 109 pop style melodies in two volumes Manfred Schmitz work provides comprehensive and diversified material which can be flexibly implemented in teaching single pupils, for group lessons and for ensemble classes. The instruments violin, viola, violoncello and flute can thus stay „among themselves“ or play music together in all imaginable instrumental combinations. 3/4 part Particularly designed for performance in groups and ensembles, the demands grow with the addition of voices and the growing diversity of timbres. As withthe two-voiced canons, also the three and four-voiced canons can with the help of the universal versions be played in all thinkable combinations of instruments up to the various chamber music ensembles. / Niveau : Débutant à Intermédiaire / Contemporary - Solos / Recueil / Flûte Traversière
24.70 EUR - Sold by LMI-partitions
(Seller in french langage)
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Alicia Hart: Scatadoodledoo: Flute: Instrumental Album
Flute
Camden Music
Graded jazz pieces for solo flute recently set on the new Trinity College sylla...
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Graded jazz pieces for solo flute recently set on the new Trinity College syllabus for all 8 grades. The story behind Scatadoodledoo: 'One day when I was at home practising my flute for a Jazz gig I had a particularly hard chart with lots of key changes and I just couldn't get into the flow of it. I was thinking logically and thinking of the chord symbols and just thinking thinking thinking which anyone who improvises knows is a sure way to stop you being 'in the flow'. Being a Jazz singer I love to scat sing and so I soon found myself putting my flute down and scat singing through the chart instead. I wasn't thinking I was justscatting around with my 'do-be-doos' and I was really getting into it and enjoying myself feeling so free in comparison to when I was improvising on the flute. That's when I had the idea to sing and play on my flute at the same time... I figured that all I needed to do was practice playing on my flute what I was singing at the same time and I'd be sorted with this hard chart in front of me. I started off simply at first but the more I practised the more I found my voice and fingers working together until it literally felt like they were 'one' and I was 'singing my flute'. Then when I took my voice out of it and all that remained was the sound of my flute that feeling of 'singing' still remained and I felt a freedom in my flute improvising that had been missing before. This discovery completely changed my jazz flute playing and to this day it is still my favourite way of practising improvising. 'Scatadoodledoo' is to encourage all Jazz flautists to start thinking of their flute as the voice they are scat singing with. The pieces range from grade one through to grade eight. Although the more advanced pieces like 'scatastrophy' and 'scatterbrain' have sections where the flautist has a chance to actually play and sing at the same time it is never too early to practice this method whether it be with scales or with beginner pieces like 'Scat Walker'. I hope you enjoy playing these as much as I enjoyed writing them.' Alicia Hart
9.95 GBP - Sold by Musicroom UK
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Groove Connection Flute (DICKBAUER KLAUS)
Flute
[Sheet music + CD]
Universal Edition
Dorisch, Mixolydisch und Pentatonik Bluestonleitern. Par DICKBAUER KLAUS. Klaus ...
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Dorisch, Mixolydisch und Pentatonik Bluestonleitern. Par DICKBAUER KLAUS. Klaus Dickbauer makes scales and blues scales for flute fun - his modern approach to elementary technique is an invaluable and highly effective training tool for developing improvisation skills. In the previous edition, Klaus Dickbauer covered major scales, triads, and interval exercises - combined with groovy beats - in a fresh and contemporary way. He now continues his well-thought-out approach to scales with a concentration on Dorian, Mixolydian, pentatonic, and blues scales - The perfect tools for building first improvisation skills on the flute. Methodically sound exercises train patterns and motifs to equip the student with a sense of confidence and an appetite for learning the art of improvisation. ? The perfect warm-up for groups and ensembles ? Elementary studies for developing confidence and an interest in learning to improvise ? Groovy tunes and motifs are combined with proven and tested playing pieces to guarantee fun and a positive attitude ? Includes a Play-Along CD to help students become well-acquainted with the concept The musical material is divided into three voices. This layout serves pedagogic purposes while facilitating ensemble playing. Voices can easily be doubled or switched in order to accommodate different ability levels and unite heterogeneous groups. The included CD provides the necessary drive while maintaining stability and authenticity - making this innovative volume even more effective. The sheet music editions for other instruments (Flute, Violin, Recorder, Clarinet, Trumpet, Tenor Saxophone, Alto Saxophone) can be freely combined and make various ensemble combinations possible. Click here for example videos and an overview of all available editions: www.universaledition.com/grooveconnection/ Etude / Flûte Traversière
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Celtic Music 2: Flute: Instrumental Album
Flute
[Sheet music + CD]
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Easy
ADG productions
Following on from Jessica's hugely successful book Celtic Music for Flute she h...
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Following on from Jessica's hugely successful book Celtic Music for Flute she has produced a Volume 2 which contains 46 pieces ranging from lovely portraits to lively jigs. They come from traditions including Irish Scottish Welsh and Manx and were gathered from various sources: among others manuscripts written for Bagpipe Lute Mandora Fiddle and Voice. The unique personality and sound of the Flute complements them all. A few of the tunes are more than 400 years old; some are new. All have that inexplicable but necessary magic the quality which draws the flutist to begin the tune again just one more time...Whether a march lilt love song or lament eachmelody in this collection is a gem; many are sure to become cherished favorites. The accompanying Play-Along CD includes all the tunes in the same order in which they appear in the book. This CD features separate channels for Flute and Guitar so that the flutist can play along with the Guitar accompaniment. Allan Alexander artfully renders the chords on Guitar providing a harmonic tapestry over which the melodies float.
14.95 GBP - Sold by Musicroom UK
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John Sands: Scottish Folk Songs for Flute: Flute: Instrumental Album
Flute
Kevin Mayhew
Folk Songs-The art of flute playing is to make it sing like the human voice and ...
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Folk Songs-The art of flute playing is to make it sing like the human voice and there is no better way to practise this than to play melodies. In this collection of Scottish songs there are opportunities to develop this singing stylein the various registers of the flute.
14.99 GBP - Sold by Musicroom UK
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Ian Anderson Jethro Tull: Jethro Tull - Flute Solos: Flute Solo: Artist Songbook
Flute
[Sheet music]
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Intermediate/advanced
Hal Leonard
One of the most idiosyncratic bands to develop during the 1960s Jethro Tull rem...
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One of the most idiosyncratic bands to develop during the 1960s Jethro Tull remain a distinctive musical voice adored by fans everywhere. In Ian Anderson Jethro Tull boast a folk hero and Flute virtuoso with a playing style that is as unique as his stage performances. This exciting folio of transcriptions gives you the chance to learn Anderson's groundbreaking Flute solos with transcriptions of 18 of his very best including Bungle In The Jungle Cross-Eyed Mary and Thick As A Brick.
16.99 GBP - Sold by Musicroom UK
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Éric Ledeuil: Ghost: Flute: Instrumental Work
Flute
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Intermediate/advanced
Leduc, Alphonse
For solo Flute-Born in 1970 Eric Ledeuil is a versatile musician working as a ...
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For solo Flute-Born in 1970 Eric Ledeuil is a versatile musician working as a flautist composer conductor and teacher. All his expertise combined have created the sublime Ghost for solo Flute. Suitable for Grade seven and eight flautists Ghost makes use of a wide range of extended techniques. These include timbral trills aeolian sounds harmonics sound and voice notes sounds of indeterminate lengths flutter tonguing pizzicato key percussion and variations in fingerings. Ghost is an exciting and varied addition to the advanced flautist's repertoire with a typical performance lasting around fourminutes. Ledeuil's Ghost is essential to advanced flautists seeking to improve and expand their repertoire for performances.
6.99 GBP - Sold by Musicroom UK
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Giles Swayne: Ophelia Drowning (Flute Part): Flute: Part
Flute
[Sheet music]
Novello & Co Ltd.
This is the Flute Part for Giles Swayne's work Ophelia Drowning for Flute and SA...
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This is the Flute Part for Giles Swayne's work Ophelia Drowning for Flute and SATB Chorus. The Flute in this work represents Ophelia and the voices are those of the horrified spectators of her death. This is a beautiful work and will provide an enjoyable challenge to the advancing and accomplished flautists alike. A performance lasts around 9 minutes.
8.99 GBP - Sold by Musicroom UK
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John Frith: Arabesque for Flute and Piano: Flute: Instrumental Work
Flute
Emerson Editions limited
John Frith's Arabesque for Flute and Piano is a beautiful addition to any Flauti...
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John Frith's Arabesque for Flute and Piano is a beautiful addition to any Flautists catalogue. This work is also Part of the 2018-2021 ABRSM Flute syllabus (Grade 6)John Frith has written extensively for wind brass strings and voices and has published many pieces some of which have been professionally recorded and broadcast by the BBC.
7.50 GBP - Sold by Musicroom UK
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Gaetano Braga: La Serenata: Flute: Instrumental Work
Flute
Fentone Music
Braga was an Italian cellist and composer and he toured Europe and the USA as a ...
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Braga was an Italian cellist and composer and he toured Europe and the USA as a performer. He wrote many salon pieces including La Serenata which has remained popular up to the present day. It was originally written for voice with cello obligato but it adapts ideally for the flute.
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John Tavener: Lament For Constantinople: Flute: Instrumental Work
Flute
[Sheet music]
Chester
This work is scored for Alto Flute and Baritone Voice.Quoting Tavener: Lament fo...
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This work is scored for Alto Flute and Baritone Voice.Quoting Tavener: Lament for Constantinople is offered in unspeakable gratitude to the Holy Orthodox Church. For its apophatic theology a stumbling block for thehuman intelligence for the fact of its 'trinitarian' consciousness for the Divine Liturgy in its offering: 'Bringing before Thee Thine own of Thine own in all and for all' - for the ikons apostolic windows into the divineworld. And last but not least for its music which is a gathering together of all Ancient musics that have ever existed as well as the music of the synagogue at the time of Christ revealing thus an apostolic and eschatologicaldimension.
8.99 GBP - Sold by Musicroom UK
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Toru Takemitsu: Voice: Flute
Flute
Salabert
pour flûte solo
11.99 GBP - Sold by Musicroom UK
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