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Incantation. Concerto for Piano and Orchestra No. 4 H 358 / Fantasia Concertante. Concerto for Piano and Orchestra No. 5 in B-flat major H 366 (MARTINU BOHUSLAV)
Orchestra
[Sheet music]
Barenreiter
The Bohuslav Martinu Complete Edition III/1/5. Par MARTINU BOHUSLAV. “Incarnat...
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The Bohuslav Martinu Complete Edition III/1/5. Par MARTINU BOHUSLAV. “Incarnation” (1956), Bohuslav Martinu’s fourth piano concerto, follows an atypical two-movement structure. It was composed for Martinu’s friend Rudolf Firkušný, who played from a copy of the autograph until 1970, when the composition was first put into print. The next work, “Concerto in B flat major for Piano and Orchestra”, known under the name “Fantasia Concertante”, was to be Martinu’s very last concert work. The concerto in three movements, composed at the request of Swiss pianist Margrit Weber, is quite different from the previous work in terms of its compositional means. In this case, Martinu strongly influenced the edition of the work. The present volume of the Complete Edition of works by Bohuslav Martinu is based mainly on contemporary copies containing the composer’s own modifications. The edition presents numerous new findings about the genesis of both works./ Recueil / Orchestre
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Peter Maxwell Davies: Concerto Piccolo: Piccolo: Score
Orchestra
[Study Score / Miniature]
Chester
Orchestral study score. This work was commissioned by the Royal Philharmonic Orc...
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Orchestral study score. This work was commissioned by the Royal Philharmonic Orchestra. It was first performed on 23 April 1997 by Stewart McIlwham and the Royal Philharmonic Orchestra conducted by the composer. The threemovements should be played without a break.The piccolo may have obvious limitations as a solo instrument but Davies is not one to shirk a challenge. What he does is to play with the stereotypical modes of the instrument sothat the military ?pipe and drum? effect is hinted at near the beginning of the third movement while the jaunty manner is recalled at the close of the first but as through a veil. A potentially comic partnership with the bassclarinet is also dignified when the two instruments engage in meditative dialogue in the second movement. Solo part and piano reduction on sale. Conductor's score and orchestral parts are available on hire.
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Eduard Strauss: Ohne Bremse Polka Op.238: Orchestra: Parts
Orchestra
Bosworth
Piano-scoreFlutePiccoloClarinet 1 in DClarinet 2 in ABassoon 1-2Horn 1-4Trumpet ...
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Piano-scoreFlutePiccoloClarinet 1 in DClarinet 2 in ABassoon 1-2Horn 1-4Trumpet 1-2Trombone 1-2Bass TromboneTimpaniPercussionViolin 1 x 5Violin 2 x 5Viola x 3Cello x 3Double bass x 2
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James MacMillan: Sinfonietta: Orchestra: Study Score
Orchestra
[Sheet music]
Boosey and Hawkes
Hawkes Pocket Scores HPS 1512-Composed in 1991 this London Sinfonietta commissio...
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Hawkes Pocket Scores HPS 1512-Composed in 1991 this London Sinfonietta commission was first performed by them in May 1992 at the Queen Elizabeth Hall London. Scored for Orchestra or chamber Orchestra the instrumentation comprises alto Flute/Piccolo cor anglais E flat Clarinet/bass Clarinet soprano Saxophone Contrabassoon Horn Piccolo Trumpet Trombone Tuba Percussion Harp Piano and Strings. Recorded on BIS CD 1119 by the Scottish Chamber Orchestra conducted by the composer.
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Camille Saint-Saëns: The Carnival Of The Animals: Orchestra: Score
Orchestra
Dover Publications
Written in 1886 for an annual Mardi Gras concert The Carnival Of The Animals co...
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Written in 1886 for an annual Mardi Gras concert The Carnival Of The Animals consists of 14 pieces scored for flute/piccolo clarinet glass harmonica (tuned glass bowls) xylophone 2 pianos and strings. Each piece embodies a zoological motif painting a musical picture of - among others - a lion chickens turtles an elephant kangaroos and the immensely popular swan In his joyful musical romp the composer borrows from well-known classical works including references to Berlioz and Mendelssohn in 'The Elephant' and passages of his own Danse Macabre in 'Fossils'.Reprinted from the original authoritative score this handsome and inexpensiveedition will charm musicians and music lovers everywhere.
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Joseph M. Martin: Come to the Music: Orchestra: CD
Orchestra
Shawnee Press
Commissioned for a premiere performance at the Texas Music Educators' Associatio...
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Commissioned for a premiere performance at the Texas Music Educators' Association 2000 convention Joseph Martin's Come to the Music is alive and electric with driving rhythm memorable melodies mixed meter and joyful text. Optional percussion and piccolo accompaniment included at the back of the octavo enhance the medieval dance quality of this exciting piece. Score and parts for flute 1&2 (fl 2 dbl piccolo) oboe clarinet 1&2 bassoon horn 1&2 trumpets 1-3 trombone 1&2 tuba timpani percussion 1-3 harp piano violin 1&2 viola cello double bass.
75.60 GBP - Sold by Musicroom UK
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Morton Gould: Symphony of Spirituals: Orchestra: Score
Orchestra
Schirmer
Score-This 1975 work was commissioned by the National Endowment for the Arts as ...
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Score-This 1975 work was commissioned by the National Endowment for the Arts as part of the American bicentennial celebrations. It was premiered by the Detroit Symphony Orchestra conducted by Aldo Ceccato on April 1 1976. Mostly themusic is based on original themes by Gould although there are a few references to actual traditional spirituals highly transformed by the composer. His intention was to reflect a sound of America's musical heritage in thisbicentennial work. 2 Piccolo 2 Cor Anglais 2 Eb Clarinet Bass Clarinet 2 Contrabassoon Timpani 3 Percussion Harp Piano Strings.
49.99 GBP - Sold by Musicroom UK
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Elisabeth Lutyens: Islands Op.80: Orchestra: Score
Orchestra
[Sheet music]
University Of York Music Press
For Soprano Tenor Male Narrator and Ensemble.Published in 1970.Soprano voice ...
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For Soprano Tenor Male Narrator and Ensemble.Published in 1970.Soprano voice Tenor voice Narrator Flute/Alto Flute/Piccolo Clarinet/Bass Clarinet/Baritone Saxophone French Horn Piano/Cembalo Violin Viola and 2 Percussionists.Score.
37.00 GBP - Sold by Musicroom UK
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Michael Nyman: Something Connected With Energy: Orchestra: Score
Orchestra
[Score]
Chester
Full Score-Something Connected With Energy was composed in 2008 and was commissi...
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Full Score-Something Connected With Energy was composed in 2008 and was commissioned by the Festival Della Scienza 2008 Genova Italy with financial support by ERG. Scored for Flute/ Piccolo Clarinet/ BassClarinet Alto/ Tenor Saxophone Horn Trumpet Vibraphone Piano and Strings. Duration is approximately: 48 minutes.
104.99 GBP - Sold by Musicroom UK
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Elisabeth Lutyens: Music From 'The Skull' - Study Score: Orchestra: Study Score
Orchestra
University Of York Music Press
Elisabeth Lutyens' music from the film 'The Skull' (1965). A3 conductor's score....
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Elisabeth Lutyens' music from the film 'The Skull' (1965). A3 conductor's score.Instrumentation: 2 Flutes (doubling Alto flute and Piccolo) 2 Clarinets (doubling Bass clarinet and Contrabass clarinet) 3 Horns 3 Trombones 2 Percussion Timpani Harp Piano Cimbalom Organ Violas (divisi) Cellos (divisi) Double bass.
17.95 GBP - Sold by Musicroom UK
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Morton Gould: Philharmonic Waltzes: Orchestra: Score
Orchestra
[Sheet music]
Schirmer
Score-Morton Gould's Philharmonic Waltzes (Waltz Suite In Three Parts). Full sco...
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Score-Morton Gould's Philharmonic Waltzes (Waltz Suite In Three Parts). Full score. Playing time: 9 minutes.Instrumentation: 2 Flutes (2nd on Piccolo) 2 Oboes 2 Clarinets Bass Clarinet (on 2ndClarinet part) 2 Bassoons Contra Bassoon 4 Horns 3 Bb Trumpets 3 Trombones Tuba Percussion (3) Timpani Piano Harp Strings.
15.99 GBP - Sold by Musicroom UK
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Elisabeth Lutyens: Music From 'The Skull' - Conductor's Score: Orchestra: Score
Orchestra
University Of York Music Press
Elisabeth Lutyens' music from the film 'The Skull' (1965). A3 conductor's score....
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Elisabeth Lutyens' music from the film 'The Skull' (1965). A3 conductor's score.Instrumentation: 2 Flutes (doubling Alto flute and Piccolo) 2 Clarinets (doubling Bass clarinet and Contrabass clarinet) 3 Horns 3 Trombones 2 Percussion Timpani Harp Piano Cimbalom Organ Violas (divisi) Cellos (divisi) Double bass.
19.95 GBP - Sold by Musicroom UK
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Poul Ruders: Final Nightshade - An Adagio Of The Night: Orchestra: Score
Orchestra
[Sheet music]
Wilhelm Hansen
Premiered by The New York Philharmonic conducted by Lorin Maazel at Avery Fish...
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Premiered by The New York Philharmonic conducted by Lorin Maazel at Avery Fisher Hall Lincoln Center New York City 10th June 2004. Orchestration 3 Flutes 3rd dbl. Piccolo2 Oboes1 English Horn in F3 Clarinets in Bb 3rd dbl. Bas Clarinet in Bb2 Bassoons1 Contra Bassoon4 Horns in F3 Trumpets in Bb3 Trombones1 Tuba1 (set of) Timpani2 Percussion (two players)1: Bass Drum (large) Chinese Cymbal Mark Tree2: TamTam (large) Vibraphone Antique Cymbal1 Harp1 Piano dbl. CelestaStringsAll non-octave transposing instruments are notated in their relevanttranspositions.Horns notated in bass clef sound a fourth above the notated pitch.All accidentals apply to each single note only except tied notes. Naturals for 'safety'. Programme Note This piece marks the conclusion of what could now be called 'The Nightshade Trilogy' three pieces which explore the contrasting worlds of Light and Darkness. As opposed to the earlier chamber work Nightshade which dealt with extremes of high and low pitches and the chamber orchestra composition Second Nightshade a two-fold piece contrasting darkness/anxiety and light/calm Final Nightshade for full symphony orchestra takes us on a journey in which the forces of dark and light struggle - and co-exist - in a predominantly polyphonic web with brooding undertones. The melodic point-of-departure is not surprisingly to be found in either of the two preceding pieces of the Trilogy but in an older piece Corpus Cum Figuris from 1985. Over the ensuing years I've dreamt on and off of 'doing something' with the opening measures of this older work perhaps even building a new composition on that very simple inward-looking time was ripe and there's a nice nostalgia angle to the idea: Corpus Cum Figuris was the first piece of mine to be
60.99 GBP - Sold by Musicroom UK
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Poul Ruders: Listening Earth - A Symphonic Drama for Orchestra: Orchestra: Score
Orchestra
[Sheet music]
Wilhelm Hansen
Premiered at the festival 'Magma Berlin 2002' by the Berlin Philharmonic Orchest...
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Premiered at the festival 'Magma Berlin 2002' by the Berlin Philharmonic Orchestra conducted by David Robertson 29th November 2002.3 Flutes 1st and 2nd also Alto Flutes in G 3rd also Piccolo3 Oboes 3rd also Cor Anglais in F3 Clarinets in Bb 3rd also Bass Clarinet in Bb3 Bassoons 3rd also Contra Bassoon4 Horn in F3 Trumpets in Bb3 Trombones1 TubaTimpani4 Percussion four playersPlayer 1 - Vibraphone Glockenspiel Water Chime Bell Tree Japanese Wood Blocks Cymbal (Suspended) TamTam (Medium)Player 2 - Triangle Tubular Bells Crotales Marimba Chinese CymbalPlayer 3 - TamTam (Large) Java Gong(Large very low) Bell Lyra (Handheld) Sizzle CymbalPlayer 4 - Bass Drum Glockenspiel Xylophone1 Harp1 Piano also CelestaStrings - 16/14/12/10/8All transposing instruments are notated in their relevant transpositions.Any accidental apply only to the note that it immediately precedes except tied notes.Naturals appear occasionally 'for safety'.'LISTENING EARTH' is a symphonic drama a one- movement composition in four parts based on the work by two writers Joseph Addison (1672-1719) and W.H.Auden (1907-1973). Joseph Addison is not particularly well known; he was English a classical scholar essayist poet and politician but one of his hymns was used by Benjamin Britten. in his setting of a Thomas Tallis canon.The hymn is singularly beautiful and being a composer always inspired by extramusical stimuli such as poems nature paintings I was immediately convinced when I carne across the Addison hymn that here was exactly what I wanted to use as my major source of inspiration for this piece commissioned by and written for The Berlin Philharmonic. I don't refer to the hymn in its entirety but have chosen the following 3 excerpts all acting as mottos for the first three sections of the piece thus turning the piece into a straightforward tonepoem in the classical
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