Six Pieces for Piano Op. 51 was commissioned in 1882 and destined for the bourgeois salons, using popular dance types: minuet, polka, 3 waltzes and a romance. / Piano

This collection of sheet music by the great Finnish composer Jean Sibelius features 24 of his most enjoyable and influential pieces, all newly-arranged especially for this volume. The tonal innovations and idiosyncratic compositional style of this hugely prolific composer truly does illustrate the genuine Joy Of Sibelius.The pieces by Sibelius included in this collection exhibit the influences that he absorbed as well as his own stylistic developments. Sibelius' music was highly individual, finding influence in nature and poetry, as well as other composers such as Wagner, Bruckner and Tchaikovsky. Many of his most famous works are included here, featuring Danse Elégiaque, the 5 Morceaux Romantiques, Op.101 and the finale of his Symphony #5, Op.82.Other pieces like selections from the 13 Morceaux, Impromptu, Op.78 #1, Romance, Op.78 #2, Suite Caractèristique, Op.100 and The Fiddler brilliantly encapsulate what makes Sibelius' compositions so wonderful. His tone poems, ideas about the thematic nature of symphonies and his musical contributions to the Finnish national identity have made him one of the most popular 20th century composers, with time and retrospect dismissing some contemporary critics' opinions of him. With 2015 coinciding with Sibelius' 150th birthday, now is the perfect time to discover one of the giants of symphonic music, or to rediscover a favourite of many pianists.The Joy Of... series is a constantly growing collection of musical editions that is now recognised and loved throughout the world. Originally compiled by the editorial hand of renowned teacher, arranger and musicologist Denes Agay, the series continues to reflect his influence and covers a wide variety of musical genres including the classics, folk, jazz, blues, ragtime and children's music. New titles are constantly being added to an already extensive range, ensuring that The Joy Of... series continues to be a vital growing treasury of the world's best music.If you're a fan of the genius that is Jean Sibelius and his perfectly-formed works, you are guaranteed to love the 24 pieces included in The Joy Of Sibelius. Equally, if you just want a wonderful collection of solo Piano sheet music, this fantastic book will suit you perfectly. / Piano

Par SCHUMANN CLARA. This book presents seven piano solos that represent the wonderful variety of compositions by Clara Schumann. The brilliant “Polonaise” was composed and performed by Clara as a child prodigy. The enchanting “Prelude, Op. 16, No. 2”, and “Romance, Op. 21. No.2” are both beautiful and suitable for many occasions. The joyful “Mazurka” makes a great recital piece as well as “Scherzo” in C minor. “Nocturne in F, Op. 6, No. 2' is one of the most beautifully written nocturnes. Chopin once told Clara that she was the only woman in Germany that could play his music. She may have been inspired to compose this piece after performing many of Chopin's works in her concerts. The final piece in this collection of Clara Schumann’s Piano Notebook is her “Theme and Variations”, which she dedicated to Robert Schumann. Robert composed and published many variations of his own on Clara's theme. Her own variations remained unknown until recently. These variations are very interesting, and the theme is easily recognizable throughout. “Theme and Variations” truly showcases Clara’s unique sense of creativity. These piano selections are presented as examples of Clara Schumann's legacy–a great composer of the 19th century. Her music is timeless and must be preserved for future generations of pianists. This collection will be valuable for recitals, programs and your own enjoyment. / Date parution : 2020-11-16/ Recueil / Piano

Par SCHUMANN ROBERT. In 1925, Breitkopf & Härtel approached the young pianist Wilhelm Kempff to prepare Clara Schumann’s “Instructive Edition” of her husband’s works for the new engraving. “[…] The comparison with the autograph and the Urtext edition [First Schumann Complete Edition], the results of the Schumann research, the modern principles of notation – all of this would have to be taken into account in the new engraving and could lead to a significant improvement in the edition without compromising the spirit of editing by Clara Schumann. ” The present edition thus conveys the reading of one of the most important pianists of the twentieth century, which we make fully accessible intime for the 200th birthday of Clara Schumann. Contents: op. 1 Abegg-Variations in F major op. 2 Papillons op. 3 Studies on Caprices by Paganini op. 4 Intermezzi for piano op. 5 Impromptus on a Romance by Clara Wieck (1st version 1833) op. 5 Impromptus on a Theme by Clara Wieck (2nd version 1850) op. 6 Davidsbuendlertaenze (1st version 1837) op. 6 Davidsbuendlertaenze (2nd version 1850) op. 7 Toccata in C major op. 8 Allegro in B minor / Date parution : 2019-10-24/ Répertoire / Piano

A bumper collection of 45 hit chart songs, arranged for 5 finger piano. This songbook includes the hits Bad Romance, Chasing Cars, Foundations and many more. / Piano

Liszt, Franz
Piano Pieces from the Years 1880?85
- Scholarly-critical Urtext edition at the cutting edge of musicology
- Valuable notes on interpretation by Steffen Schleiermacher (Ger/Eng)
- Well-suited for medium-level piano teaching
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Romance oubliée (Vergessene Romanze) / Romance oubliée (Forgotten Romance)
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Vergessene Romanze (Romance oubliée) / Forgotten Romance (Romance oubliée)
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Wiegenlied (Chant du berceau) / Cradle Song (Chant du berceau)
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Unstern! (Sinistre) / Disaster! (Sinister)
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Die Trauer-Gondel (La lugubre gondola)
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The Funeral Gondola (La lugubre gondola) (S 200/1)
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Die Trauer-Gondel (La lugubre gondola)
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The Funeral Gondola (La lugubre gondola) (S 200/2)
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R. W. ? Venezia
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Am Grabe Richard Wagners / At the Grave of Richard Wagner
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Frage und Antwort. Nocturne / Question and Answer. Nocturne
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Schlaflos! Frage und Antwort. Nocturne (nach einem Gedicht von Toni Raab)
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Sleepless! Question and Answer. Nocturne (after a Poem by Toni Raab)
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Trübe Wolken (Nuages gris) / Gloomy Clouds (Nuages gris)
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En rêve. Nocturne / In a Dream. Nocturne / Partitions classique / Piano - instruments à clavier / Piano / BARENREITER

Le mot japonais aya se traduit par des couleurs chatoyantes, évoquant de belles nuances et teintes. Cette collection comprend 10 solos pour piano inspirés par aya ainsi que par l\'amour du compositeur pour la nature et les traditions japonaises. Titres : Cho (Le papillon) - Élégie - Fujin (L\'âme du vent) - Romance n° 1 (Lune) - Romance n° 2 (Océan) - Romance n° 3 (Terre) - Umi (La mer) - Vega - Le phénix blanc (Hommage à Ito Jakuchu) - Yujo (Amitié). / Partitions classique / Piano - instruments à clavier / Piano / THE WILLIS MUSIC COMPANY

La collection ultime pour les claviéristes de jazz pour apprendre 40 classiques d'Evans avec des transcriptions exactes note par note. Comprend: Alice au pays des merveilles · Feuilles d'automne · Bill's Hit Tune · Bleu en vert · Jours de vin et de roses · Emily · Tout m'arrive · Cinq · Pour Nenette · Et toi? · Comment mon c?ur chante · Je t'aime, Porgy · Cela pourrait t'arriver · Juste toi, juste moi · Lettre à Evan · Mon c?ur insensé · Ma drôle de Valentine · Ma romance · Nardis · Nuit et jour · Un pour Helen · Paix Pièce · Portée de Peri · Silence maintenant · Re: Personne que je connaissais · Patinage à Central Park · Une abeille endormie · Une autre fois · Stella by Starlight · Chanson de M * A * S * H (Suicide Is Indolore) · 34 Skidoo · Temps rappelé · Le contact de vos lèvres · Démonter les étoiles · Très tôt · Valse pour Debby · Quel genre d'imbécile suis-je? · À qui puis-je me tourner (quand personne n'a besoin de moi) · Vous allez dans ma tête · Vous devez croire au printemps · et plus encore. Spirale liée.
Alice au pays des merveilles
Comment mon c?ur chante
Patinage à Central Park
Feuilles d'automne
La chanson à succès de Bill
Calme maintenant
Très tôt
Sortez les étoiles
Une autre fois
Bleu en vert
Emilie
Jours de vin et de roses
Tout m'arrive
Cinq
Et vous?
Je t'aime, Porgy
Ça pourrait t'arriver
Juste toi, juste moi
Chanson de M * A * S * H (Le suicide est indolore)
Mon c?ur stupide
Mon drôle de Valentine
Ma romance
Nardis
Nuit et jour
Une abeille endormie
Stella par Starlight
Temps rappelé
Le toucher de vos lèvres
Valse pour Debby
Quel genre d'imbécile suis-je?
Vers qui puis-je me tourner (quand personne n'a besoin de moi)
Tu vas dans ma tête
Vous devez croire au printemps
Re: Personne que je connaissais
Portée de Peri
Un pour Helen
Pour Nenette
Lettre à Evan
Morceau de paix
34 Skidoo
/ Partitions jazz

Sonata for Piano N 5 /Three Romances Without Words op. 17 N 52 / Mazurka N 8 / Prelude [and Fugue] N 17 / Gavotte N 14 / Short Pieces op. 84 N 147 / Mazurka op. 32 N 75 / Five Impromptus. Par FAURE GABRIEL. Centering on the important series of the “Impromptus”, the collection of “Pièces brèves”, and the “Trois Romances sans paroles”, the present volume also gathers piano works by Gabriel Fauré that are either unpublished or little-known. It is of additional interest insofar as it draws attention to a series of pieces dating from his earliest creative period. The young composer’s progress can thus be followed, from his student work at the “École de musique classique et religieuse” to the earliest masterpieces for piano born between 1875 and 1880. These scores show Fauré’s ability to imitate styles of the past, crafting preludes and fugues, a sonata in the Viennese tradition, and character pieces deriving straight from Mendelssohn, Schumann, and Chopin. Through them, a musical personality emerges little by little: its signs are tenuous in the “Sonate”, in the early versions of the “Fugues”, and in the “Trois Romances”, but they are more in evidence in the “Mazurke”, the “Gavotte”, and the “Prélude” in E minor. Of his early compositions, Fauré, to be sure, retained only what is included in this volume, namely those pieces which he deemed most personal and suitable for publication. All of these compositions are remarkable for their individual flavour. Despite the diverse origin of its constituent parts the contrasted “Pièces brèves” collection is unjustly neglected, as it forms an ensemble of high quality, with a search for concision that anticipates the “Neuf Préludes”. Next to the “Nocturnes” and “Barcarolles”, the five “Impromptus”, vigorously crafted between 1881 and 1906, show a composer with ever increasing creative powers who crosses borders in the pursuit of his artistic ideas. Beside the first versions of the 3rd “Romance” and two “Pièces brèves”, the appendices to the present volume include the interesting piano solo version of the “Pavane” doubtlessly penned by the composer, as well as the cadenzas to piano concertos by Beethoven and Mozart which he wrote for his students and, later, for the pianist Marguerite Hasselmans. These cadenzas’ originality has aroused the interest of pianists again and again./ Recueil / Piano

Compositions de Jean Sibelius en 1915, 78 Opus sont caractérisées par leur musicalité pure et la conception d'études à domicile et de performance. Magnifiquement arrangé pour piano solo par Karl Ekman, Romance Op.78 #2 se distingue, à la suite de la pièce précédente. Il change radicalement l'ambiance d'une atmosphère parfumée et doucement édifiante, nostalgique, poignant et sentimentalement romantique. / Piano