Compositeur : Schubert, FranzInstrumentation : Piano, 4-handsEditeur Musicologique : Kahl, WilliCouverture ReliéeContenu : Divertissement à la Hongroise g minor op. 54 D 818Divertissement on a French motif b minor op. 84,1 D 823Divertissement on a French motif e minor op. 63,1 D 823Divertissement on a French motif e minor op. 84,2 D 823Grand funeral March c minor op. 55 D 8596 Grandes Marches et Trios E flat, g, h, D, E flat, E op. 40 D 8194 Ländler E flat major, A flat major, C minor, C major D 8143 Marches Militaires D major, G major, E flat major op. 51 D 7336 Polonaises D minor, F major, B flat major, D major, A major, E major op. 61 D 824Grand Duo C major op. post. 140 D 812Variations on an Original Theme A flat major op. 35 D 813

This edition marks the beginning of Bärenreiter?s publication of Schubert?s complete works for piano duet in scholarly-critical Urtext editions. It includes Schubert?s late works, composed between 1826 and 1828 which are amongst the most important works in the piano duet repertoire. '
Suggestions on performance practice by Mario Aschauer and a selection of passages on practical performing aspects from the critical commentary of the ?New Schubert Edition? complete the edition, which presents the compositions in a clear score format.'
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- Based on the Urtext of the ?New Schubert Edition?'
- Scholarly-critical edition reflecting the latest state of research'
- Suggestions on performance practice by Mario Aschauer'
- Detailed foreword (Ger/Eng) and critical commentary (Eng)'
- With optimum page-turns'
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Contents'
Variations on a Theme from L. J. Ferdinand Hérolds opera ?Marie? by op. 82,1 (D 908) / Fantasy in F minor op. 103 (D 940) / Allegro in A minor op. post. 144 (D 947) / Rondo in A major op. post. 107 (D 951) / Fugue in E minor op. post. 152 (D 952) / [Pièces pour Piano 4 Mains 1 Piano Volume 3] / Classique / Partition / Cartonné / Plats de carton /

Quatre mains Jouer du piano à deux, du baroque à la pop Auteur: Heumann, Hans-Günter Nouveau volume thématique de la méthode moderne de piano pour les jeunes et les adultes « À vous de jouer Piano », ce recueil consacré au « quatre mains » ? propose une sélection de 32 jolies pièces faciles à quatre mains allant du classique à un répertoire moderne tiré du jazz, des comédies musicales et de la musique pop, ? constitue un complément idéal à la méthode « À vous de jouer piano » (vol. 1 et 2) et à toute autre méthode de piano, ? contient un CD à écouter pour se familiariser avec les morceaux et à utiliser comme soutien auditif, pour jouer chez soi lorsque son partenaire n?est pas disponible ou pour se préparer au jeu à deux Scherzo op. 149, n° 6 (A. Diabelli) Barcarole op. 211, n° 18 (C. Gurlitt) Oh, What a Beautiful Mornin? ? Oklahoma (O. Hammerstein II /R. Rodgers) Duettino (J. B. Vanhal) Memory ? Cats (A. L. Webber /T. Nunn/T. S. Eliot) Marche triomphale ? Aida (G. Verdi, arr.) Fips in the Park (M. Schoenmehl) Alla turca (W. A. Mozart, arr.) Cool Down (H.-G. Heumann) Spanish Eyes (B. Kaempfert/C. Singleton/E. Snyder ) In a Funny Mood (E. Pütz) Danse allemande (L. van Beethoven) Andante (J. A. Just) Amazing Grace (Traditional) Sonatine (D. G. Türk) Hangman?s Blues (Traditional) Mélodie en fa op. 3, n° 1 (A. Rubinstein, arr.) Siciliano ? Sonate en mib majeur pour flûte et clavecin obligé, 2e mouvement (J. S. Bach, arr.) Guantanamera (J. Fernández Díaz/ J. Martí) Valse Charlotte ? Gasparone (K. Millöcker, arr.) Sonatina (compositeur inconnu) Hold the Line (D. Paich) Marche d?anniversaire op. 85, n° 1 (R. Schumann) Stompin? at the Savoy (B. Goodman/C. Webb/E. Sampson/A. Razaf) Ländler n° 1 (F. Schubert) Ländler n° 2 (F. Schubert) Valse de Faust ? Faust (C. Gounod, arr.) Menuetto op. 3, n° 3 (C. M. von Weber) Exercice mélodique op. 62, n° 25 (H. Berens) Il maestro e lo scolare, thème (J. Haydn) The Entertainer (S. Joplin, arr.) Valse op. 39, n° 15 (J. Brahms)

Soaring for one Piano four hands is an uplifting intermediate/late intermediate ensemble piece commissioned for the 10th Anniversary of the Bismarck-Mandan Monster Concert 2008. This piece with its lyrical melodic lines and strong rhythmic B section precisely portrays the feeling of uninhibited gliding or soaring as titled. Students will love playing this ensemble piece and portraying its free spiritedness.

Commissioned by the Wichita Metropolitan Music Teachers Association, this intermediate-level duet celebrates their 30 years of service to the music community. Written in A-B-A form, the introduction to the A section features chords and scale figures that introduce a lyrical melody over a syncopated accompaniment. The B section in a contrasting key continues the lyrical ideas. In both sections, melodies are divided between the primo and secondo. / Piano 4 Mains

Les éditions Bärenreiter ont édité sous la référence BA 5514 cette partition musicale pour satisfaire au maximum les amateurs de musique Classique et plus particulièrement les pratiquant de Piano 4 mains et Plus. Cette partition a pour titre Werke für Klavier zu vier Händen, Band 2 et pour compositeur Schubert Franz. / Piano 4 Mains / Partition

Tonalité : B-Dur - Op.: 13 -. Par RHEINBERGER JOSEF GABRIEL. Langue : o Spr/ Répertoire / Piano 4 Mains

Helle fra Tritoner-2 satser fra Tritoner af Per Nørgård (1986) - for 1 el. 2 klaverer. 2. De 8 søjler3. Helle Manuskopi Værkets 1. sats En tid et sted en bøn - Pailng er bortkommet.

Peter Dickinson (b. 1934) is a British composer pianist and academic. He studied at Queen’s College Cambridge and the Juilliard School in New York and has since held professorships at Keele University and Goldsmiths’ College. His compositions are firmly in the 20th century idiom drawing heavily on influences from Cage Ives and Satie.Five Forgeries is a collection of Piano duets written in 1963. Each duet is written in the style of a different composer with movements inspired by Poulenc Hindemith Stravinsky Delius and Bartok. The collection is dedicated to the great composer Lennox Berkeley(1903-1989) who was Professor of Composition at the Royal Academy of Music for over 20 years and came to define the post-war generation of British composers.

Par HORST MICHAEL. Louis Vierne (1870-1937) raised the organ symphony to its stylistic zenith. One of his pupils, Marcel Dupré, was the teacher of Thierry Escaich, the co-editor of this complete edition. Vierne's 'Symphony” #4 is one of the most important works in the organ repertoire. Until now it was thought to have originated during the three months of summer 1914. However, the editor has discovered a letter from Vierne, dated 23 June 1914, that disproves any connection with events of war. As a result, the work has been chronologically reclassified, leading to its fresh assessment and interpretation - see the detailed Foreword in this new edition for further information. The registration of this seminal work in the organ literature is in parts reminiscent of César Franck's 'Chorale in B” minor. In general terms, Franck's influence was already singled out by reviewers of the first performance. - Detailed trilingual preface (Fr/Eng/Ger) with a full account of the work's genesis and notes on performance practice - Comprehensive Critical Commentary (Fr/Eng/Ger) - New source material - Many illustrations and facsimile pages/ Livre / Livre

[Werke für Klavier zu vier Händen - Band 1] / Classique / Editeur : Willi Kahl / Partition, sans indications de doigtés / Relié toilé / Edition Urtext

Arrangements für ein Klavier zu vier Händen. Par BRAHMS JOHANNES. With Critical Report/ Répertoire / Piano 4 Mains