About Complete Church Sonatas. Volume 1Nine Sonatas for two Violins Organ and Violoncello/Bass. By Wolfgang Amadeus Mozart. Edited by Minos E. Dounias. For Organ Violin 1 Violin 2 Violoncello/Contrabass. Playing Score; Set of Parts; Urtext Edition. Published by Baerenreiter-Ausgaben (German import). (BA4731) ISBN M006454488. Contents:KV 67 (41h) Es-dur /2`KV 68 (41i) /4`KV 69 (41k) /3`KV 144 (124a) D-dur /4`KV 145 (124b) F-dur /3`KV 212 B-dur /4`KV 224 (241a) F-dur /5`KV 225 (241b) A-dur /5`KV 241 G-dur /3`

Twelve Violin duets by Wolfgang Amadeus Mozart edited by Engels. Transcribed from K487 the 12 Duos for Wind Instruments.

2 Violons. Par MOZART WOLFGANG AMADEUS. / Niveau : Intermédiaire / Répertoire / 2 Violons

2 Violons. Par MOZART WOLFGANG AMADEUS. / Niveau : Intermédiaire / Répertoire / 2 Violons

2 Violons. Par MOZART WOLFGANG AMADEUS. / Niveau : Avancé / Répertoire / 2 Violons

2 Violons. Par MOZART WOLFGANG AMADEUS. / Niveau : Intermédiaire / Répertoire / 2 Violons

2 Violons. Par MOZART WOLFGANG AMADEUS. / Niveau : Intermédiaire / Répertoire / 2 Violons

2 Violons. Par MOZART WOLFGANG AMADEUS. / Niveau : Intermédiaire / Répertoire / 2 Violons

2 Violons. Par MOZART WOLFGANG AMADEUS. / Niveau : Intermédiaire / Répertoire / 2 Violons

Violin Music the Whole World Loves for Two Violins with Piano Accompaniment-13 popular melodies arranged for two violins with piano accompaniment including: Beautiful Dreamer (Foster) - Children's Prayer (Humperdinck) - Come Back to Sorrento (De Curtis) - Minuetto (Bach) - Sonata Theme (Mozart) - Turkish March (Beethoven) - and more.

9 Pieces for two Violins-Popular adagios from the classical repertoireEasy pieces which sound impressiveBoth parts of equal importance Well-known slow movements melodies and arias have been arranged for two violins with a passion for detail but above all with convincing musical results. The arrangements stand out for their high fidelity to the original works. Both players are of equal importance and the melody with its expressive themes moves frequently from one player to the other. Perfect for weddings auditions or busking. The arranger Vladimir Bodunov is a versatile musician from Belarus. He performs throughout Europe as a soloist in orchestras and particularly in duo with his wife MartaDanilkovich.From the contentsMozart Adagio (Clarinet Concerto) / Vivaldi Largo (The Four Seasons Winter) / Marcello Adagio in D minor / Puccini Nessun Dorma from Turandot Arrangements by Bodunov already published:Violin Classics for two ViolinsBA 10607

Instrumentation : 2 violins, viola (violin) and cello Version : score and parts Contenu : Aire from Abdelazar (Purcell) - Allegro (Haydn) - Conversation Piece (Norton) - Lento from Scenes of Childhood (Schumann) - March from Flavius (Handel) - Minuet & Trio (Beethoven) - Minuet & Trio from Divertimento in D (Mozart) - New Year’s Song - Rondo from Fairy Queen (Schubert) - Slovakian Folksong (Bartók) - Variations on Early One Morning (Nelson) Nombre de pages : 56 Format : DIN A4

Your students have finished the Apollo Album of violin duets (04472690) and are ready for something more challenging. The Lyric Album of grade 3 violin duets by the masters is the perfect choice. Compiled by Rubanklegends Harvey Whistler and Herman Hummel these longer arrangements provide not only more technical challenge for intermediate students but progressively increase their musicianship as well. Includes: Andantino (Lemare) •Danse Macabre (Saint-Saens) • Gypsy Love Song (Herbert) • Menuetto from Symphony Concertante (Mozart) • My Wild Irish Rose • Swanee River (Foster) • On Wings of Song (Mendelssohn) • Prairie Lament• Rondo (Beethoven) • Scarf Dance (Chaminade) • Tambourin Dance (Rameau) • Valse de Salon (Brahms) • Young Prince and the Princess from Sheherazade (Rimsky-Korsakov) • more

57 duos pour étudier agréablement les doubles-cordes au violon. Par VOGT FLORENCE. ?Petit Tour du Monde en doubles-cordes est une méthode moderne et agréable pour travailler efficacement les doubles-cordes. Elle est destinée aux violonistes ayant déjà un peu de pratique (niveau 2e cycle) et s?utilise sur plusieurs années grâce à une progressivité structurée. Ce recueil contient plus de 50 morceaux courts et motivants. Ceux-ci se présentent tous sous la forme de duos qui pourront être joués avec votre professeur ou vos amis violonistes. Les fichiers sonores inclus permettent un travail personnel exigeant, efficace mais aussi très plaisant. C'est un véritable voyage musical qui est proposé : partir à la découverte de folklores du monde (Amérique du Sud, pays celtiques, répertoire de France et autres surprises?) mais retrouver également des thèmes connus de grands compositeurs (Mozart, Beethoven, Corelli, Smetana?) ! Ce recueil utilise principalement la 1re position, puis progressivement quelques autres positions. Il aborde tous types d?intervalles jusqu?à l?octave et propose parallèlement une initiation sérieuse à l?accompagnement harmonique (trouver ses propres doubles-cordes à partir des noms d?accords). De nombreux conseils clairs permettent au violoniste de développer une conscience harmonique avisée ainsi qu?une écoute fine de la justesse de son instrument. / Date parution : 2024-01-12/ Recueil / 2 Violons

30 petites pièces mélodiques et rythmiques p violon/ 30 Short Melodic and Rhythmic Pieces For Violin-Val?rie Bime-Apparailly’s My First Studies To Play Together for Violin. Published by the Editions Leduc Val?rie Bime-Apparailly’s instrumental beginner books – such as ‘Je d?bute le violon’ and ‘Mes premi?res doubles cordes en chansons’ – have enjoyed overwhelming popularity since the day they were published. This excellent educator here turns her attention to the delicate matter of studies: how can these pieces be made less tedious for young violinists? With a crisp clear design enhanced by drawings and carefully crafted explanatory notes the MyFirst Studies To Play Together collection for Violin takes away the dreariness of these pieces giving them beyond their technical importance a musical charm that appeals to 2nd and 3rd year students. The adaptation of the Marche en rondeau which opens Marc-Antoine Charpentier’s ‘Te Deum’ allows players to discover the subtleties of the dal segno; the author also reminds us that this tune gained fame as the Eurovision credits song. These pieces some of which are original some of which borrow from the classical repertoire (Mozart Spohr Beethoven) or from works of great teachers like Charles de B?riot and Fr?d?ric Berr familiarise violinists with musical concepts as basic as syncopation or bowing indications without sacrificing the pleasure of playing music.