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Sonata Op. 19
MANDOLIN
Alto Saxophone and Piano
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Erwin Schulhoff: Hot-Sonata for Alto Saxophone and Piano: Alto Saxophone:
Alto Saxophone and Piano
G. Henle
Erwin Schulhoff (1894 1942) was one of the most original personalities on the mu...
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Erwin Schulhoff (1894 1942) was one of the most original personalities on the music scene of the early 20th century. His persecution and ostracism by the National Socialists led to his being forgotten for a time though in recentdecades the extraordinary quality of his music has been rediscovered. It was inspired by jazz Dada atonal music and socialist realism. Schulhoff’s Hot-Sonata of 1930 displays the influence of jazz not least through the use ofthe saxophone as solo instrument but also in its pithy rhythms its glitzy harmonies and its use of playing techniques such as glissandi. The Hot-Sonata is published here for the first-ever time in an Urtext edition. Iteliminates numerous mistakes found in the first edition that had been reprinted up to the present day. All the relevant sources were consulted for this edition: the autograph an engraver’s copy Schulhoff’s own copy of thepublished work and further personal documents such as letters and contracts. The saxophonist Frank Lunte from Berlin was engaged to edit this volume. He is an acknowledged expert in this repertoire and in the history of thesaxophone especially its history in 1930s Berlin.
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The Chester Alto Saxophone Anthology: Alto Saxophone: Instrumental Album
Alto Saxophone and Piano
[Sheet music]
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Advanced
Chester
12 Popular Works-15 popular works for Alto Saxophone with Piano accompaniment fe...
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12 Popular Works-15 popular works for Alto Saxophone with Piano accompaniment featuring selected works from the major exam board syllabuses spanning Grades 5 to 8 and beyond. Includes pull-out part and performance notes by AmyDickson.
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Concerto For Alto Saxophone And Orchestra (DENISOV EDISON)
Alto Saxophone and Piano
Sikorski
Piano Reduction including solo part. Par DENISOV EDISON. The catalogue of Edison...
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Piano Reduction including solo part. Par DENISOV EDISON. The catalogue of Edison Denisov's works includes 16 concertos. It was a genre to which he returned time and again throughout his life, from the Concerto for Cello and Orchestra of 1972 to the Double Concerto for Flute, Clarinet and Orchestra of 1996. In Denisov's music the role of the soloist, or rather the protagonist, is extraordinarily important, not so much for its virtuosity as for its confessional character. The solo part is a monologue distinguished by poetic diction and a very personal message from the composer. The dramaturgical conception of the Concerto for Saxophone and Orchestra, a reworking of the Viola Concerto of 1986, draws on traditional sonata form, thereby reaffirming the ubiquitous classicism in Denisov's thought. In this late work, we find all the typical features of his style: sinuous melodic lines layered into dense contrapuntal textures, and an interplay of orchestral colours, with pure sonorities contrasting with complex mixtures of sounds. It is a perfect dramaturgy that governs the evolution of the music to the very end. The first movement assumes the role of a sonata-allegro, with the standard formal sections of exposition, development, recapitulation and coda. The second movement is an Adagio for strings. The third takes the form of a little contrasting intermezzo that introduces both new thematic material and a new range of colours. Here tunefulness gives way to pointillism enriched with sonic effects. The only movement with a virtuosic solo part, its nervousness and inner tension set it worlds apart from the second and fourth movements that surround it. The fourth movement assumes the traditional form of a final set of variations. It is the dramaturgical and semantic heart of the concerto. The theme of the variations is Franz Schubert's Impromptu in B-flat major, op. 142, which in this case is 'born' from the celesta as the product of a dodecaphonic string cluster. This finale represents Denisov's homage to his great mentor, Schubert's music being for him a symbol of eternal and universal beauty. 'The attentive listener', Denisov stressed, 'will recognise that the Impromptu theme is already suggested very slowly in the course of the three preceding movements, not only thematically, but also psychologically. That's what makes the appearance of the Schubert theme sound so natural.' The variations relate to the variation genre less in their form than in their spiritual and conceptual metamorphoses. It is, one might say, 'music round about Schubert'. (Ekaterina Kouprovskaia-Denisova)/ Répertoire / Saxophone Alto et Piano
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Robert Muczynski: Sonata Op. 29: Alto Saxophone and Accomp.: Instrumental Work
Alto Saxophone and Piano
[Sheet music]
Schirmer
Muczynski's grandparents emigrated from Warsaw Poland to Chicago - where he was...
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Muczynski's grandparents emigrated from Warsaw Poland to Chicago - where he was born in 1929. Throughout his musical career Muczynski has earend a reputation for being a fine pianist as well as composer with numerous award to his name. Op. 29 was composed in 1979 and remains to be an exciting challenging work for any classical alto saxophone player today.
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Edison Denisov: Sonata For Alto Saxophone And Piano: Saxophone: Instrumental
Alto Saxophone and Piano
[Sheet music]
Leduc, Alphonse
Sonata for Alto Saxophone and Piano by Edison Demisov was composed in1970 and co...
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Sonata for Alto Saxophone and Piano by Edison Demisov was composed in1970 and covers three movements. The first part Allegro shows serialism; the second Lento focuses on new techniques; with the last one Allegro Moderato reminiscent of Jazz music. This strong>Sonata for Alto Saxophone and Piano dedicated to the French Saxophonist Jean-Marie Londeix was strongly influenced by Western European music and requires a certain level of ability (intermediate to advanced players) especially for the second movement. Edison Demisov (1929-1996) was a Russian Siberian-born composer specialising in alternative /non-conformist Soviet music. Strongly influenced by the West he was often criticised by his peers. He gained international recognition for the composition 'Le soleil des Incas' (1964) and wrote numerous concerti sonatas and other pieces.
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Jindrich Feld: Sonata for Alto Saxophone and Piano: Alto Saxophone: Artist
Alto Saxophone and Piano
Leduc, Alphonse
Jindrich Feld's Sonata for Alto Saxophone and Piano is frequently performed by v...
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Jindrich Feld's Sonata for Alto Saxophone and Piano is frequently performed by virtuoso Saxophonists. Composed in 1989-90 the Sonata is elaborate and quirky and successfully exploits many extended techniques on the instrument. Born in Prague Feld (1925-2007) studied Violin and Viola with his parents before studying at the Conservatory and Academy of Music of his native city. His compositions predominantly instrumental soon became popular being performed all over the world. As reflected in his Sonata for Alto Saxophone and Piano Feld's style is deeply rooted in the Czechmusical tradition but he also integrated the main styles of 20th century Western music. The Sonata is made up of four movements 1. Allegro ritmico 2. Adagio/Bells of liberty 3. Allegro vivo/Scherzo and 4. Allegro con fuoco. Each movement of the Sonata presents different challenges from fast staccato semiquaver flourishes to the lyrical slurred passages. This Feld piece is highly virtuosic yet an excellent and enjoyable performance for all advanced saxophonists.
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Georg Friedrich Händel: Pièces Célèbres Vol.2: Alto Saxophone: Instrumental
Alto Saxophone and Piano
Leduc, Alphonse
Famous Pieces By G. F. Handel For Eb Alto Saxophone And Piano – Vol. 2 is...
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Famous Pieces By G. F. Handel For Eb Alto Saxophone And Piano – Vol. 2 is an anthology of four pieces arranged for Alto Saxophone and Piano by Marcel Mule. This second book features four sonatas all composed initially by G. F. Handel and part of the collection “Saxophone Classics” by Mule. - First sonata: Flute and Piano - Second sonata: Violin and Piano - Fourth sonata: Flute and Piano - Sixth sonata: Violin and Piano Each sonata should be played separately and their level of difficulty is quite challenging which would match the abilities ofupper intermediate / advanced players who have mastered their breathing. Marcel Mule (1901-2001) is one of the greatest French saxophonists renowned worldwide for his work on the classical Saxophone repertoire. He was teaching his students how to obtain a good quality of sound and believed it was dependent on the embouchure the emission the mastery of vibrato and thus of breathing. He wrote different methods that focus on technique articulation and tone productions such as 'Dix-huit Exercices ou Études' 'Exercices Journaliers d’après Terschack' or '30 Grands Exercices ou Études d’après Soussmann' (in two books) among others.
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Sonata #2 Bbmaj Alto.Sax Pft
Alto Saxophone and Piano
IMC (International Music Co.)
/ Saxophone Alto Et Piano
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Sonata No 3 In F Major
Alto Saxophone and Piano
[Sheet music]
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Intermediate/advanced
Editions Marc Reift (Swiss import)
/ Saxophone Alto Et Piano (Orgue) / niveau : 6 / Partition
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Sonata No 1 In A Minor
Alto Saxophone and Piano
[Sheet music]
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Intermediate/advanced
Editions Marc Reift (Swiss import)
/ Saxophone Alto Et Piano (Orgue) / niveau : 6 / Partition
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Georg Friedrich Händel: Sonata For Violin No.2: Alto Saxophone: Instrumental
Alto Saxophone and Piano
[Sheet music]
Leduc, Alphonse
Classiques No.89-Les Classiques du Saxophone No.89.
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Pierre-Max Dubois: Sonata For Alto Saxophone And Piano: Saxophone: Instrumental
Alto Saxophone and Piano
[Sheet music]
Leduc, Alphonse
Work first published in 1956.
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