The Skye Steersman'S Song. Par REINSHAGEN FRANK. Song from the Hebrides. Compatible with clarinet and saxophone editions. Medium Writing these arrangements, Frank Reinshagen has created little masterpieces, which broaden the rhythmical and harmonic context of the original tunes in an interesting manner without detracting from their archaic and melancholic character. These original tunes are - in a direct or wider sense - of 'Celtic origin', in other words, they have been borrowed from the Irish, Scottish and Gaelic musical tradition.These through-composed arrangements are rather easy to perform from the rhythmical and technical point of view. Yet, they are quite demanding in respect of the key they are written in, their intonation and, especially, their interpretation. Their different instrumentations are fully compatible with each other and, due to their overall structure, they are also suitable to be played with multi-scored parts. Annotation on 'S mo lamh air a stiuir: The interpretation of 'S mo lamh air a stiuir - the song of a helmsman living on the Isle of Skye - should be interpreted with the musicians paying careful attention to its dynamics and phrasing, which reflect the up-and-down motion of the stormy Artic Ocean. For this arrangement the key D minor - which is one whole tone lower than the original - has been chosen to make sure that the piece is playable, especially for a clarinet quartet./ Répertoire / Quatuor de Cuivres

German composer Wilhelm Ramsøe (1837-1895) is best remembered for his compositions for brass. His Quartet No.4 for Cornet Trumpet Trombone or Horn and Baritone is no exception. As one of five brass quartets by the composer Quartet No. 4 remains prominent in the brass ensemble repertoire. Made up of three movements each part contains a variety of exciting musical features. The movements are 1) Allegro Moderato 2) Marcia Funebre and 3) Scherzo all of which contain edits by Robert King. For all intermediate to advanced brass ensembles Ramsöe's Quartet No. 4 is asublime addition to the repertoire.

Full Score-Fantasy For Brass Quartet Op.35 is a work by John McCabe composed in 1965. This is the Full Score a performance of which lasts around 8-9 minutes.

Jesu Nun Sei Gepreiset (Jesus Come Let Us Praise Thee) comes from Bach's Cantata No.41 Cantata for New Year's Day and is a delightful and typically skilled welcome to the turn of the year. This arrangement for Brass Quartet and Organ is scored for two Trumpets Trombone (or Horn) a Second Trombone and the Organ accompaniment.

Famous English composer Henry Purcell (1659-1695) was a significant contributor to the Baroque music era. Perhaps his most famous and frequently performed work remains his Music For Queen Mary II.  Arranged for Four-Part Brass Choir by Robert King Purcell's Music For Queen Mary II is made accessible and versatile. The work was originally composed for Orchestra and Choir for the funeral of Queen Mary II in 1695. The work comprises a March Anthem and Canzona. For all aspiring Brass Ensembles King's sublime arrangement of Purcell's Music For QueenMary II cannot be missed.

Transcribed by popular brass arranger Robert King this edition of Giovanni Gabrieli's Canzona per Sonare No. 2 from Canzoni per sonare con ogni sorte di stromenti provides an exciting performance piece for a large Brass Ensemble. Being one of the most influential musicians during the shift from the Renaissance to the Baroque era it is no secret that the composer leaned himself primarily to vocal and sacred works. However his Canzona per Sonare No. 2 represents an important turn not only in the composer's career but in musical history. Composed in 1608 this piece helped pave the wayto what would soon become the new Baroque concerto style which remains popular to this day. King's arrangement of this historical work is indispensable for Brass Ensembles.

5 Original Pieces for Woodwind Quartet. A composition in five movements that sound as if from a former age. They are in fact newly composed pieces but, stylistically speaking, are ?historically accurate?. They can be performed separately or one after the other. The important thing is that the lead part at any point is given enough ?space? in terms of dynamics and overall balance. Old music, newly composed, at times cheerful and at others solemn, which create the very special charm of this composition.