In memory of Christopher Rowland. Originally a concerto for Cello and chamber orchestra now for Cello with a Piano reduction of the orchestral part.The concerto is in four movements which are played without a break: Meditation Intermezzo Toccata-Scherzo and Song. The work lasts for some 18 minutes and was scored for two oboes two horns timpani (doubling tubular bells) and strings(found here in a Cello/Piano form). It is organised in one large arch-shaped structure with two fast inner movements flanked by two outer slow ones. The solo cello opens the work reflectively and introduces core melodic material which is continuously developed throughout theconcerto. Gradually the strings enter then wind and timpani and build a pyramid twelve-note chord at the peak of which there is a dramatic climax. The music then subsides (solo cello again) but links to the two faster middle movements. The second movement Intermezzo has an ABA structure and in its middle section quotes the opening of Shostakovich's Third String Quartet (written in the same year as Christopher Rowland was born!). Indeed the ghost of Shostakovich looms large throughout the concerto in more ways than one. The Toccata-Scherzo is energetic and rhythmically-charged again using an ABA structure. Here the writing for solo cello is quite virtuosic but not I hope in a shallow sense. The music builds inexorably towards a powerful climax underpinned by the opening twelve-note chord's re-appearance together with a violent outburst from the timpani at which point a tonal resolution (on G) arrives through a pianissimo held chord on strings which leads directly to the final movement - Song. And so the music arrives at its emotional heart through a simple melody (present in other forms throughout the work) announced by solo cello at the very top of its register against a quiet backdrop of horns and strings. A solo oboe enters with cello in canonic reply and all the time the music builds in texture and

Play 10 classical pop selections arranged for Piano and optional Cello as performed by The Piano Guys on their brand new holiday album! Includes: 'Angels We Have Heard on High' 'Christmas Morning' 'Good King Wenceslas' 'O Come O Come Emmanuel' 'Still Still Still' 'Where Are You Christmas?' 'Winter Wind' and more. Includes separate pull-out Cello part.

Ten Little Pieces. Par PUETZ EDUARD. 10 pièces faciles pour jeunes violoncellistes (points. emplacement), de motiver par titre imaginative et l'inclusion d'éléments pop et de jazz. Eduard Pütz (1911-2000) a étudié la composition à la Musikhochschule de Cologne. Sa préoccupation particulière était l'a Überwind/ Recueil / Violoncelle et Piano

The Sheku Kanneh-Mason Cello Collection combines the artist’s renowned performance repertoire with his own inspirational compositions, all as performed by Sheku himself. Suitable for the intermediate cellist and beyond, this dynamic volume is sure to spark a desire to perform. With commentary from Sheku revealing the stories behind the pieces and his own expert advice, this collection is a must-have for all aspiring cellists./ Recueil / Violoncelle et Piano

Ob für den Unterricht oder das erste Konzert: Die Ausgabe enthält leichte Stücke von der Renaissance bis zur Moderne, die sorgfältig nach technischen und musikalischen Anforderungen ausgewählt wurden. Sie ist daher eine ideale Ergänzung für den Cellounterricht. Neben Bearbeitungen von bekannten Stücken, wie Beethovens Ode an die Freude, gibt es auch viel Neues zu entdecken. Alle Stücke sind auf der beiliegenden CD enthalten. / Violoncelle Et Piano

Une collection des meilleurs thèmes et les mouvements de John Williams. Les pièces sont conçues pour être exécutées par le violoncelle solo, avec le CD de morceaux d'accompagnement et de démonstrations. Sinon, toutes les parties de la série sont entièrement compatibles et peuvent être effectuées comme un ensemble plus large. / Violoncelle Et Piano