Here's a pure, full sounding choral work from talented composer Sherri Porterfield. The notes aren't difficult, so you can devote time to developing phrasing, blend, and tone...and the results will make your choir sound its best. Great for contests and festivals. AABA form. Traditional Latin text. Ranges are perfect for school-age choirs. (P.S. The SSA edition is gorgeous!) / Choeur Mixte (SATB)

Hvorfor Er Lykken Så Lundefuld af Karen Jönsson (1909-42) arrangeret for blandet kor SATB af Erik Bjørn Lund. Tekst af Carl Vigggo Meincke.

An electro-pop tune as infectious as it is timely with its singular message the creative hands of Zedd Maren Morris and Grey teamed up to create something reflective and vibrant. Released during the Grammy Awards broadcast in 2018 the chorus asks of us ?why don't you just meet me in the middle??

It is just a simple love song but aren't those simple ones usually the best? Veteran composer Carl Nygard set his own poem to music a song appropriate for lovers everywhere. Carl dedicated this one to his wife of forty years but the words and tune seem timeless. Good for high school choirs.

Horn, Paul (Trad.) -. Par MARENZIO LUCA. Gattungen: Motetten - Verwendung / Kirchenjahr: Ostern und nachösterliche Freudenzeit - Langue : Latin/Allemand / Mottet / Répertoire / Choeur SATB

The text by Mark Twain from a poem by Robrt Richardson and although titled Dedication it is more of a blessing. A beautiful concert closer for advanced high school or college voices Richard Burchard's music is rich and warm. The notes aren't all that difficult but singing all the gentle dissonances in tune will be the challenge.

Ce livre est un recueil de choeurs mixtes - clairement disposées selon les professions (SAB, SATB, SATB +) et sur ??la base des niveaux de difficulté triés. De vieux maîtres au tableau le titre actuel ici tous les genres de style est représenté. Beaucoup de titres pour la première fois et exclusivement apparaissent dans ce tout nouveau arrangements de arrangeurs bien connus. Dans le même temps le choix du répertoire est le résultat d'un enseignement et chorale longue et intensive conduite pratique. Il ya aussi de nombreux accompagnements au piano, aides pratiques et textes de base, et un espace en ligne privé. Le Choeur du livre 2 continue le succès 'Le chant est une grande' série continue de faCon transparente et s'appuie sur le premier livre de cantiques bande (Schott ED 20930 - S / SA / SSA / SAB SATB et phrases lumineuses). / Choeur Mixte (SATB)

This is a classic song from the American folk-rock band Crosby Stills Nash & Young. The group's signature tight harmonies make their music perfect for choirs. Parents (and grandparents) in the audience will know every word and your students will experience a style not heard on the radio today.

This lullaby for large unaccompanied SATB chorus was commissioned by the Crouch End Festival Chorus in 1993. John Woolrich interweaves various folk texts in his lilting musical setting which juxtaposes the peacefulness of sleep with moments of anxiety and tension for the parent whose son is far from home.The Faber Choral Signature Series introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of contemporary composers and includes both lighter and more challenging contemporary works offering a thrilling array of varied styles.

(Choral Medley from the Broadway Musical)-Broadway's hot ticket explodes in an arena-rock love story of scorching guitar solos big hair and hot hits from the 1980s! Opening Act I this mini-medley is a powerhouse salute to the past with three classic songs of the era. A super feature for pop and show groups it includes: C'm on Feel the Noize Just Like Paradise Nothin' but a Good Time.

Bernhard Lewkovitch (b. 1927) is a Danish composer born in Copenhagen to Ukrainian parents. Brought up in the Catholic Church he studied at the Royal Danish Academy of Music but the vast majority of his choral workshave been intended for liturgical use making him somewhat of an outsider to the contemporary Danish classical music world. Twelve Motets from the Spanish Golden Age were collected edited and published in 1971 towards the end of the decade that was the only period Lewkovitch spent working outside the church. They are a testament to his commitment to rediscover and popularise historical compositions from the continentalrenaissance era even while he was experimenting with modern techniques in his own compositions.

Arrangeur: Mark De-Lisser. Par DE-LISSER MARK. This arrangement of the timeless classic Stand By Me was written in the gospel style by Mark De-Lisser for the wedding of H.R.H. Prince Harry and Meghan Markle in the Chapel of Windsor Castle. It was performed by the Kingdom Choir, directed by Karen Gibson and heard by millions of people across the globe. For SATB choir and tenor soloist, this beautiful arrangement is accessible for many choirs and vocal groups./ Feuillet / SATB, Ténor et Piano

Robert C. Clatterbuck comes to the musical arena with a wealth of resources: a love for the piano the old hymns strong vocal writing and the ability to bring them together for a rousing conclusion. This great hymn CWM Rhondda by John Hughes has been joyfully arranged for choirs in churches everywhere. Available: SATB.

Par DVORAK ANTONIN. Antonin Dvorák?s impressive Stabat Mater for soloists, chorus and orchestra is probably the best-known of the composer?s sacred works. Some painful experiences in 1875 his first daughter died, and in 1877 he lost two other children in quick succession may have led to Dvorák?s preoccupation with the suffering of the Mother of God, who stands weeping beneath the cross of her son. The music enters into the different moods of the liturgical texts with great sensitivity. Nine movements in slow to moderate tempi serve as a kind of Passion meditation, before the ecstasy of a vision of the resurrection wins the upper hand at the end of the tenth movement. With our newly-publishedarrangement for chamber orchestra (flute, oboe, clarinet, horn, bassoon, timpani, and strings), smaller choirs now have the opportunity of performing this work without the choir being drowned out by a large-scale symphony orchestra. The symphonic character of the work is nevertheless preserved. This scoring offers an optimal balance between transparency and orchestral sound. All vocal parts (soloists and chorus) are identical with the original version. Vocal score and choral score can be used also together with the original version, which is in preparation. / Date parution : 2023-06-02/ Répertoire / Choeur Mixte SATB et Piano