| Bo Holten William Blake:
The Clod And The Pebble:
SATB: Score Choral SATB [Sheet music] Wilhelm Hansen
The Clod And The Pebble was composed by Bo Holten in 1982. For 2 Choruses (both ...(+)
The Clod And The Pebble was composed by Bo Holten in 1982. For 2 Choruses (both SATB) 3 Clarinets and Percussion. Text by William Blake. Parts available: WH29700A
13.99 GBP - Sold by Musicroom UK |
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| William Blake Gerald
Custer: Cradle Song:
Mixed Choir a Cappella:
Vocal Score Choral SATB [Vocal Score] Hinshaw Music Inc.
This lovely lullaby on a text of William Blake is beautifully crafted by compose...(+)
This lovely lullaby on a text of William Blake is beautifully crafted by composer Gerald Custer. Scored for divisi mixed chorus with harp (or piano) try it for your lessons and carols service.
11.25 GBP - Sold by Musicroom UK |
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| William Bolcom: Songs of
Innocence and of
Experience: Mixed Choir a
Cappella: Choral SATB SATB, Piano [Sheet music] - Advanced Edward B. Marks Music Company
Vocal Score-A musical illumination of the poems of William Blake for soloists ...(+)
Vocal Score-A musical illumination of the poems of William Blake for soloists choruses and orchestra. Vocal Score.
44.99 GBP - Sold by Musicroom UK |
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| Per Drud Nielsen: Songs
Of Innocence: SATB: Vocal
Album Choral SATB [Sheet music] Wilhelm Hansen
Songs Of Innocence by Per Drud Nielsen - 5 miniatures for mixed choir (SATB) a c...(+)
Songs Of Innocence by Per Drud Nielsen - 5 miniatures for mixed choir (SATB) a cappella based on poems by William Blake. As a parallel to this booklet another booklet (WH31293) has been published that contains 5 songs based on poems fromBlake’s Songs of Experience.
6.50 GBP - Sold by Musicroom UK |
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| Per Nørgård: To H.C.
Andersen Poesier: SATB:
Vocal Score Choral SATB [Vocal Score] Wilhelm Hansen
To H.C. Andersen Poesier - Two Poems by Hans Christian Andersen arranged to mus...(+)
To H.C. Andersen Poesier - Two Poems by Hans Christian Andersen arranged to music by Per Nørgård for SATB choir and SSA choir. 1. Lysets færdreland / The Native Land of Light (for mixed chorus SATB)2. Løft mig kun bort / Come lift me up (for mixed chorus SSA*) *) the second movement may be performed by a children’s chorus or by the female voices (SSA) from a mixed chorus Programme note From my very first aquaintance with these Andersen poems I was deeply moved by the simple almost naive yet evocative imagery with which Andersenrealized his visions images like: “The Melody of the Heart” “The Poem of Beauty” “A Spiritual Hindustan” “Fly Death over the Sea of Time fly to Eternal Summer”. Along with this “childishness” Hans Christian Andersen’s poetry encompasses enormous – almost Willim Blake-ish – cosmic visions in the interpolations between e.g. “reaching the Heaven” as opposed to “you’ll find it in a Rosebud” or the juxtaposition of “Everyday Life” and “Eternal Poetry” - which become one. Thus the music came to life in my immediate encounter with these words which almost sang themselves into my Musical Furnace – if you will. Per Nørgård
5.50 GBP - Sold by Musicroom UK |
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| Julian Marshall: The
Little Girl Found: SATB:
Vocal Score Choral SATB SATB A Cappella [Vocal Score] Novello & Co Ltd.
POD-The Little Girl Found is a work for Unaccompanied SATB Choir by composer Jul...(+)
POD-The Little Girl Found is a work for Unaccompanied SATB Choir by composer Julian Marshall. A setting of a poem by William Blake from 'Songs of Experience' performances will last around 3 minutes.
3.99 GBP - Sold by Musicroom UK |
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| Cecilia McDowall: Joy And
Woe Are Woven Fine: Mixed
Choir: Vocal Score Choral SSATB [Vocal Score] Oxford University Press
This expressive Wedding anthem sets an extract from William Blake's Auguries of ...(+)
This expressive Wedding anthem sets an extract from William Blake's Auguries of Innocence. With chromatic inflections and gently arching vocal lines the music perfectly reflects the text's emphasis on the relationship between pleasure and sorrow. Joy and Woe are woven fine will make a striking addition to the repertory of more experienced choirs looking to try something new.For SSATB unaccompanied.
2.50 GBP - Sold by Musicroom UK |
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| Sebastian Currier: Blake
Fragments: SATB: Vocal
Score Choral SATB SATB A Cappella [Vocal Score] Boosey and Hawkes
Blake Fragments was written for performance in Frank Lloyd Wright's iconic Gugge...(+)
Blake Fragments was written for performance in Frank Lloyd Wright's iconic Guggenheim Museum in New York City and calls for the solo voices to be placed in various positions on the concentric rings that rise up from the central rotunda. In subsequent performances this configuration will generally be impossible but the soloist arrangement that was used is included should performers like to respond in some fashion to the original arrangement. The piece may be performed with the four soloists singing within the main chorus though some spacial separation on a single level or additionally using a balcony or backstage might better dupicate the original intentions. To allow fordifferent positions the four solo parts may be sung by more than four choral members (in the premiere there were two different sopranos covering the soprano part.)
3.75 GBP - Sold by Musicroom UK |
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| David W. Jepson: Sweet
Dreams: SATB: Vocal Score Choral SATB SATB, Organ [Vocal Score] Novello & Co Ltd.
William Blake's 'Songs of Innocence' published in 1879 consists of a series of...(+)
William Blake's 'Songs of Innocence' published in 1879 consists of a series of poems describing the innocence and joy of the natural world. To fully appreciate these beauties Blake advocates that man needs a closer relationship with God. The text for 'Sweet Dreams' is taken from a selection of verses of one of these poems.David W. Jepson is a Manchester-based musician. As a composer and arranger his output ranges from orchestral to choral music. He has had many performances on national radio of carols anthems secular songs and pop-choral arrangements. He travels widely throughout Britain and abroad working as a lecturer examiner and adjudicator.
3.25 GBP - Sold by Musicroom UK |
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| Peter Maxwell Davies:
Peter Maxwell Davies:
SATB: Vocal Score Choral SATB SATB, Orchestra [Vocal Score] Chester
Job (Vocal Score)-A substantial work for four soli SATB chorus and orchestra u...(+)
Job (Vocal Score)-A substantial work for four soli SATB chorus and orchestra using text from the translation of Stephen Mitchell's The Book Of Job. Like Vaughan Williams in his Job: A Masque for Dancing Davies was inspired inpart by William Blake's 21 engravings for the Book of Job. His oratorio however is less dependent on find parallels for Blake's visual details given the direct poetry in David Lemon's adaptation of the Stephen Mitchelltranslation from the biblical original it is hardly surprising that the spotlight should be so much on Job's suffering litany. The baritone has the lion's share of the setting though the other soloists occasionally reinforce hisplea and chorale-like episodes universalize his predicament. Davies frames with work with two seminal plainsong-like passages; there is also plenty of dramatic contrast both within Job's monologues and in the vivid orchestralwriting for the smarmy Comforters the initially shrill God who finally appears out of a dazzling orchestral whirlwind and the animal life he uses to illustrate the wonders of creation to a humbled Job.Commissioned by theUniversity of British Colombia it was first performed in May 1997 by Valdine Anderson (soprano) Linda Maguire (mezzo soprano) Paul Moore (tenor) and Kevin McMillan (baritone) with the Vancouver Bach Choir and the CBC VancouverOrchestra conducted by the composer.Vocal score with piano reduction of the orchestral score. Duration c. 70mins.
29.99 GBP - Sold by Musicroom UK |
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| Matthew Harris: Matthew
Harris - Innocence &
Experience: SATB: Vocal
Score Choral SATB [Vocal Score] Associated
Three Blake Songs-Three poems by William Blake provide the texts for this choral...(+)
Three Blake Songs-Three poems by William Blake provide the texts for this choral suite by Matthew Harris. Written for a high school choir these evocative settings provide excellent concert material for a well-established high school choir andbeyond. Movements include: The Sick Rose The Lamb The Tiger.
14.25 GBP - Sold by Musicroom UK |
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| Giles Swayne: The Tiglet:
SATB: Vocal Score Choral SATB SATB [Vocal Score] Chester
Written by Giles Swayne in 1995 based around the poem ' The Tiger' by Willi...(+)
Written by Giles Swayne in 1995 based around the poem ' The Tiger' by William Blake . The work is for SATB choir and SSSATB soloists. A separate line for hands and feet is included on the score with fingerclicking and foot stomping adding to the percussive feel of the work.This is the full score showing all vocal parts and the body percussion line. ...African influences are also felt in Swayne’s Blake setting The Tiglet which bristles with foot stamping finger clicking and sharp vocal projectiles... Robert Levett International Record Review 01 February 2007The Tiglet (part of Swayne's work The Tiger) features some 'wild syllabic interjections half sung and half shouted' which have to be heard to be believed!Church Music Quarterly 01 December 2006 Listen to a sample here
3.99 GBP - Sold by Musicroom UK |
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| John Tavener: The Lamb:
SATB: Vocal Score
Choral SATB SATB, Piano [Vocal Score] - Intermediate Chester
The Lamb is John Tavener's setting of William Blake's poem for unaccompanied SAT...(+)
The Lamb is John Tavener's setting of William Blake's poem for unaccompanied SATB (Soprano/Alto/Tenor/Bass) choir. John Tavener's mesmerising choral work The Lamb hasbeen a firm favourite since its composition in 1982. Audiences love the beautiful simplicity of the words and the lush harmonies that the different Vocal parts create. The piece was composed by Tavener in just oneafternoon and was dedicated to his nephew's third birthday. Although the piece is unaccompanied a Piano accompaniment is included for rehearsal purposes. This particular piece is challenging yet rewarding with divergent almost discordant parts in the first verse as the poem asks ambiguous questions. During the second verse however the song breaks into an uplifting harmony as the poem resolves to an epiphany. When performed well TheLamb is quietly atmospheric and a joy to hear. So for something special for your four-part choir to perform John Tavener's The Lamb is a hauntingly pretty piece that is sure to leave youraudiences speechless.
3.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| Noël! 3 - Carols And
Anthems For Advent
Christmas And Epiphany Choral SATB SATB, Organ Novello & Co Ltd.
Noël! 3 is an exciting collection of Advent, Christmas and Epiphany music for m...(+)
Noël! 3 is an exciting collection of Advent, Christmas and Epiphany music for mixed-voice choirs, from the easy to learn to the more challenging and unconventional. The contents range from the Baroque to the present: familiar settings of traditional and lesser-known carols through the ages to Howells, Berkeley and Warlock, and works by today's composers including Richard Rodney Bennett, Paul Mealor, John Tavener, Francis Pott and Richard Allain. Mixed-voice choirs of all levels will enjoy these new arrangements of favourite carols as well as stimulating original works for the Christmas season. / Choeur SATB Et Orgue (Ou Piano)
26.10 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier |
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| John Ireland: Choral
Music Volume 2 - Five
Part-Songs: SATB: Vocal
Score Choral SATB SATB [Vocal Score] - Intermediate Thames Publishing
The Part-songs of John Ireland that lay scattered throughout and across various ...(+)
The Part-songs of John Ireland that lay scattered throughout and across various sources and publishers have been fondly and faithfully brought together into this superb edition. This volume features five settings of poems and classic English lyric verse including three works by William Blake in wonderful arrangements for SATB choir with a Piano accompaniment for practice purposes only.
5.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| Tarik O'Regan: Threnody:
SATB: Vocal Score Choral SATB SATB, Orchestra [Vocal Score] Novello & Co Ltd.
The Vocal Score for Tarik O'Regan's 2004 composition Threnody forms a part of th...(+)
The Vocal Score for Tarik O'Regan's 2004 composition Threnody forms a part of the larger cantata Triptych but works beautifully as a piece in its own right. Lasting around five minutes Threnody was commissioned with funds from The RVW Trust for the Choir of London's inaugural concert in Christ Church Spitalfields on the 18th of December 2004. The work is arranged for SATB Chorus and String Orchestra and this item is the Vocal Score. Taking the lyrics from a diverse range of literary sources including William Blake's Auguries of Innocence William Penn and Psalm133 the solemn beauty of these texts is matched by the dynamism of the vocal performances in conjunction with the staccato rhythms of the orchestra. Crescendos and diminuendos give a sense of urgency and excitement to the vocals the harmonies of which are expertly composed.
4.50 GBP - Sold by Musicroom UK |
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| Andrew Miller: The Tyger:
Mixed Choir a Cappella:
Vocal Score Choral SATB [Vocal Score] Pavane Publishing
The William Blake poems The Lamb and The Tyger are often paired together and A...(+)
The William Blake poems The Lamb and The Tyger are often paired together and Andrew Miller has composed them so they can be sung as a set or separately. The strength and power of the tiger emerges effortlessly from the superb writing. This selection was selected for the Jo Ann Miller Choral Series and was winner of the 2013 NDSU Edwin Fissinger Choral Composition Contest. Best for advanced high school and college choirs along with community groups. Medium difficulty.
27.50 GBP - Sold by Musicroom UK |
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| Triptych (Vocal Score) Choral SATB SATB, Orchestra Novello & Co Ltd.
Cantata for string orchestra and chorus. Triptych represents the concatenation a...(+)
Cantata for string orchestra and chorus. Triptych represents the concatenation and re-orchestration of two extant works. Movement I was commissioned with funds from The RVW Trust for the inaugural concert of the Choir of London conducted by Jeremy Summerly in Christ Church, Spitalfields on 18th December, 2004 - the work, premièred as Threnody, was subsequently toured by the Choir to Jerusalem and the West Bank from 19th-26th December, 2004. Movements II and III, commissioned by Portsmouth Grammar School with financial support from the PRS Foundation, were premièred as And There Was a Great Calm in a contiguous version for lower strings and upper voices by the Portsmouth Grammar School Chamber Choir and the London Mozart Players in a concert at Portsmouth Anglican Cathedral on 13th November, 2005 conducted by Nicolae Moldoveanu. The title of this latter section is taken from Thomas Hardy's poem of the same name, written at the signing of the Armistice on 11th November, 1918 - a couplet from which is set, in a moment of tranquillity, in the final movement. Relatively new to living in New York, I am much more aware of the independent, vibrant cultural plurality that exists today - it's probably the single most dazzling facet of the City and is largely responsible for the infamous 'edginess' that pervades daily life there. With this in mind, I set to work on Threnody (movement I here) in 2004 - I wanted to write something that was relevant to the Israeli/Palestinian issue without losing that City 'edge'. The texts, in English, are excerpted from a variety of sources: William Penn, William Blake, the Psalms of David and Muhammad Rajab Al-Bayoumi, an Egyptian poet of the early twentieth-century. Fast and rhythmically influenced by the music of North Africa in its syncopations, this movement was the first composition that evolved entirely from my New York perspective. From the moment that the commission for And There Was a Great Calm (movements II and amp - III here) was offered, I knew the piece I was about to embark upon would end up being linked with Threnody in some way. I realized that what I had been aiming for in Threnody served as a template for this new piece, originally composed for a Remembrance Sunday concert. Musical works connected with commemoration or memorials are often suitably pensive and slow - I wanted to start with that concept, but to bring in some of the relentless urban rhythms that had been such a large influence on my life in the preceding two years. The result is that that the second movement is quiet and gentle (a moment of recollection), while the final movement is much faster and vibrant, returning to a more openly elated rendering of the start of Triptych (the texts here dealing with transmigration and the future). and nbsp - I gratefully acknowledge the assistance of Bruce Ruben and Judith Clurman, as well as that of my parents, with the collation of the texts. Tarik O'Regan New York, February 2006 / Soprano, SATB Et Orchestre De Cordes
17.00 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier |
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| Tarik O'Regan: Triptych:
SATB: Score Choral SATB - Intermediate Novello & Co Ltd.
Full Score of Tarik O'Regan's Triptych - Cantata for string orchestra & chorus....(+)
Full Score of Tarik O'Regan's Triptych - Cantata for string orchestra & chorus. Arranged for Soprano solo SATB and String Orchestra. Contains texts from William Penn Muhammad Rajab Al-Bayoumi and William Blake. Approximate playing duration is 17 minutes. (Minimum players 2.2.2.2.1)
17.99 GBP - Sold by Musicroom UK |
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| Tarik O'Regan: Triptych:
SATB: Vocal Score Choral SATB SATB, Piano [Vocal Score] Novello & Co Ltd.
Cantata for string orchestra and chorus.Triptych represents the concatenation an...(+)
Cantata for string orchestra and chorus.Triptych represents the concatenation and re-orchestration of two extant works. Movement I was commissioned with funds from The RVW Trust for the inaugural concert of the Choir of London conducted by Jeremy Summerly in Christ Church Spitalfields on 18th December 2004; the work premièred as Threnody was subsequently toured by the Choir to Jerusalem and the West Bank from 19th-26th December 2004. Movements II and III commissioned by Portsmouth Grammar School with financial support from the PRS Foundation were premièred as And There Was a Great Calm in a contiguous version for lower strings and upper voices by thePortsmouth Grammar School Chamber Choir and the London Mozart Players in a concert at Portsmouth Anglican Cathedral on 13th November 2005 conducted by Nicolae Moldoveanu. The title of this latter section is taken from Thomas Hardy’s poem of the same name written at the signing of the Armistice on 11th November 1918; a couplet from which is set in a moment of tranquillity in the final movement.Relatively new to living in New York I am much more aware of the independent vibrant cultural plurality that exists today; it’s probably the single most dazzling facet of the City and is largely responsible for the infamous ‘edginess’ that pervades daily life there. With this in mind I set to work on Threnody (movement I here) in 2004; I wanted to write something that was relevant to the Israeli/Palestinian issue without losing that City ‘edge’. The texts in English are excerpted from a variety of sources: William Penn William Blake the Psalms of David and Muhammad Rajab Al-Bayoumi an Egyptian poet of the early twentieth-century. Fast and rhythmically influenced by the music of North Africa in its syncopations this movement was the first composition that evolved entirely from my New York perspective.From the moment that the commission for And There Was a Great Calm (movements II & III here) was offered I knew the piece I was
10.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| John McCabe: Songs Of The
Garden: SATB: Vocal Score Choral SATB satb (soli), SATB (chorus), Keyboard [Vocal Score] - Intermediate Novello & Co Ltd.
Written for SATB soloists with SATB chorus Brass Quintet and Organ this setti...(+)
Written for SATB soloists with SATB chorus Brass Quintet and Organ this setting was inspired by the illustrations of 18th Century Japanese artist Utamaro. McCabe has selected a group of texts that are chosen to express the period of spring to autumn from the view of the Garden and it's inhabitants including the birds insects plants and animals. The texts are taken from sources as diverse as John Clare William Blake and Walt Whitman. The set was written in 2003/04 and commissioned by The John Armitage Memorial Trust.
19.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| Holy Thursday Choral SATB SATB, Piano Boosey and Hawkes
Combining the 'Ubi Caritas? text with two dramatically different 'Holy Thursday?...(+)
Combining the 'Ubi Caritas? text with two dramatically different 'Holy Thursday? texts of the same name by William Blake, James Lavino has created a work for SATB divisi choir, SATB semi-chorus and organ that is both thrilling and thought provoking. Chosen by Philip Brunelle for the Cathedral series and performed by his world renowned 'Vocal Essence? choir, this work requires both advanced singers and conductor but produces a powerful emotional impact. / Choeur Mixte (SATB) Et Piano
4.67 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier |
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| Julian Marshall: The
Lamb: SATB: Vocal Score Choral SATB SATB A Cappella [Vocal Score] Novello & Co Ltd.
POD-The Lamb is a work by Julian Marshall for Unaccompanied SATB Choir. A settin...(+)
POD-The Lamb is a work by Julian Marshall for Unaccompanied SATB Choir. A setting of a William Blake poem from 'Songs of Innocence' this work lasts around 3 minutes.
3.25 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| Joel Phillips: A Cradle
Song: SATB: Vocal Score Choral SATB SATB, Piano [Vocal Score] Schirmer
Joel Phillips' Cradle Song with words by William Blake for SATB choir a cappella...(+)
Joel Phillips' Cradle Song with words by William Blake for SATB choir a cappella.
11.25 GBP - Sold by Musicroom UK |
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| Julian Marshall: The
Voice Of The Ancient
Bard: SATB: Vocal Score Choral SATB SATB A Cappella [Vocal Score] Novello & Co Ltd.
POD-Julian Marshall's The Voice Of The Ancient Bard is a work for Unaccompanied ...(+)
POD-Julian Marshall's The Voice Of The Ancient Bard is a work for Unaccompanied SATB Choir that sets a poem by William Blake from 'Songs of Experience'. A performance lasts around 3 and a half minutes.
3.25 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| Julian Marshall: A Poison
Tree: SATB: Vocal Score Choral SATB SATB A Cappella [Vocal Score] Novello & Co Ltd.
POD-A Poison Tree is a work by composer Julian Marshall for Unaccompanied SATB C...(+)
POD-A Poison Tree is a work by composer Julian Marshall for Unaccompanied SATB Choir. A setting of a poem by William Blake from his 'Songs of Experience' a full performance lasts around 2 minutes.
3.25 GBP - Sold by Musicroom UK |
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| Julian Marshall: Julian
Marshall: London: SATB:
Vocal Score Choral SATB SATB A Cappella [Vocal Score] Novello & Co Ltd.
London is a setting by Julian Marshall of a poem by William Blake from his 'Song...(+)
London is a setting by Julian Marshall of a poem by William Blake from his 'Songs of Experience' for Unaccompanied SATB Choir. A full performance lasts around 4 minutes.
3.25 GBP - Sold by Musicroom UK |
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| Julian Marshall: Julian
Marshall: How Sweet I
Roamed: SATB: Vocal Score Choral SATB SATB A Cappella [Vocal Score] Novello & Co Ltd.
POD-How Sweet I Roamed is a work by Julian Marshall for Unaccompanied SATB Choir...(+)
POD-How Sweet I Roamed is a work by Julian Marshall for Unaccompanied SATB Choir. Setting two texts from poems by William Blake a full performance lasts around 5 and a half minutes.
3.99 GBP - Sold by Musicroom UK |
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| Julian Marshall: Julian
Marshall: The Chimney
Sweeper: SATB: Vocal
Score Choral SATB SATB A Cappella [Vocal Score] Novello & Co Ltd.
POD-The Chimney Sweeper is a work by Julian Marshall for Unaccompanied SATB Choi...(+)
POD-The Chimney Sweeper is a work by Julian Marshall for Unaccompanied SATB Choir that sets a William Blake poem from 'Songs of Innocence'. A full performance lasts around 4 minutes.
3.99 GBP - Sold by Musicroom UK |
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