En plus de l'accompagnement jouables à la fois sur votre lecteur de CD et l'ordinateur, ces CD améliorés incluent un logiciel de réglage de tempo pour utilisation de l'ordinateur de CD-ROM seulement. / Clarinette Et Piano / 8 pages / Cd

Par SCHUMANN ROBERT. Robert Schumann ne composa en réalité qu’une oeuvre pour clarinette: les «Trois pièces de fantaisie» op. 73 pour clarinette et piano datant de février 1849. Cependant, composées à la fin de la même année, les «Trois romances» op. 94 pour hautbois furent de son temps commercialisées accompagnées de parties de solistes pour clarinette et pour violon. Les clarinettistes se réjouiront certainement que les éditions Henle aient adopté à leur tour cette idée d’instrumentation alternative. Offert par Robert à sa femme Clara en 1849 en guise de cadeau de Noël, le manuscrit n’a pas été conservé. Par contre, des esquisses manuscrites ont pu être utilisées pour la préparation de cetteédition urtext et permettent de corriger certaines erreurs de la première édition de 1851. La préface et les remarques des éditeurs contiennent de nombreuses informations sur les sources et les questions relatives à la partition. / Partition brochée / Date parution : 1905-06-24/ Répertoire / Clarinette et Piano

Selon toute vraisemblance, cette sonate fut composée pour Carl Baron von Kaskel, une connaissance de Schumann et Wagner également, qui pratiquait la clarinette et la composition en amateur. L'autographe de cette sonate pour clarinette et piano de Mendelssohn est, depuis les années quatre-vingts du XXe siècle seulement, de nouveau accessible. Malheureusement, on a amputé l'année de la datation figurant à la fin du manuscrit. Toutefois, sur une copie de copiste qui nous a été transmise, on trouve l'indication '1824'. La partie de clarinette, assez facile d'exécution, fut probablement adaptée aux capacités de Kaskel et se prête tout particulièrement à l'enseignement.? / Clarinette Et Piano / Chanson En Séparée

Here is a very beautiful Adagio written in 1821 by Heinrich Baermann, the celebrated dedicatee of works for clarinet written by Weber. For a long while considered to be a youthful work by Richard Wagner, it was only in 1964 that it was realised that this unsigned manuscript, discovered in 1922, was in fact the Adagio from the Quintet for Clarinet and Strings No. 3 Opus 23 which had become detached from the original score. - Renaud ESCRIVA Instruments: Clarinette Sib, Piano Difficuly Level: Medium-Difficult Duration: 4'15 Musical Style: Classical, Educational Category: Republished Master Piece Composer: BAERMANN Heinrich Joseph Arranger: ESCRIVA Renaud

This is an updated edition of Francis Poulenc's 1962 work Sonata For Clarinet And Piano, edited by Millan Sachania. Featuring the full score and separate Clarinet part, this exclusive edition also includes a download card, giving you instant online access to demonstration and accompaniment tracks.Originally completed in 1962, Poulenc tragically passed away before it could be definitively engraved, leaving behind a work with a number of ambiguous notational marks that resulted in an incomplete first edition, published just a year later. A number of revisions have taken place, but this, expertly edited by Millan Sachania, aims to provide a playable, legible, precise and authoritative score that reflect closest Poulenc's intentions.This new edition includes accidentals that may have been intended by Poulenc within square brackets, as well as cautionary accidentals and the deletion of redundant accidentals. Other amendments like the redistribution of notes between the Piano staves, extending slurs so as to incorporate second or final tied notes, in contrast to the previous edition. At all points, Sachania has aimed to reproduce an authoritative and accurate score that is at once playable and a reflection of what Poulenc himself may have intended.What makes this edition of Sonata For Clarinet And Piano really special is the unique download card that provides exclusive online access to demonstration and accompaniment audio tracks. Professionally-recorded by renowned clarinettist Joy Farrall and pianist Huw Watkins, the demonstration track allows you to hear exactly how the piece as a whole should sound, before the independent Piano-only track lets you take the place of the clarinettist in your very own performance. This is a unique opportunity for clarinettists to learn from an authoritative score, and play along to a special backing track, with a work that's one of the finest for the instrument ever composed.For clarinettist fans of Francis Poulenc, lovers of Les Six, or just players with a proclivity for beautiful music, this edition of Sonata For Clarinet And Piano has been a long-time coming, and now it's available in this unique edition with accompanying download card. / Clarinette Et Piano

Brahms had already announced his „retirement“ from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter apparently renewed his enthusiasm for Mühlfeld’s much admired playing and inspired him to write two clarinet sonatas in the summer of the same year. Brahms and Mühlfeld premiered the works and played them in several performances until the sonatas op. 120 were first published in June of 1895. They remain pivotal works in the clarinet’s recital repertoire establishing the clarinet sonata as a distinct and viable chamber music genre. An important part of this edition is the extensive preface. Firstly it informs about the sonatas‘ origins, their compositional process, pre-publication performances, their publication history as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors start from the premise that already a few decades after Brahms' death, a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners, treatises and essays, early instructive editions and historical recordings, the editors deal with key issues in understanding Brahms' notation. By a section-by-section analysis of rhythm and timing, dynamics and accentuation, dots and strokes, slurring and non legato, piano pedalling and overholding, piano arpeggiation and dislocation, clarinet vibrato and portamento, the editors provide an indispensable assistance for a historically informed interpretation of the work. At the same time, the edition offers an exciting and often surprising insight into musical interpretation of the German Romantic Era in general. - A pioneering Urtext edition - With an extensive Performance Practice Commentary - For further information on Romantic performance practice we recommend the text booklet: “Performance Practices in Johannes Brahms‘ Chamber Music”, BA 9600

Par SCHUMANN ROBERT. Although Schumann’s style suits the clarinet extremely well, he did not write a great deal for the instrument – The Three Romances Op. 94 were written for oboe, with clarinet and violin as suggested alternatives. The Three Romances contrast strongly with one another, and this is important to bring out when interpreting these delightful miniatures. This version is for Clarinet with Piano Accompaniment and has been edited by Yona Ettlinger. The solo Clarinet in A and Clarinet in B flat parts are also included on separate inserts./ Répertoire / Clarinette et Piano

La série année par année s'appuie sur la Boosey and Hawkes catalogue riche et varié du répertoire classique, contemporaine et de l'éducation , en soulignant compositeurs dont Serge Prokofieff , Dmitri Chostakovitch , Karl Jenkins , Carol Barratt et Christopher Norton , à côté des arrangements de musique traditionnelle du monde entier par Peter Wastall , Vera Gray et autres .Soigneusement sélectionnées par Janet Way , cette anthologie pratique est la ressource de répertoire complet pour le joueur de saxophone aspirant Grade 1 alto et crée le forfait idéal pour l'enseignement , la préparation de l'examen et de la performance .Chaque volume contient :19 pièces et des études courtes , chacune complétée par une pratique utile et la pointe de la performanceles gammes et arpèges qualité approprié liés au répertoire à travers le texte sur mesure et des exercicesactivités de lecture à vue nouvelle marquetâches de sensibilisation auditive nouvellement commandéesun livret accompagnement pianoLivré avec un CD de démonstrations de performance complet , titres de piano d'accompagnement , et des ressources de sensibilisation auditive de qualité approprié . / Clarinette Et Piano

Joseph Horovitz (b. 1926) is a British composer and conductor, who is best known for his involvement the 1951 Festival of Britain, and for works such as Captain Noah and His Floating Zoo . His Concertante (1948) was his first published composition, written while he was still studying under Gordon Jacob at the RCM. It was modelled on the Weber's Concertino for Clarinet , but is written in a decidedly 20th century idiom. Originally scored for Clarinet and String Quartet, this version for Clarinet and Piano was transcribed by the composer. / Clarinette Et Piano

Par GADE JACOB. Jalousie is a tango written by Danish composer Jacob Gade in 1925, originally scored for full orchestra. It soon became popular around the world and is today a classic in the modern repertoire, including many arrangements for various instruments and ensembles. This publication is the first for clarinet and piano, arranged by Paula Corley, former Pedagogy Chair for the International Clarinet Association, with piano accompaniment edited by Stephanie Bruning. The work consists of two themes the first a temperamental theme in D minor, followed by a lyrical section in D major, both with a typical tango rhythm. It became Gade\'s most popular and successful work, enjoying numerous radio broadcasts and recordings. The work was premiered as accompaniment for the Danish screening of the silent film, Don Q, Son of Zorro on September 14, 1925 under the baton of the composer. / Date parution : 2022-09-20/ Répertoire / Clarinette et Piano

From Easy Dances Clarinet and piano Arranger: Haan, Stefan de The Dance Suite for clarinet and piano is an arrangement of selected pieces from Mátyás Seiber's Easy Dances, originally composed as piano pieces on the popular dance-styles of the 1920s and 30s and focusing particularly on the rhythmic characteristics of each. Seiber's life and work linked and developed many diverse musical influences, from the Hungarian tradition of Bartók and Kodály, to Schönberg and serial music, to jazz, folksong, film and lighter music (rewarded by an Ivor Novello Prize for By The Fountains of Rome). A late collaboration with John Dankworth produced the Improvisations for Jazz Band and Orchestra. Contenu - Foxtrot - Mazurka - Gipsy Tango - Walzer - Novelty Foxtrot - Six-Eight

Par DAVIS CARL. Carl Davis' Clarinet Concerto was commissioned by the Greenwich Festival, with the aid of the Arts Council Of Great Britain. The piece was first performed at the Royal Naval College in June 1984 as part of the festival. It is arranged here for Clarinet and Piano. / Niveau : Intermédiaire à Avancé / Répertoire / Clarinette et Piano

Some of Edvard Grieg's most beautiful melodies have been transcribed here for clarinet and arranged into comfortable 'clarinet-friendly' keys allowing the performer to play with confidence. James Rae has selected a mixture of well-known and less well-known pieces which include: Piano Concerto in A minor Op. 16 (2 nd movement), Wedding Day at Troldhaugen, In the Hall of the Mountain King and more.All are very suitable for developing clarinettists at middle-grade technical levels. / Clarinette Et Piano