pour Piano Cor Xylorimba Glockenspiel et Orchestre-Des Canyons Aux Étoiles – Part 2 is the second part of this twelve-movement orchestral work by Olivier Messiaen. It features the movements VI and VII. This score was commissioned by Alice Tully for the celebration of the bicentenary of the USA Declaration of Independence and the whole piece lasts between 90 and 100 minutes. Messiaen got inspiration from sounds and colours and his travel to America highlighted by the Bryce Canyon very colourful really influenced his composition. Olivier Messiaen (1908-1992) was a French organist and composer who was passionate about Ornithology andone of the most important composers of his century. Inspired by Japanese music he had a very special way of composing and his work can be identified by its complexity its diatonic aspect its harmony with limited transposition its colour and its additive rhythms. He composed many works related to ornithology and birdsong including the Bird Catalogue in 7 volumes and the Treatise on rhythm colour and ornithology in 7 volumes.

La référence AL29916 de l'éditeur Leduc dont l'auteur célèbre est Gabrieli/Fagotto, qui a pour titre Sacrae Symphoniae Canzon Et Sonates Volume 1/Partition, a été écrite et composée pour Diverses Formations. Cette partition musicale appartient à la catégorie Classique. / Divers / Partition

30 titres en 144 pages, y compris les Bess vous est ma femme A Foggy Day, It Ain't nécessairement So, Let's Call le toute chose Off, Nice Work si You Can Get It, Shall We Dance, ils Can't Take qu'Away From Me beaucoup d'autres. / Divers

Methodische Übungen für fortschreitende Schüler-Hans Ulrich Staeps' Der Weg hinauf for Descant Recorder.

La référence FH6820 de l'éditeur Leduc dont l'auteur célèbre est Mozart/Piccand, qui a pour titre Venerabilis Barba Capucinorum, a été écrite et composée pour Diverses Formations. Cette partition musicale appartient à la catégorie Classique. / Divers / Partition

Erinnerungen, Briefe und Kompositionen zum 80 geburtstag. Clytus Gottwald's importance for contemporary choral music can be measured by his outstanding achievements, including his founding of the Schola Cantorum Stuttgart, which he conducted for its entire existence of 30 years and with whom he gave numerous first performances of contemporary music. Contemporaries and musical companions relate stories about an extraordinary conductor, composer and human being./ Répertoire / Divers

The Backstage Story of How the Beatles Rocked America-The Beatles North American tours turned the entertainment business on its ear and forever changed the landscape of the concert touring industry. In February 1964 after finally achieving a number-one hit in America the Fab Four came to the country with high hopes performing on the wildly popular Ed Sullivan Show in both New York City and Miami and playing concerts at Carnegie Hall and the Washington Coliseum. In just fifteen short days the Beatles conquered America.The Beatles made music-entertainment history with their North American tours from 1964 to 1966. Some Fun Tonight! The Backstage Story of How the Beatles Rocked America: The Historic Tours of1964-1966 is a comprehensive two-volume set which gives you a city-by-city synopsis of the group's activities as they traveled the United States and Canada for their groundbreaking series of concerts. From San Franciscos Cow Palace show on August 19 1964 through their last-ever live performances at that city's famed Candlestick Park on August 29 1966 these books cover the music and the madness that characterized the Beatles three North American tours. With hundreds of photographs and images of rare memorabilia it is truly the definitive reference for what is arguably the most important period in the Beatles long and winding career. Youll read about the behind-the-scenes negotiations the mayhem at the airports and hotels and the cheeky quotes delivered at the press conferences. Youll also read about the opening acts the concerts and the stories behind the shows through the eyes of the Beatles their entourage the promoters the emcees and the fans.Never before have the Beatles North American concerts been covered in such depth. If you witnessed the mania firsthand youll relive the excitement in the pages of these books. If you were born too late to be a part of those halcyon days youll learn what it was like to be swept up and carried away by the phenomenon of the greatest musical act of all time. When all is said and done Some

Acis and Galatea HWV 49a1st versionHandel set the myth about the love of the shepherd Acis for the sea nymph Galatea from Ovid’s Metamorphoses a total of three times: in the cantata Aci Galatea e Polifemo HWV 72 (1708) (BA4068) the masque Acis and Galatea HWV 49a (1718) (BA4039) and finally the pasticcio-like serenata Acis and Galatea HWV 49b (1732) (BA10700).This species of stage work was related to the early eighteenth-century English masque by virtue of its choral numbers and straightforward formal design and to the Italian serenata due to its use of one voice to a part in the choruses. In the England of Handel’s dayit was given a multitude of generic names: besides “masques” such works were often called “little operas” “English operas” or “pastoral operas” (the term “serenata” had not yet entered English parlance). Handel himself did not specify the genre of Acis and Galatea in his autograph score and probably as a result uncertainty arose among copyists printers and performers as to the work’s proper designation for it has come down to us with a confusing array of generic titles. Handel wrote the piece for James Brydges (1674–1744) Earl of Carnarvon and later Duke of Chandos at whose country estate in Cannons the composer spent the years 1717 and 1718.- Urtext of the Halle handel Edition- Full score (BA4039) and vocal score (BA4039-90) available for sale- performance material (BA4039-72) available for sale

Franz Schubert’s popular German Mass of 1827 follows in the footsteps of Michael Haydn’s work Deutsches Hochamt by turning to a German translation of the Ordinary mass. Its homophonic texture and largely syllabic setting of the words make it more accessible to lay choruses than Schubert’s masses in Latin an advantage reinforced by its diatonic melodic writing and constantly slow tempos.The present edition reproduces the Urtext from the New Schubert Edition and presents the definitive second version for chorus and wind instruments. Since the piano reduction basically follows the choral lines and Schubert’s original organ part however the Mass can also be performedwith organ accompaniment.- Urtext from the New Schubert Edition- Standard work in the church music repertoire- Can be accompanied by organ or wind instruments- No vocal soloists necessary

Voice Education. A Contemplative Approach to Singing - Through Meditation, Movement and Vocalization. Par RAO DOREEN. Cercle de Sound voix l'éducation est une approche contemplative à la chanson qui allie orientale ancienne pratiques de mouvement de méditation et art martial avec des exercices de vocalisation Ouest bel canto comme un moyen de source d'inspiration et sain d'enrichir les approches traditionnelles de studio, en salle de classe et de pédagogie de la répétition de la respiration. Cette approche révolutionnaire connecte la puissance du chant à l'intégralité du corps et l'esprit - tous dans un de ces manuels grand / Éducation musicale / Répertoire / Divers

Take Ten: Popular Pieces From Bach To Bacharach is arranged for Alto Saxophone with Piano accompaniment and is suited to grades 2 to 6. From Duke Ellington's Satin Doll to Bach's Minuet In G this book is sure to get you playing many different genres of music and really exploring what your Alto Saxophone can do. Selected as part of the ABRSM Alto and Baritone Saxophone examinations grades 3-5.

A guide by the the Lutheran Liturgical Conference of Germany for the correct use of Bach's sacred cantatas/ Répertoire / Divers