with Suggested Chordal Accompaniment. Par BAY WILLIAM. This collection contains 100 favorite gospel songs and hymns for flute and guitar. Inside you will find rousing camp meeting songs, sentimental expressions of a deep-rooted faith, and gospel oriented hymns with an old-time music flavor. In preparing this collection I felt the sincere and solid faith of America's 'revivalist era”, staunchly embedded in the rural and southern regions of America, but also in the dedicated inner city missions founded in sprawling urban centers. These solos will bring joy, exuberance, nostalgia and a renewed sense of commitment to any worship celebration. They serve as a vehicle for and witness to the Christian faith. / Gospel / Recueil / Flûte Traversière et Guitare

Towards the Night for flute and guitar. Par WESSMAN HARRI. Harri Wessman's Pan and the Nymph Pitys (1979) for flute and guitar bears the first symptoms of his later style, the texture being softly dissonant. In an old mythological dictionary the composer found that Pan had had some love affair with an other nymph than famous Syrinx as well, with Pitys (greek pine-tree). So the listener may think of Pan in the vital A-sections and imagine the nymph in the languishing B-section and coda of the ABA form. Towards the Night (1978) for flute and guitar belongs to Wessman's previous world of tonal entertainment music. It is a melodious ballad, characterized by a short-long rhythm, a lot of seventh and altered chords and a passage, where the guitar takes the leed and plays the melody in tremolo. This product includes a playing score (folder, B4 sized). / Date parution : 2022-05-31/ Répertoire / Flûte Traversière et Guitare

Par LEZCANO JOSE MANUEL. Jose Manuel Lezcano composed the Key West Suite composed during an artist residency at the Studios of Key West. It is in three movements: Seven-Mile Bridge, Bolero del Atardecer, and Duval Street Stomp. Includes separate parts for both flute and guitar, in addition to a full score. / Date parution : 2022-11-29/ Répertoire / Flûte et Guitare

Many of the melodies in this book are more than nine hundred years old; yet these pieces are as vibrant, as exciting, and as seductive as they were centuries ago. This music is fun to play. It’s addictive. You will find yourself humming it, and you’ll come back to play these pieces again and again. Each piece in this collection has its own powerful personality. Many of the Cantigas have an indefinable feel we have not heard in music from other periods. . . It’s like a texture that fills the room, it permeates the air and once inhaled, it paints pictures in your mind. You hear it and you feel it down to your toes. This is music that follows you and begs to be playedagain and again. If you are an intermediate player, you will find that most of these high-quality pieces are readily accessible. If you are a professional, you will find this book to be a resource that you will draw on repeatedly. If you just like to play for yourselves, it will be a great source of entertainment. For us, this collection is all of the above. These pieces work for concerts, for weddings, and for restaurants. This is some of our favorite music, and we hope that you have as much fun playing it as we do./ Recueil / Flûte Traversière et Guitare

Par MYCHAL GENDRON. This volume contains some of the most popular traditional carols, arranged for flute and guitar. Most of these duet arrangements allow as much dialogue and interplay between the two instruments as possible, while maintaining each carol's character and spirit. While the flute often carries the melody, the guitar has frequent solo passages of its own to help break the 'melody with chords' monotony found in many arrangements of this kind. Modulations, imitative counterpoint and quotations from works by well-known composers will, hopefully, make these little pieces enjoyable for performers as well as listeners. For intermediate level flutists and guitarists. Standard notation only. / Niveau : Intermédiaire / Christmas - Chamber / Recueil / Guitare et Flûte Traversière

Par SAUMELL MANUEL. Select 'Contradanzas Habaneras' by 19th century Cuban composer Manuel Saumell (1817-1870). Saumell is known as the 'Father of nationalism in Cuban music'. In more than 50 Contradanzas Habaneras, Saumell never repeated himself, for within those 8 or 16-bar phrases, he was capable of astounding rhythmic and melodic invention. This group of contradanzas were originally written for the piano and arranged here for flute and guitar by Elias Barreiro. Presented in standard notation only with separate pull-out sections for guitar and flute. / Niveau : Intermédiaire à Avancé / Latin American - Duets / Recueil / Guitare et Flûte Traversière

Par KOSKELIN OLLI. In Olli Koskelin's 7 Haiku for flute and guitar the haiku gets three different interpretations: intertwined with the composed version the performers improvise it and read it out loud. The texts of haiku are included in English and in Finnish. Duration: c. 15' This product is a B4 sized folder with two copies of the performance score (loose pages). Olli Koskelin's (born 16 April 1955) compositional output reflects a wide range of interests. The vast area covered by his style encompasses the neo-impressionism of the piano work Courbures (1989) to the post-expressionist echoes of his Music for String Quartet (1981) as well as the breakneck virtuosity of his clarinet piece Exalte (1985/1991) and the rich romantic textures of his orchestral piece ... like a planet silently breathing... (1993). He often uses the overtone series like the French spectral composers and avoids dramatic culmination. Soft harmonics, tranquil arching melodies, a leisurely rhythmical pulse and a coherence of mood are in evidence in his later works as in Uurre (1997) for chamber ensemble, Miniatures (1997) for string quartet and Circles within for 19 solo strings. / Date parution : 2023-01-24/ Recueil / Flûte Traversière et Guitare