Per Flauto E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Répertoire / Flûte Traversière et Piano

Par HOOK JAMES. This early classical sonata in the two-movement form which was typical for that time, offers the flutist as well as the string player a rewarding challenge. Since the technical difficulties are limited, these pieces are especially suited for students./ Répertoire / Flûte Traversière et Piano

This is an updated edition of Francis Poulenc's 1957 work Sonata For Flute And Piano, edited by Carl Schmidt. Featuring the full score and separate Clarinet part, this exclusive edition also includes a download card, giving you instant online access to demonstration and accompaniment tracks.After having begun a Sonata for Flute as early as 1952, questions arose over whether Poulenc would be able to complete this work on top of his various other compositions at the time. The piece was, thankfully, finally finished after being commissioned by Harold Spivacke, the Chief of the Music Division of the Library of Congress, for a festival in honour of Elizabeth Coolidge. The world premiere, at Poulenc's request, took place at the Strasbourg Music Festival, performed by renowned flautist Jean-Pierre Rampal, while the American premiere took place in the Coolidge Auditorium at the Library of Congress. This new edition includes an extensive introduction to the piece, a detailing of the different sources that were used, and the inherent difficulty of compiling such an edition as this, all in English, French and German. Furthermore, an in-depth discussion of the problems of authority, as well as a vast number of critical notes is included, giving a true sense of the care and attention that has gone into producing this new edition of Poulenc's Sonata For Flute And Piano. At all points, Schmidt has aimed to reproduce an authoritative and accurate score that is at once playable and a reflection of what Poulenc himself may have intended.What makes this edition of Sonata For Flute And Piano really special is the unique download card that provides exclusive online access to demonstration and accompaniment audio tracks. Professionally-recorded by renowned flautist Michael Cox and pianist Huw Watkins, the demonstration track allows you to hear exactly how the piece as a whole should sound, before the independent Piano-only track lets you take the place of the flautist in your very own performance. This is a unique opportunity for flautists to learn from an authoritative score, and play along to a special backing track, with a work that, since its premiere, has become one of the most frequently-performed and well-loved works in the Flute repertoire.For flautist fans of Francis Poulenc, lovers of Les Six, or just players with a proclivity for stunning music, this edition of Sonata For Flute And Piano has been a long-time coming, and now it's available in this unique edition with accompanying download card. / Flûte Et Piano

Cesar Franck's Sonata for Piano and Violin is one of the most treasured works in the violin repertoire, a masterpiece of cyclic form with a gracefulness and expressive force almost paradigmatic for the age of musical Romanticism. This work was composed in 1886 and was dedicated to the Belgian violinist and composer Eugène Ysaÿe.After Franck's death in 1890 the original publisher of the Sonata, the Parisian house Julien Hamelle, announced an arrangement of the work for flute in 1910. However it has not been possible to locate any copy of this publication. That the flute version of Franck's Sonata has found a permanent place in the chamber music repertoire is primarily the achievement of Jean-Pierre Rampal who frequently performed his own arrangement of the work.There were no idiomatic violin techniques to overcome, and the cantabile solo part, with its broadly arched melodies, seems perfectly natural on a wind instrument. The present flute arrangement largely adopts the original violin part unchanged, merely transposing those passages that go beneath the flute's range. In such cases the change of register begins early enough to avoid disruptions to the melodic line and the musical context. The balance between the solo instrument and the (unaltered) piano accompaniment remains intact. The edition is rounded off by an informative text on the genesis and reception history of the sonata (Ger/Fr/Eng). / Flûte Et Piano

Par MORELLO NICOLA. Wide ranging in scope / Date parution : 2021-11-03/ Répertoire / Flûte Traversière et Piano

For flute with piano accompaniment Édité par Kovács Lóránt Instrument: Flute et piano Genre: Pedagogical performance pieces Pages: 76 pp Date du parution: 1985 Contenu: 1. Vivaldi, Antonio: Largo from The Four Seasons 2. Bach, Johann Sebastian: Vivaldi: Largo from the Concerto in D minor 3. Bach, Johann Sebastian: Badinerie from the Suite in B minor 4. Händel, Georg Friedrich: Largo from Xerxes 5. Mozart, Wolfgang Amadeus: Minuet from the Sonata in C major K 14 6. Paganini, Niccolo: Moto perpetuo 7. Mendelssohn-Bartholdy, Felix: Frühlingslied op. 62 no. 6 8. Bizet, Georges: Minuet from L'Arlesienne 9. Gounod, Charles: Ave Maria 10. Rimsky-Korsakov, Nicolai: The Flight of the Bumble-Bee 11. Schumann, Robert: Träumerei 12. Chopin, Frédéric: Variations on a Theme by Rossini 13. Schubert, Franz: Ave Maria 14. Saint-Saens, Camille: The Swan 15. Massenet, Jules: Tha´s Meditation

Tonalité : E-Dur - Op.: 40 -. Par BREHME HANS. Langue : o Spr/ Répertoire / Flûte Traversière et Piano