Par LANGER MICHAEL. Après la réussite d'une école de guitare de base, donc à partir du point où deux parties à jouer et les premiers arpèges simples ne constituent plus des obstacles à ce livre est un compagnon inspirant le 'immersion' dans la littérature de la guitare. En plus de chefs-d'oeuvre de la Renaissance, baroque, classique et romantique trouver des articles préférés de la guitare populaire littérature par Jürg Kindle, Gerard Montreuil, Horst Grande Nick, Klaus Schindler, Cees Hartog, Jorge Cardoso, Germano Ca vazolli, Maria Linnemann et Fabian payr considération./ Recueil / Guitare

Weihnachtsliedsätze, F. 2 3 4 Git (Singst Blfl Ad Lib). Par PRAETORIUS MICHAEL. 2Git 3Git 4Git (Singst Blfl)/ Répertoire / Guitare

Mittelschwer. Par DIVERS AUTEURS / LANGER MICHAEL (ARR.). / Date parution : 2019-12-12/ Recueil / Guitare Classique

3Git. Par PRAETORIUS MICHAEL / BRADE WILLIAM. M. Praetorius: Fünf Tänze aus 'Terpsichore' (1612) W. Brade: Fünf Tänze aus 'Neue auserlesene liebliche Branden, Intraden, Marscheraden...' (1617) / Niveau : Facile / Répertoire / Guitare

Travaillez des plans guitare dans le style de Jeff Beck. Michael Casswel vous donne un cours particulier (en anglais). / Guitare

The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee?s (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: ?In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.? Over the last couple of years I moved back to Jelly Roll Morton?s city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman?s reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means ?conversation with the gods? in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao?s (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950?s following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo?s ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece?s characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles? Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don?t Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach?s Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare?s Twelfth Night, and played incidental music for their production of Bertold Brecht?s The Good Woman of Sichuan. He has performed Carulli?s Guitar Concerto in A, Leonard Bernstein?s West Side Story and Marvin Hamlish?s A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony?s co-production of George Gershwin?s Opera Porgy and Bess.

Book With Online Audio and Video-Co-authored by William Bay and Michael Christiansen Mastering The Guitar is an innovative exciting new way to learn the Guitar. This extremely comprehensive method applies theinternationally acclaimed Mel Bay teaching concept to the vast array of musical styles and techniques found in today's music. Written in notation and tablature it covers Guitar solo and accompaniment styles ranging from Celtic toClassic to Cajun; from Flamenco to fiddle tunes to rock; from Baroque to blues to bluegrass; and from Latin to jazz to Reggae. A special feature of this method is that it teaches both flatpicking and fingerstyle solo andaccompaniment techniques.The two books in level 1 present essential foundational studies for contemporary Guitar performance. Book 1A covers the keys of C Am G and Em in great depth presenting over 155 solos andduets and more than 140 scale and picking studies chord etudes and accompaniment pieces. Book 1B covers the keys of D A E F Dm and Bf. In addition Book 1B has over 130 solos and duets and over 40 comprehensive scale andpicking studies. Numerous chord progression studies and chord accompaniment pieces and etudes are also included.A Technique Studies book is available which will bring an added level of flatpicking and fingerpickingexcellence to each key presented in Book 1A and Book 1B. The advanced levels of this method introduce a creative and unique approach to learning and mastering the higher positions on the Guitar fingerboard. Mastering The Guitar 1A comes with audio examples and videos to download online.

Bruce Buckingham is a professional musician and teacher. He plays guitar in many styles but his specialities are jazz Latin Blues and Funk. He is one of the seasoned teachers at Musicians Institute joining the staff in 1980 teaching literally thousands of students from around the world to paly guitar at M.I. He has played and/or recorded with musicians as diverse as Helen Reddy to John Patitucci and ahs been involved in Michael Jackson's production of Sisterella. Currently he is working on his own recording project as well as more instructional books and videos for guitar. 50 Licks Jazz Style DVD Package Bruce demonstrates the essential licksfor the chords and progressions common to jazz II-V-I licks turnaround licks choromatic bebop lines licks for altered chords and major and minor vamps and much more. Bruce also illustrates the licks in several styles: swing bossa nova samba swing 16ths funky fusion and bluesy suffles. Each lick is played in context then demonstrated slowly with a full explanation on their proper applications. This DVD presents an insightful look at jazz guitar. It is truly a unique opportunitiy to learn from one of today's finest guitar instructors.