The Original First and Second Books Including Dowland’s Original Lute Tablature. THE FIRST BOOK OF SONGS I. Unquiet thoughts II. Who ever thinks or hopes of love III. My thoughts are wing'd with hopes IV. If my complaints could passions move V. Can she excuse my wrongs? VI. Now, O now, I needs must part VII. Dear, if you change VIII. Burst forth, my tears IX. Go crystal tears X. Think'st thou then by thy feigning XI. Come away, come sweet love XII. Rest awhile you cruel cares XIII. Sleep, wayward thoughts XIV. All ye, whom Love or Fortune XIVa. All ye, whom Love or Fortune XV. Wilt thou, unkind, thus reave me XVI. Would my conceit XVII. Come again XVIII. His golden locks XIX. Awake, sweet love, thou art return'd XX. Come, heavy Sleep XXI. Away with these self-loving lads ------ My Lord Chamberlain his Galliard (For two to play...) THE SECOND BOOK OF SONGS I. I saw my Lady weep II. Flow my tears III. Sorrow, stay IV. Die not before thy day V. Mourn, day is with darkness fled VI. Time's eldest son, Old Age (The first part) VII. Then sit thee down (The second part) VIII. When others sing Venite (The third part) IX. Praise blindness eyes X. O sweet woods XI. If floods of tears XII. Fine knacks for ladies XIII. Now cease my wand'ring eyes XIV. Come ye heavy states of night XV. White as lilies was her face XVI. Woeful heart XVII. A shepherd in a shade XVIII. Faction that ever dwells XIX. Shall I sue XX. Toss not my soul XXI. Clear or cloudy XXIa. Clear or cloudy XXII. Humour say what mak'st thou here (a Dialogue)

for two Flutes without Bass. Par TELEMANN GEORG PHILIPP. Though recovered as part of the long lost Sing-Akademie Berlin archives in 1999, these sonatas were first examined in 2002. Knowledge of their existence, or at least their presumed existence, is due to their partial use by Johann Joachim Quantz in his solfeggi for the Flute. The sonatas, possibly composed sometime after 1730, are presented in a performing score format. As with Telemann ’s other Flute music, the Nine Sonatas are equally suited for performance and teaching. The expressive melodic qualities of these sonatas combined with their modest technical requirements will make these sonatas classics in both lessons and the concerthall. - First Edition. - Performing score with facsimiles. - A must-have edition from a master composer of Flute music./ Répertoire / 2 Flûtes Traversières sans Basse

Flute. Look, Listen & Learn has set the standard for contemporary brass and woodwind teaching. These exciting method book/CD packs for beginners engage students and develop their understanding of music and their instrument through songs, puzzles, games and lots of fun pieces to play. Three progressive method books form the basis of the series, enhanced by several corresponding supplementary volumes. Some of the most beautiful melodies from the world of music theatre over the last several decades are collected together in Play Musicals. They have been arranged in increasing order of difficulty in such a way that they can be used in conjunction with all three volumes of Look, Listen & Learn. Students can also play along to the provided accompaniment tracks which are available to download or stream. Look, Listen & Learn has set the standard for contemporary brass and woodwind teaching. These exciting method book/online audio packs for beginners engage students and develop their understanding of music and their instrument through songs, puzzles, games and lots of fun pieces to play. Three progressive method books form the basis of the series, enhanced by several corresponding supplementary volumes. Some of the most beautiful melodies from the world of music theatre over the last several decades are collected together in Play Musicals. They have been arranged in increasing order of difficulty in such a way that they can be used in conjunction with all three volumes ofLook, Listen & Learn. Students can also play along to the provided accompaniment tracks which are available to download or stream. / Niveau : Facile / TV, Film, Comédie musicale / Date parution : 1905-07-10/ Recueil / Flûte Traversière

Par TAFFANEL PAUL / GAUBERT. From two of the most prolific flautists of all time, Claude-Paul Taffanel and Philippe Gaubert 's Methode Complète de Flûte provides an essential and well-informed aid to Flute studies. With notes in French, English, German and Spanish, this volume is highly accessible and versatile. The first volume of Methode Complète de Flûte addresses a huge number of musical elements, including tone, articulation, syncopation, key signatures, scales, breath control, ornaments and tonguing, among many other aspects. Having been outstanding performers on the Flute, as well as providingsignificant contributions to teaching of the instrument, the pair saw the need for their detailed Methode Complète de Flûte, compiling it with their combined, invaluable expertise. Considering that two great names are associated, and that the compilation is packed full of technical exercises, this study book makes for an irresistable purchase for aspiring flautists. / Niveau : Débutant / Pédagogie / Méthode / Flûte Traversière

Having studied under Jean Pierre Rampal and Tony Aubin at the Conservatoire National de Paris, flautist Guy-Claude Luypaerts now divides his time between his work as a soloist, teacher and orchestral conductor, without neglecting his com­positional activity. Luypaerts has remained true to his childhood land: for this resident of the seaside village of Panne in western Flanders, the North Sea coastline is a continual source of inspiration. This beloved landscape, where sea, sky and dune embrace, was the setting for the composition of the Partita for Flute in August 2014. The title can be seen as a tribute to two essential works in the solo Flute repertoire: Bach's Partita in A Minor, BWV 1013 and the Sonata in A Minor Wq 179 by his son Carl Philipp Emanuel. Dedicated to flautist Maxence Larrieu, who included it in the programme of his International Competition (2015), the Partita contains three movements. The energetic determination of Patience contrasts with the dreamy exhalations of Volutes, before the Chimères are unleashed upon an angry sea. / Flûte Traversière

The Bluesier Side of Jazz by Andrew D. Gordon was inspired by the Piano students he teaches at Shepherd University School of Music in Los Angeles and is dedicated to those students: Jungwon, Yumiko, Yoko, Eunice, Sooji, Hae Ji and Ok Kyu. As with many students that come from a classical background (including himself) it is a difficult transition to learn to play Blues & Jazz. When a musician improvises they usually play a variety of riffs or phrases that they have developed and learnt over a period of time and can access these phrases instantaneously whatever key they are playing in to create a seamless improvised solo from the phrases they havelearnt. Andrew's idea for this book is to create phrases or riffs over two measures of various Blues progressions. He sub-divided each of the 12 Bar Blues progressions used in this book (the chord progression for Watermelon Man is a 16 measure progression) into six sections (two measures each) and within each of the six sections created four different phrases or riffs so that the student has a choice of four different phrases to play over every two measures. They can then create a solo based on which phrase they choose for each two measures. By breaking down these phrases to two measures each, he has found that the students have an easier time of learning to improvise than by trying to transcribe a whole solo from an audio recording or leaving them to their own devices in trying to play a solo based on the Blues scale or other related scales. Each of the ten examples are based on common Jazz/Blues chord progressions from Jazz songs such as 'Watermelon Man', 'Blue Monk', 'Tenor Madness', 'Route 66', 'Blue Trane', 'Bag's Groove' starting off with basic I-IV-V chords and increasing in complexity throughout the book. There are over 200 phrases/riffs to choose from that can be learned and applied to many types of jazz songs./ Recueil / Flûte Traversière

Carl Fischer Progressive Duets Volume 2 - Flute is part of a comprehensive publication comprising two volumes of graded duets for Flute. Playing duets is an excellent way for the student to build ensemble skills with a colleague or teacher. / Flûte

Les 99 mélodies dans ce volume ont été soigneusement choisis selon deux critères. Premièrement, ils sont bons airs durable qui sont amusantes à jouer et présenter le musicien de développement avec du matériel digne de l'exploration plus loin. Deuxièmement, ils offrent la pratique à tous niveaux dans la production de ton, la technique des doigts, articulation, élocution et sa musicalité en général. / Flûte Traversière / 44 pages / niveau : Elementaire / Partition