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Music Theory For Dummies - 3Rd Edition
Music Theory
[Book]
Wiley Publishing, Inc
Music Theory For Dummies makes music theory easy to understand, with a friendly,...
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Music Theory For Dummies makes music theory easy to understand, with a friendly, unintimidating overview of everything you need to know to become fluent at knocking out beats, reading musical scores, and learning to anticipate where a song should go-whether you're reading someone else's music or writing your own. Whether you're a music student or a music lover, you'll learn to read, write, and understand music with this informative guide. With expert instruction, you'll put it all together as you compose, arrange, and create original melodies, harmonies, and chords of your own, with helpful tips for performing your pieces in front of an audience. This new third edition presents the most current teaching techniques, the newest music genres and examples, and updated information on all aspects of understanding, creating, and performing music.Studies have shown that music training improves children's' verbal and spatial abilities, and it's been associated with cognitive and mathematical benefits in adults. The music job market is expected to increase over the coming years, and music theory is becoming an increasingly common part of education at all levels. Music Theory For Dummies provides the instruction you need to get more out of music than you ever thought possible.Master major and minor scales, intervals, pitches, and clefs.Understand basic notation, time signals, tempo, dynamics, and navigation.Employ melodies, chords, progressions, and phrases to form music.Compose harmonies and accompanying melodies for voice and instruments. / Formation Musicale
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Alistair Wightman: Alistair Wightman: Writing About Music Workbook: Theory
Music Theory
Rhinegold Publishing Ltd.
Exam boards: Edexcel AQA OCR WJECThis workbook will develop students' skills ...
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Exam boards: Edexcel AQA OCR WJECThis workbook will develop students' skills in writing about music for AS A2 and undergraduate level.Exercises appear at every stage to challenge and provide examination practice for students. These range from naming musical features and spotting grammatical errors to devising essay plans and analysing sample answers.Beginning with fundamental writing requirements this workbook moves on to address how to describe the features of a musical work as well as how to make comparisons and contrasts between specified pieces.There is advice on how to approach research what to retain and reject and how to structure anessay.Detailed analytical and dissertation-style essays are addressed as well as writing programme notes.Writing About Music Workbook promotes the development of skills which will be of use in many areas of academic life: collecting information selecting relevant material presenting arguments for and against particular propositions and expressing ideas effectively and correctly in English.'Wightman has achieved just the right tone with very clear explanations... I would feel confident giving it to pupils to read in their own time as it???s very easy for them to work from it making it a useful resource to reinforce the comments I write on their essays... I think it's probably one of the most genuinely useful books of its type.'Russell MillardHead of Academic Music Charterhouse
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Paul Terry: AS Music Literacy Workbook: Theory
Music Theory
Rhinegold Publishing Ltd.
Exam boards: Edexcel AQA OCR WJEC The AS Music Literacy Workbook will develop...
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Exam boards: Edexcel AQA OCR WJEC The AS Music Literacy Workbook will develop students??? notational skills to the level necessary to succeed in the exam.This workbook explains the notation of a wide variety of instrumental techniques and includes a whole chapter devoted to score reading.Students will be able to read and understand any classical jazz pop or guitar scores they might come across during their AS studies and beyond.The workbook emphasises learning by doing. It includes numerous scorereading exercises based on jazz and classical music which encourage students to cross-reference their knowledge. The workbook builds towards aseries of exercises and model answers allowing students to check their work.This workbook is tailor made for anyone wanting to develop a grounding in music theory to AS level but is also a refreshing new resource for candidates preparing for higher grade exams in music theory BTEC National and Scottish Higher Grade Music.Rebecca Berkley is a freelance writer and musician and is a music education consultant. She has taught percussion to students of all ages both as a private teacher and as a workshop leader and published percussion music. She is also a choral conductor running several choirs and directing music festivals with her husband. After starting her career as a music teacher in secondary schools she became a lecturer in music education at the University of Southampton and the Institute of Education University of London. Her PhD thesis focused on how GCSE students learn to compose and how best to teach them. She is the co-author of Rhinegold???s Edexcel GCSE Music Listening Tests (Book 3) and contributes as a freelance writer to Classroom Music Magazine.
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Goyone, Daniel : Rythmes - Le rythme dans son essence et ses applications
Français
Music Theory
[Book]
Outre Mesure
Cet ouvrage propose au lecteur d?acquérir une conception claire de tou...
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Cet ouvrage propose au lecteur d?acquérir une conception claire de tout ce qui fait le rythme, de fortifier sa sûreté rythmique et d?exercer le geste jusqu?à ce qu?il devienne parfaitement naturel, souple, vivant. La 1re partie s?explore sans instrument : on mobilise progressivement mains, pieds et voix afin de développer les idées, l?écoute, l?imagination.
? Construire un rythme régulier (pulsation, temps, mesure, décompositions binaires et ternaires). ? Lire et réaliser des rythmes (répartition entre mains, pieds, voix et métronome, latéralisation gauche / droite, indépendance).
? Expérimenter des formules rythmiques reliées à des styles musicaux (jazz, rock, musiques latino-américaines, africaines, indiennes, etc.).
? Relier le rythme à la mélodie et l?harmonie.
? Construire des rythmes complexes (superpositions, rythmes impairs).
Dans la 2e partie sont abordées les particularités de certains instruments (claviers, guitare, contrebasse, basse électrique, instruments à anche et embouchure). Il s?agit d?ajuster la sensation intérieure du rythme avec le geste instrumental : réalisation technique de rythmes, coordination, fonction rythmique des instruments, etc.
En isolant le rythme des autres domaines de la musique, cet ouvrage développe un terrain de jeu trop souvent abandonné aux spécialistes ? batteurs et percussionnistes. Il s?adresse à tous les musiciens, visant à dissiper le flou qui entoure fréquemment le jeu rythmique. Il se propose de fournir des méthodes de travail qui donnent envie d?approfondir.
Exercices et exemples proviennent de nombreux contextes rythmiques : jazz et ses dérivés, rock, musiques latino-américaines, africaines, indiennes, etc. Voyageant entre l?universel et le particulier, décloisonnant styles et instruments, cet ouvrage aidera chaque musicien à élargir son horizon en découvrant les richesses du monde du rythme. / Livre / Agrafé /
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Marco Santi Vittoria Frattolillo: Lezioni Di Teoria Musicale Vol 2: Instrumental
Italiano
Music Theory
Carisch
Il metodo Lezioni di teoria musicale percezione e lettura intonata è articolat...
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Il metodo Lezioni di teoria musicale percezione e lettura intonata è articolatoin due parti ciascuna articolata in venti unità didattiche. In ogni unità viene approfondito uno specifico aspetto teorico e vengono proposti esercizi percettivi e di esecuzione intonata la cui successione obbedisce ad un principio di gradualità che persegue l?acquisizione di una adeguata consapevolezza dei meccanismi che sorreggono la costruzione melodica tonale.Il percorso didattico complessivo ? di cui è parte integrante il metodo multimediale100 dettati melodici degli stessi autori ? si costituisce quale premessaper i successivi studi di armonia e per le più complesse attività percettive afferenti alla disciplina che nel curriculum degli studi accademici è denominata ear training.Il percorso formativo proposto nella parte prima delle Lezioni approfondisce le principali problematiche metriche e ritmiche le strutture intervallari le tonalità maggiori e minori le scale e le rispettive triadi la natura fisica del suono e i modelli testurali elementari.Nella parte seconda vengono approfonditi argomenti relativi al trasporto alla modulazione al rapporto fra melodia e armonia agli abbellimenti allaforma musicale e ai principali sistemi extra-tonali. Vengono inoltre proposti con sistematicità esercizi esecutivi e percettivi (ritmici melodici e armonici) in parte da svolgere in classe in parte da realizzare individualmente utilizzando il supporto multimediale allegato a ciascun volume.Il supporto multimediale allegato alla parte prima è un CD-ROM; quello allegato alla parte seconda è invece un DVD-ROM. Ambedue sono compatibili con i sistemi operativi Windows e Mac e utilizzano il plugin Flash player (scaricabile gratuitamente dalla rete se non già presente sul computer). Realizzazione audio e informatica di Pietro Zanella
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Mike Sheppard: How To Read Music: Theory
Music Theory
[Book]
Amsco Wise Publications
If you want to learn how to read and write music this is the book you have been...
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If you want to learn how to read and write music this is the book you have been waiting for! Written in plain English and using a minimum of jargon it’s supplemented by audio material and other extras all available athybridpublications.com This means that you get lots of examples of how things should sound plus many online bonuses all clearly flagged on the relevant page in the book. Regular worksheets at the chapter ends make sureyou have understood the key points before moving on and again auxiliary material is available online. Learning to read and write music is not some abstract theory it is a practical skill that can be learnt. For the firsttime there is a book plus a website dedicated to teaching you how! If you’ve failed before it’s probably because you never had a unique product like How to Read Music!
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Bellegarde, Christian : Au fil de l'écriture - 2ème Recueil - Réalisations
Français
Music Theory
[Sheet music]
Billaudot
Ces textes d?harmonie, réunis en trois recueils, proposent tout un parcours all...
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Ces textes d?harmonie, réunis en trois recueils, proposent tout un parcours allant des accords de 3 sons aux textes dans le style d?auteurs. Ils sont destinés aux jeunes musiciens, qu?ils soient instrumentistes, analystes, chefs d?orchestre ou futurs compositeurs.
La diversité des formations - quatuor vocal, quatuor à cordes, piano et instrument et piano - répond bien entendu à des nécessités musicales.
À l?intérieur d?un même chapitre, les textes ne sont pas classés par ordre de difficultés ; de même, certains passages d?un texte peuvent être donnés en cours, et les thèmes Chopin, Bartók et incises Mozart, dont le but initial est l?élaboration d?une composition, (pièces pour piano, motet, etc.) peuvent aussi être traités comme exercices harmoniques ou thèmes et variations. Il revient donc au professeur de décider de leurs utilisations. / Partition /
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Samantha Coates: How To Blitz! ABRSM Theory Grade 2 (2018 Revised): Theory
Music Theory
Chester
This book gives you everything you?ll need to Blitz! the ABRSM Grade 2 Theory ex...
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This book gives you everything you?ll need to Blitz! the ABRSM Grade 2 Theory exam. It contains:? Everything you need to know (and nothing you don?t) for the 2018 syllabus.? More information revision exercises and worksheets than any other Grade 2 theory textbook.? Clear and easy introductions to new concepts.? Quizzes games multiple choice word searches and more!
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Music Theory For Young Musicians - Grade 1: Theory
Music Theory
Alfred Publishing
This second edition of Music Theory For Young Musicians brings the practice exer...
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This second edition of Music Theory For Young Musicians brings the practice exercises and examples in the text up to date with the latest ABRSM exam requirements. It also includes many clarifications that update the presentation of the ideas and concepts in the book and thus improve its logical flow: It adds a specimen test in the exam format and provides a set of revision notes on the key areas. All exercises and examples have been revised and many new exercise drills have been added. Concept explanations have been simplified for greater ease of understanding. The book's layout has been made clearer by putting themain text against a white background. Additionally a background colour has been given to each information note to make it more visually inviting.
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Théodore Dubois: Traité D'Harmonie Théorique et Pratique: Theory
Français
Music Theory
[Sheet music]
Leduc, Alphonse
At just 34 years of age Théodore Dubois became a professor of harmony at the P...
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At just 34 years of age Théodore Dubois became a professor of harmony at the Paris Conservatoire. Whilst much of his compositional works have disappeared from primary classical repertoire his teaching has had a lasting influence. Having taught successful composers including Paul Dukas it is clear that Dubois' Traité D'Harmonie is well-informed. This music theory study guide covers a considerable range of theoretical aspects from the varying musical clefs to the use of pedal notes as well many other harmonic devices with expertise. In the preface Dubois explains the need for his book stating that it fills gaps in harmonic theory exercises which preceding guides had missed. With no harmonic elements left out this Théodore Dubois theory guide is necessary to accompany all music studies.
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Shelly Berg: Alfred's Essentials of Jazz Theory Book 2: Instrumental Tutor
Music Theory
Alfred Publishing
Alfred's Essentials Of Jazz Theory is made up of three books with each book con...
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Alfred's Essentials Of Jazz Theory is made up of three books with each book containing six units. Each unit contains: Instructional material Ear training exercises Review page. Each book comes complete with a CD allowing students to hear the musical elements discusses and offering students the opportunity to test their listening skills. Welcome to Jazz! An exhilarating journey to musical freedom!
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Samantha Coates: How To Blitz! Beginner Theory: Theory
Music Theory
Chester
Enjoy learning music theory from the very beginning. How To Blitz! Beginner Theo...
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Enjoy learning music theory from the very beginning. How To Blitz! Beginner Theory is the perfect introduction to theory for budding musicians of all ages. This book provides an easy-to-follow enjoyableguide to what is a dreaded topic for many students. How To Blitz! Beginner Theory is filled with simple exercises allowing you to actively participate in the learning process. There are also plenty of great gamesto make theory fun! This book contains all of the information you'll need to master the basics of theory covering topics such as semibreves minims and crotchets middle c lines and spaces rests treble and bass clefsand much more. How To Blitz! Beginner Theory works in conjunction with the blitzbooks.com website where you can download all sorts of free resources to help you with your study including games manuscript test papers and materials to help with practical exam preparation. Written by renowned educator and author Samantha Coates the BlitzBooks series has brought fun and laughter to the areas of musictheory instrumental technique and sight reading. Coates' engaging approach to theory and sight reading has already made BlitzBooks the most popular range of theory and sight reading books in Australia and they are nowfinally available in the UK.
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Theory Of Music Workbook Grade 2: Theory: Theory Workbook
Music Theory
Trinity College London
Theory teaching material-Theory of Music Workbook for Trinity College London wri...
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Theory teaching material-Theory of Music Workbook for Trinity College London written examinations containing all requirements for examinations from 2007 for Grade 2. Includes: Information for teachers; Hints for candidates; Tips on learning to write music accurately
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La Théorie musicale des jeunes Nouvelle Edition (Surloppe, Marguerite / Simonin-Fessard, Christine)=
Français
Music Theory
[Sheet music]
-
Beginner
Eschig
Revue et augmentée par Christine Simonin-Fessard / La Théorie musicale des jeu...
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Revue et augmentée par Christine Simonin-Fessard / La Théorie musicale des jeunes de Marguerite Surloppe a comme objectif pédagogique primordial de mettre à la disposition des débutants, dans un exposé simple et clair, l'ensemble des outils théoriques fondamentaux, nécessaires à l'apprentissage et à la pratique de la musique. Sont ainsi introduites les notions liées à l'écriture (signes musicaux, clés, notes), à la mesure et au rythme (indications métriques, durées, mouvement), aux hauteurs (gammes et modes, tonalités, altérations, intervalles), à l'harmonie (accords, arpèges, modulations, cadences), aux nuances, à l'accentuation...
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DUHA ISABELLE - LE LANGAGE MUSICAL EN LIBERTE - TEXTES
Français
Music Theory
Billaudot
Le langage musical en liberté est destiné aux pianistes, clavecinistes, organi...
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Le langage musical en liberté est destiné aux pianistes, clavecinistes, organistes mais aussi aux autres instrumentistes ayant des notions pianistiques.
Son ambition particulière est d'af?ner leur qualité d'écoute en proposant une méthode d'apprentissage au clavier des techniques de composition (harmonie, contrepoint).
Cet apprentissage suscitera une compréhension plus approfondie du répertoire de différentes époques, en favorisera une lecture plus rapide et donnera une aisance supplémentaire au jeu instrumental.
L'acquisition de ré?exes digitaux puis auditifs les incitera à improviser, à composer en développant leur mémoire et leur imagination.
Elle les aidera à comprendre ce que leur instinct leur inspire.
Cet ouvrage est présenté en trois niveaux de difficulté.
Afin de rendre l?apprentissage encore plus vivant et efficace, la méthode est accompagnée de l?enregistrement de toutes les pièces (basses contrapuntiques, mélodies accompagnées), doublé d'une version mélodies seules . Grâce à ces versions sans accompagnement, l?étudiant pourra s?entraîner afin de réaliser au clavier à partir d?un support audio de grande qualité.
127 fichiers audio sont accessibles depuis le site internet de l?Éditeur, ainsi que toutes les paroles originales des mélodies du répertoire et leur traduction française. / Méthodes et pédagogie / Formation musicale / Théorie - harmonie / BILLAUDOT
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DUHA ISABELLE - LE LANGAGE MUSICAL EN LIBERTE -PACK TEXTES and REALISATIONS
Français
Music Theory
Billaudot
Le langage musical en liberté est destiné aux pianistes, clavecinistes, organi...
(+)
Le langage musical en liberté est destiné aux pianistes, clavecinistes, organistes mais aussi aux autres instrumentistes ayant des notions pianistiques.
Son ambition particulière est d'af?ner leur qualité d'écoute en proposant une méthode d'apprentissage au clavier des techniques de composition (harmonie, contrepoint).
Cet apprentissage suscitera une compréhension plus approfondie du répertoire de différentes époques, en favorisera une lecture plus rapide et donnera une aisance supplémentaire au jeu instrumental.
L'acquisition de ré?exes digitaux puis auditifs les incitera à improviser, à composer en développant leur mémoire et leur imagination.
Elle les aidera à comprendre ce que leur instinct leur inspire.
Cet ouvrage est présenté en trois niveaux de difficulté.
Afin de rendre l?apprentissage encore plus vivant et efficace, la méthode est accompagnée de l?enregistrement de toutes les pièces (basses contrapuntiques, mélodies accompagnées), doublé d'une version mélodies seules . Grâce à ces versions sans accompagnement, l?étudiant pourra s?entraîner afin de réaliser au clavier à partir d?un support audio de grande qualité.
127 fichiers audio sont accessibles depuis le site internet de l?Éditeur, ainsi que toutes les paroles originales des mélodies du répertoire et leur traduction française. / Méthodes et pédagogie / Formation musicale / Théorie - harmonie / BILLAUDOT
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DUHA ISABELLE - LE LANGAGE MUSICAL EN LIBERTE - REALISATIONS
Français
Music Theory
Billaudot
Le langage musical en liberté est destiné aux pianistes, clavecinistes, organi...
(+)
Le langage musical en liberté est destiné aux pianistes, clavecinistes, organistes mais aussi aux autres instrumentistes ayant des notions pianistiques.
Son ambition particulière est d'af?ner leur qualité d'écoute en proposant une méthode d'apprentissage au clavier des techniques de composition (harmonie, contrepoint).
Cet apprentissage suscitera une compréhension plus approfondie du répertoire de différentes époques, en favorisera une lecture plus rapide et donnera une aisance supplémentaire au jeu instrumental.
L'acquisition de ré?exes digitaux puis auditifs les incitera à improviser, à composer en développant leur mémoire et leur imagination.
Elle les aidera à comprendre ce que leur instinct leur inspire.
Cet ouvrage est présenté en trois niveaux de difficulté.
Afin de rendre l?apprentissage encore plus vivant et efficace, la méthode est accompagnée de l?enregistrement de toutes les pièces (basses contrapuntiques, mélodies accompagnées), doublé d'une version mélodies seules . Grâce à ces versions sans accompagnement, l?étudiant pourra s?entraîner afin de réaliser au clavier à partir d?un support audio de grande qualité.
127 fichiers audio sont accessibles depuis le site internet de l?Éditeur, ainsi que toutes les paroles originales des mélodies du répertoire et leur traduction française. / Méthodes et pédagogie / Formation musicale / Théorie - harmonie / BILLAUDOT
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Josephine Koh: Practice In Music Theory - Grade 6: Theory: Theory Workbook
Music Theory
Wells Music Publishers
Revised 4th Edition With Answers-This revised 4th edition of Practice in Music T...
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Revised 4th Edition With Answers-This revised 4th edition of Practice in Music Theory Grade 6 comes complete with detachable Model Answers! The success of its previous editions for the past two decades has prompted the need for more definitive solutions. Based on the ABRSM theory examination syllabus it is the first of three comprehensive coursebooks leading to Grade 8 and beyond. Students are guided to achieve a high theoretical standard with competent knowledge in harmony counterpoint melodic writing and score analysis. The J Koh?s instructional approach is academic and systematic; yet musically conceived with graphical layouts and selective examples. There are 2 parts to thiscoursebook. Part I ? Harmony The principles of harmony are introduced here: 4-part writing 2-part counterpoint concepts of traditional chord progression use of inversions principles of voice-leading and the use of non-harmony notes. Harmonic guidelines and rules are clearly explained with relevant examples. Exercises are progressively structured to ensure a strong grasp of the theoretical concepts. Part II ? Melodic Composition and Analysis Meloic composition is taught through an analytical approach. The concepts of phrasing use of motifs modulations and melodic contour are illustrated with authentic extracts. By taking students through the works of the great masters their technical skills are sharpened enhanced with useful tools for the creative compositional process. Skills in score analysis involve the acquisition of sound musical knowledge - the study of forms genres history of western music that spans 4 centuries along with the composers? works and styles. Appendices II and III provide guidance for basic research needed at this level. The essential and highly recommended reference texts are: Musical Forms and Terms and Understanding Orchestration The Orchestra and Its Instruments.
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Fonctions Structurelles De L'Harmonie
Français
Music Theory
Delatour France
' Ce livre contient plus de pages d'exemples musicaux - environ 90 - que de page...
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' Ce livre contient plus de pages d'exemples musicaux - environ 90 - que de pages de texte - approximativement 85. Je considère cela comme un de ses avantages. Son objectif est de donner des conseils aussi courts que possible tout en les illustrant abondamment. Je le considère comme un supplément à mon HARMONIELEHRE (TRAITE D'HARMONIE) qui sera bientôt publié [en anglais]. Le chapitre II, toutefois, résume brièvement les Principes de l'Harmonie, ce qui sera utile aux étudiants s'ils ont été instruits par d'autres voies.Ce livre contient de nombreuses nouvelles méthodes théoriques et pédagogiques que j'ai développées moi-même durant 50 années d'enseignement. Je tiens particulièrement à attirer votre attention sur l'Evaluation des Régions (chapitre IX) tant son efficacité est importante pour l'analyse (chapitre X, etc.). Je souhaite évoquer également les conseils théoriques et pratiques concernant le traitement des progressions harmoniques (chapitre XI), un des points les plus importants de la construction formelle. Enfin, ce livre donne des descriptions et des définitions de nombreuses formes qui n'ont pas encore été traitées. 'Arnold Schoenberg, 1948 ' Nos critiques et théoriciens d'aujourd'hui [?] ont rempli les revues, les journaux et même des volumes de commentaires brillants, profonds [?]. Quelques semaines après leur parution il n'en reste généralement pas grand-chose [?]. Mais, il y a trente-six ans que le Traité d'harmonie fut écrit et, aujourd'hui encore, il sert. Il en ira encore ainsi pendant pas mal de temps et il en ira de même pour les Fonctions structurelles de l'harmonie. Je conseille la lecture de ce livre à ceux qui veulent vraiment apprendre quelque chose. 'René Leibowitz, 1947 / Livre
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Dericq, Lilian / Guéreau, Étienne : En harmonie - Fondements de l?harmonie tonale et modale dans le jazz - Tome 1
Français
Music Theory
[Book]
Outre Mesure
Une méthode claire, progressive, dynamique qui vous propose de découv...
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Une méthode claire, progressive, dynamique qui vous propose de découvrir les fondements de l?harmonie tonale dans le jazz.
L?ouvrage s?adresse à tous les instrumentistes qui désirent comprendre la façon dont sont construits les standards et pour qui les termes intervalle, cadence, tonalité, dominante secondaire ou substitution sont encore imprécis. Il se présente comme une véritable méthode progressive où chaque notion abordée est accompagnée d?exemples et d?une série d?exercices (avec leurs corrigés).
Cette approche d?un genre nouveau doit permettre au lecteur de :
? s?épanouir sans informations inutiles ;
? comprendre et s?approprier un thème par le biais de son analyse (cadences, emprunts, modulations, substitutions?) afin d?en changer pertinemment la structure et, éventuellement, d?en proposer une version personnelle ;
? se préparer à l?étude de notions plus complexes (que l?on trouvera dans le Tome 2).
Les accords et leurs enchaînements ont une histoire, ils obéissent à certaines « règles » que tout musicien de jazz (autodidacte ou instrumentiste chevronné) se doit de connaître afin de libérer sa créativité.
Ce sont ces principes que nous vous proposons de découvrir avec En Harmonie. / Livre / Agrafé /
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En Harmonie Fondements De L'Harmonie Tome 1
Français
Music Theory
Outre Mesure
Une méthode claire, progressive, dynamique qui vous propose de découvrir les f...
(+)
Une méthode claire, progressive, dynamique qui vous propose de découvrir les fondements de l'harmonie tonale dans le jazz L'ouvrage s'adresse à tous les instrumentistes qui désirent comprendre la façon dont sont construits les standards et pour qui les termes intervalle, cadence, tonalité, dominante secondaire ou substitution sont encore imprécis. Il se présente comme une véritable méthode progressive où chaque notion abordée est accompagnée d'exemples et d'une série d'exercices (avec leurs corrigés). Cette approche d'un genre nouveau doit permettre au lecteur de?: - s'épanouir sans informations inutiles? - - comprendre et s'approprier un thème par le biais de son analyse (cadences, emprunts, modulations, substitutions?) afin d'en changer pertinemment la structure et, éventuellement, d'en proposer une version personnelle? - - se préparer à l'étude de notions plus complexes (que l'on trouvera dans le Tome 2). Les accords et leurs enchaînements ont une histoire, ils obéissent à certaines ' règles ' que tout musicien de jazz (autodidacte ou instrumentiste chevronné) se doit de connaître afin de libérer sa créativité. Ce sont ces principes que nous vous proposons de découvrir avec En Harmonie. ' Grâce à cette méthode, le précieux legs de Bill Evans et de Bernard Maury est désormais accessible à tous. ' Enrico Pieranunzi / Orchestre D'Harmonie
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Andrew Surmani Karen Farnum Surmani: Ear Training CDs 1 & 2 Combined: Theory
Music Theory
Alfred Publishing
Alfred's Essentials of Music Theory-Ear-training is of equal importance as sight...
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Alfred's Essentials of Music Theory-Ear-training is of equal importance as sight-reading and in order to learn music students must hear examples of the topics they are learning. Alfred???s Essentials of Music Theory CDs 1 and 2 contain all the samples for the Ear Training exercises and studies in the Essentials Of Music Theory Textbooks. These CDs will enhance the learning process making it more practical more fun and more effective and students will be able to hear the unique differences whilst following on the page.
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Paul Harris: Improve your theory! Grade 1: Theory
Music Theory
[Sheet music + CD]
-
Easy
Faber Music Limited
Improve Your Theory! Grades 1 5 are the latest additions to the bestselling â...
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Improve Your Theory! Grades 1 5 are the latest additions to the bestselling ‘Improve your …’ series by Paul Harris.This theory workbook takes students through every aspect of music theory covered in the grade 1 ABRSM examination. Firmly rooted in Paul Harris’ Simultaneous Learning approach it will transform how music theory is taught and learnt improving every aspect of musicianship along the way. Never before has theory been so fun or seemed so natural.This book contains:Handy fact files that cover different areas of music theory.Practice questions to help students prepare for examinations.Fun gamesand quizzes to engage students and offer new and interesting ways to tackle difficult concepts.Questions that connect theory directly with pupils’ own pieces allowing them to discover the links between music in theory and music in practice.Opportunities for composing improvising aural and listening activities all carefully devised to consolidate musical understanding.
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Paul Harris: Improve your theory! Grade 2: Theory
Music Theory
[Sheet music + CD]
-
Easy
Faber Music Limited
Improve Your Theory! Grades 1 5 are the latest additions to the bestselling â...
(+)
Improve Your Theory! Grades 1 5 are the latest additions to the bestselling ‘Improve your …’ series by Paul Harris.This theory workbook takes students through every aspect of music theory covered in the grade 2 ABRSM examination. Firmly rooted in Paul Harris’ Simultaneous Learning approach it will transform how music theory is taught and learnt improving every aspect of musicianship along the way. Never before has theory been so fun or seemed so natural.This book contains:Handy fact files that cover different areas of music theory.Practice questions to help students prepare for examinations.Fun gamesand quizzes to engage students and offer new and interesting ways to tackle difficult concepts.Questions that connect theory directly with pupils’ own pieces allowing them to discover the links between music in theory and music in practice.Opportunities for composing improvising aural and listening activities all carefully devised to consolidate musical understanding.
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MESSIAEN O. - THE TECHNIQUE OF MY MUSICAL LANGUAGE
Music Theory
Leduc, Alphonse
Being a fascinatingly unique composer, Olivier Messiaen pushed the conventions o...
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Being a fascinatingly unique composer, Olivier Messiaen pushed the conventions of composing to its very limits. The composer's music remains ever-popular and The Technique of my Musical Language provides the key and necessaryknowledge into the study of his delightful music. Olivier Messiaen (1908-1992) was admitted to the Paris Conservatoire at the mere age of 11, where he won many prizes. As a passionate ornithologist, as well as organist andcomposer, many of Messiaen's works depict bird song. His music is rhythmically complex and harmonically and melodically distinct, often using modes of limited transposition. It is for these reasons that the composer compiled TheTechnique of my Musical Language. The book contains text with musical examples, describing unique elements of his music, such as ametrical music, his rhythmic notations and his modes of limited transposition, among many others.For all fans of Messiaen, The Technique of my Musical Language is essential to the understanding of the composer's much loved music. / Méthodes et pédagogie / Formation musicale / Théorie - harmonie / LEDUC
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Théodore Dubois: Trattato D'Armonia (It.): Instrumental Work
Music Theory
[Sheet music]
Heugel
At just 34 years of age Théodore Dubois was installed as a professor of harmon...
(+)
At just 34 years of age Théodore Dubois was installed as a professor of harmony at the Paris Conservatoire. Whilst much of his compositional works have disappeared from primary classical repertoire his teaching has had a lasting influence. Having taught successful composers including Paul Dukas it is clear that Dubois'' Treaty of Harmony is well-informed. This music theory study guide covers a considerable range of theoretical aspects from the varying musical clefs to the use of pedal notes as well many other harmonic devices with expertise. During the preface Dubois explains the need for hisbook stating that it fills the gaps in harmonic theory exercises which preceding guides had missed. With no harmonic elements left out this Théodore Dubois theory guide is necessary to accompany all music studies.
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Music Theory for Young Musicians Grade 3: Theory
Music Theory
Alfred Publishing
2nd Edition-Music Theory For Young Musicians: Grade 3 - 2014 Revised Version cov...
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2nd Edition-Music Theory For Young Musicians: Grade 3 - 2014 Revised Version covers all aspects of the AB theory syllabus for Grade 3. With Music Theory For Young Musicians: Grade 3 - 2014 Revised Version assigning theory lessons for your students couldn't be easier. This 2014 revised edition contains a step-by-step guide for each concept then general exercises for the evaluation and reinforcement of these concepts and finally some sample test papers so you can be certain of success before entering your student.
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Marguerite Surloppe: La Théorie musicale des jeunes: Theory
Français
Music Theory
Eschig
La Théorie Musicale Des Jeunes de Marguerite Surloppe a pour objectif pédagogi...
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La Théorie Musicale Des Jeunes de Marguerite Surloppe a pour objectif pédagogique primordial de mettre à la disposition des débutants dans un exposé simple et clair l'ensemble des notions théoriques fondamentales nécessaires à l'apprentissage et à la pratique de la musique.Sont ainsi introduites les notions liées à l'écriture (signesmusicaux clés notes) à la mesure et au rythme (indications métriques durées mouvement) aux hauteurs (gammes et modes tonalités altérations intervalles) à l'harmonie(accords arpèges modulations cadences) aux nuances à l'accentuation etc.La présente édition remaniée et augmentée par Christine Simonin-Fessard dans le sens d'uneorganisation logique encore plus progressive paraît ici dans une présentation entièrement neuve.La force de cette théorie bien que s'adressant plus spécialement aux jeunes dès sixans est qu'elle peut être travaillée avec profit par des élèves de tout âge qui désirent commencer l'étude de la musique.
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