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Mel
MANDOLIN
Orchestra
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Jesus Guridi: Diez Melodias Vascas: Orchestra: Miniature Score
Español
Orchestra
[Sheet music]
Unión Musical Ediciones
Though little known to outsiders Basque composer Jesús Guridi (1886-1961) is...
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Though little known to outsiders Basque composer Jesús Guridi (1886-1961) is as much beloved in Spain as in his homeland. He is a nationalist composer in the same deep sense as Vaughan Williams was in England rooted in folk idioms a generous melodist approachable but never chauvinistic above all imbued with a strong sense of the spiritual.This is one of his orchestral works written in 1941 for orchestra.
13.99 GBP - Sold by Musicroom UK
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A Swedish Melody: Ack V?rmeland du sk?na: Orchestra: Score
Orchestra
Southern Music Ltd
Ack Värmeland du sköna-This arrangement is based on the Swedish folksong Ack...
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Ack Värmeland du sköna-This arrangement is based on the Swedish folksong Ack Värmelad du sk÷na. (Oh Värmeland You Fair and Lovely Place.) The lyrics of the song speak of the beauty of the landscape and the wonderful nature of the people that live there. Although the folksong is presented with some alterations an attempt is made to capture the attractiveness of the melody and the sentiments expressed in the lyrics. The scoring assigns the melody to ever-changing combinations of instruments adding artistic variety and making the music more fun to rehearse and perform.
10.99 GBP - Sold by Musicroom UK
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Episodes Op. 23B
Orchestra
Simrock
Commandé par le théâtre d'Etat Oldenburg, ' Episodes ' pour orchestre complet...
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Commandé par le théâtre d'Etat Oldenburg, ' Episodes ' pour orchestre complet a été créés en 1962 et a été présentés comme un ballet intitulé ' Pas de deux '. La structure formelle de la composition est basée sur les cinq phases de la classique 'grand pas de deux', avec les deux premières sections Entrée et Adage étant Unis dans un mouvement. La matière musicale de base est définie par un mode de sept-note (tous les demi-tons dans la plage de la Trichrome C - fa dièse) qui varie en fonction de plusieurs façons dans les mouvements rythmiquement influencées. Cette musique, dans sa férocité et pithiness, se classe parmi les plus expressifs scores par Bertold Hummel, et ses représentations de théâtre et de concert visent également à captiver l'auditoire. / Grand Orchestre
39.96 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
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Mel Brooks: The Producers: Orchestra: Score
Orchestra
[Score and Parts]
Hal Leonard
I grew up with all the great shows. And that's what you're going to get here...a...
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I grew up with all the great shows. And that's what you're going to get here...an old-fashioned traditional musical comedy. - Mel Brooks This Tony award winner has become an entertainment phenomenon--the hardest ticket to get on Broadway. Ted Ricketts' spectacular medley includes: Along Came Bialy Der Guten Tag Hop-Clop I Wanna Be a Producer Keep It Gay The King of Broadway Prisoners of Love That Face and Springtime for Hitler.
15.99 GBP - Sold by Musicroom UK
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Bertold Hummel: Scherzo op. 13e: Orchestra: Score
Orchestra
Schott
Although Bertold Hummel composed this Scherzo for bassoon and chamber orchestra ...
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Although Bertold Hummel composed this Scherzo for bassoon and chamber orchestra more than fifty years ago the piece still captivates every listener with its youthful carefree liveliness. Virtuoso and witty it does justice to its title in every respect. It was created in 1957 upon commission of the Kleines Unterhaltungsorchester Südwestfunk Baden-Baden. The solo part of the four-minute concert piece with the tempo indication 'allegro molto' was tailor-made by Hummel for the orchestra's principal bassoonist Helmut Böker.In addition to the hire material a piano score with solo part is now available on sale.
13.50 GBP - Sold by Musicroom UK
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Norman Nelson: A Swedish Melody: Orchestra: Score & Parts
Orchestra
[Score and Parts]
Southern Music Ltd
Haunting and Sublime: Ack Värmeland du sköna-This arrangement is based on th...
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Haunting and Sublime: Ack Värmeland du sköna-This arrangement is based on the Swedish folksong Ack Värmeland du sk÷na. (Oh Värmeland You Fair and Lovely Place). The lyrics of the song speak of the beauty of the landscape and the wonderful nature of the people that live there. Although the folksong is presented with some alterations an attempt is made to capture the attractiveness of the melody and the sentiments expressed in the lyrics. This piece was inspired by Gary Garner who expressed a need in the band literature for pieces with artistic value that are appropriate for intensive rehearsal and public performance are easy enough for many bands to play and give the ensemble a chance to work on intonation balance and phrasing.
69.99 GBP - Sold by Musicroom UK
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Brant Adams Joseph M. Martin Pamela Martin: Harvest of Sorrows: Orchestra: Parts
Orchestra
Shawnee Press
From the creators of Song of the Shadows comes a work of great depth and power. ...
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From the creators of Song of the Shadows comes a work of great depth and power. Through music and symbols worshippers are invited to a season of contemplation as the mystery and power of Christ's passion are presented.Using new music and beloved hymnody Joseph Martin provides a work of greatly expressive beauty. Pamela Martin and Brant Adams reprise their respective roles as librettist and orchestrator in this creative and moving offering forHoly Week. Highly recommended!Includes: Testament of Tears; Winds Through the Olive Trees; In Love Christ Came Amongst Us; and more.
324.99 GBP - Sold by Musicroom UK
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Pamela Martin: You Are the Light (Olympic Fanfare): Orchestra: Parts
Orchestra
Shawnee Press
For use during an Olympic year or anytime during the academic year when inspirat...
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For use during an Olympic year or anytime during the academic year when inspiration is needed Mark Hayes' and Pamela Martin's fresh voicings of this bugler's theme known around the world is stunning. It has original lyrics set toan outstanding choral arrangement of the familiar tune and is available in a variety of voicings that are sure to accomodate your ensemble. A full orchestration and a StudioTrax CD are available for your library! Availableseparately: SATB SSAB 2-part (opt. SSA) StudioTrax CD Orchestration.
37.50 GBP - Sold by Musicroom UK
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Joseph M. Martin Pamela Martin: Legacy of Faith: Orchestra: Parts
Orchestra
Shawnee Press
Legacy of Faith is a powerful musical presentation that celebrates the foundatio...
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Legacy of Faith is a powerful musical presentation that celebrates the foundations of the church and God's redemptive work among us. Joseph and Pamela Martin have again teamed with orchestrator Brant Adams to provide afresh and compelling work suitable for any time of the year. Churches will find this uplifting new cantata to be a work of scope and vision that will prove especially useful for church heritage events founding anniversaries andAll Saints' Day services. Legacy of Faith pays homage to the past but delivers a strong message of hope for the future. Make Legacy of Faith a part of your church's history.
229.99 GBP - Sold by Musicroom UK
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Franz Liszt: Fantasia Su Melodie Popolari Ungheresi (Collet): Orchestra:
Orchestra
Eulenburg
Fantasia Su Melodie Popolari Ungheresi (Collet)
9.99 GBP - Sold by Musicroom UK
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Antti Auvinen: Himmel Punk: Orchestra: Study Score
Orchestra
[Study Score / Miniature]
Fennica Gehrman
Himmel Punk
16.80 GBP - Sold by Musicroom UK
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Carlos Surinach: Melorhythmic Dramas (1966): Orchestra: Score
Orchestra
[Sheet music]
Associated
Score-Carlos Surinach's Melorhythmic Dramas was commissioned by the Meadow Brook...
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Score-Carlos Surinach's Melorhythmic Dramas was commissioned by the Meadow Brook Music Festival Committee Oakland University Rochester Michigan. Dedicated to the Meadow Brook Festival the work was premiered on August 16 1966 by the Detroit Symphony Orchestra with Sixten Ehrling as Musical Director.'Through verse prose music dance - or whatever may be - drama is a performed event involving intense conflict of forces. Effect action artifice and contrasts are part of it. To give the feeling of drama a theatrical trend is not compulsary. Pure melorhythmic music (and its orchestral technique) may have the power to express dramaticemotions without yielding to human deeds or stage stituations'. - Carlos SurinachThe seven Melorhythmic Dramas: 1. Fervid 2. Festive 3. Poignant 4. Tragic 5.Voluptuous 6. Vehement 7. Mournful
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The Symphony: From Mannheim to Mahler
Orchestra
[Book]
Faber Music Limited
Par . The Symphony: From Mannheim to Mahler is a fascinating and accessible guid...
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Par . The Symphony: From Mannheim to Mahler is a fascinating and accessible guide that considers the development of the symphony from a number of different perspectives: analytical, historical, and critical. Exploring important milestones, touchpoints, events, key works, and the composers that surround the genre, it also includes a composer timeline, detailed case studies and comprehensive music examples. This handy and informative book is ideal for GCSE, A-Level, and undergraduate music students, as well as anyone wanting to study and learn more about the genre. Christopher Tarrant is Lecturer in Music Analysis at Newcastle University. He received his PhD from Royal Holloway, University of London and now teaches and writes about concert music of the long nineteenth century with a special emphasis on theory of form and the Nordic symphony. Christopher is also a violinist and conductor. Natalie Wild is Director of Research and Deputy Director of Music at the Music in Secondary Schools Trust (MiSST). Her research focuses on the role a classical music education can play in breaking down social barriers. Natalie has taught both GCSE and A-Level Music for many years as Head of Music in various inner-city schools. / Date parution : 2022-05-17/ Livre / Orchestre
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Rued Langgaard: Symphony No. 6 'Det Himmelrivende': Orchestra: Score
Orchestra
[Partitions]
-
Intermediate/advanced
Rued Langgaard Edition
'Det Himmelrivende' / The 'Heaven-Rending' - Symphony No. 6 in one movement on ...
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'Det Himmelrivende' / The 'Heaven-Rending' - Symphony No. 6 in one movement on one motif by Rued Langgaard. Composed in 1919-20 rev. 1928-30. BVN 165. Instrumentation: 3.3.3.3/4.8.3.1/2 timp/2 perc/Tbells/2 hp/cel/org ad lib./str. Critical edition by Bendt Viinholt Nielsen / The Rued Langgaard Edition Symfoni nr. 6 'Det Himmelrivende' by Rued Langgaard. Critical edition by Bendt Viinholt Nielsen / The Rued Langgaard Edition
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Donald Crockett: The Melting Voice: Orchestra: Full Score
Orchestra
Lauren Keiser Music Publishing
The Melting Voice
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Donald Crockett: Melting Voices: Orchestra: Full Score
Orchestra
Lauren Keiser Music Publishing
Melting Voices
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Felix Mendelssohn Bartholdy: Die schöne Melusine - The Fair Melusine Op.32:
Orchestra
Barenreiter
Ouvertüre-Die sch?ne Melusine (The Fair Melusine) Op.32Concert OvertureB?renrei...
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Ouvertüre-Die sch?ne Melusine (The Fair Melusine) Op.32Concert OvertureB?renreiter's new editions of Felix Mendelssohn Bartholdy’s great orchestral overtures edited by the internationally acclaimed conductor and scholar Christopher Hogwood are pioneer publications of his most ?important and ?popular concert overtures.This overture in its ?first version dedicated to his sister Fanny as a birthday gift in 1833 is published in the new B?renreiter Urtext edition for the first time together with the later version. This later version which Felix Mendelssohn Bartholdy saw into print (1836) isalso not available today.In the new B?renreiter Urtext edition of “Die sch?ne ?Melusine” Christopher Hogwood makes use of all known sources. It contains both versions back-to-back in score and parts.The preface addresses the compositions' genesis and sources. There is also a critical report.This publication of Mendelssohn’s “Die sch?ne Melusine” marks the first instance of a scholarly-critical edition of one of Felix Mendelssohn Bartholdy’s concert overtures. Score and large format orchestral parts with both versions back-to-back First ever Critical Edition Edited by Christopher Hogwood
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Felix Mendelssohn Bartholdy: Die schöne Melusine - The Fair Melusine Op.32:
Orchestra
Barenreiter
Ouvertüre-Die sch?ne Melusine (The Fair Melusine) Op.32Concert OvertureB?renrei...
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Ouvertüre-Die sch?ne Melusine (The Fair Melusine) Op.32Concert OvertureB?renreiter's new editions of Felix Mendelssohn Bartholdy’s great orchestral overtures edited by the internationally acclaimed conductor and scholar Christopher Hogwood are pioneer publications of his most ?important and ?popular concert overtures.This overture in its ?first version dedicated to his sister Fanny as a birthday gift in 1833 is published in the new B?renreiter Urtext edition for the first time together with the later version. This later version which Felix Mendelssohn Bartholdy saw into print (1836) isalso not available today.In the new B?renreiter Urtext edition of “Die sch?ne ?Melusine” Christopher Hogwood makes use of all known sources. It contains both versions back-to-back in score and parts.The preface addresses the compositions' genesis and sources. There is also a critical report.This publication of Mendelssohn’s “Die sch?ne Melusine” marks the first instance of a scholarly-critical edition of one of Felix Mendelssohn Bartholdy’s concert overtures. Score and large format orchestral parts with both versions back-to-back First ever Critical Edition Edited by Christopher Hogwood
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Felix Mendelssohn Bartholdy: Die schöne Melusine - The Fair Melusine Op.32:
Orchestra
[Sheet music]
Barenreiter
Ouvertüre-Die sch?ne Melusine (The Fair Melusine) Op.32Concert OvertureB?renrei...
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Ouvertüre-Die sch?ne Melusine (The Fair Melusine) Op.32Concert OvertureB?renreiter's new editions of Felix Mendelssohn Bartholdy’s great orchestral overtures edited by the internationally acclaimed conductor and scholar Christopher Hogwood are pioneer publications of his most ?important and ?popular concert overtures.This overture in its ?first version dedicated to his sister Fanny as a birthday gift in 1833 is published in the new B?renreiter Urtext edition for the first time together with the later version. This later version which Felix Mendelssohn Bartholdy saw into print (1836) isalso not available today.In the new B?renreiter Urtext edition of “Die sch?ne ?Melusine” Christopher Hogwood makes use of all known sources. It contains both versions back-to-back in score and parts.The preface addresses the compositions' genesis and sources. There is also a critical report.This publication of Mendelssohn’s “Die sch?ne Melusine” marks the first instance of a scholarly-critical edition of one of Felix Mendelssohn Bartholdy’s concert overtures. Score and large format orchestral parts with both versions back-to-back First ever Critical Edition Edited by Christopher Hogwood
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Claude Debussy: Pelleas Et Melisande - Partition D'Orchestre: Opera:
Orchestra
[Score]
Durand
Partition d'orchestre-Claude Debussy's Pelleas Et Melisande. Partition D'Orchest...
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Partition d'orchestre-Claude Debussy's Pelleas Et Melisande. Partition D'Orchestre.
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Wien Bleibt Wien (SCHRAMMEL JOHANN)
Orchestra
Schott
Par SCHRAMMEL JOHANN. March/ Répertoire / Orchestre
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Melodyphony
Orchestra
[Sheet music]
Schott
Melodyphony contient neuf oeuvres écrites à l'origine pour le film, la télév...
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Melodyphony contient neuf oeuvres écrites à l'origine pour le film, la télévision ou pour des spots publicitaires, dont certaines sont des musiques composées pour le Studio Ghibli et son directeur Hayao Miyazaki (Mon voisin Kokoro, Kiki la petite sorcière / Orchestre / 252 pages / Partition
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Concertino Op. 58 (Fk) (RUMMEL CHRISTIAN)
Orchestra
[Sheet music]
Schott
Par RUMMEL CHRISTIAN. / Répertoire / Orchestre
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Hans Abrahamsen: Four Pieces For Orchestra: Orchestra: Score
Orchestra
Wilhelm Hansen
Four Pieces For Orchestra was composed by Hans Abrahamsen in 2000-2003. Programm...
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Four Pieces For Orchestra was composed by Hans Abrahamsen in 2000-2003. Programme note: In 1983 Hans Abrahamsen wrote the first seven of his Ten Studies for Piano. In the early eighties most composers who wrote for the piano were still making strenuous efforts to distance themselves from the instrument?s romantic past for example treating it as a percussion instrument rather than exploiting its expressive ?singing? potential. The piano?s modern identity as a mechanical rational emotionally cool instrument is reflected in Abrahamsen?s studies 5 7; but in the first four studies Abrahamsen allows the piano to?recollect? its past: especially what the composer calls ?the golden German romantic time full of expression night timelessness dream and the irrational?. Accordingly these first four studies were given German one might specifically say Schumanesque - titles: Traumlied (?Dreamsong?) Sturm (?Storm?) Arabeske (?Arabesque?) and Ende (?End?). While Abrahamsen was in no way dissatisfied with the first four Studies as piano music he soon felt the urge to expand them in both time and space. In their new identity as Four Pieces for Orchestra created between 2000-2003 the original studies nearly doubled in length while the forces required expanded from one soloist to an orchestra of Mahlerian/Straussian dimensions including instruments beloved by the late-romantics: Wagner tubas bass trumpet guitar mandolin and the hammer used so memorably in Mahler?s Sixth Symphony and Alban Berg?s Three Pieces for Orchestra. The results are not so much ?arrangements? of the four piano studies more recompositions. A helpful comparison might be made with certain painters: Cézanne portraying the same mountain from different angles; or Monet obsessively returning to Rouen Cathedral in different lights and weather conditions. Abrahamsen himself remembers an important visit to the Munch Museum in Oslo where he saw how Munch painted the same subject
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James MacMillan: Symphony: Orchestra: Study Score
Orchestra
[Sheet music]
Boosey and Hawkes
Third Part Of The Orchestral Triptych Triduum-Symphony: ‘Vigil’ (19...
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Third Part Of The Orchestral Triptych Triduum-Symphony: ‘Vigil’ (1997) is the last of three interrelated works forming Triduum commissioned by the London Symphony Orchestra the other works being The World’s Ransoming for cor anglais and orchestra and the Cello Concerto (both 1996). All three relate to the historical events and religious liturgies of the Easter Triduum namely Maundy Thursday Good Friday and the Easter Vigil. The symphony’s first movement ‘Light’ deals with the promise of a glimmer of light in the darkness. The central movement ‘Tuba insonet salutaris’ (Sound the trumpet of salvation) is based on the Exsultet melody sung at the Easter Vigil described by Mozart as probably the mostbeautiful ever written. The final movement ‘Water’ opens savagely but subsides towards the presentation of two conflicting principal materials a wild ecstatic dance followed by a slower more mysterious texture leading to a climax and a luminous floating close.
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In Sogno (CATALANI ALFREDO)
Orchestra
[Score]
Ricordi
Melodia Per Piccola Orchestra. Par CATALANI ALFREDO. Melodia Per Piccola Orchest...
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Melodia Per Piccola Orchestra. Par CATALANI ALFREDO. Melodia Per Piccola Orchestra / Date parution : 1905-06-06/ Répertoire / Orchestre
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Theodor Grigoriu: Mélodie Infinie: Orchestra: Score
Orchestra
[Sheet music]
Editions Musicales Transatlantiques
The piece for string orchestra Infinite Melody is dedicated to the great shadows...
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The piece for string orchestra Infinite Melody is dedicated to the great shadows in Bayreuth Wagner and Liszt. An evocative miniature like a style study it was requested by youth ensembles participating in the artistic festival in this city. A polyphonic technique involving immanent sounds is used which was also used in The Modal Column. The passage of the melodic relief from one group of instruments to another induces a feeling of perpetual quest. From Wagner and Liszt’s infinite melody a few external characteristic aspects are employed: 1. the grupetto which tends to amplify the importance of a sound and 2. the Auftakt fromthe beginning of each phrase as in Tristan and Isolde At the climax of the piece an impact with a few authentic themes takes place cited from Wagner (Siegfried-Idylle) and Liszt respectively (Faust-Symphonie).
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Christmas Song, The (String Orchestra)
Orchestra
[Sheet music]
Hal Leonard
(Chestnuts Roasting on an Open Fire). Par TORME MEL. Une des chansons de vacance...
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(Chestnuts Roasting on an Open Fire). Par TORME MEL. Une des chansons de vacances plus demandés de tous les temps est maintenant disponible dans cet arrangement nouvel fraîche par Ted Ricketts. Mel Torme ' châtaignier 'est juste pour votre prochaine performance de vacances, le réchauffement le coeur de vos joueurs et le public./ Répertoire / Orchestre
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John Adams: Shaker Loops (revised): Orchestra: Score
Orchestra
Hal Leonard
Score-Although in its own way an example of 'continuous' music Shaker Loops dif...
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Score-Although in its own way an example of 'continuous' music Shaker Loops differs from most other works of its kind because it sees so much change within a relatively short amount of time. Also it avoids the formal and temporalpurity of much 'minimal' music by not adhering to a single unbending tempo throughout allowing for a freer movement from one level of energy to another.The 'loops' are melodic material assigned to the seven instruments each of a different length and which when heard together result in a constantly shifting play amongst the parts. The four sections although they meld together evenly are really quite distinct each being characterised by aparticular style of string playing. The outside movements are devoted to 'shaking' - fast tightly rhythmicised motion of the bow across the strings. The 'slews' of Part 2 are slow languid glissandi heard floating within analmost motionless pool of stationary sound whereas Part 3 is essentially melodic with cellos playing long lyrical lines (also loops) against a background of muted violins.
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Thea Musgrave: Points Of View: Chamber Ensemble: Score
Orchestra
[Sheet music]
Novello & Co Ltd.
For Chamber Orchestra (Flute Oboe Cor Anglais Basson Horn in F Trumpet in C...
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For Chamber Orchestra (Flute Oboe Cor Anglais Basson Horn in F Trumpet in C Strings: [5.4.3.2.1])Composer's Programme Note:Points of View is a work about the different musical elements which arepersonified by soloists from the orchestra all unifying at the end in a passionateclimax.The first section ‘Mysterious’ features a solo horn and also establishes tonality [Bflat] texture and harmony. The harmonies are often chordal 6-note clusters andthey are an important binding articulating and textual element throughout thework.A solo trumpet joins the solo horn and as the chordal clusters disappearintothe stratosphere initiates the rhythm of a light-hearted scherzo ‘Lively’. Thetrumpet’s rhythmic figure is echoed and developed by the winds.The solo oboe and cor anglais now introduce a very lyrical melody in fallingthirds ‘Sensuous’. The chordal clusters as well as the trumpet’s rhythmic figureeventually reappear to accompany this melodic theme and then the violinspassionately respond by taking it over ‘Passionato’. All the elements thusunifying to culminate in the coda.These elements could also perhaps be described in non-musical terms as‘imagination’ [solo horn] ‘action’ [solo trumpet] ‘emotion’ [solo oboe and coranglais] which eventually combine in the climax [violins].
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