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Zoroastre - RCT 62 A-B Symphonies (RAMEAU JEAN-PHILIPPE)
Orchestra
[Score]
Barenreiter
Par RAMEAU JEAN-PHILIPPE. Richer than ever – Rameau’s “Zoroastre” in the...
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Par RAMEAU JEAN-PHILIPPE. Richer than ever – Rameau’s “Zoroastre” in the version of 1756. Opera in five acts. Rameau’s revised version of his opera “Zoroastre”, which could be heard and seen between 20 January 1756 and 26 March 1757 at the Académie royale de musique, was favourably received. Also from today’s point of view the work profits dramaturgically from many of the changes and seems altogether richer and more tightly woven than the original of 1749. The subject matter of the libretto, derived from Ancient Persian sources, is timeless: the struggle between good and bad. The good is embodied by the religious reformer Zoroastre, a representative of the supreme light being Orosmade. He is opposed by the ambitious magician Abramane who serves Ariman, the spirit of the dark. The opera includes some of Rameau’s most ecstatic and spiritual musical numbers, such as the episode of sun worship in Act 3 with the sublime „Hymne à la Lumière“, which, for unknown reasons, was not integrated in the revision of 1756. It is therefore included in Appendix 3 of this Bärenreiter edition. Incidentally, with “Zoroastre” the prologue, wh ich had been customary since the beginnings of French opera in the 1670s, was abandoned. Instead Rameau was the first to introduce an overture which set the scene for the entire drama and thereby anticipated Gluck’s opera reform by many years. Here we present the instrumental numbers for concert performance. - Based on the first scholarly-critical edition, published as part of “Opera Omnia Rameau” - Instrumental numbers in order of performance, but also grouped by key in the list of contents, enabling them to be combined freely into orchestral suites - Published with performance material on hire / Date parution : 2022-11-08/ Répertoire / Orchestre
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Les Indes Galantes Rct 44
Orchestra
Barenreiter
The new scholarly-critical edition of the score of Rameau's 'ballet héroïque? ...
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The new scholarly-critical edition of the score of Rameau's 'ballet héroïque? Les Indes galantes finally clears up its convoluted source history. At the first performance, on 23 August 1735, it consisted of a prologue and three acts: Le Turc généreux, Les Incas du Pérou and Les Fleurs. But Les Fleurs already proved controversial in the early performances, and from 11 September of that same year it was given a wholly new form. For the revival on 10 March 1736 Rameau and Fuzelier added an entirely new act Les Sauvages, and in the years that followed, the 'ballet héroïque? was presented either complete (1743, 1751 and 1761) or abridged with a prologue, Les Incas du Pérou and Les Sauvages (1751-73).With regard to the instrumental movements (dances and descriptive pieces), the present publication is based on the complete edition Opera Omnia Rameau (OOR) volumes IV/2 and IV/7 edited by Sylvie Bouissou which are currently in preparation. It includes not only the orchestral pieces in the version deemed valid by Rameau in 1736 (with version 2 of Les Fleurs and Les Sauvages), but also those from the first version of Les Fleurs (1735) as well as its 1743 and 1773 revisions. Performers are thus given a complete selection of all the orchestral numbers from one of Rameau's central stage works for use also in concert performance.- Based on Opera Omnia Rameau (OOR) Series IV/2 and IV/7- Well-presented layout in a format of 23.7 x 33 cm / Orchestre
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Symphonic Extracts From The Conducting Score: Les Fêtes De L'Hymen Et De L'Amour
Orchestra
Barenreiter
Rameau's 'Les Fêtes de l'Hymen et de l'Amour? was long considered second-rate b...
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Rameau's 'Les Fêtes de l'Hymen et de l'Amour? was long considered second-rate because its première was associated with a political event. Yet this ballet abounds in novel dramaturgical effects that foreshadow his later operas, such as 'Zaïs?, 'Zoroastre? and 'Les Boréades?. Working together with his librettist Cahusac, Rameau sought to weave the dance numbers, choruses and stage machinery more tightly into the main plot. He also experimented with stylistic devices unique to this work, the most famous being unquestionably the scene in which the Nile overflows its banks (an impressive ten-voice double chorus with solo voices and orchestra) and the sextet from 'Aruéris?, a scoring found nowhere else in his oeuvre.For the first time, this scholarly-critical edition of 'Les Fêtes de l'Hymen et de l'Amour? presents a reference version of the work that is based on all the major sources for both the libretto and the music, including two recent musical discoveries. As most of the performance material for the première has vanished, our edition is based on the version prepared for the Académie Royale de Musique in 1748.- Milestone of French Baroque opera in performance practice orientated vocal score- With a brief foreword (Fr/Eng) containing salient information on the genesis of the work, the synopsis and the edition / Orchestre
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Castor et Pollux RCT 32A-B (RAMEAU JEAN-PHILIPPE)
Orchestra
[Score]
Barenreiter
Tragédie in one Prologue and Five Acts. Par RAMEAU JEAN-PHILIPPE. Rameau Castor...
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Tragédie in one Prologue and Five Acts. Par RAMEAU JEAN-PHILIPPE. Rameau Castor et Pollux RCT 32A-B (Versions from 1737 and 1754) Symphonies (Full Score) Symphonies / Versions from 1737 and 1754 This collection of all instrumental numbers from 'Castor et Pollux' (tragédie in a prologue and five acts) brings together the movements and dances of all versions based on the volumes of the ?Opera Omnia Rameau? IV.3 (version 1737, BA08874-01) and IV.23 (version 1754, BA08864-01). Orchestras can use this to compile a suite to meet their needs aided by a register which offers a separate overview sorted by key. The performance material of the 'Symphonies' is available on hire in the accustomed high quality of the ?Opera Omnia Rameau?. - Compilation of the instrumental numbers from all opera versions - Overview of the keys to enable a tailor-made compilation of orchestral suites - Based on the scholarly-critical new edition of all original versions - Performance material available for hire / Date parution : 2023-06-01/ Répertoire / Orchestre
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Spectacles De Fontainebleau 1753 (RAMEAU JEAN-PHILIPPE)
Orchestra
[Score]
Barenreiter
Symphonies. Par RAMEAU JEAN-PHILIPPE. The heroic pastoral Daphnis et Eglé was p...
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Symphonies. Par RAMEAU JEAN-PHILIPPE. The heroic pastoral Daphnis et Eglé was performed only once, on 29 October 1753, for the entertainment of King Louis XV at Fontainebleau and remained unpublished until today. Our complete edition (BA 8862) is based on Rameau's autograph manuscript, a copy of the separate parts, and the libretto published by Ballard in 1753. A comparison of the sources reveals two versions of the work: the original version and the one revised for Fontainebleau, whereby the differences lie mainly in the final divertissement. This edition recommends the Fontainebleau version—which is actually more complete in its musical form, in particular with its overture and two ariettas—but alsoreconstructs the original state of the final divertissement (presented in the appendix) before it was revised. Here we present the instrumental numbers from both operas for concert performance. Based on the first scholarly-critical edition, published as part of “Opera Omnia Rameau Instrumental numbers in order of performance, but also grouped by key in the list of contents, enabling them to be combined freely into orchestral suites Published with performance material on hire/ Répertoire / Orchestre
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Le Temple de la Gloire RCT 59 (RAMEAU JEAN-PHILIPPE)
Orchestra
[Sheet music]
Barenreiter
Par RAMEAU JEAN-PHILIPPE. Rameau’s only extant opera based on a libretto by Vo...
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Par RAMEAU JEAN-PHILIPPE. Rameau’s only extant opera based on a libretto by Voltaire has come down to us in two versions (1745 and 1746), that of 1745 having long been regarded as lost. Volume IV.12 of the “Opera omnia Rameau” now provides a complete edition for the first time and thus the means to perform both versions. Voltaire refers to Metastasio in his libretto, in that he wanted to liberate the opera from the gallant milieu in order to make it a moralising and at the same time both edifying and political work of art for the stage. Following a prologue dedicated to the personified Envy, the tyrants Bélus and Bacchus are chased out of the Temple of Glory and Trajan is finally crowned with a laurel wreath for defeating the rebels, forgiving them and then transforming the Temple of Glory into a public temple. The music contains many remarkable passages, examples being a richly orchestrated overture, the famous monologue “Profonds abîmes du Ténare” with obbligato bassoons and Trajan’s artful final scene “Ramage d’oiseaux”. The opera’s individual instrumental movements are also available in the customary manner now as a practical separate edition. The performance material is available on hire./ Répertoire / Orchestre
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Symphonies Extraites De Zaïs
Orchestra
Barenreiter
Zais a été le premier opéra de Rameau Entièrement consacré à 'la féerie' ...
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Zais a été le premier opéra de Rameau Entièrement consacré à 'la féerie' - le monde enchanté des mythes du Moyen-Orient, avec ses génies et fantasmatique êtres aériens. Créé à l'Opéra de Paris le 29 Février 1748, le travail a été beaucoup loué pour la force, l'élégance et la diversité de la musique et son pour la grâce de ses ballets. Cameo althoug Cahusac livre de critiques, cette oeuvre charmante prouvé populaire: il a été relancé en 1761 et 1769, l'entaillage jusqu'à plus de 100 représentations d'une période de plus que durant deux décennies.Cette édition est la première d'une série qui réunit les symphonies (pièces pour orchestre et danses) d'opéras publiés dans 'oeuvres complètes de Rameau'.Présenté dans l'ordre dans lequel ils apparaissent dans les oeuvres, ces pièces proviennent de l'édition critique de la partition complète (BR IV.15) et de conserver les numéros de bar et des marques de référence dans ce volume. Cela permet aux artistes référents si nécessaire qui apparaissent aux notes critiques uniquement dans l'édition critique de la partition complèteIl est délivré des dizaines de symphonies scène avec matériel d'orchestre. / Orchestre
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Fetes D'Hebe 2 Suite Poc (RAMEAU JEAN-PHILIPPE)
Orchestra
[Sheet music]
Durand
Par RAMEAU JEAN-PHILIPPE. / Répertoire / Orchestre
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Symphonien: Acante Et Céphise Ou La Sympathie Rct 21 -Pastorale Héroïque In Drei Akten-
Orchestra
Barenreiter
The genre 'pastorale héroïque? is a legacy of the grand siècle of Louis XIV a...
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The genre 'pastorale héroïque? is a legacy of the grand siècle of Louis XIV and in the 18th century it only rarely reached the stage. But in the second period of his career it became Rameau's preferred genre: the more unconventional world of shepherds and nymphs gave him greater freedom in terms of dramatic action, stage décor and musical virtuosity compared to the tragédie lyrique. This is demonstrated to masterly effect in 'Acanthe et Céphise? (1751), where even the ballets are fully integrated into the plot.This edition contains all the instrumental numbers from this popular pastorale in a new critical edition by Nathalie Berthon-Blivet. / Conducteur
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Dardanus RCT 35A-35B (RAMEAU JEAN-PHILIPPE)
Orchestra
[Score]
Barenreiter
Par RAMEAU JEAN-PHILIPPE. / Répertoire / Orchestre
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Zoroastre - Partition D'Orchestre (RAMEAU JEAN-PHILIPPE)
Français
Orchestra
[Sheet music]
Billaudot
Par RAMEAU JEAN-PHILIPPE. / Répertoire / Orchestre
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Zoroastre - Partition D'Orchestre - Numerote (RAMEAU JEAN-PHILIPPE)
Français
Orchestra
[Sheet music]
Billaudot
Par RAMEAU JEAN-PHILIPPE. / Répertoire / Orchestre
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Fetes D'Hebe Divertissement (RAMEAU JEAN-PHILIPPE)
Orchestra
[Sheet music]
Transatlantiques
Par RAMEAU JEAN-PHILIPPE. French/ Répertoire / Orchestre
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Cendrillon, opérette (LARUETTE JEAN-LOUIS) (LARUETTE JEAN-LOUIS)
Français
Orchestra
[Score]
Editions Buissonnieres
Par LARUETTE JEAN-LOUIS. D'un petit volume déniché un peu par hasard à la bib...
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Par LARUETTE JEAN-LOUIS. D'un petit volume déniché un peu par hasard à la bibliothèque de l'Arsenal a germé, après un jeu de piste passionnant, un opéra-comique : Cendrillon. C'est une ?uvre à tiroir, reflet d'une époque très particulière de la musique française, se glissant entre la fin du baroque flamboyant et le classicisme naissant. Le compositeur mêle des airs célèbres d'opéras (qu'il emprunte à des compositeurs comme Jean-Philippe Rameau, Egidio Duny, les parodiant parfois), à des chants populaires (les vaudevilles qui, par référence au texte original, permettaient le jeu de mot, le double sens) et compose ses propres pièces, qu'il adapte parfaitement au texte du librettiste Louis Anseaume. Rejouée pour la première fois en 2005 en version concert par l'ensemble Les Monts du Reuil à Vincennes, cette Cendrillon de 1759 n'a pas été sans poser beaucoup de questions. Nous tenions à respecter l'esprit d'une interprétation « baroque » attentive, tout en acceptant l'espace de liberté et de création suggéré par le genre. Nos choix s'appuient sur les conseils de musicologues et nous assumons la part évidente d'incertitude inhérente à l'interprétation d'un opéra-comique en vaudevilles de cette période. Soulignons que c'est devant la grande qualité du livret de Louis Anseaume et des airs de Jean-Louis Laruette que nous avons entrepris ce travail : Cendrillon nous dévoile un compositeur sensible qui s'exprime en demi-teintes et nous touche par ses mélodies tendres et délicates./ Répertoire / Conducteur
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Dardanus Suite 1 Poche
Français
Orchestra
[Study Score / Miniature]
Durand
/ Conducteur Et Poche
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Platee 2 Suite Poche
Français
Orchestra
[Study Score / Miniature]
Durand
/ Conducteur Et Poche
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Concerto A La Gloire De J. Ph. Rameau Und Concertino To The Memory Of Dear Little Jackie Pfitzner
Orchestra
Doblinger
/ Orchestre
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Hippolyte/Aricie 1 Suite Poche
Français
Orchestra
[Study Score / Miniature]
Durand
/ Conducteur Et Poche
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