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B
MANDOLIN
Piano and Orchestra
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:: (6)
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CD only (5)
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Flûte à Bec F2, F1, C1 et F (4)
Viol et Basse Continue (4)
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Beethoven, Ludwig Van : Rondo in B flat major WoO 6 for Piano and Orchestra
Piano and Orchestra
[Sheet music]
-
Intermediate
G. Henle
Le Rondo en Si bémol majeur de Beethoven ne fut publié que deux ans après sa ...
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Le Rondo en Si bémol majeur de Beethoven ne fut publié que deux ans après sa mort dans un arrangement de Carl Czerny.
On a pu prouver entretemps qu?il s?agissait à l?origine du dernier mouvement du 2e Concerto pour piano op. 19 que Beethoven remplaça vers 1794/95 par le final actuel.
La forte influence de Mozart que l?on décèle dans ce mouvement n?est certainement pas étrangère à cette décision.
Beethoven conserva toutefois sa vie durant le manuscrit autographe du Rondo qu?il estimait particulièrement.
Johannes Umbreit présente ici une nouvelle réduction pour piano, tout à fait jouable et reposant sur la partition de l?édition complète des oeuvres de Beethoven. / [Rondo Si bémol majeur WoO 6 pour Piano et Orchestre] / Classique / Partition / Agrafé /
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Concerto pour piano et orchestre n° 2 en si bémol majeur Opus 19 / Concerto for Piano and Orchestra No. 2 in B-flat Major Opus 19 (Beethoven, Ludwig van)
Deutsch
Piano and Orchestra
[Sheet music]
G. Henle
[Konzert für Klavier und Orchester Nr. 2 B-Dur Opus 19] / Classique / Editeur :...
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[Konzert für Klavier und Orchester Nr. 2 B-Dur Opus 19] / Classique / Editeur : Hans-Werner Küthen / Réduction piano : H / Partition / Broché /
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Ludwig van Beethoven: Piano Concerto No.2 In B-Flat Op.19: Piano: Study Score
Piano and Orchestra
Barenreiter
Urtext edition study score of Ludwig van Beethoven's Piano Concerto No.2 In B-Fl...
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Urtext edition study score of Ludwig van Beethoven's Piano Concerto No.2 In B-Flat Op.19.Features:Urtext edition at the cutting edge of scholarshipAn ideal reference edition for pianists students conductors and librariesEach score contains an introduction by Barry Cooper (Ger/Eng)Format 17.5 x 22.5 cmBarenreiter has now published the scores Critical Commentaries and the complete performance material (BA 9021-9025) as well as a boxed set of study score editions (TP 920) to all five of Beethoven’s Piano concertos. The study scores can now also be purchasedindividually.The musical text reflects a meticulous examination of every surviving source resulting in Urtext editions at the highest possible level. The study scores are supplemented by introductions by Beethoven scholar Barry Cooper on the genesis of the concertos as well as forewords by the renowned editor Jonathan Del Mar with descriptions of the sources and the editorial method.
13.00 GBP - Sold by Musicroom UK
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Pyotr Ilyich Tchaikovsky Piano Concerto No.1 In B Flat Minor Op.23 - Two Pianos
Piano and Orchestra
[Score]
-
Advanced
Schirmer
Description Pyotr Ilyich Tchaikovsky: Piano Concerto No.1 In B Flat Minor Op....
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Description Pyotr Ilyich Tchaikovsky: Piano Concerto No.1 In B Flat Minor Op.23 (2 Piano Score) With Orchestral accompaniment for second piano arranged by Rafael Joseffy. Songlist Piano Concerto No.1 In B Flat Minor Op.23
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Rondo In B Flat Major Woo 6
Piano and Orchestra
Breitkopf & Härtel
Mozart faisait bien sûr figure de grand maîtrepour le genre ' concerto pour pi...
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Mozart faisait bien sûr figure de grand maîtrepour le genre ' concerto pour piano ' lorsqueLudwig van Beethoven composa sa premièreoeuvre (si bémol majeur op. 19) à Bonn. En1793, le jeune compositeur écrivit donc toutd'abord un rondo final comportant un andante,suivant l'exemple de Mozart dans sonconcerto KV 482. Puis Beethoven opta pourun autre final et remisa la partition du rondoen si bémol majeur dans un tiroir. L'oeuvre nefut retrouvée qu'après la mort du compositeuret immédiatement publiée. L'autographereprésente donc la partition pour orchestre deBeethoven la plus ancienne qui nous soit parvenueintacte et entière. La nouvelle éditionUrtext du conducteur et des parties d'orchestrese base sur le volume de la nouvelle intégraleparue en 2003. / Piano Et Orchestre
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Klavierkonzert B-Dur
Piano and Orchestra
[Sheet music]
Barenreiter
Voici une des nombreuses partitions de Wolfgang Amadeus Mozart. Ce génie, mort ...
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Voici une des nombreuses partitions de Wolfgang Amadeus Mozart. Ce génie, mort à l'âge de 35 ans, a révolutionné la musique classique. Vous retrouverez à travers la partition Klavierkonzert B-dur tout le talent de Mozart. Cette partition a été composée pour Piano Et Orchestre. C'est l'éditeur Bärenreiter qui a publiée cette oeuvre. / Piano Et Orchestre / Partition
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Rondo In B Flat Major Woo 6
Piano and Orchestra
Breitkopf & Härtel
Mozart faisait bien sûr figure de grand maîtrepour le genre ' concerto pour pi...
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Mozart faisait bien sûr figure de grand maîtrepour le genre ' concerto pour piano ' lorsqueLudwig van Beethoven composa sa premièreoeuvre (si bémol majeur op. 19) à Bonn. En1793, le jeune compositeur écrivit donc toutd'abord un rondo final comportant un andante,suivant l'exemple de Mozart dans sonconcerto KV 482. Puis Beethoven opta pourun autre final et remisa la partition du rondoen si bémol majeur dans un tiroir. L'oeuvre nefut retrouvée qu'après la mort du compositeuret immédiatement publiée. L'autographereprésente donc la partition pour orchestre deBeethoven la plus ancienne qui nous soit parvenueintacte et entière. La nouvelle éditionUrtext du conducteur et des parties d'orchestrese base sur le volume de la nouvelle intégraleparue en 2003. / Piano Et Orchestre
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Klavierkonzert 27 B-Dur Kv 595 (MOZART WOLFGANG AMADEUS)
Piano and Orchestra
[Sheet music]
Breitkopf & Härtel
Par MOZART WOLFGANG AMADEUS. Editeur(s) d'origine: Hinze-Reinhold, B/ Répertoir...
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Par MOZART WOLFGANG AMADEUS. Editeur(s) d'origine: Hinze-Reinhold, B/ Répertoire / Piano et Orchestre
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Wolfgang Amadeus Mozart: Piano Concerto No.22 In E-Flat K.482: Chamber Ensemble:
Piano and Orchestra
Barenreiter
for Piano and Orchestra-Concerto For Piano And Orchestra No.22 E-flat major K. 4...
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for Piano and Orchestra-Concerto For Piano And Orchestra No.22 E-flat major K. 482.Piano Solo Flute Clarinet (in B-flat) (2) Bassoon (2) Horn (2) Clarin trumpet (2) Kettledrum Violin (2) Viola (2) Violoncello Double bass. The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances. BÄRENREITER URTEXT: In the international music world “Bärenreiter Urtext” is synonymous with performing editions in which the musical text has been preparedusing clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research. For Bärenreiter “Urtext” is more than just a label – it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer’s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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Wolfgang Amadeus Mozart: Piano Concerto No.22 In E-Flat K.482: Piano: Score
Piano and Orchestra
[Sheet music]
Barenreiter
Piano or Orchestra-Concerto For Piano And Orchestra No.22 E-flat major K. 482.Pi...
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Piano or Orchestra-Concerto For Piano And Orchestra No.22 E-flat major K. 482.Piano Solo Flute Clarinet (in B-flat) (2) Bassoon (2) Horn (2) Clarin trumpet (2) Kettledrum Violin (2) Viola (2) Violoncello Double bass.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulatedscholarly critical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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Wolfgang Amadeus Mozart: Piano Concerto No.22 In E-Flat K.482: Piano: Parts
Piano and Orchestra
Barenreiter
Concerto For Piano And Orchestra No.22 E-flat major K. 482.Piano Solo Flute Cl...
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Concerto For Piano And Orchestra No.22 E-flat major K. 482.Piano Solo Flute Clarinet (in B-flat) (2) Bassoon (2) Horn (2) Clarin trumpet (2) Kettledrum Violin (2) Viola (2) Violoncello Double bass.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulatedscholarly critical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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Wolfgang Amadeus Mozart: Piano Concerto No.22 In E-Flat K.482: Piano: Part
Piano and Orchestra
Barenreiter
Violoncello or Contrabass-Concerto For Piano And Orchestra No.22 E-flat major K....
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Violoncello or Contrabass-Concerto For Piano And Orchestra No.22 E-flat major K. 482.Piano Solo Flute Clarinet (in B-flat) (2) Bassoon (2) Horn (2) Clarin trumpet (2) Kettledrum Violin (2) Viola (2) Violoncello Double bass.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarlycritical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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Wolfgang Amadeus Mozart: Piano Concerto No.22 In E-Flat K.482: Piano: Part
Piano and Orchestra
Barenreiter
Concerto For Piano And Orchestra No.22 E-flat major K. 482.Piano Solo Flute Cl...
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Concerto For Piano And Orchestra No.22 E-flat major K. 482.Piano Solo Flute Clarinet (in B-flat) (2) Bassoon (2) Horn (2) Clarin trumpet (2) Kettledrum Violin (2) Viola (2) Violoncello Double bass.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarlycritical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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Wolfgang Amadeus Mozart: Piano Concerto No.22 In E-Flat K.482: Piano: Part
Piano and Orchestra
Barenreiter
Concerto For Piano And Orchestra No.22 E-flat major K. 482.Piano Solo Flute Cl...
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Concerto For Piano And Orchestra No.22 E-flat major K. 482.Piano Solo Flute Clarinet (in B-flat) (2) Bassoon (2) Horn (2) Clarin trumpet (2) Kettledrum Violin (2) Viola (2) Violoncello Double bass.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarlycritical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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Wolfgang Amadeus Mozart: Piano Concerto No.25 In C K.503: Piano: Score
Piano and Orchestra
[Sheet music]
Barenreiter
for Piano and Orchestra-Piano Concerto No.25 in C major K.503.Piano Solo Flute ...
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for Piano and Orchestra-Piano Concerto No.25 in C major K.503.Piano Solo Flute Oboe (2) Bassoon (2) Horn (2) Trumpet (2) Kettledrum Strings. The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances. BÄRENREITER URTEXT: In the international music world “Bärenreiter Urtext” is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which includeprominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research. For Bärenreiter “Urtext” is more than just a label – it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer’s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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Wolfgang Amadeus Mozart: Piano Concerto No.9 In E-Flat K.271 - Jeunehomme:
Piano and Orchestra
[Sheet music]
Barenreiter
for Piano and Orchestra-Piano Concerto No.9 in E-Flat major K.271 - Jeunehomme.P...
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for Piano and Orchestra-Piano Concerto No.9 in E-Flat major K.271 - Jeunehomme.Piano Solo Oboe (2) Horn (2) Violin (2) Viola Violoncello Double bass.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologistsas well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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Frédéric Chopin: Concerto In E Minor Op. 11: Piano: Score
Piano and Orchestra
PWM (Polskie Wydawnictwo Muzyczne)
Historical Version-Characterised by an extensive in terms of Chopin's concert p...
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Historical Version-Characterised by an extensive in terms of Chopin's concert pieces orchestral part. The melody here is less ornamented and more fluid the sketch of the cantilena very noble and clear the highly virtuosic element is exposed but not to the extent of overwhelming the logic of the design. Critical source-edition edited by Jan Ekier and Pawe Kami ski based on manuscripts copies approved by Chopin himself and first editions. Its purpose is to present the works of Chopin in authentic form. The present score is composed of parts from the first edition. The concert version of the score recreated by taking into consideration also other sources which present Chopin`s intention constitutes volume 33 B VIIIa. The Concerto in an authentic arrangement for one piano makes up volume 13 A XIIIa. The version with the second piano containing the reduction of the orchestra part forms volume 30 B VIa. The historical scores are purer with regard to editorial interference yet contaminated by the involvement in the sources of foreign hands. The historical scores show that which for various reasons Chopin agreed to have published.
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