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Cher,
MANDOLIN
Viola, Piano
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Classical Highlights for Viola
Viola, Piano
[Sheet music + Audio access]
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Intermediate
Schott
arranged for Viola and Piano. Par . \'Classical Highlights\' présente, dans des...
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arranged for Viola and Piano. Par . \'Classical Highlights\' présente, dans des arrangements pour alto et piano, les morceaux de récital les plus connues et les plus appréciés du répertoire classique. Tout altiste à la recherche d\'un classique apprécié pour l\'enseignement ou l\'exécution y trouvera quelque chose. Mais on y trouve également un répertoire adapté à l\'accompagnement musical d\'un mariage ou des obsèques. Pour faciliter la pratique, des pistes d\'accompagnement peuvent être téléchargées sous forme de fichiers MP3. L\'accompagnement au piano est disponible en PDF. / Niveau : Moyen / Date parution : 2022-10-12/ Recueil / Alto et Piano
19.50 EUR - Sold by LMI-partitions
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Johannes Brahms: Sonatensatz & Scherzo: Viola Duet: Instrumental Album
Viola, Piano
IMC (International Music Co.)
Johannes Brahms' Sonatensatz & Scherzo for Viola with Piano accompaniment.This p...
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Johannes Brahms' Sonatensatz & Scherzo for Viola with Piano accompaniment.This piece is included in the ABRSM Viola Syllabus 2012-2015 for Grade 8.
12.50 GBP - Sold by Musicroom UK
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Henryk Wieniawski: Scherzo Tarantella (Viola): Viola: Instrumental Work
Viola, Piano
[Sheet music]
-
Intermediate/advanced
Viola World
Henryk Wieniawski's Scherzo Tarantella for viola and piano transcribed by Alan ...
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Henryk Wieniawski's Scherzo Tarantella for viola and piano transcribed by Alan Arnold.
9.10 GBP - Sold by Musicroom UK
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Johannes Brahms: Scherzo: Viola: Instrumental Work
Viola, Piano
[Sheet music]
Viola World
Brahms Scherzo transcribed by Alan Arnold.
10.20 GBP - Sold by Musicroom UK
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Scherzo
Français
Viola, Piano
[Sheet music]
-
Advanced
Billaudot
Cette partition SCHERZO de Tchaikovsky Piotr Ilyich a été éditée par les éd...
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Cette partition SCHERZO de Tchaikovsky Piotr Ilyich a été éditée par les éditions Billaudot. La référence de cette partition de musique est GB8548. Cette oeuvre d'une durée de 00:04:00 est idéale pour les musiciens pratiquant Alto. Après quelques heures de pratique, cette partition n'aura plus de secret pour vous. / Alto Et Piano / Partition
14.60 EUR - Sold by LMI-partitions
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Missa In Honorem St Alberti Magni (Partituur) (FISCHER WILHELM GEORG)
Viola, Piano
[Sheet music]
Metropolis Music Publishers
Par FISCHER WILHELM GEORG. / Répertoire / Alto et Piano
17.30 EUR - Sold by LMI-partitions
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The Magic Fairy Tale (SHCHERBAKOV IGOR)
Viola, Piano
[Sheet music]
Schott
Par SHCHERBAKOV IGOR. / Recueil / Alto et Piano
15.70 EUR - Sold by LMI-partitions
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Rhapsodie (KRANCHER WILLY)
Viola, Piano
[Sheet music]
Metropolis Music Publishers
Par KRANCHER WILLY. / Répertoire / Alto et Piano
24.72 EUR - Sold by LMI-partitions
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LYATOSHYNSKY BORYS - NOTTURNO E SCHERZINO OPUS 65
Viola, Piano
Billaudot
Notturno (3 min 30 s)Scherzino (2 min 30 s) / Alto / Billaudot
13.50 EUR - Sold by Woodbrass
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Intermezzo Op. 117 No 1
Français
Viola, Piano
Billaudot
Avec les opus 116 et 117 de Brahms nous sommes dans les quatre derniers opus pou...
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Avec les opus 116 et 117 de Brahms nous sommes dans les quatre derniers opus pour piano seul composés à Ischl en 1892, de même que pour les opus 118 et 119 en 1893. Brahms a abandonné l'écriture symphonique dont la dernière oeuvre fut le double concerto pour violon et violoncelle et plus tardivement celle qui concerne la musique de chambre.Cherchant une oeuvre inédite pour alto et piano représentative de la fin de la période romantique, mon choix s'est porté sur l'opus 117 #1 car il convenait parfaitement à un arrangement pour piano et alto, la partie mélodique étant de ce registre.A ce propos, n'oublions pas l'admirable oeuvre vocale du compositeur ainsi que les opus symphoniques antérieurs, mais également ceux de musique de chambre et pianistiques où la mélodie est confiée de manière épisodique à une ' voix intermédiaire ' que Brahms affectionnait particulièrement.L'opus 117 #1 est un paysage d'automne en demi-teinte, en clair-obscur cher au Brahms des dernières années dont il cite deux vers en exergue, extraits d'une berceuse écossaise. Dans ses derniers opus pour piano, Brahms retourne complètement à ses origines, avec une inspiration nordique affirmée. Sur la fin de sa vie le compositeur s'abandonne progressivement à un état d'esprit mélancolique qui reflète le sentiment de ses contemporains allemands en cette fin de XIXème siècle.Ce sentiment confus, ce ' Weltschmerz ' traduisant cette ' vague douleur du monde ' incita Brahms à surnommer certaines de ces pièces ' berceuses de ma douleur ' dont l'opus 117 #1 pourrait être un exemple. Ces ultimes opus s'inscrivent dans les quatre grands cycles de rêveries et de méditations pianistiques du célèbre compositeur. / Alto Et Piano
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Christoph Sassmannshaus Kurt Sassmannshaus Melissa Lusk: Viola Recital Album:
Viola, Piano
-
Easy
Barenreiter
First Position - Volume 1-Viola Recital Album Volume 1: 9 Recital Pieces in Firs...
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First Position - Volume 1-Viola Recital Album Volume 1: 9 Recital Pieces in First Position for Viola and Piano or Two ViolasViola Recital AlbumVolumes 1-4 (BA8990-BA8993)These volumes contain a wide selection of easy recital pieces. They are designed as companion volumes to the Early Start on the Viola method but work equally well as a supplement to any other viola method. As all pieces are written entirely in first position they can be used just after a few months of lessons. Well-known as well as unfamiliar pieces provide welcome additional repertoire for young students and teachers.The piano part may be played by the teacher or an advanced student. Alternatively a secondviola part allows duet playing with the teacher during lessons. The Viola Recital Album Volume 1 can be used as a supplement to the Early Start on the Viola method Volumes 1 and 2 (BA 9686 and BA 9687). The 18 pieces in Volume 1 are structured to follow the same progression of finger patterns introduced in the Early Start method. This systematic progression helps the student to solidify the hand position and improve intonation. The basic bowing techniques do not require changes in bow speed or sounding point. The young performer can focus on a straight and beautifully placed bow that produces a pleasing and clear sound.New pieces to supplement the Sassmannshaus Viola methodAll pieces in first positionInclude an additional viola part for duet version and a piano accompaniment
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Christoph Sassmannshaus Kurt Sassmannshaus Melissa Lusk: Viola Recital Album:
Viola, Piano
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Easy
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First Position - Volume 3-These volumes contain a wide selection of easy recital...
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First Position - Volume 3-These volumes contain a wide selection of easy recital pieces. They are designed as companion volumes to the Early Start on the Viola method but work equally well as a supplement to any other viola method. As all pieces are written entirely in first position they can be used just after a few months of lessons. Well-known as well as unfamiliar pieces provide welcome additional repertoire for young students and teachers.The piano part may be played by the teacher or an advanced student. Alternatively a second viola part allows duet playing with the teacher during lessons.The Viola Recital Album Volume 1 can be used as a supplement to the Early Start on theViola method Volumes 1 and 2 (BA 9686 and BA 9687). The 18 pieces in Volume 1 are structured to follow the same progression of finger patterns introduced in the Early Start method. This systematic progression helps the student to solidify the hand position and improve intonation. The basic bowing techniques do not require changes in bow speed or sounding point. The young performer can focus on a straight and beautifully placed bow that produces a pleasing and clear sound.- New pieces to supplement the Sassmannshaus Viola method- All pieces in first position- Include an additional viola part for duet version and a piano accompaniment
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Christoph Sassmannshaus Kurt Sassmannshaus Melissa Lusk: Viola Recital Album:
Viola, Piano
-
Easy
Barenreiter
First Position - Volume 4-These volumes contain a wide selection of easy recital...
(+)
First Position - Volume 4-These volumes contain a wide selection of easy recital pieces. They are designed as companion volumes to the Early Start on the Viola method but work equally well as a supplement to any other viola method. As all pieces are written entirely in first position they can be used just after a few months of lessons. Well-known as well as unfamiliar pieces provide welcome additional repertoire for young students and teachers.The piano part may be played by the teacher or an advanced student. Alternatively a second viola part allows duet playing with the teacher during lessons.The Viola Recital Album Volume 1 can be used as a supplement to the Early Start on theViola method Volumes 1 and 2 (BA 9686 and BA 9687). The 18 pieces in Volume 1 are structured to follow the same progression of finger patterns introduced in the Early Start method. This systematic progression helps the student to solidify the hand position and improve intonation. The basic bowing techniques do not require changes in bow speed or sounding point. The young performer can focus on a straight and beautifully placed bow that produces a pleasing and clear sound.- New pieces to supplement the Sassmannshaus Viola method- All pieces in first position- Include an additional viola part for duet version and a piano accompaniment
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EDITIONS DELATOUR FRANCE DE VIENNE BERNARD - INTIME - ALTO and PIANO
Français
Viola, Piano
Delatour France
Cette oeuvre a été écrite pour remercier la pianiste Tran Ngoc Nguyen Trinh d...
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Cette oeuvre a été écrite pour remercier la pianiste Tran Ngoc Nguyen Trinh de son investissement hors du commun lors de la création de mon Poème lyrique Kim Vân Kiêu dans sa version pour cinq voix, récitant et piano (création à Paris en décembre 2017).
Le titre porte en lui-même un projet esthétique : comment traduire ce qui est intime, tendre, infime, sensible, l'émotion à fleur de peau , la relation entre les êtres, faite de fragments de mémoire, de convergences et divergences.
Cette musique assez épurée et simple, au caractère léger, si ce n'est gai, est à jouer avec précision et finesse. La forme est constituée de diverses motifs aux caractères très différenciés qui se succèdent rapidement, s'entremêlent et échangent leurs caractéristiques. Les instrumentistes devront veiller à rechercher dans les plus infimes détails, les couleurs sonores, les articulations, les nuances, etc. les plus diversifiées possibles et changer de mode de jeu instantanément dès une nouvelle indication.
Bien que l'oeuvre soit à jouer sans interruption, dans un cadre d'étude, chaque partie peut se jouer seule. La partie centrale (écrite en 2001) est éditée à part aux Éditions François Dhalmann dans sa version alto seul sous le titre Esquisse. / Partitions classique / Cordes / Alto / EDITIONS DELATOUR FRANCE
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Miriam's Song (Band 2)
Viola, Piano
Furore Verlag
Sarah Feigin *1928: Reflections on a Niggun (1999) (6:05') Helene Liebmann 1795-...
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Sarah Feigin *1928: Reflections on a Niggun (1999) (6:05') Helene Liebmann 1795-nach 1835: Andante con Variation (7:06'). 3. Satz der Sonate op. 11 Die zweibändige Ausgabe unter dem Titel ?Miriam's Song' (Das Lied der Mirjam) ist jüdischen Komponistinnen des 19. und 20. Jahrhunderts gewidmet. Sie beinhaltet Viola-Bearbeitungen der Werke von Fanny Hensel geb. Mendelssohn, Vally Weigl, Lena Stein-Schneider und Ruth Schonthal (Band 1). Das von Schonthal aufgenommene Allegro moderato ist eine Originalkomposition für Viola und Klavier. Im 2. Band begegnen wir den Komponistinnen Helene Liebmann und Sarah Feigin. Der Titel der Ausgabe bezieht sich auf die Rolle der Prophetin Mirjam, der älteren Schwester von Mose und Aaron. Beim Auszug des israelischen Volkes aus Ägypten führte sie nach der Durchquerung des Schilfmeeres den Freudentanz und Gesang der Frauen an (2. Buch Mose 15,20-21). Bezeichnenderweise hat der Berliner Maler Wilhelm Hensel im 19. Jahrhundert seine Frau, die Komponistin Fanny Hensel geb. Mendelssohn, als Mirjam porträtiert.Das Repertoire romantischer Konzertliteratur für Viola ist recht begrenzt. Den Herausgebern ist es ein Anliegen, den im Original für Violine, Violoncello oder Klarinette geschriebenen Werken durch die Bearbeitung zu größerer Verbreitung zu verhelfen.'Revue Musicale Suisse / Schweizer MusikzeitungApril 2012 Seite 39, Walter Amadeus Ammann: Kompositionen jüdischer Frauen :Die Prophetin Mirjam, Schwester von Moses und Aaron, führte die Frauen beim Auszug aus Ägypten bei Tanz und Gesang an. Das Motto der zwei Hefte Miriam's Song deckt sich mit dem Schicksal der sechs Komponistinnen, die hier mit Stücken von drei bis sieben Minuten Dauer vertreten sind. Fanny Hensel traute sich nicht, ihre Werke zu publizieren, Vally Weigl und Ruth Schonthal mussten wegen der Nazis emigrieren, Lena Stein wurde durch eine Schweizer Delegation aus Theresienstadt befreit, Helene Liebmann änderte 1820 in Berlin wegen antisemitischer Repressalien ihren Namen auf Liebelt und Sarah Feigin wanderte 1972 von Lettland nach Israel aus.Die für Violine, Violoncello oder Klarinette mit Klavier geschriebenen Stücke in mäßiger Schwierigkeit eignen sich vorzüglich für die Bratsche. Gefühlvoll: Adagio von Hensel und Nocturno von Stein. Kurzweilig: Old Time Burlesque von Weigl und Reflection on a Niggun von Feigin. Oder Sätze aus Sonaten: Das fließende Allegro moderato von Schonthal und die anspruchsvollen Variationen über la ci darem la mano von Liebmann. Die zwei Sonaten sind in der Furore Edition auch vollständig sowohl für Violoncello als auch für Bratsche und Klavier erhältlich.Miriam's Song, Werke von jüdischen Komponistinnen für Viola und Klavier, Band 1 und 2, hg. von Bella und Semjon Kalinowsky, fue10050/10064, ? 18.00/16.00, Furore Edition, Kassel 2011' / Alto Et Piano
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Darius Milhaud: Sonata For Viola And Piano No.2: Viola: Instrumental Work
Viola, Piano
[Sheet music]
Heugel
French composer and teacher Darius Milhaud (1892-1974) was a prolific composer ...
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French composer and teacher Darius Milhaud (1892-1974) was a prolific composer of the 20th century as a member of 'Les Six'. His compositions remain highly regarded Sonata No. 2 for Viola and Piano being no exception. Milhaud's compositions are influenced by jazz and polytonality as exemplified in Sonata No. 2. Composed in 1944 Sonata No. 2 for Viola and Piano is an alternative exciting sonata made up of three movements; 1) Rural 2) Dramatic and 3) Rough. Milhaud makes use of variation in articulation complex rhythms chromaticism accidentals harmonics altering tempos variation in dynamics and a wide tessitura amongst other aspects. Milhaud's Sonata No. 2 for Viola and Piano is essential to all advanced violists seeking modern and exciting repertoire.
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Peggy Radmall: Chester String Series Viola Book 1 (Viola/Piano): Viola:
Viola, Piano
[Sheet music]
Chester
The Chester String Series has been providing high quality musical works for deve...
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The Chester String Series has been providing high quality musical works for developing String Players for over 60 years. Viola Book 1 contains eight graded pieces in the 1st position including works by C.P.E. Bach and W.A. Mozart. Every piece has been appropriately arranged and edited for Viola and Piano by the renowned Viola teacher and arranger Peggy Radmall.
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Nadia Boulanger: Three Pieces For Viola & Piano (Originally For Cello). Sheet Music for Viola Piano Accompaniment
Viola, Piano
Leduc, Alphonse
Nadia Boulanger's Three Pieces for Viola and Piano transcribed from the origina...
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Nadia Boulanger's Three Pieces for Viola and Piano transcribed from the original for Cello. Posterity has retained of Nadia Boulanger only her gifts as a virtuoso of the piano and organ her skill as a conductor (of vocal ensemble and orchestra) and most of all her incredible charisma as a teacher. For nearly sixty years 'Mademoiselle' made the most of her famous Wednesdays bringing rigour and passion to the training of several generations of musicians: among so many others Aaron Copland Leonard Bernstein Igor Markevitch Michel Legrand Witold Lutoslawski Astor Piazzolla Quincy Jones and John-Eliot Gardiner have all kept unforgettable memories of thesetimes.Was Nadia Boulanger wrong to let teaching music take precedence over her composing as Gabriel Fauré the great master she venerated believed? The publication of Three Pieces for Viola and Piano raises the question. This transcription of Three Pieces for cello and piano was composed between 1911 and 1913 and published by Heugel. The two initial pieces were originally written for organ: the first in E flat minor brings a moderate tempo to a melancholy cantilena with Romantic accents while the second in A minor exudes warmth and tenderness. The third piece (C sharp minor) most likely originally titled Danse espagnole heralds the Roaring Twenties with its restlessness and festive crackle. Together they emit a charm that is difficult to resist.
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Sonate N02 (MILHAUD DARIUS)
Viola, Piano
[Sheet music]
Heugel
Par MILHAUD DARIUS. French composer and teacher, Darius Milhaud (1892-1974) was ...
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Par MILHAUD DARIUS. French composer and teacher, Darius Milhaud (1892-1974) was a prolific composer of the 20th century as a member of 'Les Six'. His compositions remain highly regarded, Sonata No. 2 for Viola and Piano being no exception. Milhaud 's compositions are influenced by jazz and polytonality, as exemplified in Sonata No. 2. Composed in 1944, Sonata No. 2 for Viola and Piano is an alternative, exciting sonata made up of three movements; 1) Rural, 2) Dramatic, and 3) Rough. Milhaud makes use of variation in articulation, complex rhythms, chromaticism, accidentals, harmonics, altering tempos, variation in dynamics and a wide tessitura, amongst other aspects. Milhaud 's Sonata No. 2 for Viola and Piano is essential to all advanced violists seeking modern and exciting repertoire./ Répertoire / Alto et Piano
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Darius Milhaud: Quatre Visages Op.238 No.1 - La Californienne: Viola:
Français
Viola, Piano
[Sheet music]
Heugel
First of the series of “Quatre Visages” by Darius Milhaud I - La C...
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First of the series of “Quatre Visages” by Darius Milhaud I - La Californienne is a short piece for Viola and Piano. With some difficulties it requires some intermediate technique of the instrument and some theory knowledge to read in different keys. The book includes the score for Viola and Piano and the part for Viola only. The music has moderate tempo and is quite expressive. It is supposed to represent an American girl from California. She is part of the four faces with: II. The Wisconsonian III. La Bruxelloise and IV. La Parisienne. Darius Milhaud (1892-1974) was a French modernistcomposer and a teacher. He was also part of Les Six and was strongly influenced by Jazz. His opus list ended at 443.
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4 Visages N02 The Wisconsonian Alto Et Piano (MILHAUD DARIUS)
Viola, Piano
[Sheet music]
Heugel
Par MILHAUD DARIUS. Second of the series of ; Four Faces by Darius Milhaud, II. ...
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Par MILHAUD DARIUS. Second of the series of ; Four Faces by Darius Milhaud, II. The Wisconsonian is a short piece for Alto and Piano. Easy to play, it requires some technique of the instrument and some theory knowledge to read in different keys. The book includes the parts for Viola and Piano and for Viola only. The music is cheerful and quite fast, with the Viola part playing mainly semisquavers alternating up and down every two bars. It is supposed to represent an American girl coming from Wisconsin. She is part of the four faces with: I. The Californian girl, II. The Wisconsonian and IV. The Parisian girl. Darius Milhaud (1892-1974) was a French modernist composer and a teacher. He was also part of the Les Six and was strongly influenced by Jazz. His opus list ended at 443./ Répertoire / Alto et Piano
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4 Visages N01 La Californienne Alto Et Piano (MILHAUD DARIUS)
Viola, Piano
[Sheet music]
Heugel
Par MILHAUD DARIUS. First of the series of ; Quatre Visages by Darius Milhaud, I...
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Par MILHAUD DARIUS. First of the series of ; Quatre Visages by Darius Milhaud, I - La Californienne is a short piece for Viola and Piano. With some difficulties, it requires some intermediate technique of the instrument and some theory knowledge to read in different keys. The book includes the score for Viola and Piano and the part for Viola only. The music has moderate tempo and is quite expressive. It is supposed to represent an American girl from California. She is part of the four faces with: II. The Wisconsonian, III. La Bruxelloise and IV. La Parisienne. Darius Milhaud (1892-1974) was a French modernistcomposer and a teacher. He was also part of Les Six and was strongly influenced by Jazz. His opus list ended at 443./ Répertoire / Alto et Piano
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Darius Milhaud: Quatre Visages Op.238 No.2 - The Wisconsonian: Alto:
Viola, Piano
[Sheet music]
Heugel
Second of the series of “Four Faces” by Darius Milhaud II. The Wisc...
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Second of the series of “Four Faces” by Darius Milhaud II. The Wisconsonian is a short piece for Alto and Piano. Easy to play it requires some technique of the instrument and some theory knowledge to read in different keys. The book includes the parts for Viola and Piano and for Viola only. The music is cheerful and quite fast with the Viola part playing mainly semisquavers alternating up and down every two bars. It is supposed to represent an American girl coming from Wisconsin. She is part of the four faces with: I. The Californian girl II. The Wisconsonian and IV. The Parisian girl. Darius Milhaud(1892-1974) was a French modernist composer and a teacher. He was also part of the Les Six and was strongly influenced by Jazz. His opus list ended at 443.
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Play it Again: Viola: Instrumental Album
Viola, Piano
-
Easy
Faber Music Limited
Tired of the same old exam pieces? Need a little light relief? Then here's the a...
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Tired of the same old exam pieces? Need a little light relief? Then here's the answer to your problems. Play it Again is a lively collection of favourite tunes both new and old expertly arranged for easy viola with upbeat but playable piano accompaniments. All viola parts are written in first position so they are perfect for the absolute beginner helping young players to gain confidence and learn basic technique in a fun and lively way. Both you and your teacher can really relax and have fun!The solo viola part is also included on a separate insert.
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Darius Milhaud: Quatre Visages Op.238 No.3 - La Bruxelloise: Viola: Instrumental
Viola, Piano
[Sheet music]
Heugel
Third of the series of “Quatre Visages” by Darius Milhaud III. La ...
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Third of the series of “Quatre Visages” by Darius Milhaud III. La Bruxelloise is a short piece for Alto and Piano. Easy to play it still requires some technique of the instrument and some theory knowledge to read in different keys. The book includes the parts for Viola and Piano and for Viola only. The music quite slow is really delicate and is supposed to represent a Belgian girl coming from Brussels. She is part of the four faces with: I. The Californian girl II. The Wisconsonian and IV. The Parisian girl. Darius Milhaud (1892-1974) was a French modernist composer and a teacher. Hewas also part of Les Six and was strongly influenced by Jazz. His opus list ended at 443.
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Johann Sebastian Bach: Concerto In E Flat: Viola: Instrumental Work
Viola, Piano
Barenreiter
The Concerto In E Flat For Viola Strings And Basso Continuo is the reconstructi...
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The Concerto In E Flat For Viola Strings And Basso Continuo is the reconstruction of a lost concerto that has been formed the works: BWV 169 BWV 49 and BWV 1053. This fascinating work has been constructed by Wilfried Fischer and the Piano Reduction has been arranged by Michael Topel.The solo Viola part is also included on a separate insert.
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Little Pop Music Vap (SCHMITZ MANFRED)
Viola, Piano
[Sheet music]
AMA Verlag
27 Stücke für Violine, Viola, Cello oder Flöte und Klavier. Par SCHMITZ MANFR...
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27 Stücke für Violine, Viola, Cello oder Flöte und Klavier. Par SCHMITZ MANFRED. Have fun learning through the combination of classical playing technique and pop sound! Separated into different levels of difficulty, in both these titles you’ll find an extensive repertoire of pieces for solo instruments with piano accompaniment. Working together with experienced instrumental pedagogues, Manfred Schmitz has specifically arranged these pieces for violin, viola, cello and flute respectively. Ideal for students and teachers: all components (the piano accompaniment book, the instrumental part books and a play-along CD that contains the piano accompaniments) can all be purchased separately. / Pop & rock / Recueil / Alto et Piano
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4 Visages N03 La Bruxelloise Alto Et Piano (MILHAUD DARIUS)
Viola, Piano
[Sheet music]
Heugel
Par MILHAUD DARIUS. Third of the series of ; Quatre Visages by Darius Milhaud, I...
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Par MILHAUD DARIUS. Third of the series of ; Quatre Visages by Darius Milhaud, III. La Bruxelloise is a short piece for Alto and Piano. Easy to play, it still requires some technique of the instrument and some theory knowledge to read in different keys. The book includes the parts for Viola and Piano and for Viola only. The music, quite slow, is really delicate and is supposed to represent a Belgian girl coming from Brussels. She is part of the four faces with: I. The Californian girl, II. The Wisconsonian and IV. The Parisian girl. Darius Milhaud (1892-1974) was a French modernist composer and a teacher. Hewas also part of Les Six and was strongly influenced by Jazz. His opus list ended at 443./ Répertoire / Alto et Piano
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Viola All Sorts. Initial-Grade 1: Viola: Instrumental Album
Viola, Piano
[Sheet music]
-
Easy
Trinity College London
Viola and piano albums-An assortment of 19 fun pieces to pick and mix - from eas...
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Viola and piano albums-An assortment of 19 fun pieces to pick and mix - from easy classics to great new pieces this collection covers it all.All Sorts is designed to fit the technique and capabilities of the young player with easy-to play Piano accompaniments for the teacher.
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Viola All Sorts. Grades 2-3: Viola: Instrumental Album
Viola, Piano
[Sheet music]
-
Easy
Trinity College London
Viola and piano albums-An assortment of 20 fun pieces to pick and mix - from eas...
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Viola and piano albums-An assortment of 20 fun pieces to pick and mix - from easy classics to great new pieces this collection covers it all.All Sorts is designed to fit the technique and capabilities of the young player with easy-to play Piano accompaniments for the teacher.
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