In addition to being one of the world's greatest bluegrass musicians Sam Bush is a clear and dynamic instructor. This terrific two-part series will help aspiring mandoling players improve their technical prowess build repertoire and develop formidable musicianship on their instrument. Teaching traditional fiddel tunes Bill Monroe-style instrumentals and his own compositions Sam provides detailed instruction in pick technique rhythm chopping speed building warm-up exercises tremolo improvised soloing and much more. You'll learn how to create variations on melodies use drone strings for fiddle-like effects employ crosspicking tecniques for a smoother sound and move upthe neck to play in higher positions. The songs and variations you'll be playing include: Ragtime Annie Bile Them Cabbage Down Blackberry Blossom Sally Goddin Big Mon Get Up John Brilliancy Whayasay and Big Rabbit. As a bonus Sam privides insight into his instruments and equipment his favourite strings pick gauges and the ways that his instruments have been set up to suit his exacting requirements.

Increase your lick repertoire. 400 Smokin' Bluegrass Mandolin Licks utilizes 24 common bluegrass chord progressions to teach you over 400 licks which will allow you to create solos to literally hundreds of bluegrass tunes. Licks are developed from major pentatonic and blues scales. Mandolin-specific techniques such as tremolo double stops drone strings and cross picking are included in many of the phrases. Licks and solos are presented in numerous different keys including the keys of F Bb and B. The demo CD includes every lick performed at learning speed. Each practice progression uses sample licks and is played with rhythmaccompaniment on the included CD. ?Nine-Pound Hammer ? ?Black Mountain Rag ? ?Little Maggie ? ?Salt Creek ? and ?Ragtime Annie? are just some of the many traditional bluegrass tunes included.

All you need is a mandolin and the ability to play three chords to play the 27 songs in this collection. Includes: All Along the Watchtower • Blue Suede Shoes • Cecilia • The First Cut Is the Deepest • I Still Haven't Found What I'm Looking For • Jolene • Lean on Me • Me and Bobby McGee • Ring of Fire • Sweet Caroline • Twist and Shout • and more.

If you've heard jazz guitarists like Joe Pass play chord melody you may think that the style requires an encyclopedic knowledge of music theory musical super-powers or making a deal with the devil. But fear not! This bookwill show you how to create your own satisfying chord melody arrangements on the Mandolin...and will do so in a practical applicable way.'Aaron Weinstein has many musical accomplishments. I am very proud to have playeda small part with some of them. When he was only 12 he made his first recordings and asked me to play Mandolin on them. I was knocked out to encounter someone that young that was conversant in both old-time or contest fiddling andJoe Venuti style jazz. Not long after that Aaron became interested in the Mandolin and chords and he came by every so often to play and discuss voicings improvisation and the like. I showed him some of the Jethro Burns chordmelody arrangements that Jethro showed me. I've been teaching those for decades in hopes of one day playing them smoothly myself!Fast forward a few more years and Aaron has a Berklee degree traveled the worldplaying hot Violin music and is hobnobbing with the greatest NYC jazz stars. And oh yeah one other thing: he took the art of chord-melody Mandolin style to an entirely new level! The rich harmonies of the standard jazz and showtune repertoire the swinging bass lines and connecting chords and independent voice movements (doing more than one thing at a time) are all present in Aaron's style thanks to his great ear open mind and gift at locating thingson the fretboard. And now Aaron has documented explained and shared his discoveries and approach with all of us in this book. Thank you Aaron!This is truly a step-by-step method that you will enjoy. You'll findyourself saying 'oh of course!' as the author gets you playing and understanding things that sound very detailed and complex. The first section I would call the mandolinistic stuff: the how-to on getting things moving and