La plupart des pays ayant institué la tradition des musiques militaires ont développé un style de marche caractéristique. Ainsi il est relativement aisé de distinguer une marche américaine d?une marche militaire française ou une marche allemande d?une marche espagnole. À l?intérieur du cadre structurel rigide d?une marche on réussit à percevoir même les plus subtiles différences de rythme d?harmonie et de tempo qui caractérisent les traditions de chaque pays.Il existe un ou plus exactement deux styles de marche typiquement anglais : celui des marches militaires représenté par des compositeurs tels que Kenneth J. Alford et celui des marches cérémonielles ou de concert quiatteindra l?excellence avec les marches orchestrales d?Elgar et Walton entre autres.Royal Salute (?Salut royal?) est une marche de difficulté moyenne qui perpétue cette grande tradition. On y retrouve des éléments typiques : des mélodies et contremélodies amples et un trio nobilmente.

March Barnes Wallis was commissioned by Royal Air Force Music Services to commemorate the 70th anniversary of the famous Dambuster’s raid and received its first performance on BBC Radio 2’s Friday Night is Music Night broadcast live from Biggin Hill Airport on 17 June 2013 by the Central Band of the RAF Director of Music Wing Commander Duncan Stubbs.

Simon Dobson wrote his 'Four Sketches' at the request of Peter Bossano Head of Brass at the Royal College of Music in recognition of the 25th anniversary of Benjamin Britten’s death. The first movement 'Fanfare' quotes directly from the opening violin melody from Britten’s song cycle Les Illuminations. This melodic line is superimposed upon sonorous Lydian mode chords to project a majestic sound. The second movement 'Prayer' is a definite contrast being and much more reflective and pensive in it’s mood and featuring a dream like euphonium cadenza. The third movement 'Funeral March' builds from a soft chordal opening to a chaotic and confusedfortississimo climax with flourishes in the cornets and pounding tri-tones across the basses before plunging into silence for a flugel cadenza to finish. The final Finale movement is much more positive from the off with its jaunty melodies over a Brittenesque ostinato. The block chordal passages offer a crashing climax making for an exciting conclusion to an excellent new work for the medium. Simon Dobson’s 'Four Sketches' was the winning entry in the European Brass Band Composer Competition held in Brussels in March 2002.

from Symphony No. 1 - The Lord of the Rings. Johan de Meij?s first symphony The Lord of the Rings is based on the trilogy of that name by J.R.R. Tolkien. This book has fascinated many millions of readers since its publication in 1955. The symphony consists of five separate movements, each illustrating a personage or an important episode from the book. This transcription for brass band, arranged by the composer has the following movements: I. GANDALF (The Wizard), IV. JOURNEY IN THE DARK (The Mines of Moria and The Bridge of Khazad-Dûm), V. HOBBITS. The symphony was written in the period between March 1984 and December 1987, and had its première in Brussels on 15th March 1988, performed by the The Royal Band of the Belgian Guides under the baton of Norbert Nozy. In 1989, the symphony The Lord of the Rings was awarded a first prize in the Sudler International Wind Band Composition Competition in Chicago, and a year later, the symphony was awarded a grant by the Dutch Composers Fund. In 2001, the orchestral version was premiered by the Rotterdam Philharmonic Orchestra and recorded by the London Symphony Orchestra.

A Festive Overture received its world première on 23rd March 2002 at the BASBWE International Conference Royal Northern College of Music Manchester by the Central Band of the RAF conducted by Wing Commander Rob Wiffin.  The outer sections are busy and colourful framing an expansive middle section where Hesketh introduces a typically broad melody. Brass Band Grade 6: Championship Duration: 7 minutes

Fanfare; Portsmouth is a work for Brass Ensemble composed by Peter Maxwell Davies. Commissioned by the New Theatre Royal Portsmouth to celebrate its re-opening it was first performed there on 11thMarch 2016. This is the full Score and a full performance lasts around 5 minutes.