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LUTE
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Henri Dutilleux: Henri Dutilleux: Tout Un Monde Lontain: Cello: Study Score
Cello, Orchestra
Heugel
Henri Dutilleux (1916-2013) was greatly influenced by his contemporaries Ravel ...
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Henri Dutilleux (1916-2013) was greatly influenced by his contemporaries Ravel Debussy and Roussel yet implemented his own unique style. His Cello Concerto Tout Un Monde Lontain is considered to be one of the most important 20th century additions to the instrument's repertoire. This Dutilleux Concerto comprises five movements which run seamlessly in to one-another each inspired by the poetry of Charles Baudelaire. The movements are: 1) Énigme (Enigma) 2) Regard (Gaze) 3) Houles (Surges) 4) Miroirs (Mirrors) and 5) Hymne (Hymn). Tout Un Monde Lontain was first performed in July 1970 by Russiancellist Mstislav Rostropovich with the Orchestre de Paris. Dutilleux's Tout Un Monde Lontain remains popular to this day and including the entire orchestral score this edition is essential to the advanced cellist's repertoire.
32.50 GBP - Sold by Musicroom UK
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Arne Nordheim: Tenebrae: Cello: Score
Cello, Orchestra
[Sheet music]
Wilhelm Hansen
Tenebrae (1982) a single-movement cello concerto commissioned and premiered by...
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Tenebrae (1982) a single-movement cello concerto commissioned and premiered by Rostropovich who praised the composer for his fine understanding and command of the rich timbre of the instrument. It is a convincing and almost nightmarish work containing music which leaves a tremendous impact on the listener. Not least in the central section where ghastly and terrifying apparitions are invoked out of the darkness. The final poetical section of the work is directly inspired by the description of the closing movement of Leverkühn?s Cantata in Thomas Mann?s Doktor Faustus.
28.99 GBP - Sold by Musicroom UK
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Tout Un Monde Lointain (DUTILLEUX HENRI)
Cello, Orchestra
Heugel
Par DUTILLEUX HENRI. Henri Dutilleux (1916-2013) was greatly influenced by his c...
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Par DUTILLEUX HENRI. Henri Dutilleux (1916-2013) was greatly influenced by his contemporaries, Ravel, Debussy and Roussel, yet implemented his own, unique style. His Cello Concerto, Tout Un Monde Lontain is considered to be one of the most important 20th century additions to the instrument's repertoire. This Dutilleux Concerto comprises five movements which run seamlessly in to one-another, each inspired by the poetry of Charles Baudelaire. The movements are: 1) Enigme (Enigma), 2) Regard (Gaze), 3) Houles (Surges), 4) Miroirs (Mirrors), and 5) Hymne (Hymn). Tout Un Monde Lontain was first performed in July 1970 by Russiancellist, Mstislav Rostropovich with the Orchestre de Paris. Dutilleux 's Tout Un Monde Lontain remains popular to this day, and including the entire orchestral score, this edition is essential to the advanced cellist's repertoire./ Répertoire / Violoncelle et Orchestre
44.40 EUR - Sold by LMI-partitions
(Seller in french langage)
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Robert Schumann: Concerto for Cello and Orchestra (Concertstück): Cello and
Cello, Orchestra
Peters
Original Version. Schumann?s Cello Concerto Rediscovered In her first Urtext edi...
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Original Version. Schumann?s Cello Concerto Rediscovered In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann?s original version of his Cello Concerto in A minor Op. 129 ? a piece he actually called a ?Concertstück? ? removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer?s manuscript held in the Biblioteka Jagiello?ska in Kraków. This Full Score matches the separately available edition for Cello and Piano (EP 73488). Matching orchestral material is also available from the publisher. Only modern Urtext edition based on Schumann?s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Cello and piano edition available separately from Edition Peters: orchestral parts available for rental Recording of the Concertstück featuring Josephine Knight available from Dutton Robert Schumann?s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann?s original conception of the work ? not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann?s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists. Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiello?ska in Kraków, to reveal Schumann?s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann?s original conception of the work as a Concertstück and restores Schumann?s musical text, free of posthumous interventions. ?My ultimate wish,? says the editor, ?is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character ? one that is lighter and happier, even ?cheerful?, as Schumann himself described the work.'
52.00 GBP - Sold by Musicroom UK
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Peter Sculthorpe: Cello Dreaming: Orchestra: Score
Cello, Orchestra
[Sheet music]
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Intermediate
Faber Music Limited
Written in 1998 Peter Sculthorpe's calm work draws its inspiration from his own...
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Written in 1998 Peter Sculthorpe's calm work draws its inspiration from his own environmental concerns for Northern Australia's so-called 'Top End'. There along the coastline Aboriginal and Torres Strait Island cultures mingle with those of Melanesia and Indonesia. Cello Dreaming reflects this plurality.
10.99 GBP - Sold by Musicroom UK
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François Couperin: Pièces En Concert: String Ensemble: Score and Parts
Cello, Orchestra
[Sheet music]
Leduc, Alphonse
Couperin's Concert Pieces for Cello and String Quartet accompaniment is an excit...
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Couperin's Concert Pieces for Cello and String Quartet accompaniment is an exciting addition to the string repertoire for its slightly unusual instrumentation. François Couperin (1668-1733) is often nicknamed 'Couperin the Great' to distinguish him from other members of the musical family. Concert Piecesis made up of five movements; 1) Prelude 2) Sicilienne 3) The Trumpet 4) The Complaint and 5) Devil's Air. Couperin's moods are expressed through choices of keys adventurous harmonies and discords. With a significant amount of variation and inspiration Concert Pieces isessential to the repertoire of aspiring advanced String Quartets and solo cellists.
15.50 GBP - Sold by Musicroom UK
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