'Pop pour violoncelle' lance une nouvelle série de chaînes de caractères uniques qui veulent également jouer de la pop et de chansons rock.Dans le tout premier groupe à être classiques à cordes réels comme 'Dust In The Wind' ou 'Against All Odds' et de conifères comme 'Somethin 'Stupid' et 'A Whiter Shade Of Pale' ou 'classique gaz' facile à jouer et sonnant à la grande pour le violoncelle présenté.Mais 'Still' et actuels succès pop comme l'énergique 'So What' de Pink et de l'hymne rock allemand de Jupiter VTOL donner le violoncelle à un début inouïe Ecosse dans le style pop.Le CD fourni contient toutes les chansons de la version complète et une version play-along pour pratiquer audition et vraiment amusant. Musique pour violoncelle est l'alternative idéale pour tout violoncelliste aux études classiques - dans la salle de classe et à la maison! / 1 Ou 2 Violoncelle(s) / 28 pages / niveau : Facile / Partition Cd

Instrumentalists will love this jam-packed collection of 101 timeless pop hits and favorite standards: The Boxer · City of Stars · Daughters · Every Breath You Take · Gabriel's Oboe · Have I Told You Lately · Just Give Me a Reason · Love Me Tender · Michelle · Never Enough · Perfect · River Flows in You · She's Always a Woman · Strangers in the Night · Three Times a Lady · What a Wonderful World · Your Song · and more.

Cello Play-Along Series Volume 9-The Cello Play-Along Series will help you play your favorite songs quickly and easily. Just follow the printed music and play along using the original backing tracks available online for download or streaming.This volume lets you play along with the Piano Guys! It contains ten selections from the Piano Guys' 2017 holiday album with original backing tracks created and recorded by the Piano Guys. The backing tracks are included in the price of this book. Songs include O Holy Night/Ave Maria • Mary Did You Know?/Corelli Christmas Concerto • Ode to Joy to the World • What Child Is This • Gloria!/Hark! the Herald Angels Sing • O Little One Sweet• The Little Drummer Boy/Do You Hear What I Hear • Silent Night • The Manger and The Sweetest Gift.

A Must-Have Collection of Well-Known Songs Including Many Cello Features-If you've been learning to play the cello for a little while you're probably eager to put those new skills to work and play some familiar songs. The First 50 Songs You Should Play on the Cello includes a wide variety of favorite songs from pop hits and movie themes to folk songs and classical melodies several of which originally featured cello! Titles include: Air (Air on the G String) · All of Me · All You Need Is Love · Circle of Life · Fight Song · God Bless America® · Hallelujah · Hello · I Will Always Love You · Let It Go · Roar · Satin Doll · See You Again · Shake It Off · Shallow · Stand by Me · Summertime · The Swan (Le Cygne) · This Is Me · What a Wonderful World · andmore!

For more than three decades the ?Sassmannshaus Tradition? has been the household name for excellence in beginner string methods in German-speaking countries.More than half a million students have successfully learned to play string instruments using this publication. The publication of the four Violin books in 2008 in a fully adapted English version has been a big success.On the back of this success story Bärenreiter has now published the four books for cello in a newly adapted version for today?s English speaking children.What makes this Cello method so unique?- The leading German Cello method now available in English.- Large print notes andtexts as well as many colourful illustrations are ideal for pre-school as well as school children.- Note reading is emphasised from the first lesson encouraging ensemble playing from the very beginning.- Songs and scales in different positions are easily mastered within the first year of playing to ensure that children are not confined to first position playing.- Advanced Cello techniques such as varied bow strokes and shifting are introduced in a basic form.

For more than three decades the ?Sassmannshaus Tradition? has been the household name for excellence in beginner string methods in German-speaking countries.More than half a million students have successfully learned to play string instruments using this publication. The publication of the four Violin books in 2008 in a fully adapted English version has been a big success.On the back of this success story Bärenreiter has now published the four books for Cello in a newly adapted version for today?s English speaking children.What makes this Cello method so unique?The leading German Cello method now available in English.- Large print notes andtexts as well as many colourful illustrations are ideal for pre-school as well as school children.- Note reading is emphasised from the first lesson encouraging ensemble playing from the very beginning.- Songs and scales in different positions are easily mastered within the first year of playing to ensure that children are not confined to first position playing.- Advanced Cello techniques such as varied bow strokes and shifting are introduced in a basic form.

Cello Play-Along Volume 11-The Cello Play-Along Series will help you play your favorite songs quickly and easily. Just follow the printed music and play along using the original backing tracks available online for download or streaming.This volume includes 8 church favorites for the Christmas season: Hark! the Herald Angels Sing â?¢ It Came upon the Midnight Clear â?¢ O Come All Ye Faithful â?¢ O Come O Come Emmanuel â?¢ O Holy Night â?¢ Silent Night â?¢ We Three Kings of Orient Are â?¢ What Child Is This?

Chill-out pieces to enjoy between exams-Fun Club provides chill-out pieces to relax with and enjoy between exams. The lively tunes consolidate what has been learnt and move the pupil on to the next grade. The funky FREE CDs contain a demonstration ofeach track as well as an accompaniment. For Grade 1-2 Cello.Includes 11 fun pieces: Abracadabra Aria Danger zone Gold nugget boogie Home alone Missing you Partying Riffs Tango Argentine The snake charmer and The waltz.

Get Your Band Together-This is the first-ever method that teaches you how to play in a rock band. Learn what all the great musicians seem to know intuitively – how to listen interact and respond improvise and become part of the groove. The book and play-along CD will help improve your timing technique and reading ability. Become the great player that everyone wants to have in their band!Lessons throughout the book guide you through technique that's specific to learning to play Cello in a contemporary ensemble complete with daily practice routines. The CD features outstanding Berklee players and covers a wide variety of styles: rock funk jazz blues swing and bossanova!

Chill-out pieces to enjoy between exams-Fun Club provides chill-out pieces to relax with and enjoy between exams. The lively tunes consolidate what has been learnt and move the pupil on to the next grade. The funky FREE CDs contain a demonstration ofeach track as well as an accompaniment. For Grade 2-3 Cello.Includes 11 fun pieces: Barney's boogie Celtic dance Chill out zone Creatures of the night Fish 'n' chips rag Groovy baby King Clown Seven seas hornpipe Stroll on Take a stroll and Tarantella.

Cello-40 of the most memorable songs composed by the inimitable Andrew Lloyd Webber are gathered in this value-packed instrumental solo collection. Songs include: 'All I Ask of You' 'Amigos Para Siempre (Friends for Life)' 'Any Dream Will Do' 'Don't Cry for Me Argentina' 'I Believe My Heart' 'I Don't Know How to Love Him' 'Love Changes Everything' 'Love Never Dies' 'Memory' 'No Matter What' 'The Phantom of the Opera' 'Pie Jesu' 'Starlight Express' 'Stick It to the Man' 'Tell Me on a Sunday' ''Til I Hear You Sing' 'Unexpected Song' 'Wishing You Were Somehow Here Again' 'With One Look' and many more.

These versatile trios are written so that they can be performed by any combination of three string instruments. With books available for Violin Cello Viola and Bass there will always be an opportunity to play no matter what instruments are available!The arrangements and compositions by prominent string pedagogue Doris Gazda will sound full and satisfying with only three players all the way up to a full string orchestra. The music selection covers a wide variety of musical styles that will provide hours of enjoyment and performance options. There is even an arrangement of the 'Bridal Chorus' from the opera Lohengrin should you have the opportunity to play at awedding!The trios are progressively organized by level of difficulty to enable the performers to gradually advance in skill.

Cheryl Frances-Hoad's Excelsus for solo Cello. 'Excelsus takes the form of a suite each movement being based on a passage from the Requiem mass text. Although I spent many hours refining my interpretation of the words the work is ultimately a more instinctive reaction to the evocative language of the excerpts. However my stance was always totally atheistic and this infiltrates everything from the mood through the disregard for the text’s order to the instrumentation (the use of a lone figure which I viewed as a musical equivalent to the ‘first person’ offending against the liturgical norms which areconcerned with people as a community). Musically the entire work is based on two themes one melodic (the Rex Tremendae or ‘King of Awful Majesty’ theme which is heard at the very opening) and one chordal (the Lux Aeternum (Light eternal) chords not revealed in their pure form until the pizzicato passage that concludes the suite). The order ofthe movements is as follows: Requiem Aeternum (Grant them eternal rest)Kyrie (Lord have mercy)Tuba Mirum (Hark the Trumpet)Sanctus (Holy holy)Dies Irae (Day of Wrath)Agnus Dei (Lamb of God)Quid Sum Miser (What shall I a wretch say then?)' - Cheryl Frances-Hoad

for solo cello. Par LARCHER THOMAS. I do not compose my pieces for a certain voice range or orchestration, but for musicians, for people. It is almost impossible for me to produce a piece without having a particular person in mind or to hear him/her inwardly. No matter how standardized the interpretation of classical music is, and no matter how many coordinates have been fixed and defined, I do not want to have them seen (and therewith the notation) as determining and limiting signs, but rather as guideposts towards the creation of vital, organic music. In differentiated music, two participants are necessary in order for a piece to evolve-- the composer and the musician. Just as there is no one way for a composer to express himself or to notate music, etc., neither is there one way for a musician to read the notation, to interpret, or to live. We find ourselves, for this reason, in a network of meanings, gestures, and signs which have to be fathomed and expanded together. The tone, the breath, the gestures, the dedication, and the potentialities of a musician were also ultimately decisive for the form of this piece. It is music which pushes the expressive and technical possibilities of the instrument to its very limits. It is music in which the musician has to transport the contexts and expression over and above the notation. It was not necessary for me to find a new form for this piece; it is a work which can and should be performed in a ‘normal’ concert situation. I deliberately wanted to integrate the perhaps new and unusual content into a familiar form (thus the title ‘Sonata’) And I also wanted to embed the aforementioned extreme situations (in which the technical extremes are synonyms for tension, isolation, loss or tenderness) in an organic process in order for the listener to be able to empathize with and comprehend what is expressed in the piece. I would like to thank Natalie Clein, to whom the Sonata is dedicated, for inspiring this piece and for the path that led to the realization of the music. Thomas Larcher/ Répertoire / Violoncelle