Les mouvements de 'Missa di Sant 'Anna' ont été composés au cours de plusieurs années, chacun pour le 'Mädchenchor am Essener Dom' (les filles de la chorale de la cathédrale d'Essen). Le titre de la messe est liée à l'inauguration de la 'Agnus Dei', commémorant les victimes innocentes du massacre dans le village de S. Anna di Stazzema en Toscane dans l'année de guerre 1944 et en appréciant l'idée et l'esprit du centre de la paix là.'Kyrie' et 'Agnus Dei' sont chantés uniquement par le choeur a cappella, tandis que 'Gloria' et 'Sanctus' sont chantés conjointement par choeur et l'assemblée.Cette pièce passionnante de la musique peut être réalisée soit avec accompagnement d'orgue ou avec des cuivres supplémentaires. / Choeur Mixte Et Instrument Divers

Réjouissez-vous silencieusement et de manière discrète, 'Missa paschalis', avec sa mélodie lyrique et la sonorité agréablement austère, raconte le thème de chaque célébration de la Messe: l'espérance de la résurrection.Merci à son instrumentation variable, le calme et la simplicité ainsi que sa voix vocalement gratifiant de pointe, la masse peut être effectuée tout au long de l'année ecclésiastique. / Choeur Mixte Et Instrument Divers

Kantate zum Fest Mariae Heimsuchung Leipziger Fassung. Par BACH JOHANN SEBASTIAN. German-English/ Répertoire / Choeur Mixte et Instrument Divers

Arrangeur: Siegfried Petrenz. Par HAENDEL GEORG FRIEDRICH. George Frideric Handel is considered England’s first and foremost composer of oratorios. Above all, the Messiah is regarded as the epitome of sacred music and in German-speaking countries it is also one of the most often performed works in the genre. The version of the Messiah which is most often performed today is a combination of various versions. Consequently, the present critical edition by Ton Koopman contains all the surviving alternative versions of the solo movements. A concordance makes it possible to assign these movements to those various performances of the work conducted by Handel between the Dublin premiere in 1742 and the London concerts which took place up to 1759. In accordance with the wishes voiced by many choral conductors and singers, the vocal score is available in separate English and German versions. Handel's Messiah Messias) for SATB and Piano./ Répertoire / Choeur Mixte et Instrument Divers

Par TELEMANN GEORG PHILIPP. The cantata cycle Die Tageszeiten, which was composed in Hamburg in 1757, is one of the outstanding late works of Georg Philipp Telemann. A Symphonie and four cantatas [each of which consists of an aria, accompagnato, aria, and chorus] portray, in a richly sensitive manner, the course of a day, beginning with the awakening of nature to the sunset. The poetry of Friedrich Wilhelm Zachariae and Telemann’s music herald the beauty of nature, as well as the greatness of God revealed within it. Colorful instrumentation and pictures in sound corresponding to each time of the day, delicate compositional structure, and an ingenious realization of the text characterize this work, whosemusical idiom is at times reminiscent of Haydn./ Répertoire / Choeur Mixte et Instrument Divers

Par BACH JOHANN SEBASTIAN. Practical performing Urtext edition based on the latest state of Bach research. Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Hofmann, Director of the Johann Sebastian Bach Institute Göttingen for many years and a contributing editor to the New Bach Edition, presents a new edition. Hofmann has placed the study of the sources at the service of musical practice and the detailed investigation of Bach’s intentions. Bach scholars are well aware that Bach’s original score and performance parts, running to almost 500 pages of music, are full of ambiguities and contradictions, particularly regarding articulation, which constantly challenge performers to new interpretations. Hofmann discusses these and other problems in a concise critical report, frequently arriving at new conclusions in the process. Extensive notes about parallel passages offer valuable help for interpretation. Special attention was devoted to the performance material with regard to practical needs. Thus, for example the text incipits are also printed in the instrumental parts (including tacet passages). In short - an Urtext edition for practical performance based on the latest findings in Bach research. J. S. Bach's St Matthew Passion BWV 244 for SATB and Piano. Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Hofmann, Director of the Johann Sebastian Bach Institute Göttingen for many years and a contributing editor to the New Bach Edition, presents a new edition. Hofmann has placed the study of the sources at the service of musical practice and the detailed investigation of Bach's intentions. Bach scholars are well aware that Bach's original score and performance parts, running to almost500 pages of music, are full of ambiguities and contradictions, particularly regarding articulation, which constantly challenge performers to new interpretations. Hofmann discusses these and other problems in a concise critical report, frequently arriving at new conclusions in the process. Extensive notes about parallel passages offer valuable help for interpretation. Special attention was devoted to the performance material with regard to practical needs. Thus, for example the text incipits are also printed in the instrumental parts (including tacet passages). In short - an Urtext edition for practical performance based on the latest findings in Bach research./ Répertoire / Choeur Mixte et Instrument Divers

Par COMBIER JEROME. / contemporain / Répertoire / Choeur Mixte et Instruments Divers