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LUTE
Choral, Orchestra
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Quatuor à Cordes et Guitare (24)
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2 Cornets et Piano ou Orgue (24)
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Flûte Traversière 2 Violons … (24)
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Baritone Saxophone (21)
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Carl Nielsen: Fra Rold til Rebild: Orchestra: Score
Choral, Orchestra
[Score]
Carl Nielsen Edition
Sang til Vilhelm from Bartrums skuespil Fra Rold til Rebild'Vi er jyder' - for s...
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Sang til Vilhelm from Bartrums skuespil Fra Rold til Rebild'Vi er jyder' - for solo (Hans) kor og orkester. Partitur korresponderende med Carl Nielsen Udgaven (CN00043) Full Score corresponding to The Carl Nielsen Edition (CN00043) Â
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Song of the Fates (BRAHMS JOHANNES)
Choral, Orchestra
[Score]
Carus Verlag
Op. 89. Par BRAHMS JOHANNES. The Three Fates or Parcae were the goddesses of fat...
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Op. 89. Par BRAHMS JOHANNES. The Three Fates or Parcae were the goddesses of fate in Greek-Roman mythology and sang on themes of curse and fate. The Parzenlied in Goethe?s verse drama ?Iphigenie auf Tauris? is concerned with these themes and became the model for Johannes Brahms?s setting. His Gesang der Parzen (Song of the Fates) op. 89 describes in thrilling eruptive sounds the fight to overcome the mythical curse through the purity of truthful noble actions and the power of hope.With a duration of around 12 minutes the work can be combined with Brahms?s ?German Requiem? in concert. / Date parution : 2023-03-11/ Répertoire / SAATBB et Orchestre
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Korsfarerne (The Crusaders) op. 50
Choral, Orchestra
[Sheet music]
Barenreiter
Dramatic poem for Soloists, Choir and Orchestra. Par GADE NIELS WILHELM. Gade co...
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Dramatic poem for Soloists, Choir and Orchestra. Par GADE NIELS WILHELM. Gade composed the cantata ?The Crusaders? op. 50 for soloists, choir and orchestra (termed as ?Dramatic Poem? in the original print) in the summer of 1865; it was premiered on 24 April 1866. Together with the cantatas ?Kalanus? and ?Zion? written later, the work constitutes, in Gade?s understanding, a ?kind of trilogy? which centers on different manifestations of the ?longing for the true light?. The libretto of ?The Crusaders? by Carl Andersen is based on motives from Torquato Tasso?s ?Jerusalem Delivered? and spreads these over three sections which themselves are subdivided multiple times: I In the Desert ? II Armida - III Towards Jerusalem./ Répertoire / Chant et Orchestre
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Franz Joseph Haydn: Nelson Mass And Mass In Time Of War In Full Score: Voice:
Choral, Orchestra
[Score]
Dover Publications
in Full Score-Two of Haydn's finest works nominally associated with war but ri...
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in Full Score-Two of Haydn's finest works nominally associated with war but richly devotional in spirit and exemplary in their synthesis of vocal and instrumental music. Both masses were written in the late 1790s when Europe was at war and first performed at Eisenstadt the Austrian country estate of composer's lifelong patrons.Reprinted from authoritative German editions.
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Johannes Brahms: Choral Works: Mixed Choir: Vocal Score
Choral, Orchestra
[Vocal Score]
Dover Publications
with Orchestral Accompaniment-Reprinted from authoritative Breitkopf and Härtel...
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with Orchestral Accompaniment-Reprinted from authoritative Breitkopf and Härtel sources this collection features a variety of Brahmss most cherished choral works with orchestral accompaniment. Selections include:- Rhapsodie für eine Altstimme Männerchor und Orchester Op. 53 (Rhapsody for an Alto Mens Choir and Orchestra)- Schicksalslied von Friedrich Hölderlin für Chor und Orchester Op. 54 (Song of Destiny by Friedrich Hölderlin for Choir and Orchestra)- Nänie von Friedrich Schiller für Chor und Orchester Op. 82 (Nänie by Friedrich Schiller for Choir and Orchestra)- Gesang der Parzen von Goethe für sechsstimmigen Chor und Orchester Op. 89 (Song of the Fates by Goethe for Six-Part Chorus and Orchestra)- Ave Maria für Frauenchor mit Orchester oder Orgel-Begleitung Op. 12 (Ave Maria for Womens Chorus with Orchestral or Organ Accompaniment)- Begräbnisgesang für Chor und Blasinstrumente Op. 13 (Funeral Song for Chorus and Wind Instruments)- Gesänge für Frauenchor mit Begleitung von zwei Hörnern und Harfe Op. 17 (Songs for Womens Chorus Accompanied by Two Horns and Harp)- Ellens zweiter Gesang aus Walter Scotts 'Fräulein vom See' von Schubert für Sopran dreistimmigen Frauenchor vier Hörnern und zwei Fagotte Op. 52(Ellens Second Song from Walter Scotts 'Lady of the Lake' by Schubert for Soprano Solo Three-partWomens Chorus Four Horns and Two Bassoons)This edition features a new English translation of the original Editors Commentary as well as new translations of song lyrics.
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Wolfgang Amadeus Mozart: Missa Brevis In C K.220 Sparrow-Mass: SSAA: Score
Choral, Orchestra
Barenreiter
Sparrow Mass-Arrangement for female choir (SMezAA) based on the Urtext of the ?N...
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Sparrow Mass-Arrangement for female choir (SMezAA) based on the Urtext of the ?New Mozart Edition?.Straightforward Piano reduction.Mozart?s ?Missa in C major? (K. 220) nicknamed the ?Sparrow Mass? for its frequently recurring characteristic motifs in the violins has retained a firm place in the choral repertoire to the present day. Now it has been arranged for female choir and is appearing as part of the recently started ?Bärenreiter Female Choir? series.Heribert Breuer has judiciously transferred the tenor and bass solos to the high voices and incorporated the original soprano and alto parts largely unchanged into the solo and chorusparts. He has thereby retained the work?s original substance while giving it a wholly new and delightful sound.Heribert Breuer was professor of choral conducting and music theory at Berlin University of the Arts until 2010. He is the founder and director of the Berlin Bach Akademie and has made a name for himself with his many arrangements of works from Bach to Schubert.The vocal score is compatible with the performance material of the original work for mixed chorus BA 5343.
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Giovanni Battista Pergolesi: Mass in F major - Missa Romana: Double Choir: Part
Choral, Orchestra
Barenreiter
Organ Coro I-The Missa in F of 1734 for two or four choirs is probably Pergolesi...
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Organ Coro I-The Missa in F of 1734 for two or four choirs is probably Pergolesi’s most important work for choir and orchestra. The nickname 'Missa Romana' was added later in reference to a performance given in Rome during Pergolesi’s lifetime.This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome. Choirs III and IV are reproduced in smaller type and are added to the version for double choir in order to intensify the overall sound. This allows the work to be performed not only with two choirs but also in the delightful enlarged version for fourchoirs. Rounding off the edition are an informative Foreword (Eng/Ger) and a Critical Commentary (Eng).First publication with choirs III and IV.Can be performed with both two or four choirs.Idiomatic well-presented Piano reduction.Full score performance material (BA8958) and vocal score (BA8958-90) available for sale.
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Giovanni Battista Pergolesi: Mass in F major - Missa Romana: Double Choir: Score
Choral, Orchestra
[Study Score / Miniature]
Barenreiter
The Missa in F of 1734 for two or four choirs is probably Pergolesi’s mos...
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The Missa in F of 1734 for two or four choirs is probably Pergolesi’s most important work for choir and orchestra. The nickname 'Missa Romana' was added later in reference to a performance given in Rome during Pergolesi’s lifetime.This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome. Choirs III and IV are reproduced in smaller type and are added to the version for double choir in order to intensify the overall sound. This allows the work to be performed not only with two choirs but also in the delightful enlarged version for fourchoirs. Rounding off the edition are an informative Foreword (Eng/Ger) and a Critical Commentary (Eng).First publication with choirs III and IV.Can be performed with both two or four choirs.Idiomatic well-presented Piano reduction.Full score performance material (BA8958) and vocal score (BA8958-90) available for sale.
55.50 GBP - Sold by Musicroom UK
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Song of the Fates (BRAHMS JOHANNES)
Choral, Orchestra
Carus Verlag
Op. 89. Par BRAHMS JOHANNES. The Three Fates, or Parcae, were the goddesses of f...
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Op. 89. Par BRAHMS JOHANNES. The Three Fates, or Parcae, were the goddesses of fate in Greek-Roman mythology, and sang on themes of curse and fate. The Parzenlied in Goethe?s verse drama ?Iphigenie auf Tauris? is concerned with these themes and became the model for Johannes Brahms?s setting. His Gesang der Parzen (Song of the Fates) op. 89 describes in thrilling, eruptive sounds the fight to overcome the mythical curse through the purity of truthful, noble actions and the power of hope.With a duration of around 12 minutes, the work can be combined with Brahms?s ?German Requiem? in concert. / Date parution : 2023-03-11/ Répertoire / SAATBB et Orchestre
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Georg Friedrich Händel: Acis And Galatea HWV49b 2nd Version: Mixed Choir: Score
Choral, Orchestra
Barenreiter
Serenade in three parts-Handel set the myth about the love of the shepherd Acis ...
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Serenade in three parts-Handel set the myth about the love of the shepherd Acis for the sea nymph Galatea from Ovid?s ?Metamorphoses? a total of three times: in the cantata ?Aci Galatea e Polifemo? HWV 72 (1708) the masque ?Acis and Galatea? HWV 49a (1718) and finally the pasticcio-like serenata ?Acis and Galatea? HWV 49b (1732) of which the original version is now made available in its complete form for the first time. A particular charm is provided by the use of two languages in the serenata. The work was originally conceived in English as was required for the first performance. However Handel?sItalian singers were criticised for their poor command of English ? so in the end many numbers were sung in Italian. The extensive appendix to the vocal score includes the additional arias and newly composed movements for the versions used in the 1734 and 1736 performances. - Urtext edition based on the ?Halle Handel Edition? - English and Italian original text with singable German translation - Extensive foreword in two languages (Ger/Eng) - Clear straightforward piano reduction - Full score (BA10700) and vocal score (BA10700-90) available for sale performance material (BA10700-72) for hire
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Wolfgang Amadeus Mozart: Missa in C major KV 317 Coronation Mass : SATB: Vocal
Choral, Orchestra
[Sheet music]
Barenreiter
Composed in 1779 Mozart’s “Coronation Mass” in C major K. 31...
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Composed in 1779 Mozart’s “Coronation Mass” in C major K. 317 is one of the most popular settings of the Ordinary thanks to its festive character and the wealth and variety of its musical ideas. This edition is based on the Urtext of the New Mozart Edition and makes the work available in all its radiant beauty. Full score & performance material (M006458493) choral score (BA4880) and study score (TP316) available for sale.
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Georg D. J. Gebel: Johannes-Passion: Mixed Choir and Accomp.: Vocal Score
Choral, Orchestra
Hofmeister Musikverlag
I. In sechs Teile gegliedert unter dem Titel 'Der leidende sterbende und begrab...
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I. In sechs Teile gegliedert unter dem Titel 'Der leidende sterbende und begrabene Jesus'
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Credo Per Coro A 4 Voci Miste E Orch. Rv 591 (VIVALDI ANTONIO)
Choral, Orchestra
Ricordi
Set Parti Orchestrali (Malipiero). Par VIVALDI ANTONIO. Italian/ Répertoire / M...
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Set Parti Orchestrali (Malipiero). Par VIVALDI ANTONIO. Italian/ Répertoire / Matériel D'Orchestre
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Le Temple de la Gloire RCT 59 (RAMEAU JEAN-PHILIPPE)
Choral, Orchestra
[Sheet music]
Barenreiter
Edition Complète. Par RAMEAU JEAN-PHILIPPE. Rameau's only surviving opera based...
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Edition Complète. Par RAMEAU JEAN-PHILIPPE. Rameau's only surviving opera based on a libretto by Voltaire has survived in two versions (1745 and 1746), whereby the 1745 version was long considered lost. Volume IV.12 of the series ?Opera omnia Rameau? presents a complete edition which enables performances of both versions. Voltaire refers to Metastasio in his libretto in that he wishes to liberate the opera from the gallant milieu and to make it a moralizing stage work that is equally edifying and political. After a prologue dedicated to envy personified, the tyrants Bélus and Bacchus are chased out of the Hall of Fame and finally Trajan is crowned with laurels for defeating the rebels, forgiving them and ultimately turning the Hall of Fame into a public temple. The music contains many remarkable passages, such as a richly orchestrated overture, the famous monologue ?Profonds abîmes du Ténare? with obbligato bassoons, and Trajan's artful final scene ?Ramage d'oiseaux?./ Répertoire / Chant et Orchestre
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Georg Friedrich Händel: Rinaldo: Opera: Score
Choral, Orchestra
Barenreiter
Opera seria in tre atti-Rinaldo HWV 7a; Opera in three acts.Version of 1711. Thi...
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Opera seria in tre atti-Rinaldo HWV 7a; Opera in three acts.Version of 1711. This was Handel’s first opera for London first performed at the theatre in the Haymarket in February 1711. It was strong in both music (including recomposed versions of some movements that Handel had previously written for his operas in Italy) and staging: a contemporary described the opera as ‘filled with Thunder and Lightening Illuminations and Fireworks’. Urtext of the Halle Handel Edition. Full score (BA4033) & vocal score (BA4033-90) available for sale. Performance material (BA4033-72) available for hire
276.50 GBP - Sold by Musicroom UK
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Kaija Saariaho: Quatre Instants (Soprano/Orchestra): Soprano: Score
Choral, Orchestra
[Sheet music]
Chester
Quatre Instants for Soprano and Orchestra is an arrangement of the composer's ow...
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Quatre Instants for Soprano and Orchestra is an arrangement of the composer's own Quatre Instants for Soprano and Piano and was commissioned by the Finnish Chamber Orchestra Association and the Leipzig Gewandhaus. Thefirst performance took place at the Tammisaari Summer Concert Festival Finland in August 2003 given by Karita Mattila Soprano and conducted by Jukka-Pekka Saraste.
27.99 GBP - Sold by Musicroom UK
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Lux Aeterna (SCHWARZ OTTO M)
Choral, Orchestra
[Score and Parts]
Symphonic Dimensions Publishing
Chorale (for Concert Band, Fanfare Band
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