This short cantata set in a jazz idiom makes an ideal end-of-term concert which should be performed strictly for fun! Scored for unison voices with up to four short solos piano accompaniment plus guitar chords. The chorus gives enthusiastic youngsters the opportunity to growl as the lions in the den and click fingers to the blues! The now famous series of Novello pop cantatas originated from this well-known work. Words by Vachel Lindsay.

Whether for classroom sing-alongs adult community sings choral concerts or just riding in the car this Step One of the SING WITH US songbooks is an invaluable resource. Composer and song leader Nick Page who has led group sings and workshops at MENC ACDA AOSA and other conferences for many years has assembled this multicultural set of 28 easy and fun sing-along songs for all ages. The collection begins with Echo songs that are easy but with a simple challenge reinforcing Nick's belief that the first step in getting people of all ages to sing along is to make them better listeners. Along with this Nick encourages using lots of emotion particularly joy. TheCall and Response songs and the unison songs that follow offer well known gems as well as easy to learn new songs that can be sung in Unison or with harmony. Nick provides invaluable cultural information as well as essential tips for making the songs come alive. Reproducible lyric sheets are also included. Nick Page has received rave reviews for his SINGS and many workshops throughout North America and Europe. In addition to his song leading Nick is a choral composer with over fifty published works including Sing and Shine On and Music as a Way of Knowing that are very popular with music teachers and choral musicians. Singing is an act of compassion; we make the world a better place through our singing.

The third book in a fabulous series that presents the best of Peter Warlock’s Choral Music. Warlock has been described as the Carollist of the last century and is a treasure of British song-writing. This volume contains a fantastic collection of some of his best and most loved Carols. Eight Carols set for Unison voices and Piano accompaniment. Warlock has such a way with words phrasing and melody that these songs are sure to delight singers players and audiences.

For massed unison voices organ piano and percussion with optional SATB chorus.All shall be Amen and Alleluia was commissioned as the concluding piece for a concert in Princeton University Chapel New Jersey onApril 29 2009 to be sung by a large chorus of 500 voices. It was written to follow a performance of Son of God Mass by the same composer sung by a smaller choral group.

This is Bennett's first collection of choral pieces written specifically for the Christmas season. These four carols to American texts recall traditional music of the New World the composer's home for many years and bring a welcome fresh approach to the festive idiom: along with the well-loved Away In A Manger and I Wonder As I Wander Bennett gives us his interpretation of two Spirituals - A Child of God and Rise Up Shepherd and Follow.For unison high voices with Piano accompaniment.Score and parts of an orchestral string accompaniment by the composer are available on hire from the publisher (Novello &Company).

Hewitt Jones’ timeless new carol Baby In an Ox's Stall beautifully captures the joyful essence of Christmas and is sure to become a popular addition to choral seasonal repertoire.   Featuring text written by the composer this accessible carol is available in two formats – SATB and Organ/Piano and Unison Voices and Organ/Piano. 

A gentle pastoral text by Barbara Softly set for unison voices with a beautifully lilting piano axccompaniment by Betty Roe. Ideal for young singers and school choral groups.

For Narrator Children's Choir And Instrumental Accompaniment (Piano Version)-Following on the success of her two operatic works for children and teens – Douce et Barbe Bleue Les Fables Enchantées Little Thummie and Cendrillon (based on Perrault) as well as the adaptation of Maupassant’s short story The Dumpling (2014) – Isabelle Aboulker once again hits the bull’s eye with Myla And The Boat-Tree a commission from the Villecroze Music Academy. In 2015 this musical tale for Narrator Children’s Choir and Instrumental Accompaniment was awarded the “Music for Young Performers Prize” by the French Music Publishers Association. Both in the French version and MarciMeth’s excellent English translation it provides the material for an enthralling educational adventure in which children between the ages of five and eight are invited into their first experience of opera and choir singing. With her trademark finesse and sensitivity the composer tells the story of a little girl dealing with the death of a person she’d cherished above all: her grandfather. Written for choir in unison this tale wafts shimmering melodies over an instrumental accompaniment suffused in turn with gentle melancholy and light humour. An art that speaks from an open heart. The work was written in three versions: for Narrator Children’s Choir and Piano (AL30732) for Narrator Children’s Choir and Trio (Clarinet in Bb Cello and Piano: AL30733) for Narrator Children’s Choir and Instrumental Ensemble (Flute Oboe Clarinet in Bb Bassoon Horn Trumpet in C Trombone Percussion 2 Violins Alto Cello Bass: AL30734) Choral score: AL30743 Listen to Isabelle Aboulker talking about “Myla and the Boat-Tree”:

Roger Quilter (1877-1953) was a British composer best known for writing many gentle and beautiful songs. Along with Henry Balfour Gardiner and Percy Grainger he was a member of the Frankfurt Group a group of friends who studied composition together at the Hoch Conservatory in Frankfurt. Slumber Song is a gentle lullaby scored for Unison Voices with Piano accompaniment. The lyrics were written by the little-known poet Clifford Mills. It makes the perfect closing number or even an encore for any choral concert.

from Trouble in Tahiti-From Leonard Bernstein's one-act opera Trouble in Tahiti. Arranged for unison treble choir and piano. English.

Level 2-Sing on Sight is a comprehensive sight-singing method by Audrey Snyder. Volume Two builds on the skills established in Volume One and moves step by step to full choral sight-singing. The recorded accompaniments include awide variety of styles from classical to contemporary and folk music to pop and jazz. Exercises are written so that two or more lines may be sung simultaneously so students gain sight-singing independence and develop theirpart-singing skills. With just a few minutes a day Sing on Sight can help your choirs learn to read music and have fun in the process! Student and Teacher Editions available separately: both Unison/2-Part Treble and2-Part/3-Part Mixed. Accompaniment CD (coincides with both voicings) also available. Classroom Kits include 25 Student Books 1 Teacher Edition and 1 Accompaniment CD.

Lovely haunting unison melody (would also work well as a solo)From the Jean Ashworth Bartle Choral Series for treble voices