Opéra comique in 3 Akten-OpEra comique in three acts. By Christoph Willibald von Gluck. Edited by Harald Heckmann. Arranged by Elisabeth Heckmann. Text: Louis H Dancourt. For Soprano Solo (4) Tenor Solo (3) Bass Solo (3) Speaker (2) Orchestra. Piano Reduction/Vocal Score; Urtext Edition (paperbound). Duration 120'. Published by Baerenreiter-Ausgaben (German import). (BA2280 90) ISBN M006419524.

Take Ten: Popular Pieces From Bach To Bacharach is arranged for Alto Saxophone with Piano accompaniment and is suited to grades 2 to 6. From Duke Ellington's Satin Doll to Bach's Minuet In G this book is sure to get you playing many different genres of music and really exploring what your Alto Saxophone can do. Selected as part of the ABRSM Alto and Baritone Saxophone examinations grades 3-5.

Felix Mendelssohn Bartholdy completed his first oratorio St. Paul Op.36 in 1836 at the age of twenty-seven. The first version which was premiered on 22 May 1836 was then extensively revised by the composer. This second version which at the same time served as the basis for the published version was premiered as early as October that year in Birmingham. The acclaim with which the oratorio was received was exceptional. Within eighteen months of completing the score Mendelssohn was able to list fifty performances of the work. Robert Schumann praised the work effusively and even Richard Wagner who later denigrated Mendelssohn was full of admiration. Today St. Paul belongs to the core repertoire of sacred choral music.This Urtext edition of the oratorio edited by the internationally-recognised Mendelssohn scholar Michael Cooper is based on all critical sources. As well as the principal version of the work the score also includes for the first time numbers which were composed for the first version and subsequently removed. This gives not only an insight into the history of the composition of the work but also with the complete performing material into the performance of the original version.The full score and vocal score (BA9071-90) include the German and English texts of the oratorio.The vocal score is by Mendelssohn.Urtext edition representing the latest musicological researchIncludes all numbers from the original version for the first timeVocal texts in German and EnglishStraightforward Piano reduction

Franz Schubert’s popular German Mass of 1827 follows in the footsteps of Michael Haydn’s work Deutsches Hochamt by turning to a German translation of the Ordinary mass. Its homophonic texture and largely syllabic setting of the words make it more accessible to lay choruses than Schubert’s masses in Latin an advantage reinforced by its diatonic melodic writing and constantly slow tempos.The present edition reproduces the Urtext from the New Schubert Edition and presents the definitive second version for chorus and wind instruments. Since the piano reduction basically follows the choral lines and Schubert’s original organ part however the Mass can also be performedwith organ accompaniment.- Urtext from the New Schubert Edition- Standard work in the church music repertoire- Can be accompanied by organ or wind instruments- No vocal soloists necessary

Oratorium-Frank Martin's Golgotha for 5 Vocal soloists mixed Choir (SATB) Organ and Orchestra. Taken from Passion Oratorio  arranged in two parts based on the gospels and texts according to St. Augustin.Frank Martin was born in Geneva Switzerland on 15 September 1890. He was the tenth and youngest child of a clergyman's family. He played and improvised on the Piano even before he went to school.

dinstrumentation et dorchestration modernes. Par BERLIOZ HECTOR. / Répertoire / Livre

'Je compose souvent en allegro, en scherzo, en allegro vivace', proclame Régis Campo, au risque de passer pour un provocateur dans une époque troublée où le requiem avec son cortège de litanies et autres lamentos envahit le paysage musical.La bonne humeur musicale serait-elle aujourd'hui à bannir ?Régis Campo balaie d'un geste cette vision, il a décidé d'être à l'épicentre du bonheur. Il compose son bonheur en quête d'une musique libérée de la pesanteur.Omer Corlaix / Divers