Composed by Makoto Shinohara Kassouga is a piece for advanced Flute players accompanied by a Piano. This work lasts 6 minutes and is dedicated to Hirohiko Kato. Very difficult the first section of the piece slowly but expressively and includes a Cadenza by the Flute solo. The second part is then introduced fast energetic and rhythmic before another Cadenza by the Solo Flute leading to the end of the work finishing really harmoniously. It is a melodious work that is relatively challenging and could be played in recitals or for contests. Makoto Shinohara is a Japanese composer from Osaka. He studied in France withOlivier Messiaen and Tony Aubin and in Germany with Bernd Alois Zimmermann and Gottfried Koenig. He wrote some Orchestral pieces some chamber music some electronic music and some works for traditional Japanese instruments.

Grades 1 - 4-As I sit myself down to write this brief foreword I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road in Bristol) I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy and likewise speaking as a lapsed brass player there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again one gets a different yetentirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence with a little gamesmanship on my part I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat) trombone and tuba (bass clef) horn in F flute clarinet and bassoon.While many will find themselves humming the likes of Going up Camborne Hill Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture I wonder if I might draw your attention to The Cornish Squire The Pool of Pilate and Cold Blows the Wind Today Sweetheart which are quite simply sublime melodies perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs Cornish folk music works equally ideally sung and played and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan Williams in decades past while skilfully paying homage to the

With this collection of easy-to-play hymns for the Flute you can practice your favourite hymns with an accompanist at home at a service or in the studio. Hymns For Flute And Piano Made Easy is acollection of fifteen traditional hymns arranged for solo Flute with Piano accompaniment. This collection includes the hymns: A Mighty Fortress is Our God All Glory Laud and Honor Amazing Grace Christ the Lord is RisenToday and more. The Flute score includes both the hymn tune and an easy descant part that will add variety to the performance setting. The online recording contains two accompaniment tracks for each hymn; the first isplayed on Piano and the second on Pipe Organ. The collection is perfect for the flutist who wishes to play familiar hymns in the church setting.

Flute Basics is a landmark method by one of the leading figures in flute education. It starts at absolute beginner level and progresses to about Grade 2 level.There are 22 stages and each section includes a wonderful variety of concert pieces from the great composers traditional tunes and fun original exercises such as finger gyms and warm ups to help establish a sound technique factfiles and quizzes to teach notation and general musicianship. It also contains helpful clear fingering charts and rhythm boxes and great illustration. This teacher's book offers tips on how to approach new techniques and motivate young players alongsideduet parts and simple piano acommpaniment. This book would be particularly helpful for teachers who are not Flute specialists. The CD that accompanies this book is available separately.

Grade 3-Janet Way's Grade By Grade series draws on the rich and varied Boosey & Hawkes catalogue of classical contemporary and educational repertoire highlighting composers including Serge Prokofieff Dmitri Shostakovich Karl Jenkins Carol Barratt and Christopher Norton alongside arrangements of traditional music from around the world by Peter Wastall Vera Gray and others.This practical anthology of carefully selected pieces provides the complete repertoire resource for the aspiring Grade 3 flautist and creates the perfect package for teaching exam preparation and performance.Each volume contains:19 pieces & shortstudies each complemented by a useful practice and performance tip.Grade-appropriate scales and arpeggios linked to the repertoire through bespoke text and exercises.Brand new sight-reading activitiesNewly-commissioned aural awareness tasks.A Piano accompaniment booklet. This book for Grade 3 Flute players includes the pieces Picnic by Steve Pogson Hornpipe by George Frideric Handel Magnetic Rag by Scott Joplin and more.Janet Way: Grade By Grade Flute (Grade 3) comes complete with a CD of full performance demonstrations Piano backing tracks and grade-appropriate aural awareness resources.

Flute teaching material-Twelve arrangements for Flute with Piano accompaniment of Traditional Baroque and Classical pieces. This selection has been edited with regard to current concepts of performance practice by Michelle Lee. Some additional editorial comments and suggestions have been made to assist performers students and examination candidates in developing their own interpretations. Four of the twelve pieces are unaccompanied.

French composer Henri Büsser entered the Paris Conservatoire in 1889. He won the 1893 Prix de Rome and led a highly successful career as a composer conductor teacher and organist. His compositions for a variety of instruments are exceptional Andalucia for Flute and Piano being no exception. As reflected in Andalucia which is named after the popular Spanish area of the same name Büsser's compositional style was sophisticated yet true to the 19th century French tradition. Elements of Andalucia include chromaticism exploitation of tonality complex rhythms and semiquaverflourishes amongst other aspects. For all advanced Flute players Büsser's Andalucia is essential to a varied repertoire.

Flute teaching material-Easy arrangements of Traditional Baroque and Classical pieces edited with regard to current concepts of performance practice. Some additional editorial suggestions have been made to assist performers students and examination candidates in developing their own interpretations.The solo flute part is also included on a separate insert.

Bali Moods No.1 takes as its starting point traditional Balinese gamelan music and is written throughout in an equally-tempered version of the pelog scale one of the two predominant scale systems associated with Indonesian music. The 'moods' of the title is also meant to imply 'modes'. Bali Moods No.1 is the first of a series of three works for flute and piano to explore the varied characteristics of Balinese moods and modes.

If you can play a few notes on an instrument then you are ready for this book. Imaginative little pieces for the absolute beginner - traditional tunes classics and original pieces with piano accompaniment.

Vent was commissioned in 1990 by the American flautist Andrew Sterman and first performed in New York. It is scored for Flute and Piano. The Pulitzer Prize winning American composer David Lang was born in 1957. He is passionate prolific and complicated embodying the restless spirit of invention. Deeply versed in the classical tradition he is also committed to music that resists categorization constantly creating new forms.

Play-Alongs Bekannter Stücke Aus Irland Schottland Wales Dem Cornwall und Der Bretagne-Martin Tourish is an accordionist composer and musicologist from Co. Donegal now based in Dublin. Celtic music is in his blood for his ancestors were noted collectors of dance music manuscripts dating back to the 19th century. With many recordings to his credit he now offers his expertise to performers wishing to explore the rich culture of Irish and other Celtic music on a variety of instruments. ?World Music Celtic? presents material from the Irish Scottish Welsh Cornish and Breton traditions. It makes no great technical demands on the players but Tourish points out that notation of this music is often ?skeletal? hence it is important to gain a knowledge of theindividual traditions in question and naturally he offers plenty of information on performance practice. The collection spans three centuries from the blind bardic harpists of the 18th century to the international performers of the present day. Tourish accepts that this volume can only scratch the surface of a multi-faceted genre but hopes you will see it as a stepping stone to delve deeper into recordings festivals and the very communities whence this music comes. ?World Music Celtic? is available in four formats each with complete recordings and backing tracks on CD: as solo versions for violin flute or saxophone (with piano) and in an ensemble version for two melodic instruments (C Bb or Eb) piano guitar bass and bodhrán.