Par MARSH LIN. Songscape contains twenty-four songs which cover an exciting range of musical styles - from ethnic music, theatre, pop classics and rounds, to Lin Marsh's own wonderful original pieces. All songs are presented for Piano, Voice and Guitar, but there are also opportunities to incorporate other school instruments such as Flute, Violin and Recorder in the performance. All songs have been selected and arranged or composed by Lin Marsh. Ideal for bringing confidence to classroom and concert singing so is a must for recently formed choirs. Every song in the collection has a proven appeal among young people. Suggestions for a variety of instrumental line-ups will bring instrumentalists on board. Full teacher's notes are included for each song. / Niveau : Facile / Date parution : 1999-05-20/ Répertoire / Matériel D'Orchestre

Violoncello (Fagotto) E Basso Continuo - Rv 801. Par VIVALDI ANTONIO. EDIZIONE CRITICA A CURA DI P. EVERETT/ Répertoire / Matériel D'Orchestre

Set Parte Di Basso Continuo, Flauto E Violino. Par VIVALDI ANTONIO. Italian/ Répertoire / Matériel D'Orchestre

Songscape: Stage and Screen is the perfect resource for Keystage 3 (Scottish P7+) singing and is an invaluable collection of 12 classics songs both old and new from stage and screen. Featuring well-known classics alongside songs from shows written especially for children it includes useful context on each song and suggestions for adding movement. Ideal for bringing confidence to the classroom and concert singing with vocal ranges and lyrics carefully considerd for the age range many of the songs have optional vocal parts providing scope for part-singing.Keyboard accompaniments are well within the grasp of pianists of moderate ability and thehugh-quality CD includes complete performances of all the songs plus backings ideal for rehearsals and perfomance. As the CD is 'enhanced' vocal parts are also included in pdf format for printing separately.

In Sol Op.Iii N.3 Rv 310 Rv 310, F.I-173 - Parti. Par VIVALDI ANTONIO. / Répertoire / Matériel D'Orchestre

In Sol Per Fl., Ob., Vl. E Fg. Rv 101 F.Xii/13 - Tomo 52. Par VIVALDI ANTONIO. / Répertoire / Matériel D'Orchestre

In Sol Min. Per Fl., Ob. E Fg. (Senza B.C.) Rv 103 - F.Xii/4 - Tomo 23 - Parti. Par VIVALDI ANTONIO. / Répertoire / Matériel D'Orchestre

This is a collection of 25 original songs themed on the elements: Earth Sea and Sky. The original idea was conceived for a cluster of primary schools in Devon who were embarking on a 'Planet Earth' whole school project. As a result the Sea songs are aimed at Years 1 and 2 Years 3 and 4 tackle the Earth songs and Years 5 and 6 have the Sky songs. Although conceived as a whole school project Earth Sea and Sky works equally as well as a song book to dip in and out of.The songs are written with a sensitivity for the range and skills of the age group they are designed for and any part writing is optional allowing even lessconfident choirs to get involved and get singing. This is a wonderful follow on from Junior songscape building on Lin Marsh's well established and much loved classroom singing resouces.

Per 2 Soprani E Contralto Solisti, Coro A 4 Voci Miste E Orchestra - Parti Strumentali. Par VIVALDI ANTONIO. / Répertoire / Matériel D'Orchestre

Per Coro A 4 Voci Miste., Vl. Unisoni, Vla E B. Rv 606 - Ed. Critica M. Talbot - Parti Orchestra. Par VIVALDI ANTONIO. / Répertoire / Matériel D'Orchestre

Songscape is a timeless collection of 24 songs covering an exciting range of musical styles from ethnic music theatre pop classics and rounds to Lin Marsh's wonderful original pieces.It is also ideal for bringing confidence to classroom and concert singing and a must for recently formed choirs.

Cantico Per 2 Soprani, Contralto E Tenore Solisti, Coro A 4. Par VIVALDI ANTONIO. VOCI MISTE, 2 OBOI, 2 VIOLINI, VIOLA E BASSO - PARTI CORO/ Répertoire / Matériel D'Orchestre

per violino, archi e basso in continuo in Re / F I, 30 - T 84. Par VIVALDI ANTONIO. / Répertoire / Matériel D'Orchestre

Parti Orchestra-Today the Gloria RV 589 (BA 7674) is one of Vivaldi’s best-known compositions and one of the most frequently performed sacred vocal works from the Baroque period. Vivaldi wrote the “Gloria” as a self-contained work in the style of a concertante mass. However it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his period at the Ospedale della Pietà around 1716. In the twelve movements of the “Gloria” Vivaldi displays the whole range of his mastery from festive sublime outer movements to tender transparently scored solo passages. Thesame mastery has also been applied to the “ Kyrie” RV 587 (BA 8950) scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a choral work without solo passages. Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt these new editions contain some re-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward clearly presented and preserve the character of the works. - Attractive choral pieces which can be combined to form a short mass.