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Tidings Of Comfort And Joy (F/O)
Orchestra
[Score and Parts]
Alfred Publishing
Reinforce legato, staccato, and ensemble phrasing with this piece while ushering...
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Reinforce legato, staccato, and ensemble phrasing with this piece while ushering in the joyous holiday season with musical glee. Opening with a clear unison statement and slowly adding textures and harmonic voices, the work develops to a joyous tutti statement that continues to build in intensity to a glorious conclusion. This arrangement is scored for full orchestra- however, it is also completely playable by string orchestra alone, or with any number of added winds or percussion. (2:30) / Orchestre
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Symphonie N011 Op. 103 (CHOSTAKOVITCH DIMITRI)
Orchestra
[Sheet music]
Sikorski
Par CHOSTAKOVITCH DIMITRI. Shostakovich's eleventh symphony is highly programmat...
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Par CHOSTAKOVITCH DIMITRI. Shostakovich's eleventh symphony is highly programmatic, a large-scale tribute to the 'victory' of the Great October Revolution of 1917, composed on the 40th anniversary of the occasion. The first of the four movements is called The Palace Square, setting the sombre scene where the violent events of the day would occur, and Shostakovitch includes two Russian prison songs. The second movement, The Ninth of January, pictures the workers' march through the streets and their slaughter. In memoriam is the title of the third movement, a pensive requiem, and in the last movement, The Tocsin, the spirit of revolt returns, with militant songs and a triumphant, percussive finale. This is a clear and well presented Sikorski Edition miniature score./ Répertoire / Orchestre
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Symphony In C Minor Hob I: 78 (HAYDN FRANZ JOSEF)
Orchestra
[Sheet music]
Barenreiter
Par HAYDN FRANZ JOSEF. Along with Symphonies Nos. 76 and 77 Haydn composed Symph...
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Par HAYDN FRANZ JOSEF. Along with Symphonies Nos. 76 and 77 Haydn composed Symphony No. 78 for a journey to England that never took place. Nonetheless, H. C. Robbins Landon referred to these works as the 'English Symphonies” as they are stylistically closely linked to 'the London Bach”, Johann Christian Bach. In a letter Haydn wrote to his Paris publisher Charles-Georges Boyer in 1783, he described the works as 'Leicht und nicht vil Concertirend”, meaning they were light in spirit and did not contain extensive solo passages but rather a clear sense of classical form. Continuing the cooperation between Bärenreiter and the G. Henle publishing company regarding Haydn's large-scale choral works, operas, and symphonies, this edition is based on the G. Henle Complete Edition of the 'Works of Joseph Haydn”. To date, Bärenreiter has published the complete performance material for several of Haydn's 'Sturm und Drang” symphonies as well as the complete London and Paris symphonies. / Date parution : 2019-09-06/ Répertoire / Orchestre
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Chronological Thematic Catalogue Of The Works Of Max Reger And Their Sources
Français
Orchestra
G. Henle
Since the 1980s scholarly research into Reger has built up a picture of the dive...
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Since the 1980s scholarly research into Reger has built up a picture of the diversity, complexity and variety of Reger's work and shown that the composer was the first to depart from the supposed logical evolution of music history. In the musical scene, on the other hand, ideas prevail that are clichéd and based on a small canon of works. This is now about to change.Since the beginning of the twenty-first century a thematic catalogue of the works of Max Reger and their sources has been put together in the Max-Reger-Institut Karlsruhe funded by the Deutsche Forschungsgemeinschaft. This will be a fitting addition to our series of thematic catalogues of the works of Beethoven, Brahms, Chopin and Schumann. It contains in-depth information in a readable form on the complete original works and arrangements, both published and unpublished, completed or fragmentary. Information concerning the genesis, place and state of the handwritten and printed sources are presented comprehensively and reflect the current state of research. Thus not only scholars but also performers, music lovers and concert organizers will be able to get to know Reger's neglected but in many ways surprising works.Numerous indexes will make the Reger Thematic Catalogue easy and clear to use and it has all of the prerequisites to soon become the definitive reference work for Max Reger. / Orchestre
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Mozart W.a. - Eine Kleine Nachtmusik Kv 525 - Facsimile
Orchestra
[Facsimile]
-
Easy
Barenreiter
“Eine kleine Nachtmusik” “... written with ease, but skillfully refined”...
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“Eine kleine Nachtmusik” “... written with ease, but skillfully refined” “Eine kleine NachtMusick” is how Mozart entered the Serenade in G major in his personal catalogue of works on 10 August 1787. It was written without any known incentive or commission during the time that Mozart was composing “Don Giovanni”, a time when he was celebrating his greatest success as an opera composer. The work is one of the jewels of Mozart’s output, combining bright radiance and a natural simplicity with brilliant refinement. Similarly, the autograph manuscript of this perfect masterpiece is captivating because of its balanced clarity and beautiful handwriting. The manuscript was inaccessible to the public for almost half a century, but now Bärenreiter has received exclusive permission to produce a new facsimile of Mozart’s original. The edition reproduces the facsimile pages as individual sheets and leaves, reflecting the way the original copy has survived. These pages – in high-quality colour printing, each trimmed individually – are presented in a handsome box. This is accompanied by a booklet with an introductory text by Wolfgang Rehm including information on the genesis of the composition and the various aspects of the autograph manuscript. “The fact that it’s all over town does not alter anything in the quality of this occasional piece written with ease but skillfully refined.” (Wolfgang Hildesheimer) BÄRENREITER FACSIMILE The seal is used exclusively for facsimile editions published by Bärenreiter which meet the highest demands in both scholarly and technical terms. The distinguishing features include: - a facsimile in high-quality colour printing - scholarly commentary •Facsimile of the autograph score KV 525 •Introduction: •I. 1787: The work. Its background, genesis, significance and impact •II. The Autograph. Its clear, its twisted paths •Notes and References •Einführung: •I. 1787: Das Werk. Sein Umfeld, seine Entstehung, Bedeutung und Wirkung •II. Das Autograph. Seine eindeutigen, seine verschlungenen Pfade •Anmerkungen •Watermark No. 55 •Facsimile of the autograph fragment KV 525a Edition no.: BVK 2282 ISBN: 9783761822821 Volume / Series: Documenta musicologica II/46 / Bärenreiter Facsimile Editor: Rehm, Wolfgang Language(s) of work: German, English Product format: Facsimile Binding: in a case Pages / Format: 38 S. - 25,4 x 34,0 cm
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Vltava (The Moldau)
Orchestra
-
Intermediate
Barenreiter
'Vltava? (The Moldau) is Smetana's most famous and frequently performed tone poe...
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'Vltava? (The Moldau) is Smetana's most famous and frequently performed tone poem. It was written between 20 November and 8 December 1874, but only in 1879-1880, with the completion of the entire cycle 'Má vlast? did it appear in print, when Urbánek issued it in full score and a version for piano duet.Owing to the large number of misprints in the Urbánek first edition, Hugh Macdonald has based his new edition on the autograph score, with cross-references to the first edition and the composer's own version for piano duet. Conflicting readings in the sources are listed in the Critical Commentary along with a discussion of all editorial decisions.- New Urtext edition with clear and uncluttered engraving- Informative foreword (Eng/Cz/Ger) including a contribution by Smetana scholar Olga Moj?í?ová - Includes a detailed Critical Commentary (Eng) / Orchestre
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Eulenburg Audio+Scores - Boxed Set
Orchestra
[Study Score / Miniature + CD]
Eulenburg
The 'Eulenburg Audio Score' series contains the orchestral world's greatest musi...
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The 'Eulenburg Audio Score' series contains the orchestral world's greatest musical treasures from the baroque, classical and romantic repertoire. Each volume is clearly-presented with authoritative scores, informative prefaces detailing the biographical and creative background- - CDs of great performances of each work in full length, from orchestras including the London Philharmonic Orchestra, the Royal Philharmonic Orchestra, and the Philharmonia Orchestra.NEW: This box-set of 25 masterpieces in a handy slipcase containing volumes 51-75 in the series is amazing value: almost 50% cheaper than buying each volume separately!This is the perfect gift for any music-lover. 'Eulenburg Audio Score' is the new way to hear, read and understand music. Eulenburg is the 130 year-old world-famous publishing brand, renowned for its top-quality, reliable study scores at reasonable prices. Focusing on the fields of opera, orchestral music, chamber music and vocal music, it is the favoured by conductors, orchestral musicians, soloists, students, teachers and music-lovers generally. The more you read, the more you hear! / Tout Instrument
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Sérénade For Strings Op. 20 (ELGAR EDWARD)
Orchestra
[Score]
Barenreiter
Par ELGAR EDWARD. With Christopher Hogwood’s new edition of Elgar ’s much lo...
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Par ELGAR EDWARD. With Christopher Hogwood’s new edition of Elgar ’s much loved Serenade, a scholarly-critical edition of the work is now available for the first time. As with other Elgar works, modern editions of the Serenade have always suffered from an enormous number of inconsistancies between the score and parts and unclear divisi and unison passages. The editor has clarified these discrepancies, drawing on Elgar ’s version of the work for Piano four hands (the original version) and the recently discovered autograph manuscript of the first movement. The edition also contains a facsimile showing the original ending of thethird movement as well as an informative foreword (Ger/Eng) and a critical commentary (Eng). The first scholarly-critical Urtext edition of this popular work for string orchestra. Foreword (Ger/Eng) and critical commentary (Eng). With facsimile pages. Full score and performance material (BA9041) available for sale./ Répertoire / Cordes
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Concerto for Orchestra (BENJAMIN GEORGE)
Orchestra
Faber Music Limited
Par BENJAMIN GEORGE. Dedicated to the memory of Oliver Knussen, George Benjamin?...
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Par BENJAMIN GEORGE. Dedicated to the memory of Oliver Knussen, George Benjamin?s 2021 Concerto for Orchestra premiered at the BBC proms by the Mahler Chamber Orchestra. Benjamin said that the piece attempts ?to conjure a trace of the energy, humour, and spirit? of Knussen. It is varied and dynamic across its unbroken 18-minute span ? skittish lines play against still, suspended ones ? and full of star turns for its various instrumental protagonists. Available here as a full score. Parts available to hire from September 2022. ?A terrific 18-minute tour de force, clearly inspired by the virtuosity of the Mahler CO players, but far from being merely a glittering showcase.? The Times (Richard Morrison), August 2021 / Date parution : 2022-05-31/ Répertoire / Orchestre
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Ouverture Egmont (BEETHOVEN LUDWIG VAN)
Orchestra
[Score]
Barenreiter
Op. 84. Par BEETHOVEN LUDWIG VAN. Beethoven?s incidental music op. 84 was writte...
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Op. 84. Par BEETHOVEN LUDWIG VAN. Beethoven?s incidental music op. 84 was written in 1809 for a performance of Goethe?s drama ?Egmont? at the Burgtheater in Vienna. Numerous composers of the day tried their hand at writing music for the dramatic material of Goethe?s tragedy, several in collaboration with the author himself. The overture reflects the themes of the play through its expressive music, and over the last two hundred years it has become one of the most popular works by Beethoven conceived for the stage. For this new edition, Beethoven specialist Jonathan Del Mar draws on various manuscript sources including a handwritten set of parts which has never been taken into account before. Thus, numerous discrepancies such as missing notes in the flute part or unclear bowing could be clarified for the first time. / Date parution : 2022-04-05/ Répertoire / Orchestre
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Sinfonie D-Moll Hob. I:26 'Lamentazione'
Orchestra
Barenreiter
Haydn's Symphony #26 received its nickname 'Lamentazione? during his lifetime, t...
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Haydn's Symphony #26 received its nickname 'Lamentazione? during his lifetime, though it is unclear whether this stems directly from the composer.This work probably originated no later than 1770. Its first and second movements quote excerpts from Gregorian chants used in Holy Week. In Haydn's day it was customary to play individual movements in church services, and it may be assumed that these two movements were performed, and possibly composed, independently from each other.Continuing the collaboration between Bärenreiter and the Henle publishing company in the areas of large-scale choral works, operas and symphonies, Haydn's Symphony #26 is appearing, based on the Henle Complete Edition of the 'Works of Joseph Haydn?. The complete performance material for several of Haydn's 'Sturm und Drang? symphonies and all of the London and Paris symphonies has already been published.- Based on the Henle Complete Edition of the 'Works of Joseph Haydn?- Orchestral parts available in a large format (25.5 x 32.5 cm) / Orchestre
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Les Indes Galantes Rct 44
Orchestra
Barenreiter
The new scholarly-critical edition of the score of Rameau's 'ballet héroïque? ...
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The new scholarly-critical edition of the score of Rameau's 'ballet héroïque? Les Indes galantes finally clears up its convoluted source history. At the first performance, on 23 August 1735, it consisted of a prologue and three acts: Le Turc généreux, Les Incas du Pérou and Les Fleurs. But Les Fleurs already proved controversial in the early performances, and from 11 September of that same year it was given a wholly new form. For the revival on 10 March 1736 Rameau and Fuzelier added an entirely new act Les Sauvages, and in the years that followed, the 'ballet héroïque? was presented either complete (1743, 1751 and 1761) or abridged with a prologue, Les Incas du Pérou and Les Sauvages (1751-73).With regard to the instrumental movements (dances and descriptive pieces), the present publication is based on the complete edition Opera Omnia Rameau (OOR) volumes IV/2 and IV/7 edited by Sylvie Bouissou which are currently in preparation. It includes not only the orchestral pieces in the version deemed valid by Rameau in 1736 (with version 2 of Les Fleurs and Les Sauvages), but also those from the first version of Les Fleurs (1735) as well as its 1743 and 1773 revisions. Performers are thus given a complete selection of all the orchestral numbers from one of Rameau's central stage works for use also in concert performance.- Based on Opera Omnia Rameau (OOR) Series IV/2 and IV/7- Well-presented layout in a format of 23.7 x 33 cm / Orchestre
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Mussorgski, Modeste : Pictures at an Exhibition
Orchestra
[Sheet music]
Schott
This new large-size paperback full score, based on the original printed score of...
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This new large-size paperback full score, based on the original printed score of 1929, provides a clearer and more authentic edition for conductors and students.
The original engraving has been graphically enhanced and edited with reference to the amended 1953 Edition Russe de Musique edition, the original engraved orchestral parts, and Ravel?s autograph manuscript.
This smart edition also features newly published editorial notes in English, French and German, plus facsimile pages from Ravel's original manuscript, containing markings made by the work?s commissioner Serge Koussevitsky.
Published as part of B
30.98 EUR - Sold by Note4Piano
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Mozart, Wolfgang Amadeus : Symphony nr.41 C major `Jupiter` KV 551 + CD
Orchestra
[Study Score / Miniature + CD]
Schott
The more you read, the more you hear!
The Eulenburg Audio Sco...
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The more you read, the more you hear!
The Eulenburg Audio Score Series contains the orchestral world's treasures from the baroque, classical and romantic repertoire. Each of the 50 volumes consists of a clearly-presented and authoritative score, an informative preface detailing the biographical and creative background, and a Naxos CD containing the work in full length.
Eulenburg Audio Score is the new way to hear, read and understand music. / Partition CD /
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La Mer
Orchestra
[Score]
Barenreiter
'La Mer?, which is an impressionistic work through and through, was composed bet...
(+)
'La Mer?, which is an impressionistic work through and through, was composed between 1903-1905. Debussy however refined this work up until at least 1913. These corrections are found in a score which Debussy gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists, resulting in an array of new readings and corrections. In addition, there are many changes, a.o. in terms of articulation and dynamics.This new edition includes the famous 'fanfare? in Movement III, clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work, but was reinstated by a number of great conductors who knew Debussy, i.e. Monteux, Münch, Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so, the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.- New Urtext edition with numerous corrections in comparison to other editions- Important sources which were previously inaccessible have been taken into account- Score and orchestral parts in large format (25.5 x 32.5cm)- Score and orchestral parts with an impeccable generous layout- Includes an informative introduction (Eng/Fr/Ger), facsimiles, source descriptions and a Critical Commentary (Eng) / Ensemble A Vent
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Berlioz, Hector : Symphonie Fantastique
Orchestra
[Study Score / Miniature + CD]
Schott
The more you read, the more you hear!
The Eulenburg Audio Sco...
(+)
The more you read, the more you hear!
The Eulenburg Audio Score Series contains the orchestral world's treasures from the baroque, classical and romantic repertoire. Each of the 50 volumes consists of a clearly-presented and authoritative score, an informative preface detailing the biographical and creative background, and a Naxos CD containing the work in full length.
Eulenburg Audio Score is the new way to hear, read and understand music. / Partition CD /
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Bach, Johann Sebastian : Brandenburg Concertos 4-6
Orchestra
[Study Score / Miniature + CD]
Schott
The more you read, the more you hear!
The Eulenburg Audio Sco...
(+)
The more you read, the more you hear!
The Eulenburg Audio Score Series contains the orchestral world's treasures from the baroque, classical and romantic repertoire. Each of the 50 volumes consists of a clearly-presented and authoritative score, an informative preface detailing the biographical and creative background, and a Naxos CD containing the work in full length.
Eulenburg Audio Score is the new way to hear, read and understand music. / Partition CD /
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Symphony G Major Hob. I:88 (JOSEF STOIBER FRANZ)
Orchestra
[Score]
Barenreiter
Par JOSEF STOIBER FRANZ. This edition clarifies a performance aspect of Haydn’...
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Par JOSEF STOIBER FRANZ. This edition clarifies a performance aspect of Haydn’s Symphony in G major that has long been misunderstood: in m. 1 of the second movement (Largo) the viola, violoncello and several wind instrument parts are marked “solo”, indicating that they play important motifs or themes and ought to stand out. Contrary to other editions, the “solo” marking in the violoncello should not be construed as indicating a solo instrument with the remaining cellos doubling the basses. Rather, the cellos should play as a section so as to stand out all the more clearly. Continuing the collaboration between Bärenreiter and the Henle publishing company in large-scalechoral works, operas and symphonies, this edition is based on the Henle Complete Edition of the “Works of Joseph Haydn ”. The complete performance material for several “Sturm und Drang” symphonies and all of the London and Paris symphonies is now available from Bärenreiter. Based on the Henle Complete Edition of the “Works of Joseph Haydn ” Orchestral parts in a large format (25. 5 cm x 32. 5 cm) Full score & performance material available for sale (BA10980)/ Répertoire / Orchestre
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La Mer
Orchestra
[Part]
Barenreiter
'La Mer?, which is an impressionistic work through and through, was composed bet...
(+)
'La Mer?, which is an impressionistic work through and through, was composed between 1903-1905. Debussy however refined this work up until at least 1913. These corrections are found in a score which Debussy gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists, resulting in an array of new readings and corrections. In addition, there are many changes, a.o. in terms of articulation and dynamics.This new edition includes the famous 'fanfare? in Movement III, clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work, but was reinstated by a number of great conductors who knew Debussy, i.e. Monteux, Münch, Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so, the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.- New Urtext edition with numerous corrections in comparison to other editions- Important sources which were previously inaccessible have been taken into account- Score and orchestral parts in large format (25.5 x 32.5cm)- Score and orchestral parts with an impeccable generous layout- Includes an informative introduction (Eng/Fr/Ger), facsimiles, source descriptions and a Critical Commentary (Eng) / Violon I
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Mozart W.a. - La Clemence De Titus Kv 621 - Fac-simile
Orchestra
[Score]
Barenreiter
Mozart, Wolfgang Amadeus La clemenza di Tito K. 621 Facsimile of Mozart's auto...
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Mozart, Wolfgang Amadeus La clemenza di Tito K. 621 Facsimile of Mozart's autograph score The Seven Great Operas in Facsimile Editions of Mozart?s Autograph Scores ?Idomeneo?, ?Die Entführung aus dem Serail?, ?Le nozze di Figaro?, ?Don Giovanni?, ? Così fan tutte ?, ?Die Zauberflöte ?, ?La clemenza di Tito? ? Mozart?s seven great operas, his brilliant contribution to music theatre and world culture, are unequalled in their depth of human characterisation and musical expression. Through happy coincidence, all seven opera scores have survived almost complete in Mozart?s manuscript. The Packard Humanities Institute (PHI, Los Altos , California ) has now embarked on producing a facsimile edition of the seven autograph scores. Mozart scholars, libraries and of course all lovers of Mozart?s stage works now have the opportunity of acquiring these priceless manuscripts in flawless reproductions. At the same time, all risks about preserving Mozart?s legacy for the world of music are taken care of. The Packard Humanities Institute (PHI) charitable foundation, known for its philanthropic programmes in the arts and sciences, has forged an ideal cooperation for the Mozart project. Under the scholarly direction of an editorial board (Ulrich Konrad , David Packard, Wolfgang Rehm , Christoph Wolff; General editor Dietrich Berke) the International Mozarteum Foundation Salzburg and the libraries where Mozart?s manuscripts are held are working together with the Packard Humanities Institute. The production of the volumes is exquisite, for the digitalization of the manuscripts has been undertaken using the latest technology, which allows for an astounding level of authenticity and precision in detail. The printing follows the uncompromisingly high standards demanded by the edition. All seven volumes include essays on the history of literature and ideas by Hendrik Birus , Hans Joachim Kreutzer and Robert Miller as well as musicological introductions by leading Mozart scholars in German and English. The facsimile edition will be distributed by Bärenreiter- Verlag . - consolidation of Mozart manuscripts held in different places - highest level of precision in reproduction and authenticity of colour through use of the latest technology - unique offer thanks to project sponsorship by the Packard Humanities Institute (Los Altos, California) Precision in reproduction thanks to cutting edge technology In preparing the manuscripts for reproduction, equipment was used in line with the highest technical standards currently available. Mozart?s original manuscripts of the seven operas are held by several libraries. For five of the operas, the different acts have even ended up in different libraries following World War II. Thus, the autograph of Act I of ? Così fan tutte ? is in the Jagiellonian Library in Kraków and the second act in the Staatsbibliothek zu Berlin ? Preußischer Kulturbesitz . In order to achieve a uniformly high level of precision in reproduction and authenticity of colour both within a work and for all seven editions, the use of the same technical equipment in all the different places was a prerequisite. Specialist from the Salzburg firm ? Kirchberger Photography? were employed, were provided with the latest equipment by the Packard Humanities Institute and also given special additional training in the modern technology by specialists in the USA. Proofs of each edition were compared with the original in each location and improved until the likeness could not be bettered in all details. Mozart?s music and text notation is reproduced extremely clearly, and even those places where Mozart corrected or had rubbed out marks he had already made, appear in these editions in a previously unmatched transparency.
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La Mer
Orchestra
[Part]
Barenreiter
'La Mer?, which is an impressionistic work through and through, was composed bet...
(+)
'La Mer?, which is an impressionistic work through and through, was composed between 1903-1905. Debussy however refined this work up until at least 1913. These corrections are found in a score which Debussy gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists, resulting in an array of new readings and corrections. In addition, there are many changes, a.o. in terms of articulation and dynamics.This new edition includes the famous 'fanfare? in Movement III, clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work, but was reinstated by a number of great conductors who knew Debussy, i.e. Monteux, Münch, Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so, the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.- New Urtext edition with numerous corrections in comparison to other editions- Important sources which were previously inaccessible have been taken into account- Score and orchestral parts in large format (25.5 x 32.5cm)- Score and orchestral parts with an impeccable generous layout- Includes an informative introduction (Eng/Fr/Ger), facsimiles, source descriptions and a Critical Commentary (Eng) / Contrebasse
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Symphonie 07 (HENZE HANS WERNER)
Orchestra
[Score]
Schott
Par HENZE HANS WERNER. In this work, I had wanted completely to submit to the tr...
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Par HENZE HANS WERNER. In this work, I had wanted completely to submit to the traditional rules of the classical symphony so as to mould my musical expression as if in a furnace and enable it to reach the listener as directly and clearly as possible. The first movement is a kind of German dance, an Allemande, so to speak; the second one a Lied. The third, in strict scherzo-form, is a representation of the sufferings of the German poet Friedrich Hölderlin, in Dr. Autenriedth's mental institution in Tübingen. The last movement is a setting of Hölderlin's poem 'Half of Live'. - Hans Werner Henze/ Répertoire / Orchestre
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Bizet, Georges : L'Arlesienne Suite 1+2
Orchestra
[Study Score / Miniature + CD]
Schott
The more you read, the more you hear!
The Eulenburg Audio Score S...
(+)
The more you read, the more you hear!
The Eulenburg Audio Score Series contains the orchestral world's treasures from the baroque, classical and romantic repertoire. Each of the 50 volumes consists of a clearly-presented and authoritative score, an informative preface detailing the biographical and creative background, and a Naxos CD containing the work in full length.
Eulenburg Audio Score is the new way to hear, read and understand music. / Conducteur : Anthony Bramall / Partition CD /
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La Mer
Orchestra
[Part]
Barenreiter
'La Mer?, which is an impressionistic work through and through, was composed bet...
(+)
'La Mer?, which is an impressionistic work through and through, was composed between 1903-1905. Debussy however refined this work up until at least 1913. These corrections are found in a score which Debussy gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists, resulting in an array of new readings and corrections. In addition, there are many changes, a.o. in terms of articulation and dynamics.This new edition includes the famous 'fanfare? in Movement III, clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work, but was reinstated by a number of great conductors who knew Debussy, i.e. Monteux, Münch, Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so, the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.- New Urtext edition with numerous corrections in comparison to other editions- Important sources which were previously inaccessible have been taken into account- Score and orchestral parts in large format (25.5 x 32.5cm)- Score and orchestral parts with an impeccable generous layout- Includes an informative introduction (Eng/Fr/Ger), facsimiles, source descriptions and a Critical Commentary (Eng) / Alto
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Kammersymphonie op. 9 (SCHOENBERG ARNOLD)
Orchestra
Universal Edition
Fassung für Orchester. Par SCHOENBERG ARNOLD. Composed between the spring of 19...
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Fassung für Orchester. Par SCHOENBERG ARNOLD. Composed between the spring of 1906 and July of the same year, the Chamber Symphony op. 9 for 15 solo instruments represents a point of culmination in Schoenberg's artistic development, the consequences of which not even the composer himself initially recognised.' Ulrich Krämer 'The 1914 version is not chamber music - however its sound is simply less aggressive than the later version. It is more limpid, lucid, less incisive, and that allows the voices to emerge more clearly.' (Philippe Jordan, 2012)/ Répertoire / Orchestre
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La Mer
Orchestra
[Score and Parts]
Barenreiter
'La Mer?, which is an impressionistic work through and through, was composed bet...
(+)
'La Mer?, which is an impressionistic work through and through, was composed between 1903-1905. Debussy however refined this work up until at least 1913. These corrections are found in a score which Debussy gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists, resulting in an array of new readings and corrections. In addition, there are many changes, a.o. in terms of articulation and dynamics.This new edition includes the famous 'fanfare? in Movement III, clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work, but was reinstated by a number of great conductors who knew Debussy, i.e. Monteux, Münch, Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so, the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.- New Urtext edition with numerous corrections in comparison to other editions- Important sources which were previously inaccessible have been taken into account- Score and orchestral parts in large format (25.5 x 32.5cm)- Score and orchestral parts with an impeccable generous layout- Includes an informative introduction (Eng/Fr/Ger), facsimiles, source descriptions and a Critical Commentary (Eng) / Orchestre
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Mozart, Wolfgang Amadeus : Symphony Nr.40 G minor KV 550
Orchestra
[Study Score / Miniature + CD]
Schott
The more you read, the more you hear!
The Eulenburg Audio Sco...
(+)
The more you read, the more you hear!
The Eulenburg Audio Score Series contains the orchestral world's treasures from the baroque, classical and romantic repertoire. Each of the 50 volumes consists of a clearly-presented and authoritative score, an informative preface detailing the biographical and creative background, and a Naxos CD containing the work in full length.
Eulenburg Audio Score is the new way to hear, read and understand music. / Conducteur : Barry Wordsworth / Partition CD /
13.90 EUR - Sold by Note4Piano
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La Mer
Orchestra
[Part]
Barenreiter
'La Mer?, which is an impressionistic work through and through, was composed bet...
(+)
'La Mer?, which is an impressionistic work through and through, was composed between 1903-1905. Debussy however refined this work up until at least 1913. These corrections are found in a score which Debussy gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists, resulting in an array of new readings and corrections. In addition, there are many changes, a.o. in terms of articulation and dynamics.This new edition includes the famous 'fanfare? in Movement III, clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work, but was reinstated by a number of great conductors who knew Debussy, i.e. Monteux, Münch, Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so, the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.- New Urtext edition with numerous corrections in comparison to other editions- Important sources which were previously inaccessible have been taken into account- Score and orchestral parts in large format (25.5 x 32.5cm)- Score and orchestral parts with an impeccable generous layout- Includes an informative introduction (Eng/Fr/Ger), facsimiles, source descriptions and a Critical Commentary (Eng) / Violon II
11.70 EUR - Sold by LMI-partitions
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