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Hal
LUTE
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James MacMillan: Sinfonietta: Orchestra: Study Score
Orchestra
[Sheet music]
Boosey and Hawkes
Hawkes Pocket Scores HPS 1512-Composed in 1991 this London Sinfonietta commissio...
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Hawkes Pocket Scores HPS 1512-Composed in 1991 this London Sinfonietta commission was first performed by them in May 1992 at the Queen Elizabeth Hall London. Scored for Orchestra or chamber Orchestra the instrumentation comprises alto Flute/Piccolo cor anglais E flat Clarinet/bass Clarinet soprano Saxophone Contrabassoon Horn Piccolo Trumpet Trombone Tuba Percussion Harp Piano and Strings. Recorded on BIS CD 1119 by the Scottish Chamber Orchestra conducted by the composer.
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William Walton: Orchestral Works - Volume 2: Orchestra: Score
Orchestra
[Score]
Oxford University Press
Hardback-This volume contains newly edited versions of four important later orch...
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Hardback-This volume contains newly edited versions of four important later orchestral works by William Walton: Capriccio Burlesco Improvisations on an Impromptu of Benjamin Britten Prologo e Fantasia and Varii Capricci. The first three works were written for American orchestras: Capriccio Burlesco was commissioned by the New York Philharmonic Orchestra for its 125th anniversary year in 1968; the Improvisations based on a theme from Britten's Piano Concerto No. 1 was written in 1969 and dedicated to the San Francisco Symphony Orchestra; Prologo e Fantasia was written in 1981-2 for the National SymphonyOrchestra of Washington DC. The last work Varii Capricci was a free transcription for orchestra by Walton of his Five Bagatelles for Guitar and written for the opening of the Royal Festival Hall in 1976.
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Poul Ruders: Handel Variations: Orchestra: Score
Orchestra
[Sheet music]
-
Intermediate/advanced
Wilhelm Hansen
Poul Ruders' Handel Variations for Orchestra (2009) -Ninety Symphonic Reflection...
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Poul Ruders' Handel Variations for Orchestra (2009) -Ninety Symphonic Reflections on Eight Bars by Georg Friedrich Handel.Commissioned by and dedicated to the Aarhus Symphony Orchestra in celebration of their 75th anniversary 2010. Premiered by The Aarhus Symphony Orchestra conducted by Giancarlo Andretta at the Aarhus Concert Hall 14 January 2010. Programme noteThe short feisty Bourrée from Handel´s famous Water Music (First Suite in F major) has for some years been hovering at the back of my mind as possessing the perfectpotential for a series of variations. Not unlike the short 'morsel' by Henry Purcell (the witches Ho-ho-ho-chorus from the opera Dido and Aeneas) which kicks off the ten variations of my orchestral work Concerto in Pieces the music per se is not particularly interesting but it nevertheless grows on you and is difficult to get rid of. It is merely a handful of sequences (a technique much used in the Baroque era - a method in which the same motif is being shifted up and down in a specified order). Actually it is only the first eight bars of the Bourrée which I haul through the wringer.It would be obvious to assume that Handel Variations make up a sequel to Concerto in Pieces but in spite of the similarity in character between the two chosen themes the Handel Variations are far more symphonically coherent. There are no less than ninety (!) variations and each variation (they are relatively short ranging from four up to forty-something bars) runs seamlessly into the next creating a huge symphonic body of constantly changing colours. I set out with the original theme without interfering but the 'erosion' begins to gnaw away at the theme already from the first variation. Imagine a vast gallery of Handel portraits in which Georg Friedrich appears at first fully recognizable but then the 'disfiguration' sets in and
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George Nicholson: Concerto for Orchestra: Orchestra: Score
Orchestra
[Sheet music]
University Of York Music Press
For orchestra (triple winds).Published in 2005.3.3.3.3 / 2sax: SA / 4.3.3.1 / hp...
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For orchestra (triple winds).Published in 2005.3.3.3.3 / 2sax: SA / 4.3.3.1 / hp.cel.2perc / strings.First performance: University of Sheffield Symphony Orchestra George Nicholson (cond) City Hall Sheffield 11th December 2005.Score.
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Constellation (BORBOUDAKIS MINAS)
Orchestra
Peters
Par BORBOUDAKIS MINAS. Constellation by Minas Borboudakis is a 14-minute work fo...
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Par BORBOUDAKIS MINAS. Constellation by Minas Borboudakis is a 14-minute work for orchestra (4 Horns in F, Timpani, 3 Percussion, Strings – Sampler). 'The first version of Constellation for octet was written in 2002 when Gidon Kremer asked me to write a new piece for the sextet of the Kremerata Baltica during a series of performances of my works in his festival in Lockenhaus', says the composer. In the version for orchestra, glissandi spread out from a single note phrase by phrase. The four horns, placed stereophonically in pairs to the right and left of the conductor, create explosions of sound through repetitive lines and motivic escapades. The premiere took place on 7 January 2011 at the Tonhalle Zurich by the Tonhalle-Orchester Zurich under the baton of Constantinos Carydis. The score (EP 12575) is available for sale as part of the Peters Contemporary Library. The performance material can be hired. / Date parution : 2022-09-07/ Répertoire / Orchestre
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Boden: Verona: Orchestra: Score
Orchestra
[Sheet music]
Cadenza Music
Mark David Boden's Verona for Orchestra.Premiered by the London Philharmonic Orc...
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Mark David Boden's Verona for Orchestra.Premiered by the London Philharmonic Orchestra at the Royal Festival Hall February 2012.Duration: c. 3.5 minutes
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Poul Ruders: Final Nightshade - An Adagio Of The Night: Orchestra: Score
Orchestra
[Sheet music]
Wilhelm Hansen
Premiered by The New York Philharmonic conducted by Lorin Maazel at Avery Fish...
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Premiered by The New York Philharmonic conducted by Lorin Maazel at Avery Fisher Hall Lincoln Center New York City 10th June 2004. Orchestration 3 Flutes 3rd dbl. Piccolo2 Oboes1 English Horn in F3 Clarinets in Bb 3rd dbl. Bas Clarinet in Bb2 Bassoons1 Contra Bassoon4 Horns in F3 Trumpets in Bb3 Trombones1 Tuba1 (set of) Timpani2 Percussion (two players)1: Bass Drum (large) Chinese Cymbal Mark Tree2: TamTam (large) Vibraphone Antique Cymbal1 Harp1 Piano dbl. CelestaStringsAll non-octave transposing instruments are notated in their relevanttranspositions.Horns notated in bass clef sound a fourth above the notated pitch.All accidentals apply to each single note only except tied notes. Naturals for 'safety'. Programme Note This piece marks the conclusion of what could now be called 'The Nightshade Trilogy' three pieces which explore the contrasting worlds of Light and Darkness. As opposed to the earlier chamber work Nightshade which dealt with extremes of high and low pitches and the chamber orchestra composition Second Nightshade a two-fold piece contrasting darkness/anxiety and light/calm Final Nightshade for full symphony orchestra takes us on a journey in which the forces of dark and light struggle - and co-exist - in a predominantly polyphonic web with brooding undertones. The melodic point-of-departure is not surprisingly to be found in either of the two preceding pieces of the Trilogy but in an older piece Corpus Cum Figuris from 1985. Over the ensuing years I've dreamt on and off of 'doing something' with the opening measures of this older work perhaps even building a new composition on that very simple inward-looking time was ripe and there's a nice nostalgia angle to the idea: Corpus Cum Figuris was the first piece of mine to be
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Glyn Perrin: Tu même: Orchestra: Score
Orchestra
[Sheet music]
University Of York Music Press
Orchestra (triple winds).Published 1981-83.3(+picc).3(+ca).3(+SAB saxes).3(+cbn)...
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Orchestra (triple winds).Published 1981-83.3(+picc).3(+ca).3(+SAB saxes).3(+cbn) / 4.3.3.1 / 3perc.prpf.hp / stringsFirst performance: Royal Liverpool Philharmonic Orchestra Nicholas Cleobury conductor Philharmonic Hall Liverpool 1987.Score.
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Tidsrum / Spaces Of Time: Orchestra: Score
Orchestra
Wilhelm Hansen
Per Nørgård's Tidsrum / Spaces Of Time for Orchestra with obligate Piano dati...
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Per Nørgård's Tidsrum / Spaces Of Time for Orchestra with obligate Piano dating from 1991. Programme Note Spaces of time is a 20-minute long one-movement orchestral piece “with piano” signifying that the piano not only as in my other orchestra works is part of the ensemble but also in a major passage attracts almost all attention. This passage is only one of the ´spaces of time´- spaces which give the work its title and represent individual musical perspectives. Relations of tempo and scale characterize such a space (besides the mentioned“piano-concerto” or other intrumental features) and in this way associate with say a small room - with close-ups of the musical objects - or perhaps to an infinitely great space - a cosmic one where all is far away and vibrating. One motive marked mainly by ascending stepwise movement unifies the spaces but the very varied scales may let the outines of the motive change between say 1/4-tone steps 1/2-tone steps diatonic and other scale steps up to such ambient steps that each one comprises almost a third of the total orchestral range. Very often 2 scales are woven together in a way that lets the “hidden tone” inside a major step in one of the scaels become a part of the other scale. By dynamic means one scale may be highlighted as a “figure” the other one as a “ground” in one passage - and vice versa. In this way a 12-tone chromatic scale may as well contain a Japanese 5-tone scale as a European 7-tone scale. In the final “space” the tones literally take leave of the listeners - by streaming down - as water sucked down into the ground by gravity - into the bass octaves and - into silence. Spaces of time was comissioned by “Suntory Hall” in 1990-91 (artistic director Toro Takemitsu) in October 1991 with Aki Takahashi (piano)
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Michael Nyman: Draughtsman's Contract Suite: Orchestra: Score
Orchestra
[Score]
Chester
Full Score-The first feature film collaboration between Peter Greenaway and Mich...
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Full Score-The first feature film collaboration between Peter Greenaway and Michael Nyman made in 1983 following a major series of short/independent films they made together - including The Falls and A Walk throughH. A draughtsman is commissioned by a landowner in the late 17th century to make 12 drawings of his property. Every note of the score was derived from the music of Purcell and was written for the Michael NymanBand. This concert suite which was made in 2001 and first performed in Hanover was specially revised for an all-Nyman concert given by the composer and the BBC Concert Orchestra at the Royal Festival Hall Londonin June 2003. Written for Orchestra and Harpsichord the suite lasts approximately 16 minutes.
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Kaija Saariaho: Notes on Light: Orchestra: Score
Orchestra
[Sheet music]
Chester
Kaija Saariaho's Notes on Light was commissioned by the Boston Symphony Orchestr...
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Kaija Saariaho's Notes on Light was commissioned by the Boston Symphony Orchestra Musical Director James Levine and given its first performance on 22nd February 2007 at Symphony Hall Boston USA by the cellist Anssi Karttunen with the Boston Symphony Orchestra conducted by Jukka-Pekka Sarastre.
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Magnus Lindberg: Kraft: Orchestra: Score
Orchestra
Wilhelm Hansen
The hardback edition of Magnus Lindberg's Kraft (1983–85) - for Soloists a...
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The hardback edition of Magnus Lindberg's Kraft (1983–85) - for Soloists and Orchestra with live Electronics. KRAFT was premiered at the Helsinki Festival by the Toimii Ensemble and the Finnish Radio Symphony Orchestra conducted by Esa-Pekka Salonen on 4 September 1985. KRAFT was also the recipient of the Nordic Music Prize 1988. All the musical material of the piece has been prepared with a micro-computer with programmes written in FORTH allowing a very flexible control of rhythm and chord processes. The programme is based on a formalization of rules for creation of rhythmic events gestures and temporal processes and an environment allowing a graphical output for metric notation. Similar rule-based programmes control the creation of harmonic material by a comparison to previously defined and accepted chordal successions given by the composer. The control of amplification and spatialization of the soloists during the performance is done with an application written in PreFORM and running on a Macintosh computer allowing a precise control of movement in the hall in real time.
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Jo Kondo: In Summer: Orchestra: Score
Orchestra
[Sheet music]
University Of York Music Press
For Orchestra (triple winds). Published 2004. Commissioned by Suntory Music Foun...
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For Orchestra (triple winds). Published 2004. Commissioned by Suntory Music Foundation Tokyo. First performance: Jo Kondo Portrait Concert Suntory Hall Tokyo Japan 7th October 2004 Tokyo Metropolitan Symphony Orchestra PaulZukofsyofsy (cond).
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Luís Tinoco: Frisland: Orchestra: Score
Orchestra
[Partitions]
-
Intermediate/advanced
University Of York Music Press
Symphony Orchestra-Frisland was composed by Luís Tinoco and was first published...
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Symphony Orchestra-Frisland was composed by Luís Tinoco and was first published in 2014. Inspired by the music of the American jazz Guitar player and composer Bill Frisell. Commissioned by the Seattle Symphony Orchestra and Ludovic Morlot as part of its Sonic Evolution project that celebrates the past and future of Seattle's music scene. First performance: Seattle Symphony conducted by Ludovic Morlot - Benaroya Hall Seattle 6th June 2014. Instrumentation:3FLT(3=PICC) 3OB(3=CORA) 2CLT 1 BASS CLT 3BSN(3=CBSN) 4HN 3TPT in C (1=TPT in D) 2TBN 1BTBN 1TBA TIMP 3PERC HP STR ORCH]
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Simon Holt: A Table Of Noises (Full Score): Orchestra: Score
Orchestra
[Sheet music]
Chester
Commissioned jointly for Colin Currie by the City of Birmingham Symphony Orchest...
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Commissioned jointly for Colin Currie by the City of Birmingham Symphony Orchestra and the Borletti-Buitoni Trust. First performance on 14th May 2008 at Symphony Hall Birmingham by Colin Currie (percussion) and the City ofBirmingham Symphony Orchestra conducted by Martyn Brabbins.NOTE FOR PERFORMANCEIn table top the unpitched solo percussion part in the 9th movement the scoring was initially left open. The present full score showsa suggested instrumentation which was devised by Colin Currie in conjunction with the composer. Soloists should attempt to match the timbres used but should not feel constrained by the exact choice ofinstruments.COMPOSER’S NOTEThe percussion instruments used in a table of noises in some ways represent the odd things that were on my great uncle Ash’s parlour table that fascinated me as a child. There is even abottle; there was always a milk bottle with the silver top pushed in surrounded by other essentials for his life. From birth he was quite severely handicapped in one of his legs and couldn’t walk too far without his trusty crutch.He kept everything he needed within arm’s length. In the list of instruments for the solo part there’s everything from deep log drum sounds to very high metallic chime sounds. Wood glass metal and a whistle. Mostlysmall-scale things with a large gong behind used sparingly. I think that we managed to keep below 30 instruments in all which I was keen to do. I didn’t want scores of things that are only played once they have to earn theirkeep. I didn’t want to use a marimba but thought that trying to make the xylophone sound in a more expressive way would be more of a challenge. The percussionist sits for much of the time on a Cajon a flamenco instrument which isessentially a wooden box. The player hits the front of the box in various ways rather as you play a conga. There are guitar strings inside and bells to add to the overall colour. I would like to thank Colin Currie for the
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Nico Muhly: Control: Orchestra: Score
Orchestra
[Score]
St Rose Music Publishing
Five Landscapes For Orchestra-This is the Full Score for Nico Muhly's Control: F...
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Five Landscapes For Orchestra-This is the Full Score for Nico Muhly's Control: Five Landscapes For Orchestra. Commissioned by Utah Symphony and Thierry Fischer Music Director the work was first performed at Abravanel Hall in Salt Lake City in December 2015. According to the composer's note Control is a sequence of five episodes that each offer an aural description of some aspect of Utah's landscape space and environment. From the land to the mountains to technology industry and the striking colours of the state Muhly's work is a unique approach to musical representation.
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Peter Maxwell Davies: Roma Amor Labyrinthos: Orchestra: Score
Orchestra
[Study Score / Miniature]
Chester
Roma Amor Labyrinthos for orchestra was commissioned by the Royal Philharmonic...
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Roma Amor Labyrinthos for orchestra was commissioned by the Royal Philharmonic Orchestra and first performed on 2nd May 2000 at the Barbican Hall London. The Independent May 2000: Roma Amor Labyrinthus captures thecomposers recollections of Rome as a student in the late '50s under Goffredo Petrassi to whom the work is dedicated... [this is] one of Sir Peter’s most spectacular scores evoking the might of the ancient city from a verypersonal viewpoint. Duration 43 minutes. Conductor's score and orchestral parts are available on hire.
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Karen Tanaka: Lost Sanctuary: Orchestra: Score
Orchestra
[Sheet music]
Chester
Lost Sanctuary was commissioned by the NHK Symphony Orchestra. It was first perf...
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Lost Sanctuary was commissioned by the NHK Symphony Orchestra. It was first performed by the NHK Symphony Orchestra conducted by Tadaaki Otaka at the Sumida Triphony Hall in Tokyo on 18th July 2002. This work is dedicated toTadaaki Otaka.
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Per Nørgård: Symphony No.7: Orchestra: Score
Orchestra
Wilhelm Hansen
Symphony No.7 was composed by Per Nørgård in 2004-06. Dedicated to Per Erik Ve...
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Symphony No.7 was composed by Per Nørgård in 2004-06. Dedicated to Per Erik Veng.Comissioned by the Danish National Symphony Orchestra / DR. Premiered by The Danish National Symphony Orchestra / DRconducted by Thomas Dausgaard at the inauguration of Copenhagen Concert Hall 29th of January 2009. Score revised 2013 by Per Nørgård and Thomas Dausgaard.Editor: Ivan Hansen
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Shadings: Orchestra: Score
Orchestra
Lauren Keiser Music Publishing
Shadings was commissioned for The American Composers Orchestra UnSafe series an...
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Shadings was commissioned for The American Composers Orchestra UnSafe series and premiered at Zankel-Carnegie Hall._x001A_In Laura Schwendinger's Shadings richly scored shimmering music ebbed and swirled in tandem with a series of enigmatic photographs projected above the orchestra. The photographs were taken in Japan by the composer's cousin Leni Schwendinger who also designed evocative lighting to complement the images._x001A_- Review by Vivian Schweitzer in The New York Times
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Gary Carpenter: Dadaville: Orchestra: Score
Orchestra
Cadenza Music
Gary Carpenter's Dadaville for Orchestra. Commissioned by the BBC for the First...
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Gary Carpenter's Dadaville for Orchestra. Commissioned by the BBC for the First Night Of The Proms 2015. First performance: BBC Symphony Orchestra conducted by Sakari Oramo @ Royal Albert Hall London on the 17th July 2015.
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Benjamin Britten: King Arthur: Orchestra: Score
Orchestra
[Score]
Chester
The first broadcast of the incidental music for D.G. Bridson's radio drama King...
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The first broadcast of the incidental music for D.G. Bridson's radio drama King Arthur was given on 23rd April (St. George's Day) 1937. The first performance of this Suite for Orchestra was given on 21st October 1995 atthe Snape Maltings Concert Hall by the Royal Academy of Music Symphony Orchestra conducted by Lutz Köhler. It has been recorded for Chandos by the BBC Philharmonic conducted by Richard Hickox.
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Jonty Harrison: Abstracts - Score: Orchestra: Score
Orchestra
[Sheet music]
University Of York Music Press
Commissioned by the University of Birmingham Symphony Orchestra. First performan...
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Commissioned by the University of Birmingham Symphony Orchestra. First performance: Great Hall The University of Birmingham University of Birmingham Symphony Orchestra conducted by Vic Hoyland 1998.
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Joby Talbot: Worlds Stars Systems Infinity (Full Score): Orchestra: Score
Orchestra
Chester
Commissioned by the Philharmonia Orchestra and Esa-Pekka Salonen for the Univers...
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Commissioned by the Philharmonia Orchestra and Esa-Pekka Salonen for the Universe of Sound project.First perfromed at the Royal Festival Hall on 8th July 2012 by the Philharmonia Orchestra and PhilharmoniaVoices conducted by Esa-Pekka Salonen.Instrumentation.4 Flutes (3rd doubling Alto Flute Piccolo; 4th doubling Piccolo)3 Oboes (3rd doubling Bass Oboe)Cor Anglais2 Clarinets in BflatClarinet in A BassClarinet in B flat3 BassoonsContrabassoon6 Horns in F4 Trumpets in C2 Tenor TrombonesBass TromboneTenor Tuba in B flat (Euphonium)Bass Tuba2 Timpani (2nddoubling Suspended Cymbals China Cymbal)4 Percussion (Meditation Bowls Bass Drum Crotales Marimba Vibraphone Small & Large Tam-tam Glockenspiel Xylophone Side Drum Mark Tree SizzleCymbal)CelestaOrgan2 HarpsChorus (SSSAAAA)Strings
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Nicholas Hooper: The Weasley Stomp: Orchestra: Album Songbook
Orchestra
[Score and Parts]
Alfred Publishing
from Harry Potter and the Half-Blood Prince-Harry Potter
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Helen Grime: Everyone Sang: Orchestra: Score
Orchestra
[Partitions]
Chester
Everyone Sang was composed by Scottish composer Helen Grime in 2010. It was comm...
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Everyone Sang was composed by Scottish composer Helen Grime in 2010. It was commissioned by BBC Radio 3 for the 75th anniversary of the BBC Scottish Symphony Orchestra. It was first performed at CityHall Candleriggs Glasgow in December 2010 and is arranged for Orchestra. When composing this piece Grime states that she imagined the Orchestra as many individual voices that were capableof producing a unified melody but also breaking off into separate strands of song. Since it was composed as a commemoration for the BBC Scottish Symphony Orchestra Grime wished to emphasise the Orchestra as a grand unified whole as well as their individual sections and sounds. The piece unifies the orchestra with a sense of celebration and elation as well as a sense of melancholy making it apt that the pieceis named after a poem by Siegfried Sassoon.
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Prelude A L'Apres-Midi D'Un Faune
Orchestra
Jobert
Debussy écrit dans sa note explicative: 'La musique de ce Prélude est une illu...
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Debussy écrit dans sa note explicative: 'La musique de ce Prélude est une illustration très libre du beau poème de Mallarmé - elle ne prétend pas en être une synthèse. Il s'agit plutôt de fonds successifs sur lesquels se meuvent les désirs et les rêves du faune dans la chaleur de cet après-midi.'Le succès fut si vif que Gustave Doret, qui dirigeait l'orchestre lors de la création, dut bisser l'ouvrage.L'éditeur / Orchestre
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Lennox Berkeley: Sinfonietta For Orchestra Op.34 (Miniature Score): Orchestra:
Orchestra
[Sheet music]
Chester
Orchestral work premiered at the Wigmore Hall by The London Chamber Orchestra in...
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Orchestral work premiered at the Wigmore Hall by The London Chamber Orchestra in 1950.
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Gerard Schurmann: Concerto For Orchestra: Orchestra: Score
Orchestra
Novello & Co Ltd.
Full Score. This work was commissioned by the Pittsburg Symphony for their 100th...
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Full Score. This work was commissioned by the Pittsburg Symphony for their 100th Anniversary season and was first performed by the orchestra in the Heinz Hall Pittsburg March 1996 conducted by Edo de Waart. Duration 32 minutes.
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