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Lute
LUTE
Piano, Voice
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Ukulele (8)
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French Horn and Piano (7)
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Recorder, Guitar (duet) (7)
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Flute, Horn and Piano (6)
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Flute, Harp en Piano (6)
Children choir, Instruments (6)
Clarinet Quartet: 4 clarinets (6)
Woodwind Quintet (6)
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Guitar Tab, Voice, Bass, Drum (6)
Wood Block Et Piano (6)
String Trio: violin, viola, ce… (6)
Accordion (6)
Petit Ensemble Contemporain (6)
Hohe Stimme, Melodie-Instrume… (6)
Flute, Oboe, Bassoon (6)
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Musical Awakening (5)
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2 Flûtes à Bec Alto ou Flût… (3)
Flûte Traversière ou Hautboi… (3)
Saxophone and Orchestra (3)
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Piano 4 Mains Et Flûte (Ou Ha… (2)
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Flûte à Bec Basse (2)
Cor Anglais et Orgue (2)
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Flûte à Bec Alto ou Flûte T… (2)
Vents (2)
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Marimba (2)
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Couleur des Vents (2)
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Euphonium (2)
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Trompette et Concert Band ou H… (2)
Recorder, Violin (2)
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VCE/FLT/VLC/DB::Voice, Flute, … (2)
Violin, Basso continuo (2)
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3 Trumpets (trio) (2)
FLT/HARP::Flute, Harp (2)
Accordion, Wind(s) (2)
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Cajon (2)
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4 Flûtes Et Guitare (2)
Flûte Ou Hautbois Et Basse Co… (2)
Flûte Traversière, Piano et … (2)
Symphonic Band (2)
Mittlere Stimme, Melodie-Inst… (2)
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FLT/CLT/PERC/VLA/VLC::Flûte… (2)
FLT/VLA::Flute, Viola (2)
FLT/CLT/PF/VLN/VLC::Flûte T… (2)
Ensemble De Cuivres Et Timbale… (2)
CHAM/VLN/FLT::Musique De Chamb… (2)
Flûte à Bec Alto ou Flûte T… (2)
Flûte à Bec Alto et 4 Percus… (2)
1 Et 2 Flûtes A Bec Soprano E… (2)
Recorder, Harp (2)
Quatuor De Flûtes (2)
FLT/VLA/HARP::Flute, Viola, Ha… (2)
Flûte Traversière, Hautbois,… (2)
Instrument en Ut (Flute ou Tro… (2)
3 Flûtes A Bec Alto (2)
3 Flûtes à Bec Alto ou Flût… (2)
Fake Book (2)
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Violon 2 (2)
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Sextuor à Vent (2)
5 Trompettes (2)
Violin, Guitar (duet) (2)
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Ukulele Ensemble (2)
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Bagpipe (2)
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English Lute Songs: Voice: Instrumental Album
Piano, Voice
Stainer and Bell
Book 2-The two books contain some 100 songs chosen from the definitive collectio...
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Book 2-The two books contain some 100 songs chosen from the definitive collections of The English Lutenists begun by Edmund Fellowes revised by Thurston Dart and added to by later scholars. They include many favourites and many lesser-known songs by popular composers such as Dowland Campion and Pilkington (no known ancestor of the compiler) as well as some unjustly forgotten such as Corkine Attey and Ferrabosco. Nearly all are for middle-range voice with lute parts transcribed in staff notation. The books have an appropriate preface and a commentary on the words which often throw a penetrating light on Elizabethan and Jacobean life.
9.00 GBP - Sold by Musicroom UK
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Songs For The Lute Viol and Voice: Voice: Score
Piano, Voice
Stainer and Bell
Keyborad reduction of lute and viol parts only
15.45 GBP - Sold by Musicroom UK
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Mon Village Au Clair De Lune Chant-Piano (LUTECE JEAN)
Piano, Voice
[Score]
Salabert
Par LUTECE JEAN. / Classique / Date parution : 1905-06-24/ Feuillet / Chant e...
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Par LUTECE JEAN. / Classique / Date parution : 1905-06-24/ Feuillet / Chant et Piano
3.69 EUR - Sold by LMI-partitions
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Faites Un Bon Voyage Varioustes (Coquille (LUTEREAU)
Piano, Voice
[Score]
Salabert
Par LUTEREAU. Langue: English(UK)/Deutsch/Français/Nederlands / Classique / D...
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Par LUTEREAU. Langue: English(UK)/Deutsch/Français/Nederlands / Classique / Date parution : 1905-06-24/ Feuillet / Chant et Piano
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Cyril Scott: Idyll - Voice/Flute: Voice: Vocal Work
Piano, Voice
[Sheet music]
Novello & Co Ltd.
Scott's 'Idyll' arranged for voice and Flute.
7.99 GBP - Sold by Musicroom UK
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André Caplet: Ecoute Mon Coeur Mezzo-Flute(Rabindranath Tagore: Voice
Français
Piano, Voice
Durand
Ecoute Mon Coeur Mezzo-Flute(Rabindranath Tagore
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A Musicall Banquet: Voice: Score
Piano, Voice
Stainer and Bell
A collection from 1610 of English and European lute songs. With a realised bass ...
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A collection from 1610 of English and European lute songs. With a realised bass line suitable for keyboard lute or guitar.
15.45 GBP - Sold by Musicroom UK
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Humphrey Clucas: Evenfall: Voice: Vocal Album
Piano, Voice
[Sheet music]
Recital Music
Humphrey Clucas is known for a wide range of choral and vocal music alongside a...
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Humphrey Clucas is known for a wide range of choral and vocal music alongside a growing body of instrumental music and this beautiful and evocative song is set to words by A.E. Housman. Originally for voice and lute Evenfall also works well with piano accompaniment and the edition includes versions for high voice (A minor) and low voice (E minor). The accompaniment is simple and supportive allowing the flowing melody to soar above with a tonal and accessible style which should appeal to singers of all ages and abilities.Humphrey Clucas was born in 1941 and read English at King's College Cambridge where he was also a Choral Scholar. Having taught Englishfor twenty-seven years he subsequently became a Lay Vicar at Westminster Abbey but is now retired. As a composer he is self taught and although he is well-known for a set of Anglican Responses written as an undergraduate almost all his serious music has been written over the last twenty-five years. He has a growing reputation as a choral composer and has produced an impressive and steady stream of choral works both sacred and secular alongside much instrumental music. He has written works for Cathedrals in Chichester Guildford Salisbury and Winchester as well as for King's College Cambridge Southwell Minster and Westminster Abbey.
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Airs Songs and Dialogues: Voice: Score
Piano, Voice
Stainer and Bell
With a realised bass line suitable for keyboard lute or guitar.
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The First Booke Of Songs: Voice: Score
Piano, Voice
Stainer and Bell
With lute tablature and keyboard realisation
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A Book Of Ayres 1601: Voice: Score
Piano, Voice
Stainer and Bell
With lute tablature and keyboard realisation
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The Third Booke Of Songs: Voice: Score
Piano, Voice
Stainer and Bell
Dowland's third book of songs accompanied by lute with tablature. Also with key...
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Dowland's third book of songs accompanied by lute with tablature. Also with keyboard realisation
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Ten Airs From Musicke Of Sundrie Kindes: Voice: Score
Piano, Voice
Stainer and Bell
With lute tablature and keyboard transcription
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Ayres C: Voice: Score
Piano, Voice
Stainer and Bell
Book 2-With lute tablature and keybaord realisation
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Songs From Rosseters Book Of Ayres: Voice: Score
Piano, Voice
Stainer and Bell
With lute tablature and keyboard transcription
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The First Book Of Ayres: Voice: Score
Piano, Voice
Stainer and Bell
With lute tablature and keyboard transcription
14.45 GBP - Sold by Musicroom UK
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The First Book Of Ayres: Voice: Score
Piano, Voice
Stainer and Bell
With lute tablature and keyboard realisation
13.50 GBP - Sold by Musicroom UK
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The Twelve Wonders Of The World: Voice: Score
Piano, Voice
Stainer and Bell
With lute tablature and keybaord realisation
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Elizabethan and Jacobean Song Books Forty Songs: Low Voice: Vocal Album
Piano, Voice
Stainer and Bell
Book 2-Edited by Edmund FellowesCONTENTSANONYMOUS: Willow Song (D - D)CAMPIAN T...
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Book 2-Edited by Edmund FellowesCONTENTSANONYMOUS: Willow Song (D - D)CAMPIAN Thomas: Follow your saint (D - D); When to her lute Corinna sings (B - D)DOWLAND John: Come again sweet love doth now invite (C - D); Sleep wayward thoughts (E flat - C); Sorrow stay (C - C)FORD Thomas: Fair sweet cruel (D sharp - D)JONES Robert: Now what is love (C - C)PILKINGTON Francis: Diaphenia like the daffdowndilly (C - C)ROSSETER Philip:
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Funeral Tears Songs Of Mourning: Voice: Score
Piano, Voice
Stainer and Bell
And The Masque Of Squires-With lute tablature and keyboard transcription
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The Second Book Of Ayres: Voice: Score
Piano, Voice
Stainer and Bell
With lute tablature and keyboard transcription
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A Pilgrimes Solace 1612 and Three Songs: Voice: Score
Piano, Voice
Stainer and Bell
From A Musicall Banquet-Dowland's Pilgrimes Solace and Songs from a Musicall Ban...
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From A Musicall Banquet-Dowland's Pilgrimes Solace and Songs from a Musicall Banquet accompanied by lute with tablature. Also with keyboard realisation
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Cendrillon (MASSENET JULES)
Piano, Voice
[Sheet music]
Heugel
Par MASSENET JULES. Cendrillon (Cinderella), with a libretto by Henri Cain based...
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Par MASSENET JULES. Cendrillon (Cinderella), with a libretto by Henri Cain based on Perrault's fairytale, premiered in 1899 in Paris. Best known for composing over thirty operas, the composer, Jules Massenet (1842-1912) purposely did not attend the premiere, but received a telegram the following day from baritone Fugère recording its triumph. Incorporating the composer's sense of humour and wit, the use of recurrent motifs is subtle and often thought to be inspired by Richard Wagner. Cendrillon contains musical echoes of the 18th century, incorporating gallant music, the use of the Lute and Viola D'Amore and a series of Balletentrees. The Opera is in four acts with 19 characters and a chorus. The role of Prince Charming is a breeches role whilst the melody lines of the Fairy Godmother are characterised by trills and arpeggios. Massenet 's Cendrillon remains popular to this day and was notably performed at the Royal Opera House in 2011. / Opéra-opérette / Répertoire / Chant et Piano
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Ayres (C.1609) . Book 1
Piano, Voice
[Sheet music]
Stainer and Bell
Book 1. Par HANDFORD GEORGE. With lute tablature and keybaord realisation/ Recue...
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Book 1. Par HANDFORD GEORGE. With lute tablature and keybaord realisation/ Recueil / Chant et Piano
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B. Dowland: Second Book Of Songs: Vocal: Instrumental Work
Piano, Voice
Stainer and Bell
Dowland's second book of songs accompanied by lute with tablature. Also with ke...
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Dowland's second book of songs accompanied by lute with tablature. Also with keyboard realisation
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B. Dowland: First Book Of Ayres: Vocal: Instrumental Album
Piano, Voice
Stainer and Bell
Dowland's first book of ayres accompanied by lute with tablature. Also with a k...
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Dowland's first book of ayres accompanied by lute with tablature. Also with a keyboard realisation
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Gioachino Rossini: Barbier Von Sevilla Geb.: Opera: Vocal Score
Piano, Voice
[Sheet music]
Barenreiter
This edition is based on the critical edition of The Barber of Seville edited by...
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This edition is based on the critical edition of The Barber of Seville edited by Patricia B. Brauner and published in 2008 as part of the series Works of Gioachino Rossini. But who needs a new critical edition of The Barber of Seville? The opera has been performed in theatres throughout the world since 1816 and has never been absent from the repertoire. There are two reasons for a critical new edition: firstly none of the early editions satisfy modern demands for a scholarly-critical edition. And secondly there is a wealth of previously unpublished material relating to this opera of great interest to both scholars and performers.Thusthe famous overture which Rossini had already used in his earlier opera Aureliano in Palmira differs noticeably from earlier editions in many places. The new edition enables performers to perform the overture either in its original scoring (as in Aureliano in Palmira) which includes two Flutes two Oboes and Timpani or in the scoring for the subsequent opera The Barber of Seville (with just one Flute one oboe and no Timpani).Urtext edition based on the series Works of Gioachino Rossini.All versions and transpositions are included in the appendix to the study score.Singing English translation in the vocal score.Takes into account all original sources including five manuscripts with Rossini’s autograph ornamentation.Takes into consideration the full extent of Rossini’s personal notational characteristics.Study score contains a detailed foreword (Eng/Ital)Full score (BA10506) critical report (BA10506-40) & study score (TP411) available for sale; performance material (BA10506-72) available for hire.
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Salve Regina Rv 616, Rv 617, Rv 618 (VIVALDI ANTONIO)
Piano, Voice
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Intermediate
Ricordi
Ed. critica di M. Talbot - Riduzione per canto e pianoforte di A. Frigé. Par VI...
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Ed. critica di M. Talbot - Riduzione per canto e pianoforte di A. Frigé. Par VIVALDI ANTONIO. The present volume contains all three settings by Vivaldi of the Marian antiphon Salve Regina that have come down to us. All three are for solo voice: soprano in the case of RV 617, and contralto in that of RV 616 and RV 618. The last two settings are scored for two instrumental cori and introduce woodwind instruments, respectively a flute and a pair of oboes, whereas the instrumentation of the first is confined to strings disposed in a single coro, although a solo violin is employed in three movements. RV 617, preserved in a non-autograph source in Brno, belongs to Vivaldi's first period of sacred music composition at the Pietà (1713-1717), while RV 616 and RV 618 are works of his maturity dating from the years around 1730. RV 617 is laid out in four movements, RV 616 and 618 in six movements. All three works are noteworthy for the tenderness of their expression and skilful writing for both the voice and the instruments. The Introduction and Critical Commentary for these vocal scores, prepared by Antonio Frigé, are closely based on those of the Critical Editions by Michael Talbot, published in 1998, 1990 and 1994. / Niveau : Intermédiaire / Classique / Répertoire / Chant et Piano
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The International Book of Christmas Carols: Voice: Vocal Album
Piano, Voice
[Vocal Score]
-
Easy
Walton Music
164 easy arrangements with chords of carols from around the world complete with...
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164 easy arrangements with chords of carols from around the world complete with lyrics in the original language as well as English. This special collection also includes historical background information on the observance of Christmas through the years and notes about specific carols to give added understanding. Songs are included from England Italy Latin America Spain Scandinavia Poland Czech Republic and more.Note on the arrangements:'We have worked to make this book both flexible and useful. The Piano accompaniments have been kept simple but much effort has gone into making them musically interesting and satisfying. Chordindications are given for every carol so that the accompaniments may be played on Chord Organs Accordions Guitars Ukuleles and other fretted instruments. A detailed chart demonstrating how to finger chords for fretted instruments is given at the back of the book.We have been careful to keep the voice ranges of the songs comfortable and the texts singable. Since harmony parts always add much pleasure to singing we have retained traditional four-part arrangements of the most familiar carols and hymns. For the others we have provided a second part to go along with the melody (printed in smaller notes) that may be sung or played on the Recorder Flute Violin or on other non-transposing instruments.' - Walter Ehret George K. Evans
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