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Inspired
LUTE
Piano Trio: piano, violin, cello
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Allain Gaussin: Les Céphéides Trio For Violin Cello and Piano: Piano Trio:
Piano Trio: piano, violin, cello
Leduc, Alphonse
For more than forty years Allain Gaussin fascinated by astrophysics has found...
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For more than forty years Allain Gaussin fascinated by astrophysics has found a major source of inspiration in observing the cosmos as attest a number of works going from Vent solaire (1974) to Philae (2015) by way of L’Harmonie des sphères (2006). Ten years later the 'Messiaen du Pays de la Meije' Festival hosted the first performance of the piano trio Les Céphéides. The musical journey enables the listener to enter a space 'just as impalpable and fragile' as that in which moves each Cepheid variable – this star whose brightness varies over regular periods according to two elements: the diameter of the heavenly body and thetemperature reading of its surface. How does one translate such a change in music? The bow's sautillé gettato on the violin and cello gives the score's opening pages this granular glittering that leads us 'towards the centre of the Cepheid variables'. From there a stream of colourful arabesques – the composer's 'ribbon figures' – gushes forth. After a weightless transition the cello unfurls its contemplative meditation which ends up in a suspended coda open onto the infinity of the starry vault. As musicologist Michèle Tosi accurately says so it is that the full richness 'of a teeming imaginary universe' unfolds.
26.99 GBP - Sold by Musicroom UK
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AntonÃn Dvo?ák: Piano Trio No. 3 In F Minor Op.65: Piano Trio: Score
Piano Trio: piano, violin, cello
G. Henle
Opus 65-Dvo ák worked longer and more intensively on this Trio than on just abo...
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Opus 65-Dvo ák worked longer and more intensively on this Trio than on just about any other chamber music work. After his first successes with pieces inspired by Czech folk music namely the popular Slavonic Dances (HN 757 and918) he now wanted to prove himself as a composer of the highest order. This is why in the following summer he thoroughly reworked the Trio that he had written within eight weeks in spring 1883 before giving it to his publisher.Although Brahms? music was the undeniable model for the new work it did not hinder the unfolding of a very personal tone that blends expressiveness and passion. As with the ?Dumky? Trio op. 90 (HN 799) Andreas Groethuysen isonce again responsible for the fingerings of the Piano part.
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Maurice Ravel: Piano Trio Mallarmé Poems And Other Chamber Works: Piano Trio:
Piano Trio: piano, violin, cello
Dover Publications
Ravel was not only a master craftsman of exquisitely constructed chamber works ...
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Ravel was not only a master craftsman of exquisitely constructed chamber works but he was also a key innovator inspired by the tonal/atonal experiments of Schoenberg Stravinsky and the Second Viennese School. This is most closely reflected in the remarkable Mallarmé Poems Ravel's closest approach to the modernist innovations. Elsewhere his Piano Trio presents a perfect example of the delicacy and intricacy of Ravel's chamber music. Joined by several other full chamber pieces this is music that presents Ravel at his most musically ambitious brought together for the first time in one large-format attractively-priced volume.
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Dream Trio (ULEHLA LUDMILA)
Piano Trio: piano, violin, cello
Advance Music
Par ULEHLA LUDMILA. Dream Trio was actually inspired by the concept of unique th...
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Par ULEHLA LUDMILA. Dream Trio was actually inspired by the concept of unique thoughts developing during sleep. The trio's two movements portray these changing fantasies to the delight of both performers and listeners./ Répertoire / Violon, Violoncelle et Piano
24.42 EUR - Sold by LMI-partitions
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Allegro op. 155 (KAPUSTIN NIKOLAI)
Piano Trio: piano, violin, cello
[Score and Parts]
Schott
Par KAPUSTIN NIKOLAI. Nikolai Kapustin’s Allegro is a thrilling single-movemen...
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Par KAPUSTIN NIKOLAI. Nikolai Kapustin’s Allegro is a thrilling single-movement work for piano trio, bursting with energy and replete with additive rhythms and characteristic jazz-inspired dissonances. It would make a great encore to any accomplished trio’s recital programme and joins a growing series of this Russian composer-pianist’s works newly published in the Edition Schott series./ Répertoire / Piano, Violon et Violoncelle
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Judith Weir: Piano Trio: Piano Trio: Score and Parts
Piano Trio: piano, violin, cello
[Sheet music]
Chester
Score and Parts.Commissioned by the Chamber Music Society of Lincoln Centre. Fi...
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Score and Parts.Commissioned by the Chamber Music Society of Lincoln Centre. First performance 19 May 1998 Merkin Concert Hall New York City.Quoting Weir: 'In my previous work I have often enjoyed inventing titles whichattempt to encapsulate the particular world of each composition but this fifteen minutes piece for violin cello and piano is simply entitled Piano Trio . What is the reason for this unusually abstract description? I thinkperhaps that in this piece the many external impressions which habitually make up my musical world have become too numerous and too personal to be pinned down in the space of few words that a composition title allows.The firstmovement began in my mind with impressions of Venice as relayed in Schubert's song Gondelfahrer; the crisp midnight air the dark choppy water the bells tolling the gondolier alone in emotional turmoil. Schubert's world is aplace where I can find constant inspiration and strength.The second movement recalls a time when I was called from a phone box in Africa. At one moment I was alone in my room the next (or so it seemed in my imagination)surrounded by light heat and sudden energy and activity. The movement is not however an evocation of African music; it takes the form of a scherzo and trio which collide with each other at the movement's conclusion.Thethird movement formed in my mind whilst I was reading some Gaelic poetry from the Hebridean island of Lewis on Scotland 's far flung Atlantic fringe. I was thinking of the bleached white beaches in that part of the world whereevery object lying on the sand - a washed-up bottle or a bird's skeleton - is a major event in a deserted landscape. The same might be said of this short set of musical variations where melodic fragments are laid out with plentyof space around them clear and plain for everyone to hear.
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Kaija Saariaho: Kaija Saariaho: Light And Matter: Violin: Score and Parts
Piano Trio: piano, violin, cello
Chester
Light And Matter was jointly commissioned by the Library of Congress Britten Si...
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Light And Matter was jointly commissioned by the Library of Congress Britten Sinfonia Norrbotten NEO and the Aeolian Chamber Players in honour of the 50th anniversary of the Bowdoin International MusicFestival. Composed in 2014 by Finnish composer Kaija Saariaho the piece is for Violin Cello and Piano. Saariaho states that her inspiration for this work came from looking out of herwindow in New York at the changing lights and movements of Morningside Park. The piece manages to accurately represent the dynamism of movement and kinetic energy through the musical interplay of the threeinstruments. The piece saw its world premiere at Bowdoin International Festival on July 30th 2014 with Renee Jolles on Violin Nicholas Canellakis on Cello and Benjamin Hochman onPiano.
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Päärme / Hem for piano trio (WENNAKOSKI LOTTA)
Piano Trio: piano, violin, cello
Fennica Gehrman
Par WENNAKOSKI LOTTA. Lotta Wennäkoski tells about her 10 minute long work PäÃ...
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Par WENNAKOSKI LOTTA. Lotta Wennäkoski tells about her 10 minute long work Päärme (Hem) for piano trio: 'We often speak in music of crafting in a figurative sense, and craftsmanship is, for the composer particularly, a traditional professional virtue. I personally have from time to time nevertheless been interested in the concrete images aroused by handicrafts, the way fabrics feel, and sewing. The pi-ano trio Päärme/Hem has a pulsative character, especially in the outer sections, and the idea of steady but erratically colourful stitching prompted the amusing and highly unusual word I chose for the title of the piece. The hemming in this trio is cheerfully brisk, though the result is not al-ways even intended to be over-neat or regular. For noise sounds are also an intrinsic feature of a hand-made texture. As is often the case with me, my source of inspiration in composing was the fact that the Sibelius Piano Trio would be giving the first performance. The slow, melodic material of the static middle section is to a great extent indebted to the knowledge of just how succulently such delicate, inten-sive lines can sound in the hands of ace players.' This product includes the score (=piano part) and parts for violin and violoncello, all in B4 size. / Date parution : 2022-05-31/ Répertoire / Trio avec Piano
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Ne Pas Oublier Coq Rouge Dans Jour Craquelé (Moments Proust) (PESSON GERARD)
Français
Piano Trio: piano, violin, cello
[Sheet music]
Lemoine, Henry
Par PESSON GERARD. Ce trio est constitué de plusieurs moments musicaux inspiré...
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Par PESSON GERARD. Ce trio est constitué de plusieurs moments musicaux inspirés des carnets d'esquisses de Marcel Proust. Proust est, entre Anne-Lise Gastaldi (pianiste et fondatrice du trio George Sand) et moi, comme un lien réflexe. Cette partition, qui lui est dédiée, est un hommage à la musique de Vinteuil (le compositeur en partie fictif de La Recherche du temps perdu), mais aussi une méditation sur les arcanes de l'invention proustienne. La phrase utilisée comme titre de ce trio est une sorte de mémento griffonné par Proust sur le folio 45 (verso) du Carnet 4 (1914-17) - phrase qui est liée au détail d'un tableau de Bruegel ainsi qu'au rougeoyant Septuor, la dernière oeuvre de Vinteuil. Gérard Pesson / contemporain / Répertoire / Violon, Violoncelle et Piano
32.10 EUR - Sold by LMI-partitions
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