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LUTE
Soli (ATB), Choeur Mixte (SATB) Et Orchestre
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Lute (48)
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Choeur SATB, 2 Hautbois, 2 Cla… (41)
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Cor Des Alpes Et Piano (41)
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Tenor (38)
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Mandoline, Mandole et Guitare (36)
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Violon Principal, 2 Violons, A… (36)
Baryton (36)
Chamber Music (36)
Soprano Saxophone and Piano (36)
Trompette, Cordes Et Basse Con… (36)
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Chanson (35)
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3 Tubas (34)
Viola da Gamba (34)
2 Hautbois, 2 Violons, Alto, V… (33)
Clarinette, Violoncelle Et Pia… (33)
Saxophone Soprano, Saxophone A… (33)
Tuba Solo (33)
Trumpet ensemble (33)
2 Clarinettes en Sib et Clarin… (33)
Clavier Electronique et Ligne … (33)
2 Trompettes ou Cornets et Tub… (33)
Solistes SATB, Choeur SATB, 2 … (33)
Baritone Saxophone (33)
Percussions et Piano (33)
4 Trompettes, Cor, 4 Trombones… (33)
Flûte à Bec et Piano (33)
Trombone Et Orgue (33)
2 Hautbois, 2 Clarinettes, Tim… (32)
Trompette en Mib, Cor, Trombon… (32)
String Quintet: 2 violins, vio… (32)
Trompette, Cor et Piano ou Org… (32)
Trompette et Quatuor à Cordes… (32)
Batterie Fanfare En Sib (32)
Solo S, Choeur SATB, 2 Flûtes… (32)
Quatuor à vent (32)
Concert Band ou Harmonie et Ba… (32)
Harpsichord and Strings (32)
Guitare (Fingerpick) (32)
5 Saxophones (Soprano, Alto, 2… (32)
Trombone et Orchestre à Vent (32)
3 Clarinettes en Sib et Clarin… (32)
Choeur SSATB, 2 Flûtes Traver… (31)
Choeur SSATTB, (6 Instruments,… (31)
Flûte à Bec Alto ou Flûte T… (31)
Cello, Organ (31)
Orgue et Brass Band (31)
2 Trompettes, Cor Et 2 Trombon… (31)
English horn, Piano (31)
2 Trompettes Et 2 Trombones (31)
Choeur SS (B) ou SA (B), 2 Vio… (31)
Guitar and Bass Tablatures, Ch… (30)
Duos (30)
Batterie Fanfare En Mib (30)
Autoharp (30)
Trompette et Piano ou Orgue (30)
Bugle et Piano (30)
Trompette Et Orchestre (30)
Organ and Brass Band (30)
Soprano Saxophone (30)
Diverses Formations (30)
Solistes SATB, Choeur SATB, 2 … (29)
Ensemble Divers (29)
Choeur A Cappella (29)
2 Oboes (duet) (29)
Piano, Bass, Drums (trio) (29)
Baritone Ukulele (29)
Euphonium et Brass Band (29)
Flûte A Bec, Guitare Et Musiq… (29)
Oeuvres Théâtrales/Oratorios… (29)
Flûte à Bec F1, C1, 2 Violon… (28)
Harpe, Violon et Violoncelle A… (28)
2 Clarinettes, 2 Violons, Orgu… (28)
Trompette ou Flûte à Bec ou … (28)
Violon, Alto, Guitare et Violo… (28)
Cor, Euphonium et Piano ou Org… (28)
2 Violons, 2 Altos ou 3 Violon… (28)
2 Hautbois, 2 Clarinettes, 2 B… (28)
Flûte 1 Hautbois 1 Clarinette… (28)
Recorder, Bass Continuo (28)
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C Trumpetor et Trompette Sib/C… (28)
Instruments Acoustiques (28)
Book (28)
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Orchestre Scolaire (27)
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Piano et Orchestre (27)
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Choeur SATB, 2 Trompettes, 2 T… (27)
Musique de chambre (27)
Solo et Accompagnement de Cord… (27)
String trio (27)
Quatuor Variable (27)
Cor en Mib et Brass Band (27)
2 Cornets (27)
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Voix (Ou Récitant) Et Instrum… (27)
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Ocarina (27)
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Euphonium and Orchestra (26)
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Cor en Mib (26)
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Trio (2 Soli Avec Réduction D… (26)
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Trompette Solo (26)
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Voice, String Quartet (25)
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Johann Sebastian Bach: Cantata BWV 175: SATB: Part
Soli (ATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Cantata for Whit Tuesday-Er rufet seinen Schafen mit Namen (He calleth His own s...
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Cantata for Whit Tuesday-Er rufet seinen Schafen mit Namen (He calleth His own sheep each by name) BWV 175Cantata for Whit TuesdayThe text of the present cantata was written by Mariane von Ziegler and was set by Bach for the third day of Whitsun in the year 1725.Bach made considerable alterations to the text when setting it. The pastorale atmosphere is created by three recorders through the inkoduction of which the opening words from the scriptures become a charming accompagnato; it is followed by an alto aria in the same orchestration - a combination that Bach uses nowhere else.- Urtext of the New BachEdition- Performance material (BA10175) vocal score (BA10175-90) & study score format 22.5 x 16.5cm (TP1175) available for sale
6.50 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Cantata BWV 175: SATB: Parts
Soli (ATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Cantata for Whit Tuesday-Er rufet seinen Schafen mit Namen (He calleth His own s...
(+)
Cantata for Whit Tuesday-Er rufet seinen Schafen mit Namen (He calleth His own sheep each by name) BWV 175Cantata for Whit TuesdayThe text of the present cantata was written by Mariane von Ziegler and was set by Bach for the third day of Whitsun in the year 1725.Bach made considerable alterations to the text when setting it. The pastorale atmosphere is created by three recorders through the inkoduction of which the opening words from the scriptures become a charming accompagnato; it is followed by an alto aria in the same orchestration - a combination that Bach uses nowhere else.- Urtext of the New BachEdition- Performance material (BA10175) vocal score (BA10175-90) & study score format 22.5 x 16.5cm (TP1175) available for sale
13.50 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Cantata BWV 175: SATB: Part
Soli (ATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Cantata for Whit Tuesday-Er rufet seinen Schafen mit Namen (He calleth His own s...
(+)
Cantata for Whit Tuesday-Er rufet seinen Schafen mit Namen (He calleth His own sheep each by name) BWV 175Cantata for Whit TuesdayThe text of the present cantata was written by Mariane von Ziegler and was set by Bach for the third day of Whitsun in the year 1725.Bach made considerable alterations to the text when setting it. The pastorale atmosphere is created by three recorders through the inkoduction of which the opening words from the scriptures become a charming accompagnato; it is followed by an alto aria in the same orchestration - a combination that Bach uses nowhere else.- Urtext of the New BachEdition- Performance material (BA10175) vocal score (BA10175-90) & study score format 22.5 x 16.5cm (TP1175) available for sale
2.50 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Cantata BWV 175: SATB: Part
Soli (ATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Cantata for Whit Tuesday-Er rufet seinen Schafen mit Namen (He calleth His own s...
(+)
Cantata for Whit Tuesday-Er rufet seinen Schafen mit Namen (He calleth His own sheep each by name) BWV 175Cantata for Whit TuesdayThe text of the present cantata was written by Mariane von Ziegler and was set by Bach for the third day of Whitsun in the year 1725.Bach made considerable alterations to the text when setting it. The pastorale atmosphere is created by three recorders through the inkoduction of which the opening words from the scriptures become a charming accompagnato; it is followed by an alto aria in the same orchestration - a combination that Bach uses nowhere else.- Urtext of the New BachEdition- Performance material (BA10175) vocal score (BA10175-90) & study score format 22.5 x 16.5cm (TP1175) available for sale
5.00 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Cantata BWV 175: SATB: Part
Soli (ATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Cantata for Whit Tuesday-Er rufet seinen Schafen mit Namen (He calleth His own s...
(+)
Cantata for Whit Tuesday-Er rufet seinen Schafen mit Namen (He calleth His own sheep each by name) BWV 175Cantata for Whit TuesdayThe text of the present cantata was written by Mariane von Ziegler and was set by Bach for the third day of Whitsun in the year 1725.Bach made considerable alterations to the text when setting it. The pastorale atmosphere is created by three recorders through the inkoduction of which the opening words from the scriptures become a charming accompagnato; it is followed by an alto aria in the same orchestration - a combination that Bach uses nowhere else.- Urtext of the New BachEdition- Performance material (BA10175) vocal score (BA10175-90) & study score format 22.5 x 16.5cm (TP1175) available for sale
2.50 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Cantata BWV 175: SATB: Part
Soli (ATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Cantata for Whit Tuesday-Er rufet seinen Schafen mit Namen (He calleth His own s...
(+)
Cantata for Whit Tuesday-Er rufet seinen Schafen mit Namen (He calleth His own sheep each by name) BWV 175Cantata for Whit Tuesday The text of the present cantata was written by Mariane von Ziegler and was set by Bach for the third day of Whitsun in the year 1725. Bach made considerable alterations to the text when setting it. The pastorale atmosphere is created by three recorders through the inkoduction of which the opening words from the scriptures become a charming accompagnato; it is followed by an alto aria in the same orchestration - a combination that Bach uses nowhere else. - Urtext of the New BachEdition - Performance material (BA10175) vocal score (BA10175-90) & study score format 22.5 x 16.5cm (TP1175) available for sale
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Johann Sebastian Bach: Cantata BWV 45 Es Ist Dir Gesagt: Mixed Choir: Part
Soli (ATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Cantata for the 8th Sunday after Trinity-Es Ist Dir Gesagt Mensch Was Gut Ist ...
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Cantata for the 8th Sunday after Trinity-Es Ist Dir Gesagt Mensch Was Gut Ist BWV 45Cantata for the 8th Sunday after Trinity- Performance material (BA10045) vocal score (BA10045-90) and study score (TP1045) available for sale.Bärenreiter's editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year aswell as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
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Johann Sebastian Bach: Cantata BWV 45 Es Ist Dir Gesagt: Mixed Choir: Part
Soli (ATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Cantata for the 8th Sunday after Trinity-Es Ist Dir Gesagt Mensch Was Gut Ist ...
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Cantata for the 8th Sunday after Trinity-Es Ist Dir Gesagt Mensch Was Gut Ist BWV 45Cantata for the 8th Sunday after Trinity- Performance material (BA10045) vocal score (BA10045-90) and study score (TP1045) available for sale.Bärenreiter's editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year aswell as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
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Johann Sebastian Bach: Cantata BWV 45 Es Ist Dir Gesagt: Mixed Choir: Parts
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Cantata for the 8th Sunday after Trinity-Es Ist Dir Gesagt Mensch Was Gut Ist ...
(+)
Cantata for the 8th Sunday after Trinity-Es Ist Dir Gesagt Mensch Was Gut Ist BWV 45Cantata for the 8th Sunday after Trinity- Performance material (BA10045) vocal score (BA10045-90) and study score (TP1045) available for sale.Bärenreiter's editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year aswell as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
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Johann Sebastian Bach: Cantata BWV 45 Es Ist Dir Gesagt: Mixed Choir: Part
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Cantata for the 8th Sunday after Trinity-Es Ist Dir Gesagt Mensch Was Gut Ist ...
(+)
Cantata for the 8th Sunday after Trinity-Es Ist Dir Gesagt Mensch Was Gut Ist BWV 45Cantata for the 8th Sunday after Trinity- Performance material (BA10045) vocal score (BA10045-90) and study score (TP1045) available for sale.Bärenreiter's editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year aswell as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
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Johann Sebastian Bach: Cantata BWV 45 Es Ist Dir Gesagt: Mixed Choir: Part
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Cantata for the 8th Sunday after Trinity-Es Ist Dir Gesagt Mensch Was Gut Ist ...
(+)
Cantata for the 8th Sunday after Trinity-Es Ist Dir Gesagt Mensch Was Gut Ist BWV 45Cantata for the 8th Sunday after Trinity- Performance material (BA10045) vocal score (BA10045-90) and study score (TP1045) available for sale.Bärenreiter's editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year aswell as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
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Johann Sebastian Bach: Magnificat In D major BWV243: Mixed Choir: Part
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Basso continuo Organ-The 2nd version with the 4 inserts from the E-flat major v...
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Basso continuo Organ-The 2nd version with the 4 inserts from the E-flat major version (transposed into D major).- Urtext of the New Bach Edition- Full Score (BA5103) vocal score (BA510390) and study score format 22.5 x 16.5cm (TP2) available for saleBarenreiter Urtext:In the international music world “Bärenreiter Urtext” is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest inmusicological research.For Bärenreiter “Urtext” is more than just a label – it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer’s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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Johann Sebastian Bach: St Mark Passion BWV247: Mixed Choir: Score
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
[Sheet music]
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Rezitative und turbae von Reinhard Keiser (1674-1739)-St Mark Passion (BWV 247):...
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Rezitative und turbae von Reinhard Keiser (1674-1739)-St Mark Passion (BWV 247): A reconstruction.Recitatives and turbae by Reinhard Keiser (1674-1739). Although all that survives of Bach's “St. Mark Passion” is Picander's libretto virtually all the arias and choruses can be reconstructed from “parody” versions. The original recitatives and turbae however are probably lost forever. Rather than rewriting these numbers “in Bachs's style” the editor Austin Harvey Gomme has added passages from Reinhard Keiser's setting of the Passion (a setting highly esteemed by Bach who performed it several times) thereby allowing this lost work to be performed in its entirety. A detailed prefacesheds further light on this unique reconstruction based on the New Bach Edition. Full score (BA5209) and vocal score (BA5209-90) available for sale Performance material (BA5209-72) available for hire.
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Johann Sebastian Bach: Cantata BWV 12 Weinen Klagen Sorgen Zagen: Mixed
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Cantata for the Sunday Jubilate-Weinen Klagen Sorgen Zagen (Weeping Crying ...
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Cantata for the Sunday Jubilate-Weinen Klagen Sorgen Zagen (Weeping Crying Sorrow Sighing) BWV 12Cantata for the Sunday Jubilate- Performance material (BA10012) vocal score (BA10012-90) & study score (TP1012) available for saleBarenreiter's editions of Bach's Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year aswell as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
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Johann Sebastian Bach: Cantata BWV 12 Weinen Klagen Sorgen Zagen: Mixed
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Cantata for the Sunday Jubilate-Weinen Klagen Sorgen Zagen (Weeping Crying ...
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Cantata for the Sunday Jubilate-Weinen Klagen Sorgen Zagen (Weeping Crying Sorrow Sighing) BWV 12Cantata for the Sunday Jubilate- Performance material (BA10012) vocal score (BA10012-90) & study score (TP1012) available for saleBarenreiter's editions of Bach's Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year aswell as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
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Johann Sebastian Bach: Cantata BWV 12 Weinen Klagen Sorgen Zagen: Mixed
Soli (ATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for the Sunday Jubilate-Weinen Klagen Sorgen Zagen (Weeping Crying ...
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Cantata for the Sunday Jubilate-Weinen Klagen Sorgen Zagen (Weeping Crying Sorrow Sighing) BWV 12Cantata for the Sunday Jubilate- Performance material (BA10012) vocal score (BA10012-90) & study score (TP1012) available for saleBarenreiter's editions of Bach's Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year aswell as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
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Johann Sebastian Bach: Cantata BWV 12 Weinen Klagen Sorgen Zagen: Mixed
Soli (ATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Cantata for the Sunday Jubilate-Weinen Klagen Sorgen Zagen (Weeping Crying ...
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Cantata for the Sunday Jubilate-Weinen Klagen Sorgen Zagen (Weeping Crying Sorrow Sighing) BWV 12Cantata for the Sunday Jubilate- Performance material (BA10012) vocal score (BA10012-90) & study score (TP1012) available for saleBarenreiter's editions of Bach's Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year aswell as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
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Johann Sebastian Bach: Cantata BWV 12 Weinen Klagen Sorgen Zagen: Mixed
Soli (ATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for the Sunday Jubilate-Weinen Klagen Sorgen Zagen (Weeping Crying ...
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Cantata for the Sunday Jubilate-Weinen Klagen Sorgen Zagen (Weeping Crying Sorrow Sighing) BWV 12Cantata for the Sunday Jubilate- Performance material (BA10012) vocal score (BA10012-90) & study score (TP1012) available for saleBarenreiter's editions of Bach's Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year aswell as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
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Johann Sebastian Bach: Cantata No. 21 - BWV 21: Mixed Choir: Part
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Cantata for the 3rd Sunday after Trinity-Ich Hatte Viel Bekümmernis - Lord My G...
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Cantata for the 3rd Sunday after Trinity-Ich Hatte Viel Bekümmernis - Lord My God My heart And Soul Were Sore Distrest BWV 21.Cantata for the 3rd Sunday after Trinity.The cantata ?Ich Hatte Viel Bekümmernis? dates from around 1713 and was probably performed for the first time that year in the Liebfrauenkirche in Halle. Its assigning to the third Sunday after Trinity probably only occurred the following year.With its large-scale structure and strong emphasis on biblical texts it was extremely popular in the 19th century and remains one of Bach?s best-known cantatas today.The cantata is published here with a Vocal score based on the New Bach Edition with an idiomatic straightforward Piano reduction by Martin Focke.- One of Bach?s best-known cantatas.- Urtext based on the ?New Bach Edition?.- Clear straightforward Piano reduction.- Study score (TP1021) Vocal score (BA10021-90) & performance material (BA10021) available for sale.
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Johann Sebastian Bach: Cantata No. 21 - BWV 21: Mixed Choir: Parts
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Cantata for the 3rd Sunday after Trinity-Ich Hatte Viel Bekümmernis - Lord My G...
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Cantata for the 3rd Sunday after Trinity-Ich Hatte Viel Bekümmernis - Lord My God My heart And Soul Were Sore Distrest BWV 21.Cantata for the 3rd Sunday after Trinity.The cantata ?Ich Hatte Viel Bekümmernis? dates from around 1713 and was probably performed for the first time that year in the Liebfrauenkirche in Halle. Its assigning to the third Sunday after Trinity probably only occurred the following year.With its large-scale structure and strong emphasis on biblical texts it was extremely popular in the 19th century and remains one of Bach?s best-known cantatas today.The cantata is published here with a Vocal score based on the New Bach Edition with an idiomatic straightforward Piano reduction by Martin Focke.- One of Bach?s best-known cantatas.- Urtext based on the ?New Bach Edition?.- Clear straightforward Piano reduction.- Study score (TP1021) Vocal score (BA10021-90) & performance material (BA10021) available for sale.
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Johann Sebastian Bach: Cantata No. 21 - BWV 21: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for the 3rd Sunday after Trinity-Ich Hatte Viel Bekümmernis - Lord My G...
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Cantata for the 3rd Sunday after Trinity-Ich Hatte Viel Bekümmernis - Lord My God My heart And Soul Were Sore Distrest BWV 21.Cantata for the 3rd Sunday after Trinity.The cantata ?Ich Hatte Viel Bekümmernis? dates from around 1713 and was probably performed for the first time that year in the Liebfrauenkirche in Halle. Its assigning to the third Sunday after Trinity probably only occurred the following year.With its large-scale structure and strong emphasis on biblical texts it was extremely popular in the 19th century and remains one of Bach?s best-known cantatas today.The cantata is published here with a Vocal score based on the New Bach Edition with an idiomatic straightforward Piano reduction by Martin Focke.- One of Bach?s best-known cantatas.- Urtext based on the ?New Bach Edition?.- Clear straightforward Piano reduction.- Study score (TP1021) Vocal score (BA10021-90) & performance material (BA10021) available for sale.
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Johann Sebastian Bach: Cantata No. 21 - BWV 21: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for the 3rd Sunday after Trinity-Ich Hatte Viel Bekümmernis - Lord My G...
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Cantata for the 3rd Sunday after Trinity-Ich Hatte Viel Bekümmernis - Lord My God My heart And Soul Were Sore Distrest BWV 21.Cantata for the 3rd Sunday after Trinity.The cantata ?Ich Hatte Viel Bekümmernis? dates from around 1713 and was probably performed for the first time that year in the Liebfrauenkirche in Halle. Its assigning to the third Sunday after Trinity probably only occurred the following year.With its large-scale structure and strong emphasis on biblical texts it was extremely popular in the 19th century and remains one of Bach?s best-known cantatas today.The cantata is published here with a Vocal score based on the New Bach Edition with an idiomatic straightforward Piano reduction by Martin Focke.- One of Bach?s best-known cantatas.- Urtext based on the ?New Bach Edition?.- Clear straightforward Piano reduction.- Study score (TP1021) Vocal score (BA10021-90) & performance material (BA10021) available for sale.
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Johann Sebastian Bach: Cantata BWV 172 Erschallet Ihr Lieder: SATB: Parts
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C m...
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Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C major version)Erschallet ihr Lieder (BWV 172) is one of those early Bach cantatas which were often revived at Leipzig. The first performance of this work was given in Weimar 1714. Although only a few instrumental parts from this performance are extant it may be assumed that at that time the cantata already had the form familiar to us from its first Leipzig revival. It was given in C major (church pitch corresponding to D major in chamber pitch) and the first number was intended to be repeated at the end of the work.- Urtext of the New Bach Edition-Performance material (BA10172) vocal score (BA10172-90) and study score format 22.5 x 16.5cm (TP1172) available for sale
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Johann Sebastian Bach: Cantata BWV 172 Erschallet Ihr Lieder: SATB: Part
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Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C m...
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Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C major version)Erschallet ihr Lieder (BWV 172) is one of those early Bach cantatas which were often revived at Leipzig. The first performance of this work was given in Weimar 1714. Although only a few instrumental parts from this performance are extant it may be assumed that at that time the cantata already had the form familiar to us from its first Leipzig revival. It was given in C major (church pitch corresponding to D major in chamber pitch) and the first number was intended to be repeated at the end of the work.- Urtext of the New Bach Edition-Performance material (BA10172) vocal score (BA10172-90) and study score format 22.5 x 16.5cm (TP1172) available for sale
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Johann Sebastian Bach: Cantata BWV 172 Erschallet Ihr Lieder: SATB: Part
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Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C m...
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Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C major version)Erschallet ihr Lieder (BWV 172) is one of those early Bach cantatas which were often revived at Leipzig. The first performance of this work was given in Weimar 1714. Although only a few instrumental parts from this performance are extant it may be assumed that at that time the cantata already had the form familiar to us from its first Leipzig revival. It was given in C major (church pitch corresponding to D major in chamber pitch) and the first number was intended to be repeated at the end of the work.- Urtext of the New Bach Edition-Performance material (BA10172) vocal score (BA10172-90) and study score format 22.5 x 16.5cm (TP1172) available for sale
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Johann Sebastian Bach: Cantata BWV 172 Erschallet Ihr Lieder: SATB: Part
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Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C m...
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Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C major version)Erschallet ihr Lieder (BWV 172) is one of those early Bach cantatas which were often revived at Leipzig. The first performance of this work was given in Weimar 1714. Although only a few instrumental parts from this performance are extant it may be assumed that at that time the cantata already had the form familiar to us from its first Leipzig revival. It was given in C major (church pitch corresponding to D major in chamber pitch) and the first number was intended to be repeated at the end of the work.- Urtext of the New Bach Edition-Performance material (BA10172) vocal score (BA10172-90) and study score format 22.5 x 16.5cm (TP1172) available for sale
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Johann Sebastian Bach: Cantata BWV 172 Erschallet Ihr Lieder: SATB: Part
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Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C m...
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Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C major version)Erschallet ihr Lieder (BWV 172) is one of those early Bach cantatas which were often revived at Leipzig. The first performance of this work was given in Weimar 1714. Although only a few instrumental parts from this performance are extant it may be assumed that at that time the cantata already had the form familiar to us from its first Leipzig revival. It was given in C major (church pitch corresponding to D major in chamber pitch) and the first number was intended to be repeated at the end of the work.- Urtext of the New Bach Edition-Performance material (BA10172) vocal score (BA10172-90) and study score format 22.5 x 16.5cm (TP1172) available for sale
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Johann Sebastian Bach: Cantata BWV 172 Erschallet Ihr Lieder: SATB: Part
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Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C m...
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Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C major version)Erschallet ihr Lieder (BWV 172) is one of those early Bach cantatas which were often revived at Leipzig. The first performance of this work was given in Weimar 1714. Although only a few instrumental parts from this performance are extant it may be assumed that at that time the cantata already had the form familiar to us from its first Leipzig revival. It was given in C major (church pitch corresponding to D major in chamber pitch) and the first number was intended to be repeated at the end of the work.- Urtext of the New Bach Edition-Performance material (BA10172) vocal score (BA10172-90) and study score format 22.5 x 16.5cm (TP1172) available for sale
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Johann Sebastian Bach: Cantata BWV 172 Erschallet Ihr Lieder: SATB: Vocal Score
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Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C m...
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Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C major version)Erschallet ihr Lieder (BWV 172) is one of those early Bach cantatas which were often revived at Leipzig. The first performance of this work was given in Weimar 1714. Although only a few instrumental parts from this performance are extant it may be assumed that at that time the cantata already had the form familiar to us from its first Leipzig revival. It was given in C major (church pitch corresponding to D major in chamber pitch) and the first number was intended to be repeated at the end of the work.- Urtext of the New Bach Edition-Performance material (BA10172) vocal score (BA10172-90) and study score format 22.5 x 16.5cm (TP1172) available for sale
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Johann Sebastian Bach: Cantata BWV 78 Jesu der du meine Seele: SATB: Part
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Cantata for the 14th Sunday after Trinity-Jesu der du meine Seele BWV 78 (Jesu ...
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Cantata for the 14th Sunday after Trinity-Jesu der du meine Seele BWV 78 (Jesu by Thy Cross and Passion)Cantata for the 14th Sunday after TrinityThe cantata Jesu der du meine Seele is one of the famous cycle of chorale cantatas which Bach wrote during the second year of his Leipzig appointment. It was probably performed for the first time on 10 September 1724 the fourteenth Sunday after Trinity in one of the principal Leipzig churches. The text is based on Johann Rist’s at that time widely known hymn of 1641. As in most of the cantatas of this cycle the corner-stones are provided by the first and last verses which appear in an unaltered form; whereas the middle verses were freelyremodelled as arias and recitatives.Urtext of the New Bach EditionPerformance material (BA10078) vocal score (BA10078-90) & study score format 22.5 x 16.5cm (TP1078) available for sale
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