Bring the excitement of traditional Latin dance to the string orchestra with this collection. Explore the 'clave,' or rhythmic groove styles, such as the Merengue, Tango, Mambo, and others in a flexible format. All instruments have the melody, a harmony part, and an accompaniment/bass line. Easy hand percussion parts are included for the string players to perform or the optional drumset part can be used. The use of piano and guitar is recommended for authenticity but not necessary. All text appears in both English and Spanish. / Orchestre A Cordes

This beautiful folk melody will capture the hearts of students and audiences. Originally scored for large orchestra, this string arrangement captures the essential qualities often heard in the English style of chamber music for strings from the late nineteenth and early twentieth centuries. Holst's melody, with its simple pentatonic folksong theme, receives the kind of mystical transformation we often associate with British composers' treatments of their indigenous wellspring-the folksong. All sections share in the melodic themes while passages for a quartet of soloists add textural interest. (4:15) / Orchestre A Cordes

Per Orchestra D'Archi. Par BETTINELLI BRUNO. Langue: English(UK)/Deutsch/Français/Nederlands / Musique contemporaine / Date parution : 1905-06-06/ Répertoire / Orchestre à Cordes

Per Orchestra D'Archi. Par BETTINELLI BRUNO. Langue: English(UK)/Deutsch/Français/Nederlands / Musique contemporaine / Date parution : 1905-06-06/ Répertoire / Orchestre à Cordes

Presented In English And Spanish. Par ALFARO GUADALUPE. A dedicated vihuela chord book, in English and Spanish, with over 300 chords for the vihuela. Chords are presented in easy to read and understand chord diagrams. Exact fingerings are shown for each diagram. Chords shown include major, minor, 7, min7, maj7, b5, sus4, aug, dim, 6, m6, 6/9, m7b5, 11, 13 and many more. Mel Bay's Vihuela Chord Book is one of the most comprehensive on the market, perfect for the aspiring mariachi. / Niveau : Débutant à Intermédiaire / All Styles - Methods / Répertoire / Orchestre à Cordes

This original piece is in a style reminiscent of the music of the rich cultural heritage of the Appalachian Mountain area. Music is an important part of the Appalachian way of life. In fact, Appalachian music is one of the best-known manifestations of the culture. Traditional Appalachian music is derived primarily from the English and Scottish ballad tradition and Irish and Scottish fiddle music. African-American blues musicians played a significant role in developing the instrumental aspects of Appalachian music as well. (2:15) / Orchestre A Cordes

Par BACH JOHANN SEBASTIAN. In 2001 Bärenreiter issued a newly engraved keyboard reduction and solo parts to this concerto based on the acclaimed New Bach Edition. The present expanded publication goes a step further in that it offers not only the two solo violin parts as presented in the New Bach Edition, but also two additional parts with fingerings and bowings by the baroque specialist Andrew Manze. Manze also offers players enlightened comments (English/German) on historical performance practices dealing with how the instrument was held, fingerings, bowing, shifting, the use of open strings and much much more./ Répertoire / 2 Violons, Instruments à Cordes et Basse Continue

Musique facile pour les groupes de la chaîne. Playstrings fournit un répertoire agréable et varié pour jeunes orchestres à cordes, soigneusement structurés à deux niveaux. / Scores

Composition de Harald Genzmer ' Divertimento di danza ' pour orchestre à cordes continue clairement la forme baroque de la divertimento. Cette musique ' light ' - dans le vrai sens du mot - consistait en une séquence de mouvements lâches avec les formes libres et les mouvements de danse alternat-ing successivement variées. Le divertimento composé de cinq à six mouvements. Genzmer gardé à tous ces faits, mais il introduit la nouvelle vie dans les formes anciennes. Bien qu'il n'a pas composé 'dans l'ancien style', il respecte certaines règles de la forme traditionnelle. / Orchestre A Cordes

Composition de Harald Genzmer ' Divertimento di danza ' pour orchestre à cordes continue clairement la forme baroque de la divertimento. Cette musique ' light ' - dans le vrai sens du mot - consistait en une séquence de mouvements lâches avec les formes libres et les mouvements de danse alternat-ing successivement variées. Le divertimento composé de cinq à six mouvements. Genzmer gardé à tous ces faits, mais il introduit la nouvelle vie dans les formes anciennes. Bien qu'il n'a pas composé 'dans l'ancien style', il respecte certaines règles de la forme traditionnelle. Les mouvements : Ouverture - Allegro (Fugato) - Adagio - Presto (sur une danse de l'ancien français) - Finale (sur un mouvement de danse anglais) / Orchestre A Cordes